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maximilian-hildebrand
maximilian-hildebrand
English Maximilian Hildebrand was born in London in 1980, on the same day as his twin brother. / / He holds a degree in Human Sciences from Oxford University, and works in corporate intelligence to support himself. / In 2007 he published a volume of his early work with The Park Road Press, / entitled What happened to my socks? In 2010 he was published in Bedford Square 4, a collection from the RHUL poetry degree run by Andrew Motion and Jo Shapcott. He is a founder member of the poetry group Days of Roses and was published in their original anthology in 2011. / / He still struggles to understand the concept of coincidence.
These are the hard times, the long stretch of coal-shed days, the corrugated nights of the antinomian. I retch at the old doubts and the panoply of dustbins clattering bright, their watchers simian in the morning **** I dress as though dredging up greys, monotone deep in the GB tradition: now sandpit tea with oil stain floats silt dreads the mass of a seven year clay. Four weeks of shadows drown wind in a storm. And dreams of my cottage in days of such calm and late summer happiness as brought cut corn and strawbs and horse manure in hugs until like Zulu tribesmen the birds appeared. Hunched with expectation Spears smiling like baddies they rushed me. I woke pouring sweat like a workhorse the weakest of defences laid up my face pulling cellophane over French windows.
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Feb 6, 2012
Feb 6, 2012 at 2:07 PM UTC
February, from which there is no escape
Perhapsingly on Sunday If the bleak-end hacked for blood I could take a spin in the old gorevette Down to Blighton where the vibe is crude, Where April rolls the coolest blunts Dreading lilacs and their smoky crud Of wishfulness. Beyond this extended ketaphor Only reason spoils the mood. Having none and wanting more - A conceit started out so spicely, but finished far from good. Oh well, I guess. The horror I suppose. The horror.
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Nov 13, 2011
Nov 13, 2011 at 11:04 AM UTC
The cut of your Jibberish!
qui tollis peccata mundi, dona eis requiem Bejesus we walked so far! It was beautiful country, mind, feet dappling through hedgerows that led from the city, in silence, to rest where all flesh shall come. I remember how it started, walled in with the others. Lord you could dance! How were they to comprehend that the kink in my arm and your off-beat jive could lead us unguided to narrow pathways forcing single file? By a river we sat together— amid long words and fingerprints your skin bled dark with guilt and for my part I saw coracles sprout upon your breath. We weighed down these little craft with the chains of our sins and tied fast the bones of our future as payment for the ferryman. One day perhaps, the river will dissolve to ash, revealing our two disciples discarded as the chance to heal, there will be love like a great and gentle pulse mingling with cold stones and memories our downcast eyes, cheekbones to the fore.
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Oct 22, 2011
Oct 22, 2011 at 11:07 AM UTC
Requiem
This is our blitz, puppydog, I said, dragging him away from the whizzbangs echoing green and purple off shopfronts. My Chuchundra scuttled ground-bellied from fallen ******* bags spilling guts like casualties of war and hoodlums tremendous in commando gear who set off peonies and chrysanthemums before charging triumphant down alleyways. We go home. I’m happy to leave these heroes the soda from the Catherine wheels, and the drizzle, for which London has yet to apologise.
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Oct 22, 2011
Oct 22, 2011 at 6:51 AM UTC
Fireworks
Single veteran knuckle, A bumblebee rapped against my bathroom window. With my hand flat against the glass in recognition of his long tour and fallen kin he traced to the south the first spring sun, whereupon a cubit of my sodden hair flamed with pollen of impossible angles.
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Oct 22, 2011
Oct 22, 2011 at 6:51 AM UTC
March shower
Drastic measures must be taken to overcome the afternoon lull. Seventeen obscure hardbound essays to consume, spines flaking and half-eaten by dustmites. Their goodies can only be extracted by torture, but my instruments are dulled by shriekless hours and the fuddy-duddies beside me, who god help me I’ll never become, though I’m already bearded, and have started showing some dome. Time, I think, to give something back: a single bogie on a lone mission to retake Stevens’ Noble Rider and the Sound of Words. A big ask, I reckon, but this mischievous frisson is deepness: It’ll probably be half, or at least a third of my life before anyone finds my sleeper, my double agent Amongst horses shedding their coats for the summer. I smile at no one in particular, and return to my stack. Keyboards clatter like rain, drowning out what little glamour remains of the microfiche, leaping silent over centuries in a smallish room in the corner.
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Oct 22, 2011
Oct 22, 2011 at 6:49 AM UTC
No Liquids Allowed Inside (British Library, London, 2009)