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melanie-r-holmes
melanie-r-holmes
ho-hum / enlightened.
a possum is smoking a cigarette on top of a small barn in the field. inside the barn, a mama births a batch of baby sheepdogs their eyes still caked shut-- a world awaits. as the possum finishes his last drag, i watch the trees in the yard get up & walk away.
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Mar 16, 2014
Mar 16, 2014 at 10:43 PM UTC
barnyard montage
i have never felt more at home, instantly welcomed, loved by strangers, sleeping with the trees, i shower with a sister under the sun & we tiptoe our way to the lake, feel the softest sand, because we want to stay naked, let the heat warm our skin after months of piling on layers, icing ourselves like a cake of cotton. there is something innate & essential to be free in the woods: the two of us started the movement, now a crowd of **** brothers & sisters tread banks of sand & fallen pollen. Pops comes around the bend with his canoe, takes us to the dock in the middle of the lake. Pops, with his sunburnt skin of muscles and tales names me goddess of the lake. all of us hold a bit of the net to catch fish through the hole at the dock. we laugh because this is how we are meant to be.
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Mar 16, 2014
Mar 16, 2014 at 10:36 PM UTC
home
driving south to see trees in bloom after a night of sleeping in the snow & letting the hail beat up your face, i can imagine is like seeing color for the first time. i am the new wick of a candle-- turned on by spring sun, hot, the light shows the beauty in strangers like red-haired, shirtless Steven whose eyes graced me with the radiance of sunlit olive, a shade i have never dreamed before: gold & green globs twist in circles in his irises, like magic no wonder warm blood of new loves is harvested in this season. at the pink rock on the parkway, i saw a collared corgi get lost, enamored with strangers. cannabis clouds coagulate the air to power young hikers. i spy front seat fever in the car next to mine, heads disappear into the laps of their lovers. for me, it is these woods, the nurturing ways of the willows, the numbing wind of unspoiled silence by the glasshouse over the lake. the bloom of new cycles in the ancient-- what was always there, like lovers that are always within, part of you. dogwoods crack open to let us come together in a forested space where all trails lead to treehouses. this is my spring love, this is bliss.
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Mar 16, 2014
Mar 16, 2014 at 10:18 PM UTC
dogwood mail
a mid-spring winter right now there is a battle in the sky-- a dichotomy of hemispheres, a broken line splits the two: one is the smoke of an impending storm, strong whistles slide through the maze of bamboo stalks they are forced to samba back & forth, all the windchimes are struck like tambourines, and with growing roars from the chicken coop, the music of the moment is an unrehearsed orchestra on speed. the doors on the porch swing wildly, touched by armies of ghosts, & each creak in the bamboo treehut declares itself, all is graced with new kinds of movement. the other half of sky is peaceful, silent what’s left of the glow peaks through turquoise sheets, until it is ****** by the black hole of gust. the storm brings such a beautiful haunting to the sanctuary.
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Mar 16, 2014
Mar 16, 2014 at 8:26 PM UTC
a mid-spring winter
phantoms the evening when I lay for a nap until midnight, left the house lights blazing, all doors cracked open as my tabby-cat chews on the ends of my hair on my bed. midnight comes & goes with ease, the cycle of my saliva waterfalls begins, making art on the pillowcase, my breath deepens with moonrise. yet as the hour enters the darkest point of night the lights in the hall panic--the start of a seizure: they dance on & off with indecision. there is no one else in my home but these atoms tug my chest in-between slumber & light, half-cracked eyes & a heart of speed, i levitate to meet the spirit face-to-face hers, the vintage frame of a Lichtenstein in shadows, her floating face is a talking head but i can’t hear a word from the mouth in motion, not even a whisper. i respect her presence but squeeze my eyelids & turn over into a scared sleep. i want to know what she had to say i want to purge the darkness that makes spurs my pulse in the presence of phantoms. Pt. II i felt them again in the hummingbird room, with it thick window that shows the swaying shagbark branches winding up for a fight, and the high window that lets me peak at the waxing gibbous, when the clouds let us see her. spirits came in through computer screens in the invisible attic but the Lightweaver sent them away.
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Mar 16, 2014
Mar 16, 2014 at 8:02 PM UTC
phantoms
messages from the mountain sanctuary the scariest image i can think up: rows & rows of rooms without windows. the scariest thought: placing your mind in the future. when you can’t see the dancing loblollies outside those windows, taste the skin of your newest lover, smell the burning cedar in the ancient potbelly stove that heats the whole house. let go of everything to begin to breathe bliss, turn your body into an empty mug, you will be full of the sweet brew of this moment.
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Mar 16, 2014
Mar 16, 2014 at 7:44 PM UTC
messages from the mountain sanctuary
What desire was teased that morning, the pairing of backaches & amphetamines left me rocking under sweaty sheets wide-eyed, the numbers on the clock passed the Devil’s hour to your time. You call on me as magpies call each other after sunrise. What desire was teased that drove my frail, bleeding body with its bloodshot eyes onto the roads, passing yards of pacing possums to your ****** Lake home. What desire brought a comfortable smile to my lips as I watched you pour Bud Light in wine glasses and call yourself fancy? The chrome half-moons under your eyes grow darker, layered, like nightfall. The wrinkles on your forehead are drawn on now, lucid, in the unwelcome light that graces through these basement windows. You beckon me to the bathroom where fresh snow awaits. I wonder why I follow you, watch you take in too much-- clear the snow from the countertop, then we attack each other, we are leopards on your red velvet couch only for a minute-- your heavy eyes close your body gives a final shrug. I carry the old man to bed, place cold water on his lips and lay with him, pretending to sleep as his bones rest on my soft skin. A sad danger always lingers behind callithumpian ways, [my maternal instinct needs a new outlet.]
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Mar 16, 2014
Mar 16, 2014 at 7:32 PM UTC
Wednesday
i skim the cautionary sign on the wall, trace the worn, beige corners of stained, manmade words with the paint-stained pads of my fingertips. the words remind me of how we want to imprint everything-- silent objects, the cold copper posts on roadends they tell you not to question the autonomous compass that borrows inside the souls of your feet. who writes the manuscripts for walls? the dramatic monologues of inanimate objects my walls of celery speak for themselves: this house is powered by tacos.
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Mar 16, 2014
Mar 16, 2014 at 7:01 PM UTC
signs
seductive decay on summer days we rode down the river in our ripe age, careless if the rapids swept us into their deadly dustpans, the black hole of water, the possibility aroused us, perhaps because it seemed so far away. and next to the river, the appalachian townsfolk wandered the deep grass, they gathered here to see the circling folding-tables, buy the spread of goods, the goods are masks. the masks are of old folks’ faces, cartoon-like, goofy comic characters in the funny pages. masks of rubbered wrinkles, permanent, bulging eyes, whiskered ears that never stop growing, with an elastic band, you can become an elder. old age attracts the crowds, i have a fascination with it myself, picturing all the stories that have taken elders to the present, it’s hard to fake being wise when you’re forced to think for years.
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Feb 26, 2014
Feb 26, 2014 at 11:36 PM UTC
seductive decay
nightmare in evening suburbia, a piss-stained moon huddles overhead like a cautious mother to guide rows & rows of carbon copy homes. the moon’s glare stains the sky unsettling hues, the air is like a blanket of bristles. i am on the street, dry calloused soles brush chrome cement. i let my ponytail fall free, and feel hidden, pounding streams of eyes, i’m uneasy like the moon. as i pass an empty lot, the lot that is animated with a rainbow of ripe fruits on Saturday’s market, now grey and aching. a soft murmur grows, closer, i half-expect a wild fox to pass by, but see Ania’s forested Suburu swarm in to scoop me, her window lowers and i see her eyes, held wide with fear settled in the irises, as if piranhas are secretly gnawing her legs there, its not funny. come quick, she squeals at me as I jump inside onto the milky mildew upholstery, she never stops driving, (omit?: we are escaping some sort of madness.) back on the street, a man expands, shapes into a monstrous teradacytl like an Anamorphics novel he chases us, I feel his pull from behind, inside a dark matter, as he rides atop a pickup truck and I am latched to the back of the Suburu, surrendering. the beast sprays this magical mist that makes me feel like melting, like after a hit of a heavy ****** that sweet, dark, ethereal pull, like a lovestruck teen on an apathy ride, i become a useless solider. the next scene happens in the kitchen of an uninfected family, their pink lips warn us of grandmothers that wander into homes with five-dollar bills, they ask you to take them to the theater-- but if you even gently caress the bill, they will become monstrous, their white hair dissipating into scaly skin, the demonic eyes won’t leave your memory. they are innocent masks, similar to the stray streetcats who shift shapes, turn to bloodthirsty pedestrians. perhaps suburban ***** birth tiny monsters: the after-effects of the danger, the distortion of finding comfort in apathy.
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Feb 26, 2014
Feb 26, 2014 at 11:35 PM UTC
nightmare
nightmare in evening suburbia, a piss-stained moon huddles overhead like a cautious mother to guide rows & rows of carbon copy homes. the moon’s glare stains the sky unsettling hues, the air is like a blanket of bristles. i am on the street, dry calloused soles brush chrome cement. i let my ponytail fall free, and feel hidden, pounding streams of eyes, i’m uneasy like the moon. as i pass an empty lot, the lot that is animated with a rainbow of ripe fruits on Saturday’s market, now grey and aching. a soft murmur grows, closer, i half-expect a wild fox to pass by, but see Ania’s forested Suburu swarm in to scoop me, her window lowers and i see her eyes, held wide with fear settled in the irises, as if piranhas are secretly gnawing her legs there, its not funny. come quick, she squeals at me as I jump inside onto the milky mildew upholstery, she never stops driving, (omit?: we are escaping some sort of madness.) back on the street, a man expands, shapes into a monstrous teradacytl like an Anamorphics novel he chases us, I feel his pull from behind, inside a dark matter, as he rides atop a pickup truck and I am latched to the back of the Suburu, surrendering. the beast sprays this magical mist that makes me feel like melting, like after a hit of a heavy ****** that sweet, dark, ethereal pull, like a lovestruck teen on an apathy ride, i become a useless solider. the next scene happens in the kitchen of an uninfected family, their pink lips warn us of grandmothers that wander into homes with five-dollar bills, they ask you to take them to the theater-- but if you even gently caress the bill, they will become monstrous, their white hair dissipating into scaly skin, the demonic eyes won’t leave your memory. they are innocent masks, similar to the stray streetcats who shift shapes, turn to bloodthirsty pedestrians. perhaps suburban ***** birth tiny monsters: the after-effects of the danger, the distortion of finding comfort in apathy.
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