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robi-banerjee
robi-banerjee
Indian To know what it is that moves the spirit, there is poetry. Yet, to write it takes the spirit itself. How strange, a poem.
Skin’s crawling, the edge of square roofs glowing with a cold sweat, eyes are sharper at the crack of a brown dawn. Dogs own dominion in fish markets that smell of yesterday. Their lives and mine are perfect by the all too human reckoning of a life’s worth calculated by wants supplied. A lone cyclist pedals a basket of dew-drenched vegetables to his usual earthen haunt and tarpaulin, swerving around the territorial pack as they change course, trot over and throng me muddy paws on the best clothes I own, breath smoking in the dry chill, I buy myself a pack as the cigarette vendor unpacks his wares out of damp sacks, it is a miracle that my breath does not catch fire or that my eyes have not turned into cotton-balls. Yet another stranger has brought me home to the sputter of a third-world petrol engine. He gets his fare, it’s only fair, and I’m just glad that I will sleep, I have nowhere to be in the morning, I have adventured and now I am tired and there is a yawning hole that I slip into without knowing. It is warm at last, I cradle my head with the soft side of one hand, as if it were mother’s, and this is well, for as things stand, my dreams welcome me in and their characters are so familiar, that I may have just woken up from a foggy, unmemorable dream into childhood sweet and clear.
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Nov 4, 2014
Nov 4, 2014 at 3:48 AM UTC
Routine.
I hang from your words like they’re gallows, dripping, running, hardening like melting tallow, I escape your mouth, only to fall into your eyes, spurned twice, but still I want you thrice, you burn, and I am a child who cannot learn, mark me a fool with the nails in your mouth, plough furrows into my back, till my land, still my words, breathe my stale lungs, feel my rough hands on your mountain roads, my feet on yours, barely treading water. I would steal the wings from the birds, the fins from the fish and the limbs from the beasts, rip the stars from the sky and the trees from the soil, dry the sky for your parasol, and I would gladly burn the entire world for just a little light to see you by.
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Jun 9, 2014
Jun 9, 2014 at 3:23 PM UTC
The Prisoner
The ***** of a heedless king drips down a chrome tire. It smells, “MINE, SO BEWARE!” His loyal pack sniffs about the borders of the kingdom. That tire drives through a strange land halfway across the city, growling cars and glowing yellow eyes that do not blink threaten national security. Perked ears show no fear! What nerve! The audacity! A dog’s bark possesses. It is a war-cry, a display of strength, defcon 3, a campaign of awe and horror where sleeping dogs discover the wolves they came from.
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Feb 18, 2014
Feb 18, 2014 at 11:18 AM UTC
Why Dogs Chase Cars
I lost my cellphone then on a sultry June night. I was quite claustrophobic in a pair of midnight jeans that I wore only so you would not think me bohemian. I did not mean to forget it there, but I was only making sure that your lips were okay in that heat. You saw me in a pair of cool khakis on every midnight in that fevered summer and you didn't care much, you said, you wanted me comfortable, you said because I ground words for long hours of the day and for longer hours at night to keep you. That struggle was like singing songs to an Angel to make her forget the choirs of Heaven, it does not matter how beautiful are the slender cracks in the human spirit which are slivers of the infinite grace of a love that is common as air in that Kingdom. To such a creature, surely, even the whole world would not be enough. A man with nothing is unequal to the contest, and a new cellphone enters my life, to replace the one I lost months ago, but I have no one left to speak to. The world smiles as if to say, here's a toffee, it really is too bad that you've been starving, and here is a consolation prize you cannot eat. Here is something that cannot sustain. What I came to understand was that we are a line drawn between only two points, a string taut from a stationary niche to a pencil desperate to escape the leash- the string snaps and all that is left is the thirst of entropy too long bereft, a scratched scar leading off the page, but circles in peace, and others in rage, in obsession, and in indifference, gibberish as a poet's language to represent what once made sense.
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Jan 19, 2014
Jan 19, 2014 at 1:47 PM UTC
Two Phones
I lost my cellphone then on a sultry June night. I was quite claustrophobic in a pair of midnight jeans that I wore only so you would not think me bohemian. I did not mean to forget it there, but I was only making sure that your lips were okay in that heat. You saw me in a pair of cool khakis on every midnight in that fevered summer and you didn't care much, you said, you wanted me comfortable, you said because I ground words for long hours of the day and for longer hours at night to keep you. That struggle was like singing songs to an Angel to make her forget the choirs of Heaven, it does not matter how beautiful are the slender cracks in the human spirit which are slivers of the infinite grace of a love that is common as air in that Kingdom. To such a creature, surely, even the whole world would not be enough. A man with nothing is unequal to the contest, and a new cellphone enters my life, to replace the one I lost months ago, but I have no one left to speak to. The world smiles as if to say, here's a toffee, it really is too bad that you've been starving, and here is a consolation prize you cannot eat. Here is something that cannot sustain. What I came to understand was that we are a line drawn between only two points, a string taut from a stationary niche to a pencil desperate to escape the leash- the string snaps and all that is left is the thirst of entropy too long bereft, a scratched scar leading off the page, but circles in peace, and others in rage, in obsession, and in indifference, gibberish as a poet's language to represent what once made sense.
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42
You are the broken pottery I bear in my broken hands. You are the cracked glass that split the world in half, the sawed-through cane I rested my burden on, the frayed noose you fashioned into a leash. You are broken, my dear, like everyone else here, I carry you like an illness.
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Jan 19, 2014
Jan 19, 2014 at 1:36 PM UTC
You Are The Broken
I have discovered that my blocked nose is not the reason I can’t smell roses. The smell has been cut out of the genus for the sanity of sensors on cargo airplanes. What then, about my children and their’s, when they discover old books for themselves and ask questions about the smell of flowers? About poetry, and the Nineteenth century? How would I tell the tale of family Plantagenet, with flags as dead as Lancaster and York? This tragedy seems so terribly unfair when roses are so much prettier than instruments on planes, every petal a miniature piece of God’s own skin. I need to walk down to the roadside florist if I can get out of this sweaty blanket into this chilly weather and find one of these ****** roses so I can dismember its petals one by one. I must disembowel this litany if I can she loves me, she loves me not, she wants me extinct bred out of this world for convenience, just like the forgotten smell of those roses. The tragedy to be told is that women are not supposed to be the main course in your life, the glorious bouquet of roses that you set the table around. They are more like condiments to an existence already charmed, but if the ketchup has gone rotten it tends to put a damper on how everything tastes and everything smells, I can’t smell the flowers and there are too many forks.
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Jan 15, 2014
Jan 15, 2014 at 11:45 AM UTC
The Smell of Roses
The clock strikes midnight, the hour hand a hammer the minutes a skinny nail digging into tomorrow, but my heart is drunk half a day in the past, clinking fragile glasses with ghosts. How can this be the same planet when we share its land and its air but not its days? There are two worlds that exist, one the night before, one the day after, and the gulf in between is sealed. You live in one, and I in the other. They are not at war but like cousins who once fancied the same girl, they meet only on occasion. We bring the New Year in together by being half a world apart as if to prove that despite empty spaces where you were, you remain. How do you share a new decade with the soul you’ve shared for half when the miles will not speak to each other? They eat my words and misreport my intentions, and my heart will not coax them into cooperation. Frost earned his wisdom from walls, but bricks are far more forgiving than the miles and teach softer lessons. The Atlantic is a moat and my daydreams may be dogged swimmers, but they are dashed like dying starfish on the East Coast with the tide. Half the world is a wall and I whisper to you through peepholes, cursed to peer through one eye and by half the world’s light, reaching into the past desperately with a hooked finger. It is as futile to describe the rift with this shadow of sign language, as these words are. The Earth turns one full circle into next year, and I find that I have also been turned around, but it is only me that has turned, and nothing has changed about us spinning, spinning.
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Jan 15, 2014
Jan 15, 2014 at 11:24 AM UTC
New Year's Day
The clock strikes midnight, the hour hand a hammer the minutes a skinny nail digging into tomorrow, but my heart is drunk half a day in the past, clinking fragile glasses with ghosts. How can this be the same planet when we share its land and its air but not its days? There are two worlds that exist, one the night before, one the day after, and the gulf in between is sealed. You live in one, and I in the other. They are not at war but like cousins who once fancied the same girl, they meet only on occasion. We bring the New Year in together by being half a world apart as if to prove that despite empty spaces where you were, you remain. How do you share a new decade with the soul you’ve shared for half when the miles will not speak to each other? They eat my words and misreport my intentions, and my heart will not coax them into cooperation. Frost earned his wisdom from walls, but bricks are far more forgiving than the miles and teach softer lessons. The Atlantic is a moat and my daydreams may be dogged swimmers, but they are dashed like dying starfish on the East Coast with the tide. Half the world is a wall and I whisper to you through peepholes, cursed to peer through one eye and by half the world’s light, reaching into the past desperately with a hooked finger. It is as futile to describe the rift with this shadow of sign language, as these words are. The Earth turns one full circle into next year, and I find that I have also been turned around, but it is only me that has turned, and nothing has changed about us spinning, spinning.
Continue reading...
38
A tattered flag dances on a rusty pole, having forgotten what color it once bore. It has forgotten that it is a flag, and what flags are even for. Was it a bed sheet caught by bad luck, or a symbol of hubris since humbled? None can tell, the reports say, there are none left. The rag flutters at full mast, saluting the death of civil servants muttering below their breath. Everyone's dead! scream the rotting newspapers behind the cracked glass of their rusted dispensers. This is a planet suffocated by an idiot race that left a running car indoors, stayed for tea, lazed and slept, multiplied and made merry, then burned the bodies to hide their monumental stupidity. Easier to remember faces than dig holes, and if you can fit thirty five heads into a two body boot, just imagine what you can do with a billion unused cars. It looks like they built and they built until there was simply no more room, and they ate and lived and fathered and sang and thought and wrote, made love, war and many a treasure, and used and churned and measured and grew and burned and murdered until there were no more brides or grooms, just the long prophesied doom. There are no more funerals, no fun in this immortal ****** that is half clay, half undrinkable, there are none left to sing elegies, every ending should have eulogies so silently final. Under layers of dust and ash, under this meaningless, floating rag and beside the splintered corpses of trees leafless like discarded matchsticks, every poem is posthumously ghost-written and never read, the bricks have crumbled into desiccated bread, but bone persists through the ages.
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Jan 15, 2014
Jan 15, 2014 at 11:14 AM UTC
Eulogy
A tattered flag dances on a rusty pole, having forgotten what color it once bore. It has forgotten that it is a flag, and what flags are even for. Was it a bed sheet caught by bad luck, or a symbol of hubris since humbled? None can tell, the reports say, there are none left. The rag flutters at full mast, saluting the death of civil servants muttering below their breath. Everyone's dead! scream the rotting newspapers behind the cracked glass of their rusted dispensers. This is a planet suffocated by an idiot race that left a running car indoors, stayed for tea, lazed and slept, multiplied and made merry, then burned the bodies to hide their monumental stupidity. Easier to remember faces than dig holes, and if you can fit thirty five heads into a two body boot, just imagine what you can do with a billion unused cars. It looks like they built and they built until there was simply no more room, and they ate and lived and fathered and sang and thought and wrote, made love, war and many a treasure, and used and churned and measured and grew and burned and murdered until there were no more brides or grooms, just the long prophesied doom. There are no more funerals, no fun in this immortal ****** that is half clay, half undrinkable, there are none left to sing elegies, every ending should have eulogies so silently final. Under layers of dust and ash, under this meaningless, floating rag and beside the splintered corpses of trees leafless like discarded matchsticks, every poem is posthumously ghost-written and never read, the bricks have crumbled into desiccated bread, but bone persists through the ages.
Continue reading...
44
There is something about seeing a woman in a man's clothes that hints at recent sins, for where are her own clothes and why does she choose to wear a man's shirt? A man's stink? His salty passions, faded nights written sartorially in drink? The wood of his wardrobe and his love of meatballs? Jackets are overcoats, clothes lie, skin peeks from behind rolled up sleeves pants are dated, we say, **** pants. There is a sense that what I've been wearing has never seen better days. I study this creature with a cat's grace masquerading in a mongrel's wrinkled skin. It is then I decide that these clothes are no longer mine, that they belong to she who they've chosen and that I'd rather be naked than feel the shame of being second best for my own things. Quietly, I peel her like an orange, tongues singing like electricity.
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Jan 15, 2014
Jan 15, 2014 at 9:29 AM UTC
Androgyny
Old men in older times once agreed that everyone should be able to say whatever to whoever they **** well please. Old men today have decreed that everyone should be able to say whatever old men in new times please and you can't say what you **** well please unless everyone is **** well pleased. Might as well adopt a Communist manifesto to quote to each other for conversation, and tune every radio to the same fascist station. Be politically correct, but otherwise wrong- it's not free speech for the dumb when you're humming the same old tuneless song in the country of liberated photostat machines.
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Jan 15, 2014
Jan 15, 2014 at 7:35 AM UTC
Free Speech for the Numb