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la-hall
la-hall
American I'm a student at The University of Vermont and a citizen of The United States.
If the Earth blew up from the center, in a hot, red explosion, and turned to nine colossal rocks, and you stood in your yellow kitchen, then froze?
0
Dec 5, 2013
Dec 5, 2013 at 9:28 PM UTC
How Would It Feel?
America on a map! Imagine the northeast corner. I am in Vermont riding the Amtrak southbound. It's raining. The clattering of wheels tearing through rusty iron tracks. Forehead against the cold window's glass, I hear a steam whistle. I look out the window: grey, drizzling. We roll, past the barbed-wire fences that crown the prison fence, past great, soggy fields littered with old tractors, and misty mountains far behind, past brown silos that rise up, thick and crowned with silver heads, past a deer leaping through a rainy field, past a propane company--five great, white propane tanks, past a marsh, harpooned by a telephone pole--a sparrow jumps off the wire, a cemetery on a green hill, little brick towns, the Interstate--rainbow colored tipi in a field behind, past a great, charcoal cliff, hard with sharp creases like a crumpled piece of black construction         paper buried, past a Sunoco station--green dumpster in the parking lot, into a thick wood--past the cold rocks, past brown leaves poking through the dusting on forest floor, past all the pines, which have dandruff, past twiggy sapling branches, only leaves withered and curled like dried jalapenos, over a bridge--the great, cold river, wide and glassy--islands of ice and snow--the riverbank dirt is         hard. The bell dings thrice. The train begins to slow. It stops, jerks me back in my seat. The steam whistle blows. I look out the window. Concrete platform, dark red station & roof, a crowd of boys and girls, standing with perfect posture in sharp blue uniforms, hats adorned with         golden crests, they march on the train and fill up the seats of The Great Metal Snake: hollow and in it people sit, The Great Metal Snake: slithering down the state, It will leave me in a small city soon, at an overcast station, and slither down to D.C., and slither back, with the oily clatter of spinning iron wheels . . . We took the snakes, out of of our nightmares, slimy green sliding through cupped hands to jump and bite your cheek, hanging like a lanyard, or sliding through the sweat of jungle-floors waiting to bite ankles, or coiled in redbarns, on piles of hay with spiders dropping down cold open windows in front of         full moon, full moon: silver train wheel. I hear the steam whistle. We took the snakes, out of our nightmares, dissected them with scalpals, nodded and walked to the drawing board then built. Decades later, the unveiling: The platform crowd leans over the tracks and looks, the bell dings thrice, the steam whistle hisses, the engine is coughing, wheels are chugging-- around the corner He came, with great, clear eyes like glasses: black, iron Anaconda of Industry. His brothers are barreling From New York to Sacramento, Siberia to Stalingrad, Italy to France, under the English channel, down Africa. From Burlington to Brattleboro-- barreling down the state-- I am riding His brother home.
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Nov 23, 2013
Nov 23, 2013 at 6:36 PM UTC
Trains (The Great Metal Snake)
America on a map! Imagine the northeast corner. I am in Vermont riding the Amtrak southbound. It's raining. The clattering of wheels tearing through rusty iron tracks. Forehead against the cold window's glass, I hear a steam whistle. I look out the window: grey, drizzling. We roll, past the barbed-wire fences that crown the prison fence, past great, soggy fields littered with old tractors, and misty mountains far behind, past brown silos that rise up, thick and crowned with silver heads, past a deer leaping through a rainy field, past a propane company--five great, white propane tanks, past a marsh, harpooned by a telephone pole--a sparrow jumps off the wire, a cemetery on a green hill, little brick towns, the Interstate--rainbow colored tipi in a field behind, past a great, charcoal cliff, hard with sharp creases like a crumpled piece of black construction         paper buried, past a Sunoco station--green dumpster in the parking lot, into a thick wood--past the cold rocks, past brown leaves poking through the dusting on forest floor, past all the pines, which have dandruff, past twiggy sapling branches, only leaves withered and curled like dried jalapenos, over a bridge--the great, cold river, wide and glassy--islands of ice and snow--the riverbank dirt is         hard. The bell dings thrice. The train begins to slow. It stops, jerks me back in my seat. The steam whistle blows. I look out the window. Concrete platform, dark red station & roof, a crowd of boys and girls, standing with perfect posture in sharp blue uniforms, hats adorned with         golden crests, they march on the train and fill up the seats of The Great Metal Snake: hollow and in it people sit, The Great Metal Snake: slithering down the state, It will leave me in a small city soon, at an overcast station, and slither down to D.C., and slither back, with the oily clatter of spinning iron wheels . . . We took the snakes, out of of our nightmares, slimy green sliding through cupped hands to jump and bite your cheek, hanging like a lanyard, or sliding through the sweat of jungle-floors waiting to bite ankles, or coiled in redbarns, on piles of hay with spiders dropping down cold open windows in front of         full moon, full moon: silver train wheel. I hear the steam whistle. We took the snakes, out of our nightmares, dissected them with scalpals, nodded and walked to the drawing board then built. Decades later, the unveiling: The platform crowd leans over the tracks and looks, the bell dings thrice, the steam whistle hisses, the engine is coughing, wheels are chugging-- around the corner He came, with great, clear eyes like glasses: black, iron Anaconda of Industry. His brothers are barreling From New York to Sacramento, Siberia to Stalingrad, Italy to France, under the English channel, down Africa. From Burlington to Brattleboro-- barreling down the state-- I am riding His brother home.
Continue reading...
72
The lake is like an old mirror. A great rain cloud hangs. The boats zigzag. Their sails are whipping. On the wet docks, men scream. The bells, the bells, and a floating yellow raincoat.
0
Nov 19, 2013
Nov 19, 2013 at 2:18 AM UTC
Death on the Lake
I staggered through the desert, dressed in brown rags, ripped. I was surrounded by flies. They picked at my sweaty forehead, spoiled my food. I had in an old wicker basket two crisp apples, which are brown now, thanks to those flies. My feet are dry, cracked and ****** not from flies— from hot scorpions. They hide under sand and pick at my feet. One day I left my house n’went for a walk; kicked open my front door         walked over the old stone bridge over water bright and blue, for         miles and miles, on footpaths by little rivers, through mossy forests, knee-deep in marshes, hiking over rocky, cold mountains, stammering across the plains. I saw the desert: punched me in the gut. Beautiful, I thought— immortal. A great tornado of sand came whisking from the dunes. I checked my watch: The glass was shattered. The hands were bent crooked. I unstrapped my watch and threw it on the edge of the desert and I sprinted toward the endless tan horizon, kicked off my rotten shoes         to feel the hot sand between my toes and ran. I fell and fell asleep. I was bored in my old, old house. The floor was always swept to shine, my bookcase: big, glossy, oak monstrosity. And no, I did not have a wife, or children. I lived in a sunny village, paved with stone. By the fountain, birds sang, merchants sold felt and mallets. I’m too tired for explanations. And besides, there is no trick, I left to leave, to run and jump and roll and howl. I knew it would end, like this or something similar. I decided to just lie down, and the vultures came like a great black cloud to circle, and the heat, the headache, my body buzzed cooled a dizzy, breaking feeling came and body was freed         like ice smashing to shards . . . on desert floor, old rags drenched         in sweat-body. I open my eyes wide. I keep them open. Tears come to my eyes. I let the sun blind me. I turn over on my side and close my eyes, see red. My eyelids are hot. The vultures caw and shriek like squealing pigs. I’m dizzy and my head feels thick. The vultures will eat me, rip my skin with beaks, and the flies will buzz around me until I’m bones, but I came here just to come here, and I lied here just to lie, and I lived just to live, so then I’ll die now just to die.
0
Nov 19, 2013
Nov 19, 2013 at 2:03 AM UTC
The Desert
I staggered through the desert, dressed in brown rags, ripped. I was surrounded by flies. They picked at my sweaty forehead, spoiled my food. I had in an old wicker basket two crisp apples, which are brown now, thanks to those flies. My feet are dry, cracked and ****** not from flies— from hot scorpions. They hide under sand and pick at my feet. One day I left my house n’went for a walk; kicked open my front door         walked over the old stone bridge over water bright and blue, for         miles and miles, on footpaths by little rivers, through mossy forests, knee-deep in marshes, hiking over rocky, cold mountains, stammering across the plains. I saw the desert: punched me in the gut. Beautiful, I thought— immortal. A great tornado of sand came whisking from the dunes. I checked my watch: The glass was shattered. The hands were bent crooked. I unstrapped my watch and threw it on the edge of the desert and I sprinted toward the endless tan horizon, kicked off my rotten shoes         to feel the hot sand between my toes and ran. I fell and fell asleep. I was bored in my old, old house. The floor was always swept to shine, my bookcase: big, glossy, oak monstrosity. And no, I did not have a wife, or children. I lived in a sunny village, paved with stone. By the fountain, birds sang, merchants sold felt and mallets. I’m too tired for explanations. And besides, there is no trick, I left to leave, to run and jump and roll and howl. I knew it would end, like this or something similar. I decided to just lie down, and the vultures came like a great black cloud to circle, and the heat, the headache, my body buzzed cooled a dizzy, breaking feeling came and body was freed         like ice smashing to shards . . . on desert floor, old rags drenched         in sweat-body. I open my eyes wide. I keep them open. Tears come to my eyes. I let the sun blind me. I turn over on my side and close my eyes, see red. My eyelids are hot. The vultures caw and shriek like squealing pigs. I’m dizzy and my head feels thick. The vultures will eat me, rip my skin with beaks, and the flies will buzz around me until I’m bones, but I came here just to come here, and I lied here just to lie, and I lived just to live, so then I’ll die now just to die.
Continue reading...
74
Great gusts of wind rattle the windows, howling, howling, I sit at my desk, and peer out my window: A lit door in a driveway, I see it through dancing twigs through black of night: the house of my neighbor He comes to the door in a grey robe, opens it, his sniffle echoes to my window, an orange cat runs out, skitters with soft paws across the cold pavement out of the spotlight-streetlight, behind a dumpster, The wind, the wind, it's shaking my building, it's whipping the belt of his robe. I close my eyes. I open my eyes. City Hall: white steeple, gold dome, City Hall is illuminated purple out the window, out the window: streetlights, lit windows, dancing trees, I focus my eyes, see myself. I look angry. Sound of a siren, I look down, back, in the driveway, blue and red lights, a squadcar is parked. I can't do this, I think. I'm tired. My building shudders in the wind, don't want to say too much, don't want to say too little.
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Nov 18, 2013
Nov 18, 2013 at 6:45 PM UTC
I Sat At My Desk During A Windstorm
I know that when I die, I want crow's feet next to my eyes.
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Nov 17, 2013
Nov 17, 2013 at 5:03 PM UTC
A Short Rhyme
Life is sweet and sad, I think. I'm sitting on a desk chair made of wood. I hear my heart beating. Living is strange, I think. It's night. I look out the window. I see the reflections of the things on my desk: a yellow bottle of Bayer, an empty pack of rolling papers,
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Nov 13, 2013
Nov 13, 2013 at 10:09 PM UTC
Ten-Eleven PM, the Thirteenth of November, Twenty-Thirteen
It's 1997. My mom is standing over the sink, rinsing out a plastic gallon-jug of milk. The kitchen is sunny.
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Nov 13, 2013
Nov 13, 2013 at 12:08 PM UTC
Childhood
A photograph, taken at dusk, of Tokyo & Mt. Fuji looming behind, a line, running horizontally across the middle of a photograph; below it, the city: a field of lit buildings & streets, buildings: blocks & cylinders of rock, metal, glass and light— streets: human rivers of car-lights, the glowing orange Tokyo Tower rises like a great sword to fight the sky— above it, the mountain: great, wide cone of rock & soil, with a cap of snow, wisps floating up its ridges, the cold, purple sunlight kissing its backside; his peak is looking down at the city. It is waiting, like a grandfather, while the wild, excited boy, pours Elmer’s glue on orange construction paper, ruining the rug, the mountain is waiting. The mountain is stronger, and when the children move out, he will rock in his chair, as always.
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Nov 9, 2013
Nov 9, 2013 at 8:38 PM UTC
Mount Fuji is Stronger
Blaze of a rubble-car a man in faded jeans shouts, hurls a bottle -- smash -- a thousand shards of         broken glass shine orange on crowded street. Shouts, cries, infants sobbing loud---sirens, car alarms, a man ***** back his hand,          holding a brick---the crack of a driver's-side window breaking. Wild yells---everyone is          sprinting. Fire & wailing. Sunny afternoon---birds sing in treetops; a woman under shade on sunlit grass in brown rags & an          old hijab sobs over a slab of concrete, decorated with flowers and a photograph with a golden frame.
0
Nov 4, 2013
Nov 4, 2013 at 11:00 AM UTC
The Revolution