magicpoet01
I'm a writer, poet and editor. / I work for Poetry & Art Oz, producing poetry performances in Art Galleries. / I write on subjects reflecting my beliefs in justice, social freedom and equality. Our lives are always changing and in flux. They are full of light, shadows and darkness. / “Someone I loved once gave me a box of darkness. It took me years to understand that this too, was a gift” Mary Oliver / Life is a struggle to understand ourselves and the world. We'll make mistakes, be wounded and develop scars; but if we are wise, we learn to love and be loved; respect and earn respect; demand rights but accept responsibilities; find beauty in wind-blown plastic bags, oily puddles, and cracked windows; we may even stumble on delight in surprising corners and crevices. / “Poetry is a life-cherishing force. For poems are not words, after all, but fires for the cold, ropes let down to the lost, something as necessary as bread in the pockets of the hungry.” Mary Oliver .
The space between the Mallee roots
is where the fire breathes in the grate
it slowly stirs and shifts
and shows it is alive
and full of nothing more
than its smoky-scented heat
and blood-red glowing coals.
© M.L. Emmett
Sep 25, 2020
Sep 25, 2020 at 3:43 AM UTC
Words
We live in a wired and weird world
where meanings of our words
are paper-thin tissue and torn
tarnished and worn by wear and War.
© M.L.Emmett
Dec 6, 2016
Dec 6, 2016 at 8:02 PM UTC
Hope is the thing with feathers
That perches in the soul,
And sings the tune without the words,
And never stops at all,
And sweetest in the gale is heard;
And sore must be the storm
That could abash the little bird
That kept so many warm.
I’ve heard it in the chillest land,
And on the strangest sea;
Yet, never, in extremity,
It asked a crumb of me.
Nov 16, 2016
Nov 16, 2016 at 2:45 AM UTC
I, too, sing America.
I am the darker brother.
They send me to eat in the kitchen
When company comes,
But I laugh,
And eat well,
And grow strong.
Tomorrow,
I’ll be at the table
When company comes.
Nobody’ll dare
Say to me,
“Eat in the kitchen,"
Then.
Besides,
They’ll see how beautiful I am
And be ashamed—
I, too, am America.
Nov 16, 2016
Nov 16, 2016 at 2:41 AM UTC
You may write me down in history
With your bitter, twisted lies,
You may trod me in the very dirt
But still, like dust, I’ll rise.
Does my sassiness upset you?
Why are you beset with gloom?
‘Cause I walk like I’ve got oil wells
Pumping in my living room.
Just like moons and like suns,
With the certainty of tides,
Just like hopes springing high,
Still I’ll rise.
Did you want to see me broken?
Bowed head and lowered eyes?
Shoulders falling down like teardrops,
Weakened by my soulful cries?
Does my haughtiness offend you?
Don’t you take it awful hard
‘Cause I laugh like I’ve got gold mines
Diggin’ in my own backyard.
You may shoot me with your words,
You may cut me with your eyes,
You may **** me with your hatefulness,
But still, like air, I’ll rise.
Does my sexiness upset you?
Does it come as a surprise
That I dance like I’ve got diamonds
At the meeting of my thighs?
Out of the huts of history’s shame
I rise
Up from a past that’s rooted in pain
I rise
I’m a black ocean, leaping and wide,
Welling and swelling I bear in the tide.
Leaving behind nights of terror and fear
I rise
Into a daybreak that’s wondrously clear
I rise
Bringing the gifts that my ancestors gave,
I am the dream and the hope of the slave.
I rise
I rise
I rise.
From And Still I Rise by Maya Angelou. Copyright © 1978 by Maya Angelou.
Nov 16, 2016
Nov 16, 2016 at 2:39 AM UTC
Harsh wind screaming
moaning
with the crisp bite of Autumn night
Dark shadows dancing
tossing
with the branches of bare grey Elms
The lanes are winding
uncurling
in the pale orange glow of headlights
Sudden hedgerows
green
edging the limits of the night
Power-cut darkness all around
silhouettes
strange in the headlight beam
No farm lights distant on the Tor
guiding
beacons of open field and place
Cottages shuddering their thatching
thrilled
chimneys smoking message-morse
Pub signs banging wildly
flapping
in a crazy dance
inside candles flickering
distorted
patterns in tiny panes of rounded glass
Old stone steeple steady
dull toned bell
catching
a ride on the wind to the copse
And still the lanes thread out
beam-born
a ribbon of pebbles and stone
stretching into the night
until they melt
into the flat black tarmac
of the motorway.
Nov 15, 2016
Nov 15, 2016 at 5:35 AM UTC
The cram of stars in the navy-night
blue-light of summer solstice.
The majestic zodiac sprawled
across the ever-stretching sky.
Ancient definitions of myth
star-stories of pre-determined fate
mapped in the moment and place
of our birthing; such fantasies
such imaginings of stellar systems
and mankind’s significance.
Heavens and humours; rules and rights
from Gods to kings and subjects
All settled in an ordered Universe
until, curiosity, ingenuity and invention
observation and record, rigor and Science
with its license to question freedom.
© M.L.Emmett
Sep 26, 2016
Sep 26, 2016 at 8:55 AM UTC
To make a prairie it takes a clover and one bee,
One clover, and a bee.
And revery.
The revery alone will do,
If bees are few.
Sep 19, 2016
Sep 19, 2016 at 11:35 AM UTC
He perches in the slime, inert,
Bedaubed with iridescent dirt.
The oil upon the puddles dries
To colours like a peacock’s eyes,
And half-submerged tomato-cans
Shine scaly, as leviathans
Oozily crawling through the mud.
The ground is here and there bestud
With lumps of only part-burned coal.
His duty is to glean the whole,
To pick them from the filth, each one,
To hoard them for the hidden sun
Which glows within each fiery core
And waits to be made free once more.
Their sharp and glistening edges cut
His stiffened fingers. Through the ****
Gleam red the wounds which will not shut.
Wet through and shivering he kneels
And digs the slippery coals; like eels
They slide about. His force all spent,
He counts his small accomplishment.
A half-a-dozen clinker-coals
Which still have fire in their souls.
Fire! And in his thought there burns
The topaz fire of votive urns.
He sees it fling from hill to hill,
And still consumed, is burning still.
Higher and higher leaps the flame,
The smoke an ever-shifting frame.
He sees a Spanish Castle old,
With silver steps and paths of gold.
From myrtle bowers comes the plash
Of fountains, and the emerald flash
Of parrots in the orange trees,
Whose blossoms pasture humming bees.
He knows he feeds the urns whose smoke
Bears visions, that his master-stroke
Is out of dirt and misery
To light the fire of poesy.
He sees the glory, yet he knows
That others cannot see his shows.
To them his smoke is sightless, black,
His votive vessels but a pack
Of old discarded shards, his fire
A peddler’s; still to him the pyre
Is incensed, an enduring goal!
He sighs and grubs another coal.
Sep 9, 2016
Sep 9, 2016 at 1:24 AM UTC
The art of losing isn’t hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster.
Lose something every day. Accept the fluster
of lost door keys, the hour badly spent.
The art of losing isn’t hard to master.
Then practice losing farther, losing faster:
places, and names, and where it was you meant
to travel. None of these will bring disaster.
I lost my mother’s watch. And look! my last, or
next-to-last, of three loved houses went.
The art of losing isn’t hard to master.
I lost two cities, lovely ones. And, vaster,
some realms I owned, two rivers, a continent.
I miss them, but it wasn’t a disaster.
—Even losing you (the joking voice, a gesture
I love) I shan’t have lied. It’s evident
the art of losing’s not too hard to master
though it may look like (Write it!) like disaster.
From The Complete Poems 1927-1979 by Elizabeth Bishop, published by Farrar, Straus & Giroux, Inc. Copyright © 1979, 1983 by Alice Helen Methfessel.
Sep 4, 2016
Sep 4, 2016 at 2:59 PM UTC