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rajat-ubhaykar
how do you bump off a poem you suffocate it with superfluous words and stuffy grammar for it cannot inhale the pretentious fumes of a smouldering thesaurus in indelicate hands or chop off stanzas with a fountain machete watch the words dissolve into immutable discord a jigsaw puzzle that’s no longer a picture you stab it with the drab discipline of a force-fit two-bit rhyming scheme and leave it gasping for a breath of free verse or strangle it with a taut wire of ineffable material imbue it with playful profundity and everything else poets do except the crucial dash of yourself yes these are the standard operating procedures in the do-it-yourself manual on poemslaughter but the sure-fire way to **** a promising poem is to never write it because once born a poem never truly dies even upon mutilation it is only relegated to literary life-support until a chance rearrangement of potent words in the fevered imagination of a sentient being infuses it with a lust for life i’m alive it’ll proclaim jump out of its feather bed and quietly mutter to itself i’m still alive
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Jul 31, 2014
Jul 31, 2014 at 12:52 PM UTC
how to **** a poem
a talkative beast spewing half truths and half lies confident as the kid in your class who always raised his hand to mouth the wrong answer a kettle on the boil whistling absurdities shrill as a woman who has waited an hour at the rusty tap with a blue plastic bucket to find the last drop trickle away a menagerie of vultures salivating in unison at moist corpses in the street and swooping on the dead for a quote like eager students waiting for exam results to be plastered on the notice board a mercurial mistress who breaks a different bed everyday for limp men desiring a high-decibel performance for a two paisa act culminating in a contrived ****** an electronically enabled carrion crew reducing pillage to inches of column on newsprint a veritable feast isn’t it with Marie biscuits and steaming tea there is no escaping this monster of many heads and one tongue for it whispers a worldview its gait insidious and stealthy as it pounces on sheep who then bleat its platitudes as the truth and nothing but the truth
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Jul 30, 2014
Jul 30, 2014 at 6:18 AM UTC
media
A cursed affliction of the heart A human condition that drives us hither And thither chasing a ghostly calling On a restless search for mirages We are all actors Playing our role Said a great sonnet writer We use to quote platitudes But what of those who wander A crossroad of diverging futures Where one role does not satisfy Their boundless hopes and desires A poet one moment A grave digger the next Who shovels mud in the darkness And finds meaning in the light A role fit for a novel maybe Or at least a bad play Starring unknown faces Gesticulating to an empty theatre Some find solace behind the pages Of a tattered copy of Crime and Punishment Leading a vicarious life of alcoholics and whoremongers And some become what they don’t read Blessed is the mind whose devotion Is pure, untainted by the spectre Of what is and what could be Charting a singleminded road that plods on To heights heavenward To places unexplored In a narrow field of vision Towards a sunlit horizon And not be stuck in the bogs Of indecisive action Of halfhearted measures In a dreary haze of possibilities But it’s only a cosmic joke one would say For why did the Almighty in his wisdom Make a world so vast and beautiful Our ambitions so conspicuously lofty And our fleeting lives so very inadequate?
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Jul 16, 2014
Jul 16, 2014 at 8:30 AM UTC
Fickle