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oona
oona
i like words n stuff
You were six years old when your parents took you to the art museum and you almost died. Fell down four flights of stairs, yet stood up with nothing more than a scrape on your bicep. Mom will call this day *a miracle, the day her daughter escaped almost certain death*. Sometimes, though, you wish you could have hit your head a little harder; chomped down so hard on your tongue that part of it could have fallen off (and maybe then you could be beautiful.) The problem is, your mom tells her coworkers that it’s God’s Gift of Life that you’re still here. Sometimes she squeezes your hand so hard you’ll worry she’ll break your bones, which are already so thin, just the way she likes them. (Because a near-death experience does not justify something like chubby fingers.) (Even to your mother, who held you in her arms as you whimpered at the bottom of a staircase and kissed your forehead as she told you it would be okay.) Your friends tell you that you’re meant to be here, and they love you, they really do, and your tongue tastes flat and boring in your mouth as you clamor for an interesting story to tell, a tale of survival that will make them miss you even when they have you, and yet you find nothing: nothing.
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Feb 11, 2017
Feb 11, 2017 at 3:29 PM UTC
Miracles
The woman sticks her head out the window and breathes in heavy air, fog swimming down her throat into unsettled stomach. Grumbles and groans under the weight of morning dew. She can almost taste the grass from here, imagine the way it blows in a breeze she hasn’t felt in years. It used to move her, slide her hair down her back and now she always wears it up, those bright red locks tied away where no one can ever find them. Wet hands glide across glass pane and it is only now that she realizes her head feels a little too heavy on her neck. Necklace throbs against collarbone and maybe it’s the loneliness, she thinks, the desperate way she hears the birds chirping in some unknown distance and she wonders what it would feel like to move. She takes a step away from the window.
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Feb 11, 2017
Feb 11, 2017 at 3:26 PM UTC
Cape Cod morning
hand around stomach, she thinks (this cannot be right) the way his hands feel like they are burning holes in precious porcelain skin she promised she would save, maybe to never give away. the way her fingers begin to web and her mind goes fuzzy and he’s still reaching for her, all bone-finger and finger- bone. maybe this is what it feels like to grow into the ground. feet slide into fertile mud (slides up her legs past veiny thigh purple lines trekking below soft skin) branch explode from arm waist slim to bark eyes rose- petal pink
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Feb 11, 2017
Feb 11, 2017 at 3:25 PM UTC
Apollo and Daphne
In the past five years, you haven’t stepped foot into a hospital. Unlike your best friend, whose father had cancer, and unlike your grandmother, who slipped and fell and broke her hip and you were vacationing in Ecuador when all of this was happening, unable to escape from the tropical rainforests to visit the sick and dying. Your friends tell you that you’re lucky, that they’ve been to hospitals twelve times since their birth, but at this point, anything would be more exciting than coming home and falling asleep. Even your favorite TV show can’t keep you awake anymore, and instead of being in surgery or giving birth, you curve your spine into a C shape while trying to finish homework that will never truly be done. But if you really cared about any of this, maybe you would drive to the hospital, take a stroll down the maternity ward, though suddenly you’d remember that you don’t know how to drive and maybe you’ll never get out of this place, maybe this is all there will ever be.
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Sep 21, 2016
Sep 21, 2016 at 7:49 PM UTC
Hospitals
one time, when you were six years old, your parents took you to the alligator farm, which is exactly three.02 miles away from the beach, and your father, with his beefy hands, lifted you up in his arms, let you peer over the safety railing at the scaly green creatures below you, and sometimes now you wish he would have dropped you down. maybe you would have died. or maybe you wouldn't have, but at least then you would’ve had a survival story to tell. perhaps the problem with starting poems off with a trip to the alligator farm is that readers expect you to get chopped into sixteen pieces by means of teeth larger than hands, break your neck, but there’s no conclusion to this story other than that sometimes you wash your hands until your knuckles are bleeding, and that’s by far worse than being swallowed by a reptile, clawing out your own vocal chords, dying,
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Sep 21, 2016
Sep 21, 2016 at 7:38 PM UTC
death & alligators
In this story, she’s made of only blood, flesh, and bone. Her pair of white-hot eyes trail down polycarbonate bodies like liquor over skin, *yes, I’m moving to New York next weekend. Yes, I’m very excited.* She’s a simmering bowl of office clerk and caesius veins, swimming, always swimming. It’s not like she has a lot of *** or anything, though she likes bodies against bodies and the smell of salt and sweat and gasps and heaves and the thrill. 40s jazz and pill-shaped freckles; she pulls her sweater down over her hands, tries to calm down a heart that'll never stop beating. God. Yes. Yes to whiskey, yes to the new car, yes to falling asleep without eating dinner. It’s about the new, the news, the ivy and the flowers and the way that roses are so beautiful and yet they are covered in thorns and green is a very pretty color until jealousy turns everything brown and rotten and it’s all about the way Venus fly traps are so wonderful and so so cruel.
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Sep 9, 2016
Sep 9, 2016 at 8:01 PM UTC
In this story,
Your greatest fear is of someone yelling Fire! in a crowded theater, of the cries of children, the way popcorn would be dropped, scattered. Perhaps—if there were a fire, that is— your body would lock into place, like ceramic, like a doll, and you would be able to do nothing except sit there, heart pounding, blood flowing; perhaps you would press two fingers to your veins, let the sound of your adrenaline overpower the way smoke that doesn’t exist floats through the air, into your lungs, suffocating you. Maybe if you try hard enough, there will be a Fire! in a crowded theater. Maybe, sickeningly, you want to watch the way mothers would throw their children over their shoulders, race to an exit. Maybe you’d rush to an exit, too. However, there’s a chance that you’ve just normalized death, that you’re afraid of fear itself, the crackling of flames, the smell of burning plastic, the color red,
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Sep 5, 2016
Sep 5, 2016 at 10:51 PM UTC
Like ceramic
She told me she tried to **** herself three days before my birthday. And ever since then, I wonder if she raised a knife to her wrist. Or if she swallowed a bottle of pills. Held a gun to her head until she realized that there's so much more out there than her brains littering her bedroom wall. Did she get rushed to the hospital, put in the ICU? These are the questions I will always be too afraid to ask. Suicide is more than your curiosity, she would say, but she was the one who cried as she wrote what she hoped would be her last goodbye, almost left me alone in a world we were trying to understand, together. Stain me, because my birthday is no longer my birthday. My birthday is wondering if the world would have continued to turn if her heart stopped beating, and the presents aren’t so exciting anymore; the cake never tastes as sweet.
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Sep 5, 2016
Sep 5, 2016 at 4:48 PM UTC
Tendencies
Dionysus, god of wine, presses glasses of whiskey to your lips, tells you he’s here, he’s here, and shivers shoot down your spine. You crack your knuckles under the table-- expand the space between your bones, you want to punch him-- yet his hands still find their way to the soft, supple skin of your knee, press, knead, and you want to slither away like a snake, turn into the perspiration that dribbles down his neck, but his eyes glimmer in the darkness and maybe you just want him to purple you, ferment layers of muscles you never wanted in the first place, bite your lip, smile like lightning, dig fingernails into emptied hair follicles, and he squeezes your thigh so hard you’re worried you’ll break in half. **** it, your narrow beams of ribcage only bounce under shattered glass, he’s here, he’s hurting you and you’re bleeding and blood is erupting out of your throat choking you choking him everything is red, purple; purple me, you’re saying.
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Sep 5, 2016
Sep 5, 2016 at 3:59 PM UTC
Dionysus
The woman who stands behind you in line presses her shopping cart against your hipbone until you wince and tell her to stop. She makes a face at you as she pulls away. You sigh. You stare at the magazines that surround you; you read something about the president having a gay affair- (That can't possibly be true! you think,) and even though you know better than to trust the tabloids, you're very gullible. God. The person in front of you in line is taking forever to check out, and you're tired of reading, so you hum Fritz Reiner's Concerto for Orchestra until a man behind you tells you to 'Please stop humming, thank you very much.’ Well, **** him. **** all of this. And you can’t help but wonder why they only sell weight loss magazines by checkout counters when, really, they should be selling Harper Lee, George Orwell, Ernest Hemingway. You like Edgar Allan Poe, too, but you figure that he's maybe a little bit too dark for the supermarket. Ah. Finally. After what seems like forever, it's your turn to check out your groceries: you place your items onto the conveyor belt-- milk, cheese, spinach, bread. The woman behind the cash register scans your credit card and asks you for your signature. Your mind is, for some reason, stuck on some poem you memorized in high school, something about disappointment and depression, and even though you’re distracted, you sign your name on the little screen in front on you. For a moment, your life feels thready and vulnerable. But the feeling soon passes, and then you're back to carrying groceries back to your car. What was that poem you were trying to remember? Somewhere in the back of your mind, you can recall the feeling of a woman pressing a shopping cart against your hipbone. Something about desperation and desolation. Ernest Hemingway? You shrug your shoulders. In the end, you guess, nothing really matters.
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Sep 4, 2016
Sep 4, 2016 at 12:35 AM UTC
Hemingway
The woman who stands behind you in line presses her shopping cart against your hipbone until you wince and tell her to stop. She makes a face at you as she pulls away. You sigh. You stare at the magazines that surround you; you read something about the president having a gay affair- (That can't possibly be true! you think,) and even though you know better than to trust the tabloids, you're very gullible. God. The person in front of you in line is taking forever to check out, and you're tired of reading, so you hum Fritz Reiner's Concerto for Orchestra until a man behind you tells you to 'Please stop humming, thank you very much.’ Well, **** him. **** all of this. And you can’t help but wonder why they only sell weight loss magazines by checkout counters when, really, they should be selling Harper Lee, George Orwell, Ernest Hemingway. You like Edgar Allan Poe, too, but you figure that he's maybe a little bit too dark for the supermarket. Ah. Finally. After what seems like forever, it's your turn to check out your groceries: you place your items onto the conveyor belt-- milk, cheese, spinach, bread. The woman behind the cash register scans your credit card and asks you for your signature. Your mind is, for some reason, stuck on some poem you memorized in high school, something about disappointment and depression, and even though you’re distracted, you sign your name on the little screen in front on you. For a moment, your life feels thready and vulnerable. But the feeling soon passes, and then you're back to carrying groceries back to your car. What was that poem you were trying to remember? Somewhere in the back of your mind, you can recall the feeling of a woman pressing a shopping cart against your hipbone. Something about desperation and desolation. Ernest Hemingway? You shrug your shoulders. In the end, you guess, nothing really matters.
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