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nicholas-ripley
As a poet I was published in a variety of magazines in the late 70's and early '80's after which time a took a long break from writing poetry with any regularity. During this time my writing turned to scripts, journalism, reports and my work was in the creative industries. Last year I began writing poetry oncemore, so I feel I have a fair bit to catch up / / I am a great admirer of the pots Paavo Haaviko. Fleur Adcock, Charles Tomlinson, R.S. Thomas, to name but a few.
After the devastation came recuperation. New shoots had sprung with alacrity enough to establish a presence in that walled garden, contained to a strip barely big enough for date and citrus to thrive. The neighbour waited twenty one seasons, and with each season saw young shoots replacing the old. Imaging a future where grass might escape the confines of concrete and sea neighbour chose to start the mower, move beyond boundaries, and mow and mow and mow. It's been twenty three days now and still blades whirr day and night each hour inducing fresh rubble to deter shoots, new seeds, hope. The neighbour will retreat soon, beyond the wall, being temporarily satiated with reek and wreckage, knowing a day shall arise to return for the fruits of the land.
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Aug 2, 2014
Aug 2, 2014 at 1:30 PM UTC
Mowing the grass
Folded into this numb-husk of unknowing, undeveloped eyes, wrapped by distressed skin, continue to peer, unseeing, accustomed as they now are, to a feed of distant Telegenically Dead. These short lives have been socially shared and mocked, as morgues overflow to floor; impromptu fans recirculating mournings hot air. There is little chance for grief on Day 13; rage has to be spent like a brass cartridge or slung stone, or drowned in red pools mixed with the water of collective driblets. Meanwhile a politician says something else.
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Jul 21, 2014
Jul 21, 2014 at 10:37 PM UTC
The Operation
Sky hallucinates a momentary purple; silhouetting crowns of the Sycamores hitherto melded in tenebrous night.
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Jul 18, 2014
Jul 18, 2014 at 7:59 PM UTC
Storm
Low-slung sun of October caught and embraced those gathered, on steps, hemmed by fountain, and Victorian revived Roman. There are statues amongst the passers-by, rooted by makeshift placards fashioned from discarded cardboard with chalk marked ironies. Tank girl, hair part shaven and dyed flame red, is slender and strong holds, 'This is a sign' on the reverse, in bold print, it read FRAGILE.
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Jul 10, 2014
Jul 10, 2014 at 8:24 PM UTC
First Day Of The Occupation
Having skipped through fresh bloomings of Lesser Celandine, feet numb to their shiny hearts; one-foot-spanned the wild River Beal, the other missed, trailed, became sodden. Green eyes scanned, surveyed the horizon, with its path to Gallows hill, so with one foot cold he ascended; Tarmac pounded his heart, as words, from god-knows-where, flushed synapses. Perhaps it was the discord of former chains ratting in the bleakness, crimes of dependencies crying for release that swept his attention on the wind, or a lapse into timeless genetics, coursing naturally. He died up there, left a ghost on a former gibbet, then descended to the Beal's banks of Yellow Flag Iris. June 2014
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Jul 6, 2014
Jul 6, 2014 at 1:00 PM UTC
On Becoming a Man in Milnrow
Rake-thin Humble hoes subsistence soil Planting green-topped onion bulbs, Camino divides the field forcing Humble's Husband To till distantly, he works slower, and is of bulbous girth, A red Reebok shirt adorns his back whilst she Wears the hand-me-downs her grandmother had worn. Their house is built of stone like bone, Ground-sewn and dug fresh centuries before, No siestas punctuate their endeavors. Passing pilgrims groan under weight of sack - Whilst Humble counts the years before her bones Are interned in preparation to shelter future generations.
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Jul 6, 2014
Jul 6, 2014 at 9:08 AM UTC
Onion Sopa
Looking out of the window; a ribbon of duck-egg-blue sky, fringed by the sun's late light, is sandwiched by grey cumulus. It frames Sycamore tree tops, red tiled pyramids with their expectant aerials pointing West, littering clean lines. It is a mute view; serried bins wait for the mornings collection, cars sit dumb, curbed, their daily commute completed. Two starlings flit, silent, and in the far distance a high contrail is picked out in gold as a thread in blue silk. For five years this view remains changeably the same; unspoilt by the entropy of new perspectives. This is the summer of un-broadcast malcontents, pacified in Brazilian spectacle. Days simmer here and there. Soap operas filter through, made to massage the message of consume and discard, of holidays and pistons. And in the mornings, that never come, we abandon the cars that cannot diverge from work-honed routes, taking to the air from Sycamores as Starlings. June 2014
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Jul 5, 2014
Jul 5, 2014 at 5:05 AM UTC
Starlings
In this hour of lead; within walls that have contained the seepage of a families turbulence, I swipe a light finger over her former belongings, leaving a trail in dust to mark a temporary presence.
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Jul 2, 2014
Jul 2, 2014 at 3:59 PM UTC
Emily
grey fleece matches skin; reeks of stagnant tobacco, ingested in fear
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Oct 4, 2010
Oct 4, 2010 at 6:25 AM UTC
Stress
When you chose to un pick the un you chose too to ravel derstanding
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Sep 27, 2010
Sep 27, 2010 at 5:37 AM UTC
unsense