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oran-gutan
oran-gutan
allow me to sting the tip of my tongue to lick every drop of disappointment each of these failures let me drink, if there only be a God The god, a wise one cruel and cunning. forecast me into a fight grim fatal and frightening, wrestle the nails from my fingers, lay before me the lamb to slaughter for the grin of knowing: I do not wake torchless in the caverns of a beast (rest, I am no coward) in place, that I am one shiv of cement grains more ahead of the rotting moments yet to come. if not, I pull the recorder too far, my humid chest floods the sacred synapse pansied blood and frantics the light dwelling there I did it idiot I do it to myself, no else let there be a light **** a light make it turnips, pounded eyeballs give me give give give give give a dry well with a bottom the color of dust.
0
Mar 14, 2013
Mar 14, 2013 at 7:55 PM UTC
The Student's Trade
I’m not afraid to admit very few things she thinks, head nestling on the window, over the sleeping Atlantic, eyes, like drowsy oceans, swelling over combers of clouds: she watches herself drift away     *do I arrive             or depart (a return or restart) to the city of light that has warmed, since girl dreams were born, the tomorrows of my lamp lit heart?* yet what could I do, but dawdle and pine, write this and offer art: and hope it speaks mine, am I not a wonder? keen, sonorous in stride, industrious, strength, brimming with pride; bonafide, –zut alors you and me, divided. I abhor the wind that blew          (your delicate cloud)                from my Rhine. is your love sewn in guilt, cold repentance and blame, is your sweet foolish heart, here chained to mistakes? what if you are a photograph, captured among many, held by each but for one fleeting frame, (will you forget my antiquated name?) which of your colours: Manet unsentimental, or Impressions in variation, french vanilla in tumble, or, contours, postcards, and maps, shall fleshen our past– these stilted and dwindled days. I think, for me, forever in evening, in fear of the fast falling night, or moving slow, pale window glow, afternoons, sunlit in the space, between grace, clocks, and tunes: I fumble like a stone to breathe l’espirit of you. I know and you know.  I suppose, unfurl in a brave new start, above bonds of looming crows, blankets of Western valley snows, the beating red of my radio spire; think of a lingering dusk, when you see that Eiffel tower on the lush fields of March, but imagine us as that point, over fresh Champs du March, a glimmer at the peak, on the flat earth, apart.
0
Dec 17, 2012
Dec 17, 2012 at 5:08 PM UTC
Farewell to Your Dissolving Back: Prelude for la Fille aux Cheveux de Lin
I’m not afraid to admit very few things she thinks, head nestling on the window, over the sleeping Atlantic, eyes, like drowsy oceans, swelling over combers of clouds: she watches herself drift away     *do I arrive             or depart (a return or restart) to the city of light that has warmed, since girl dreams were born, the tomorrows of my lamp lit heart?* yet what could I do, but dawdle and pine, write this and offer art: and hope it speaks mine, am I not a wonder? keen, sonorous in stride, industrious, strength, brimming with pride; bonafide, –zut alors you and me, divided. I abhor the wind that blew          (your delicate cloud)                from my Rhine. is your love sewn in guilt, cold repentance and blame, is your sweet foolish heart, here chained to mistakes? what if you are a photograph, captured among many, held by each but for one fleeting frame, (will you forget my antiquated name?) which of your colours: Manet unsentimental, or Impressions in variation, french vanilla in tumble, or, contours, postcards, and maps, shall fleshen our past– these stilted and dwindled days. I think, for me, forever in evening, in fear of the fast falling night, or moving slow, pale window glow, afternoons, sunlit in the space, between grace, clocks, and tunes: I fumble like a stone to breathe l’espirit of you. I know and you know.  I suppose, unfurl in a brave new start, above bonds of looming crows, blankets of Western valley snows, the beating red of my radio spire; think of a lingering dusk, when you see that Eiffel tower on the lush fields of March, but imagine us as that point, over fresh Champs du March, a glimmer at the peak, on the flat earth, apart.
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70
snow ribbons the night behind blinds, white crackle over vinyl, black in ravines undulating silt whisks the sea, bed conversation of springs, yawn to sleep on a twin mattress, turtle, interred: orange branch to grove floor, hear-witness flutes in unbearable dawn unposessable, flesh and lavender stir in sleepy eye beds, rosebuds and breath condense warm on rickety panes, chipped beams stray suspended through poplar clouds, dissolve avocado in manila teem, damp hush to skin folds, pores, unseen burrows, pawed and pinhead heartbeats, meek but if in unison: rainfall tremendous on canvas cover, sinuous as the shanty cat spine, lilting: raking grain to wispy tail, cursive trickle over creekbed washboard scrubs, whisper sudding lace over iris-leather bed, wheat murmurs iridescent in squint-eyed flaxen wind.
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Dec 13, 2012
Dec 13, 2012 at 8:55 PM UTC
pastaural
what is a telescope -a tyrannosaurus skeleton -a reluctant birthright what are ***** -a state line -an obsolete receipt what is a wave -grandmother says: she will never forget as long as she lives -a forest trail in thick fog what is sea sick -he ran over a dog -wettest March of the century what is an hour -no smoking allowed -the fuming face of a buffalo what is sunburn -inedible black toast -I think she slanders me what is wine -overnight contact lens solution -a humble canal what is a mirror (child | beluga) ~(ham):o + ¥ineapple what is travel -a last minute thing -warmth within a windshield what is revision -a slow explode -milk in coffee what is antacid/calcium supplement -a bottle cap -handy clutter what is a fist -something to try eating when in circles -flour, 1-to-20 eggs, some ennui, expiration dates what is a sigh -a fresh seismograph sheet -sound mechanical in early morning what is skin -a shoelace -child labor what is a workshop -scalpels, piñata bats -a lunar module what is that shiny dead thing in the green eyed river -New Year’s Eve ball drop -otherworldly return to beginning
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Dec 13, 2012
Dec 13, 2012 at 8:33 PM UTC
Surrealist Waltz in Echo Chamber, Op. 301