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katie-mora
katie-mora
American I like John Berryman and I like it when The Hold Steady makes John Berryman references. I like Frank O'Hara and Jeffrey McDaniel and I like thinking about the fact that all of my favorite poets are old white men.
mom says we should buy an axe. she shapes her gum into a moon, craters and canines and molars, like a fake suicide on national tv, the passing of the torch, the running of the bulls, the macy’s day parade. ashtrays don’t lie, but ashes do, they’ve got their canines and molars and tongues tuned to calamity, slick as sunsets as they chop away. and this fortnight is something you can read, go ahead, turn the pages, one to fourteen and you’re caught unaware, what the **** were you doing, counting casualties, coming closer to the yellow sky, it’s petroleum sliding down your throat now. the human body is 70% ******** and you may meet your quota but you’ll never meet your end, racing through the stucco in the room your girlfriend rents, the ridiculous ambivalence seeping through your pores, staining the sheets you haven’t washed since february, turning off the tv you were never watching anyway, letting bulls run and torches light like that little corner of your eye that twitches when you touch, like that interrogation manual you can’t read anymore, the door shuts in your face and your books crush your bones. and you and mom buy the axe and leave it by the fridge with the broom, and the more you scratch the rustier the blood.
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Sep 29, 2011
Sep 29, 2011 at 8:42 AM UTC
sobriety test
he wasn't born a begging man he'd take you out in his trans-am and parallel park next to your favorite art museum he'd give you every alibi he'd look manet right in the eye and exemplify all that you didn't know and the only songs he'd listen to were all by dead blind blues musicians and to you all of them sounded just the same but when you told him wait a minute he just rolled his eyes and sighed and so the thieving beggar man condemned himself to die
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Sep 19, 2011
Sep 19, 2011 at 10:07 AM UTC
a minute with a blind musician and a bald thief
did you know that i once saw you looking down from your window toward the avenue pierre and the wind rustled the oak trees while you wrote and the tourists took their photos looking out through their lenses at the things that were not there and the wind blew threw the tower all the while and i watched you trace the letters all the upstarts and go-getters they can't make it any better if you're trying to forget her so forget it, take the high road and you watch your daytime talk shows and all the while the river seine flows and you'll never ever ever ever know that all those times i saw you i couldn't see right through you no matter how i strained my eyes and the wind took all the colors with the night
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Sep 19, 2011
Sep 19, 2011 at 10:05 AM UTC
avenue pierre
it is dark inside the moon. the moon tastes like candlewax and cold sweat. you cannot be beautiful on the moon - the earth will not allow it. that is why, if i should ever slip into a spacesuit and you should ever kiss my helmet goodbye, i will not think of you. i will think of the earth and break out in a cold sweat.
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Jul 5, 2011
Jul 5, 2011 at 6:05 AM UTC
sotto voce
I loved you as one loves the first sniff of a *** of instant coffee, and I loved you as one loves a slight breeze on a slight day. I loved you as a tree loves its leaves, and thus I held the winter in disdain. I loved you as one loves the artful blurs of city lights succumbing to each other in the September rain. I loved every slip of my tongue against my teeth as I set your name out in the world on display. I loved you like the last unread book on the shelf, and I loved you like verbosity could not conceivably convey. And though I loved not like a song, nor like a ballad or an ode, I loved you with intensity that one could never feign.
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Jun 29, 2011
Jun 29, 2011 at 6:07 AM UTC
a mere flick of the wrist
I have an airport named after me and no need to fly
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May 5, 2011
May 5, 2011 at 1:15 AM UTC
victory2
I’ve got fifteen years tied in knots of green and brown and I have decided that it is time for a change of scenery. So I climb onto the roof and pretend I am a chimney, spewing smoke of blue and grey and lung cancer and voggy Hilo mornings. A helicopter circles overhead at an altitude of 805 feet, its searchlight catching the neighborhood lying spread-eagled on the living room floor, brutally desecrated and left bare-bones to die. I am a catalyst, an instigator, a cynic with a palm tree. Today I read an atlas and find naught but “A Hui Hou” scrawled across the pages in black pen. I burn the book, the bridge, and the old tires in the backyard. On Saturday it rained and the floodwaters took my bicycle. Sometimes I sit by the roadside reading Bukowski with hibiscus in my hair and Indiana in my eyes. Hunting dogs clash with rescue dogs at the house with the stop sign. The moon falls from the sky and engulfs the mynah birds and the plague. The floodwaters recede and leave a jigsaw puzzle on the slopes of Mauna Kea. “I am not afraid,” I say, “for I am only gravel.” I play the eight-bar blues on Fortieth and sing songs of drugs and missed connections. I am hit by a truck and a little gold car, but I proclaim myself immortal as I am flattened to the pavement. I am the Ki’i Pohaku beatnik, and I write of nature and nurture and the never-ending rain. Someone has painted my walls blue and my hands grey. So I pack my suitcase and run down the highway for seven thousand miles and all I see are mistakenly-numbered houses and blank maps and dead neighbors from families I used to know. There are torrents of rain now, forming puddles in the forest. I know the reason. It is twelve in the morning. The neighborhood grows obscure. We are demolished.
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May 5, 2011
May 5, 2011 at 1:13 AM UTC
the ki'i pohaku beatnik
I’ve got fifteen years tied in knots of green and brown and I have decided that it is time for a change of scenery. So I climb onto the roof and pretend I am a chimney, spewing smoke of blue and grey and lung cancer and voggy Hilo mornings. A helicopter circles overhead at an altitude of 805 feet, its searchlight catching the neighborhood lying spread-eagled on the living room floor, brutally desecrated and left bare-bones to die. I am a catalyst, an instigator, a cynic with a palm tree. Today I read an atlas and find naught but “A Hui Hou” scrawled across the pages in black pen. I burn the book, the bridge, and the old tires in the backyard. On Saturday it rained and the floodwaters took my bicycle. Sometimes I sit by the roadside reading Bukowski with hibiscus in my hair and Indiana in my eyes. Hunting dogs clash with rescue dogs at the house with the stop sign. The moon falls from the sky and engulfs the mynah birds and the plague. The floodwaters recede and leave a jigsaw puzzle on the slopes of Mauna Kea. “I am not afraid,” I say, “for I am only gravel.” I play the eight-bar blues on Fortieth and sing songs of drugs and missed connections. I am hit by a truck and a little gold car, but I proclaim myself immortal as I am flattened to the pavement. I am the Ki’i Pohaku beatnik, and I write of nature and nurture and the never-ending rain. Someone has painted my walls blue and my hands grey. So I pack my suitcase and run down the highway for seven thousand miles and all I see are mistakenly-numbered houses and blank maps and dead neighbors from families I used to know. There are torrents of rain now, forming puddles in the forest. I know the reason. It is twelve in the morning. The neighborhood grows obscure. We are demolished.
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This is just a mirror and this is just a desk and this is just a car crash and this is just a bicycle just as this is just an exit like Greco-Roman architecture where you may see someone approaching like a UFO or a synagogue or a suicide bomber ATTACK shh don’t fight don’t close your notebook look the leaves are falling said the blind man while the columns collapsed and the bluesman strummed on the sidewalk see we are all dying here we just know when to lose to let go to buy to sell to realize that the mountain we made means that we may never breathe again
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May 5, 2011
May 5, 2011 at 1:11 AM UTC
rocky mountain fury
I write an evening by the waterfront with candlelight Freemasons paving the boardwalk. In the morning the newspaper prints my biography and I laugh cacophonously. I stand in my treehouse and scream a note of finality. I learn how to synchronize and mispronounce waning and soon I realize. I have left my voicebox in my other pants. Ulysses sang the blues today but the sirens had more soul. "So wrap your head in a scarf," I say! "Paint your house grey and your churches red." Jesus sang the blues today but the sinners had more heart. Dare ye burn a cross or run afoul or sob for the mountain? Then name yourself an apostle and head for the hills of your heaven above. I sang the blues today but the liars- The plane lands with a thunk. I roll my window shade up. Sand turns to grain and rainbows to tornadoes. I have arrived. I go to the gun shop and empty the cash register before it is too late. My uncle calls from prison to wish me a happy Boxing Day. I rent an apartment, a car, a television, a diploma. My thoughts are scattered and my words ring through my head, but these blues shan't get to me any longer. The truth, I decide, is overrated. I study metaphysics, pataphysics, and I am going to be sick. Our hero reads Hopkins and takes another shot. Today I stay in bed and count the cracks in the ceiling.
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May 5, 2011
May 5, 2011 at 1:09 AM UTC
a december evening wherein we read too much and absorb too little
And then there was orange, glinting in a pile from the ground outside my second story window. I sit and count the scattered papers on my bedroom floor, thinking, "Maybe someday the past and present will meet," though I know full-well that they already have. Now it is twofold, it is insult to injury, it is twenty seven eleven. We are lies, aren't we? We are thankful for the unknown. My father sips scotch and devours the truth. I catch my connecting flight and travel back in time. The man in the blue coat is replaced by the man in the black hat, the man with the feather hat, and the man with naught but war paint. It is like the movies, I decide. I settle on a log bench and read the classifieds in the newspaper. Mother and father tell me to count my blessings as if they are sheep. I tell them that their analogy is flawed. Morning comes and I tie a string around my ring finger, proclaiming, "I am here to collect thanks! Bring out your wish lists and your tattered diaries!" I am a liar; I am thankful for nothing but sickness and ink. I write "twenty seven eleven" three hundred times and vow to make a difference. I fill my car and my fridge and roller blade up the mountain, chanting, "Noa! Noa! 'Oia'i'o! A'ole mahalo nui!" My cries go unheard and I sulk back down, a landslide for the ages. I begin to write poetry that oozes pretension and reflects obsession. I try to pronounce the disease and instead find myself bound to a table crushed by feast and fear. I have written "twenty seven eleven" on my forehead and am forced to listen to the "Lord"s and "grateful"s and "God"s and I have had enough. I break free and head for reason.
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May 5, 2011
May 5, 2011 at 1:06 AM UTC
a november afternoon wherein we grow concerned with deeper meanings
And then there was orange, glinting in a pile from the ground outside my second story window. I sit and count the scattered papers on my bedroom floor, thinking, "Maybe someday the past and present will meet," though I know full-well that they already have. Now it is twofold, it is insult to injury, it is twenty seven eleven. We are lies, aren't we? We are thankful for the unknown. My father sips scotch and devours the truth. I catch my connecting flight and travel back in time. The man in the blue coat is replaced by the man in the black hat, the man with the feather hat, and the man with naught but war paint. It is like the movies, I decide. I settle on a log bench and read the classifieds in the newspaper. Mother and father tell me to count my blessings as if they are sheep. I tell them that their analogy is flawed. Morning comes and I tie a string around my ring finger, proclaiming, "I am here to collect thanks! Bring out your wish lists and your tattered diaries!" I am a liar; I am thankful for nothing but sickness and ink. I write "twenty seven eleven" three hundred times and vow to make a difference. I fill my car and my fridge and roller blade up the mountain, chanting, "Noa! Noa! 'Oia'i'o! A'ole mahalo nui!" My cries go unheard and I sulk back down, a landslide for the ages. I begin to write poetry that oozes pretension and reflects obsession. I try to pronounce the disease and instead find myself bound to a table crushed by feast and fear. I have written "twenty seven eleven" on my forehead and am forced to listen to the "Lord"s and "grateful"s and "God"s and I have had enough. I break free and head for reason.
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