Hello Poetry
Submit your work and get some sparkles! Create free account
meka-boyle
meka-boyle
American mekachu.tumblr.com / / / "If you can't understand it without an explanation, you can't understand it with an explanation." / Haruki Murakami / / "All religion, my friend, is simply evolved out of fraud, fear, greed, imagination, and poetry." / Edgar Allan Poe
There is no movement here (Except inside my head) Besides the rhythmic heaving of my chest, My arms readjusting around my pillow, Legs contorted into what I can only describe as A lying down flamingo. There is no motion that cannot be accounted for, Only the necessary, The slight, The human impulses that cannot be quelled By bedrest. Alone. I laid there—two weeks— Alone with my thoughts, My fears, My shortcomings, My inability to be Anywhere but where I was: Facing the ceiling With such intent You would think I was waiting For a ghost to appear (Maybe I was), Haunted by myself.
0
Dec 1, 2015
Dec 1, 2015 at 6:00 PM UTC
Bedrest
You cannot resurrect Memories That Have wedged themselves between The future and the past, Yet are too fragile to Exist within the present— You cannot Resurrect The way you felt (The way you felt invincible) In remembering mannerisms that outlive The moment. You cannot reconcile The heart's defiance, Deliberately giving yourself to A void not of your own, Gathering gathering gathering Sentiment and stitching it into The fabric of your narrative, When you should have Gathered your senses in a pail And lowered them down into a wishing well... You cannot resurrect what never Wholly, entirely, unconditionally Existed without Your warm breath Encompassing it in meaning, Feeding an emptiness not of your own making. Yet, You cannot escape it either; So it lingers: Your regrets, your self loathing, your incapacity To accept that There is no way to breathe life back into Something that was dead before you Pressed its surface with your fingers, As if you, yourself could Impose a pulse upon what you could not Understand. Understand this, Time will not resurrect That which you long for in the night, It will not reconcile The incongruent nature Of desire: To feel To be numb To hold on to To understand To forget To destroy To save Save like a wilted flower pressed between Two aged, yellowed pages: present only in its allusion to the past. You do not wish the flower a different fate, To fill its dried up veins with green, pulsating life, To have it become what it once was. You cannot reconcile the purpose of its carefully preserved petals. You do not question its existence, Question why it has been uprooted from the ground, Why it has changed shapes while remaining a flower. It was never meant to remain the way it was. And so, it exists As an indicator of what it once was, As a reminder that it will never be again, As memories do When we press them down Between the past and the future, Until like the dried up flower, They cease to change, As we continue.
0
Dec 1, 2015
Dec 1, 2015 at 5:38 PM UTC
You cannot resurrect
You cannot resurrect Memories That Have wedged themselves between The future and the past, Yet are too fragile to Exist within the present— You cannot Resurrect The way you felt (The way you felt invincible) In remembering mannerisms that outlive The moment. You cannot reconcile The heart's defiance, Deliberately giving yourself to A void not of your own, Gathering gathering gathering Sentiment and stitching it into The fabric of your narrative, When you should have Gathered your senses in a pail And lowered them down into a wishing well... You cannot resurrect what never Wholly, entirely, unconditionally Existed without Your warm breath Encompassing it in meaning, Feeding an emptiness not of your own making. Yet, You cannot escape it either; So it lingers: Your regrets, your self loathing, your incapacity To accept that There is no way to breathe life back into Something that was dead before you Pressed its surface with your fingers, As if you, yourself could Impose a pulse upon what you could not Understand. Understand this, Time will not resurrect That which you long for in the night, It will not reconcile The incongruent nature Of desire: To feel To be numb To hold on to To understand To forget To destroy To save Save like a wilted flower pressed between Two aged, yellowed pages: present only in its allusion to the past. You do not wish the flower a different fate, To fill its dried up veins with green, pulsating life, To have it become what it once was. You cannot reconcile the purpose of its carefully preserved petals. You do not question its existence, Question why it has been uprooted from the ground, Why it has changed shapes while remaining a flower. It was never meant to remain the way it was. And so, it exists As an indicator of what it once was, As a reminder that it will never be again, As memories do When we press them down Between the past and the future, Until like the dried up flower, They cease to change, As we continue.
Continue reading...
72
I do not know you the way a morning glory knows the sunlight: dependent, wilted in its absence. Nor do I know you the way a vowel knows its predecessor: dependent, indifferent to chance. Still, I know you. The way a palm knows Each singular line that runs down the twin fingers of its opposite, independent yet inseparable. Parallel creases of experience, your hands rewrite language by their subtle movements— Alluding to a oneness that scatters once it is spoken, a secret dialect that spreads from your fingertips into mine, sending signals up my outstretched arms. Reflexively, I trace the outline of your presence. I do not know you apart from the way I know myself. At times, I yearn for the indifferent dependency of the morning glory, the formulaic way a vowel flirts with the past. Yet this can not be. To know you is to Become you (the contours of your fingerprint contains my very being). To know you is to love you entirely. Lose my singularity, to take your hands and place them decidedly over my eyes, look out into Eternity: the world filtered through your presence—our harmony—this is how I know you. 9/25/15
0
Dec 1, 2015
Dec 1, 2015 at 5:35 PM UTC
Hands (inseparable)
When I discovered I had cancer, I was told that I would learn a lot About Life and Death and Time, But I never thought that I would Discover what it means To be intimate With strangers, Or anyone, for that matter. When my insides were cut open like a game of operation, I told myself: Be detached. When visitors came, We talked about the weather. When I arrived home, I spent my time Trying to forget The experience Of impermanence And shared emotions That I couldn't even grapple with Myself. When the person I loved Left me I flinched And then sunk back into an abyss of Emotionless functioning, Cutting myself further and further Off from my narrative Of pain. When it was time to go back to school, I flinched And signed up for a workload Heavy enough To push out the fading reality Of my condition. It wasn't until I was sitting on the steps Outside of a bar that was slowly beginning To empty out, As intoxicated shadows gained substance and lit cigarettes against the brick wall. I sunk down next to friend I had recently met- My big t shirt inched up above my abdomen And the lower jagged mark of my scar Peeked out- I didn't choose to tell him my story Until he asked me about the obvious Stale incison mark that had a presence Of its own. Piece by piece, it peeled itself from off my stomach And liquified into a sequence of events And feelings That poured from me Like a stream of bubbling bath water Overflowing from the rim Of a porcelain tub. That's when I realized that there is something shared and intimate about scars: Marred reminders of the flesh That speak to our upmost human Encounters with our own mortality. An indecipherable label of sorts: An unsigned invitation into the taboo. In a moment of unintentional word ***** At 2am to a stranger, I regained my intimacy with myself And my journey. I learned that while Life and Death and Time Will always plague our existence, They distance us from the human experience that is To feel: To feel everything in this God forsaken world. To feel angry at people for leaving when they should have stayed. To feel compassion at the same time. To feel intimacy with others. To feel intimacy with yourself. To feel love. To feel pain. To feel the cold creases in the wooden floor as you make your way to the bathroom in the middle of the night. To feel alone. To feel surrounded. To feel the trembling echoes of the past and be able to grab its elusive coattails and shake away the dusty remnants of time and shout that you are present. To feel nothing.
0
Jan 21, 2015
Jan 21, 2015 at 1:07 AM UTC
The intimacy of scars
When I discovered I had cancer, I was told that I would learn a lot About Life and Death and Time, But I never thought that I would Discover what it means To be intimate With strangers, Or anyone, for that matter. When my insides were cut open like a game of operation, I told myself: Be detached. When visitors came, We talked about the weather. When I arrived home, I spent my time Trying to forget The experience Of impermanence And shared emotions That I couldn't even grapple with Myself. When the person I loved Left me I flinched And then sunk back into an abyss of Emotionless functioning, Cutting myself further and further Off from my narrative Of pain. When it was time to go back to school, I flinched And signed up for a workload Heavy enough To push out the fading reality Of my condition. It wasn't until I was sitting on the steps Outside of a bar that was slowly beginning To empty out, As intoxicated shadows gained substance and lit cigarettes against the brick wall. I sunk down next to friend I had recently met- My big t shirt inched up above my abdomen And the lower jagged mark of my scar Peeked out- I didn't choose to tell him my story Until he asked me about the obvious Stale incison mark that had a presence Of its own. Piece by piece, it peeled itself from off my stomach And liquified into a sequence of events And feelings That poured from me Like a stream of bubbling bath water Overflowing from the rim Of a porcelain tub. That's when I realized that there is something shared and intimate about scars: Marred reminders of the flesh That speak to our upmost human Encounters with our own mortality. An indecipherable label of sorts: An unsigned invitation into the taboo. In a moment of unintentional word ***** At 2am to a stranger, I regained my intimacy with myself And my journey. I learned that while Life and Death and Time Will always plague our existence, They distance us from the human experience that is To feel: To feel everything in this God forsaken world. To feel angry at people for leaving when they should have stayed. To feel compassion at the same time. To feel intimacy with others. To feel intimacy with yourself. To feel love. To feel pain. To feel the cold creases in the wooden floor as you make your way to the bathroom in the middle of the night. To feel alone. To feel surrounded. To feel the trembling echoes of the past and be able to grab its elusive coattails and shake away the dusty remnants of time and shout that you are present. To feel nothing.
Continue reading...
79
Pain is beauty: The thick, swollen red line Runs jagged between my hip-bones To right beneath my belly button: Peeking out from under my Drawstring pants As my figure wavers In the fogged bathroom mirror reflection: Beauty masks pain. I focus on a freckle above my midriff While my stomach heaves in and out- A testament that I'm still Here. Life is concealment Of all the run ins with death That we are too humble to Praise With the same unabashed glory That we attribute to the very God- whose own son's hands Were marred with the scars Of a self righteousness That isn't felt in hospital recovery rooms. Sensations are transitory- Leaving subtle marks upon our fragile Bodies, A reminder That death can never be beaten; I trace my fingers across The rigged Scar- but I don't feel Anything- I don't feel the missing faulty pieces Of my body, Carefully extracted like a childhood Game of Operation: They didn't belong there, anymore. Beauty has fallen (Down from the right hand of god) Into the arms of modern medicine, Adorned with sickly sweet lilies And medals of honor Pinned upon the breast Of anyone tragic enough To experience Life Without the security Of a timely exit. I am whole because my experiences Are hidden beneath a functioning Exterior: My marred flesh burns against The heavy fabric draped over Last summer. Experience is merely a fallacy For survival: My raised skin outlines A tragedy too human To pray about over the dinner table.
0
Sep 17, 2014
Sep 17, 2014 at 2:56 AM UTC
Judas
How can one measure happiness? Today's youth fades into tomorrow's yesterday, As age wears its weary toll upon The cherub faced nation that cried at it's mother's breast And asked for the world in technicolor. The sun slinks his ambivalent profile across the unforgiving sky, As we pace face down against the grain of time, Counting seconds until they spill over, Lapping up against our freshly polished shoes and quivering ankles, And drown out the dying magic Of the coming hour. Day after day, we are aware of nothing, Moved forward by the simple urge to live, Created by motion pictures and life insurance billboard advertisements. Is this what it means to be alive? Years pass, and we pursue the same ancient questions, That have disrupted our conscience And held us accountable For millenniums. Yet, we are still no closer to an answer to our empty prayers. Afraid of the unknown, we peel the face off God, And disguise him in languages and fables That embody an entire civilization And the fear that turns it's wheels.
0
Sep 17, 2014
Sep 17, 2014 at 2:23 AM UTC
June
We are Born like this Into this Into these carefully mad wars Into the sight of broken factory windows of emptiness Into bars where people no longer speak to each other Into fist fights that end as shootings and knifings Born into this Into hospitals which are so expensive that it’s cheaper to die Into lawyers who charge so much it’s cheaper to plead guilty Into a country where the jails are full and the madhouses closed Into a place where the masses elevate fools into rich heroes
0
Sep 17, 2014
Sep 17, 2014 at 2:22 AM UTC
We are-
A nation with daddy issues We call out- yes master Success took a sudden left And we've forgotten what we're after- Because mommas got a curfew set No matter if you're plastered A nation founded on being a ******* Afraid of our youth We drown it out with our laughter As long as we fake it It really doesn't matter. We pledge allegiance to the mad hatter Swallow down our issues Call it morning after The fact That our hearts are in our stomachs But our brains are intact Securely in a system That needs to be hacked, We gamble our values Betting what we lack. The age of information: Our odds are stacked Up against A doctrine that overrides Common sense, Pushing our past Into present tense, While we pry our fingers Through the picket fence Between our rights and wrongs And the need to make sense Of the corruption that places Appearance overides the common sense Of discrimination and ideals That we can't fight against Without binding ourselves To a static defense Where poverty and status Don't need a pretense
0
Sep 17, 2014
Sep 17, 2014 at 2:21 AM UTC
A brief intermission
I wish you would hear me when I say I've been thinking about you. It's not enough, you say: Your name glaring from my cellphone screen As it writhes with the vibration of the bottomless void of empty phone calls. I can't pick up the phone, But I hope you can find solace that I've been thinking about you. Star crossed lovers lament their first person plot lines until they intersect. Between unanswered text messages and disregarded voicemails, Juliet heaves her shoulders in between scenes And Romeo checks his emails; But still my mind remains undisturbed And thinking about you. It's not the same, you cry: That I hide my presence, Yet I wish you could feel the quivering waves my thoughts send out As they bounce upon the heavy walls of your being, Yes I know I've been away, But I'm thinking about you: A mantra echoed in my mind until it becomes second nature, heaving in and out in unison with my chest.
0
Sep 17, 2014
Sep 17, 2014 at 2:19 AM UTC
I wish you would hear me when I say
I wrote a poem with your name, And left a lot of blanks along the way: Subtle mannerisms meant to render delicate and absolute imagery Drifted right out of my vocabulary, Face to face with the other component of a lover's metaphor: The churning azure of the ocean's ebb and flow stared hungrily at the limitless white abyss beneath its tidy line in my unfinished sonnet. I meant to write a poem about you: Clear and beautiful: the materialization of how love is taught to feel in the classroom, Where Helen hangs her heavy head and stares into her doomed reflection: The vacant space that flowers grow, between cobbled steps and naked feet. Yet, something else has happened: The space where your imploring image should have inspired stars to fall into the fiery depths of hades hangs indifferently above reality. All the superfluous images crafted to allow your luminous soul to shine, Fell flat against the darkness: the aftermath that occurred before I had any time to craft the person behind the syllables of your being. I meant to paint your image with language synonymous to love, But instead I pressed my face against the hand-smeared, dust-ridden, cracked open only just an inch, window of a relationship that never really was much of a novel. The still damp with paint, folded down the middle construction paper butterfly of kindergarten art projects of love. Messy and effortless, yet containing some inevitable beauty that comes from the close and intimate fusion of two halves. I wanted to eternalize our connection through language, But in the process, I unraveled it and left myself vulnerable and empty across from what was once the magic I had sought to know, Now blurred, your name conjures an ink blot that my eyes have grown so accustomed to, they can hardly make out the hidden beauty. I meant to write a poem with your name, Yet mine has appeared on every quivering line. A distorted self portrait of the artist echoed in my vain attempts to personify an emotion not yet felt. I lost you in the very language that sought to immortalize you, and found myself in the process. Your name no longer stood for the way your eyes light up when you talk about something of importance, Or your genuinely lopsided smile and crooked tooth, But instead, for all of myself that hide behind the capital Y of you: All my missed opportunities and failures materialized in a poem that wanted so effortlessly to be about Love: The crime of understanding a person as a metaphor Echoes soundly through the hollow horizontal lines of words That, if you squint just so, Look faintly like the bars on a cage With your name looming above its pearly gates, Tragically beautiful yet motionless and with a purpose that has no impact Beyond the world that it lingers about, yet never really enters.
0
Sep 17, 2014
Sep 17, 2014 at 2:18 AM UTC
Writer's block
I wrote a poem with your name, And left a lot of blanks along the way: Subtle mannerisms meant to render delicate and absolute imagery Drifted right out of my vocabulary, Face to face with the other component of a lover's metaphor: The churning azure of the ocean's ebb and flow stared hungrily at the limitless white abyss beneath its tidy line in my unfinished sonnet. I meant to write a poem about you: Clear and beautiful: the materialization of how love is taught to feel in the classroom, Where Helen hangs her heavy head and stares into her doomed reflection: The vacant space that flowers grow, between cobbled steps and naked feet. Yet, something else has happened: The space where your imploring image should have inspired stars to fall into the fiery depths of hades hangs indifferently above reality. All the superfluous images crafted to allow your luminous soul to shine, Fell flat against the darkness: the aftermath that occurred before I had any time to craft the person behind the syllables of your being. I meant to paint your image with language synonymous to love, But instead I pressed my face against the hand-smeared, dust-ridden, cracked open only just an inch, window of a relationship that never really was much of a novel. The still damp with paint, folded down the middle construction paper butterfly of kindergarten art projects of love. Messy and effortless, yet containing some inevitable beauty that comes from the close and intimate fusion of two halves. I wanted to eternalize our connection through language, But in the process, I unraveled it and left myself vulnerable and empty across from what was once the magic I had sought to know, Now blurred, your name conjures an ink blot that my eyes have grown so accustomed to, they can hardly make out the hidden beauty. I meant to write a poem with your name, Yet mine has appeared on every quivering line. A distorted self portrait of the artist echoed in my vain attempts to personify an emotion not yet felt. I lost you in the very language that sought to immortalize you, and found myself in the process. Your name no longer stood for the way your eyes light up when you talk about something of importance, Or your genuinely lopsided smile and crooked tooth, But instead, for all of myself that hide behind the capital Y of you: All my missed opportunities and failures materialized in a poem that wanted so effortlessly to be about Love: The crime of understanding a person as a metaphor Echoes soundly through the hollow horizontal lines of words That, if you squint just so, Look faintly like the bars on a cage With your name looming above its pearly gates, Tragically beautiful yet motionless and with a purpose that has no impact Beyond the world that it lingers about, yet never really enters.
Continue reading...
35