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misnomer
misnomer
some call themselves writers. well, i write, if that counts for anything.
there is a limit for everything. there's a limit on how accurately you can pronounce 'pecan', and it's worth a watch-- between wild west ranger and retired norwich resident. one must decide which arm is stronger-- two grocery bags for the left arm and one for the right, but if it were not so, you may as well carry them on each drooping finger. a can rests on a tired desk. it is filled with nothing, which is precisely everything. it weights 478 lbs. to an ant, a balloon's helium proximity to you. now try to step in the aluminum cylinder and carry it from the inside
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Feb 13, 2013
Feb 13, 2013 at 8:39 PM UTC
8 oz.
I cannot recall the bruise on my thumb and the lazy scent of saliva on the carpet. Working, under what circumstance? Have you not the mind of a nocturne? Are you bidding me to sleep when you know I cannot? God, I wonder if his fingers fumble once in a while, when I firmly hold my soliloquy between the reed and my sorrowing lips. It hurts, down bottom, I think, But Saturday holds a repetitive rendition of the same smiling faces and the same brand of red pens. I am not tired; one has a maximum that has not yet been conquered.
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Feb 11, 2013
Feb 11, 2013 at 7:25 PM UTC
Working Towards Summer Under What Circumstances?
Thanks for licensing your wet name Like a spoon against a bitten cheek to take your vanilla trophy and pop it back in : Your crowd of hairs, tinsel with limited light and hoard of little comprehension, Ma'am, sweet goes your calves and fish tail swinging back in glee : Tell me of tomorrow, please.
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Jan 3, 2013
Jan 3, 2013 at 8:19 PM UTC
Remarks on Hollow Street
open seed; her busted fetus of death's frail womb and moisture drops soil's dehydrated tongue, a quiet resignation, understanding, is some triumph on the other side where the picket fence, traitor, glances in whatever direction he hears noise. & we exchange our horoscopes with our eyebrows, and the mini universes beneath them, circular and budding as medicines and poisons. && you are not shimmied away by the sand's magnetic force nor stand with planted soles on stone foundation. you are lured by wind's woe of distance.
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Apr 29, 2012
Apr 29, 2012 at 8:57 PM UTC
open sesame
so it was once when you did each explore in the crevices burned deep beneath the blacksmith's pitcher, and of kindling an unfamiliar taste left to ravish haste into statue-like disposition. sometimes your fingers sting, for it is you against dark and cold does whistle when your lips cannot part, for they are chapped-- once ridden by an ancient kiss where you once viewed the metropolitan shadows against michigan's waters though you were nestled against sage weeping quilts, resting at the sky whom bids you no more with stars the fury so soft you smile, because there is nothing else worthy to do. you'd like to think she does the same; counting her toes when they pad on linoleum ground, and her being able to hear against the streetcars rumbling below.
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Mar 11, 2012
Mar 11, 2012 at 9:34 PM UTC
here there is no definite.
...is some minding swoop of your brow, mimicking in your doleful eyes, some ember fled to soot-drunken clouds of mumbling mothers abandoned from cradles above. Distillation, did her husband remember, like banquets of poor bread that suffered in baskets, no tender fish to oil the hair or curse the breath. The casket feigned bitter chocolate, hallucination the refuge of finger bones replacing ribs, and what priest would sneer beneath his cloak, as he turned away to cough and sympathize under unheavenly wings? Woman, woman, you've cut my pie all wrong. The piece goes like that, obtuse and feared, and your tongue at my knees when days do retire-- her melody's a ***** shriek, pawing through the birthplace of sea glass and sharp bruises of scents through her palms, where perhaps one lingers thirty years too long, taking one year of fetal distraction.
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Feb 21, 2012
Feb 21, 2012 at 8:05 PM UTC
3/4ths staggering...
It is 3 AM, and no one is sleeping in their dreams, but a meter flicks with the ring of your pulse, supple streams watched by tender mothers and their soft eyes in darkness. I glimpse my city of ratty ears, dust of mill and coal the reluctant taste, of acrid tongue settling against the corners. And they beckon me with once plunged fingernails, and luring each tall man against the harbor, against the wall. So lingering their grasps remain on summer weeds, skinny strands of yeasted yellow like some lurching disease that has brought trembling, tilting, padding hard feet slapped against cold floor. She was warmer than fall, and thicker than winter's feed. Her frame sits on the blinds of 3 AM, where somewhere else on the road, light is blown from infant hands.
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Jan 30, 2012
Jan 30, 2012 at 5:03 PM UTC
3 AM
tonight there is no room, no bed for soft heads to converse, with knobbly knees bent out in soft chattering-- from cold? hardly. dawn mimics a dove, with her white limbs, off-plummage, driven to some point that has faded to your crescent brow. tomorrow the siege will pull at your echoing streets, splitting hair strings off end until you find earthen creatures tugging at the hem, at the toilet, swallowing their hollow drums, counting a mistress' scarlet nails and her emerald brooch. tonight i am quiet with a bed.
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Jan 10, 2012
Jan 10, 2012 at 9:29 PM UTC
tonight there is no bed
It is winter in the ******* she nibbled, minus festivities, strained fibers of holiday's lore seeking confinement in sore redness between your nails. Like the last fervent muffle of whizzing domino lines struck by spring's sprigs, the numbers nip in low spirits, blackened from speech and stubble. Hardly is the slow breath worth your angled chin a glimmer, because when the sun snaps at your chest like an egg, little do you know how it commits adultery when you sleep, and only when you sleep.
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Jan 4, 2012
Jan 4, 2012 at 7:42 PM UTC
bargained efforts go slow with unknowing
i. There are imaginations that are made of rust, and they tend to rest on clothes lines and spoil the rotting canary of mediocre dress. Walk with me, because my pebbles cannot settle against the dim of my breast pockets, and so weary the sun tells me to strike upon sweat laden cobblestone tears that chastise who? You? Says he who comes stifled at my feet, like an outlet man staring at fruits' chambers, her wealthy, red string the last of his eyes! Alas, what sure vagrant would kiss my fingers? Is dignity the sour aroma of embarassment? But let him come, when she turns her apple cheeks to pray to the same head and God above. ii. The favorite jest of an arrow is to pierce a leg while he jauntily catches the brow of his family. The man will never saunter, nor amble in patterns that reveals the flesh of a throbbing vein. A young calf grows like the bluff of puffed cheeks, and soon another, too-- together. His trousers will widen their stomachs; his head the curious stew of bubbling concoction that rise and decide not to evaporate in the air. And someday, perhaps very soon, the fairest of them all will chance and gaze into gallant eyes, but brought down when he lowers the unidentified color of glass. So be it. His coins can jangle and fly to Shantou, to Charleroi, circle around the perimeter back to Sacramento. Ships move, yet the infant steps of lead grow dim in development. iii. They say the wealthy family cannot last for more than two generations. They say a heart cannot last its beating against another's, if it be true. iv. Once, a man licked his fingers without even touching it.
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Dec 30, 2011
Dec 30, 2011 at 10:57 PM UTC
Because the Man Cannot Move
i. There are imaginations that are made of rust, and they tend to rest on clothes lines and spoil the rotting canary of mediocre dress. Walk with me, because my pebbles cannot settle against the dim of my breast pockets, and so weary the sun tells me to strike upon sweat laden cobblestone tears that chastise who? You? Says he who comes stifled at my feet, like an outlet man staring at fruits' chambers, her wealthy, red string the last of his eyes! Alas, what sure vagrant would kiss my fingers? Is dignity the sour aroma of embarassment? But let him come, when she turns her apple cheeks to pray to the same head and God above. ii. The favorite jest of an arrow is to pierce a leg while he jauntily catches the brow of his family. The man will never saunter, nor amble in patterns that reveals the flesh of a throbbing vein. A young calf grows like the bluff of puffed cheeks, and soon another, too-- together. His trousers will widen their stomachs; his head the curious stew of bubbling concoction that rise and decide not to evaporate in the air. And someday, perhaps very soon, the fairest of them all will chance and gaze into gallant eyes, but brought down when he lowers the unidentified color of glass. So be it. His coins can jangle and fly to Shantou, to Charleroi, circle around the perimeter back to Sacramento. Ships move, yet the infant steps of lead grow dim in development. iii. They say the wealthy family cannot last for more than two generations. They say a heart cannot last its beating against another's, if it be true. iv. Once, a man licked his fingers without even touching it.
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