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kally
kally
American
you come in like fog in the early morning before i know it, i'm lost again i try to rub the sleep from my eyes, but i soon realize that the opacity isn't external. the mystery includes the following: your whereabouts how you wear your hair the fullness of your kitchen sink and also of your heart how often you chew the collar of your shirt which channels you watch what time you go to bed and if i'm bound to run into you again someday -- she sits on a park bench wishing to be back in bed, wishing to be back home, wishing to be strong enough to let him go. -- "a couple months is nothing in the big scheme of things" she reminds herself of this every time she lies in bed, both at night when she pulls the covers more tightly around her and in the morning when she wakes. "a couple months is nothing when we have forever ahead of us" -- she broke three nails while tying her shoes. her headphones broke during her run. the shower wouldn't get warm enough. she bumped her hip into the table, the stack of mail fell to the floor. her pantry was empty. and on the calendar, hanging on the wall, was a date marked: September 18 'Baby comes home from Texas' underneath, small scratchings read: 'make sure to buy some wine'
0
Feb 28, 2015
Feb 28, 2015 at 4:09 PM UTC
reminders
i'm not sure if i can remember how to write, but i want to relearn, just for you. i want to have the freshest and happiest time of my life documented in some way, i want to write about you. i need to learn how to write something cheerful instead of all the depressed and heartbroken crap i used to slap onto the page. i want to capture your scent in words, your laugh in paragraphs. i want you to be pressed not only between my pages, but between my sheets, between my arms, my legs, even. i want your warmth to come through in my tone and your shy eyes, which have faded from a deep brown to a lighter hazel, to brighten up my words. i want to be daring for you, to go do crazy stuff and laugh the whole way through. i want you to see me as you never have before: silly, drunk, strong, motivated, outgoing, intimidating, naked. i want you to turn your head back for a double-take every time i walk by with my chin held high. you should be giddy each time i hold your hand or smile with my dimples showing. when i hug you, you should pick me up off my feet and sway me back and forth like you did the other night. i want you to be left in awe and lightheaded every time i kiss you. what i'm trying to say is, i've been waiting for this since i was thirteen years old. i've dreamed about you for the past eight years. i want to watch you learn every inch of me, both psychologically and physically. when it comes down to it, i just want you. and right now, i'm pretty impatient. so come back home, and be quick about it.
0
Aug 13, 2014
Aug 13, 2014 at 11:41 PM UTC
C Chronicles, Pt I
i'm not sure if i can remember how to write, but i want to relearn, just for you. i want to have the freshest and happiest time of my life documented in some way, i want to write about you. i need to learn how to write something cheerful instead of all the depressed and heartbroken crap i used to slap onto the page. i want to capture your scent in words, your laugh in paragraphs. i want you to be pressed not only between my pages, but between my sheets, between my arms, my legs, even. i want your warmth to come through in my tone and your shy eyes, which have faded from a deep brown to a lighter hazel, to brighten up my words. i want to be daring for you, to go do crazy stuff and laugh the whole way through. i want you to see me as you never have before: silly, drunk, strong, motivated, outgoing, intimidating, naked. i want you to turn your head back for a double-take every time i walk by with my chin held high. you should be giddy each time i hold your hand or smile with my dimples showing. when i hug you, you should pick me up off my feet and sway me back and forth like you did the other night. i want you to be left in awe and lightheaded every time i kiss you. what i'm trying to say is, i've been waiting for this since i was thirteen years old. i've dreamed about you for the past eight years. i want to watch you learn every inch of me, both psychologically and physically. when it comes down to it, i just want you. and right now, i'm pretty impatient. so come back home, and be quick about it.
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3
3rd grade, 4th grade: A sickening drop in my stomach, My head is in the lowest gear. I know that they live such different lives, And yet we are connected by blood. I can hear my pulse stop from the beat of their music, I can feel my abdomen shrink into my spine as they yell at their mother, I can see my hands shake even though we have the same blue eyes and same round cheeks. I am terrified of their reality. 8th grade, 9th grade: Strangers produce this physiological change in me: Those with dark eyes, dark hair- Those who are obviously different from me. I am scared of realities I know aren't mine. 12th grade, 13th grade: The reality I came to love is what frightens me the most. The 4th grader within me is trembling in my palms, She is crying in my ears, Trying to cover up the sounds of your hiccups, Trying to cover up the feeling of your tremors in my arms. I trust you with my life, But I don't trust you with your own. I am frightened of a reality that I cannot protect. 14th grade, 15th grade: Strength keeps me moving - Both physical and mental. I have carved out my own reality, But lack an understanding of those I used to fear. It's not in the beats of their music, It's not in how you grind your teeth, Or how you haunt me in my dreams. I feel like my body is bruised - I swear I can see the purple fade into green fade into pale skin. I become absolutely afraid of what I still have the inability to do- I cannot ever save anyone I feel for. My fear is of not being a hero, Not of you being the villain. And sometimes When I'm the villain, I dream of heroes cutting me down. I begin to believe in all-or-nothing, black-or-white justice Where I am the only road block to a preferred reality. So just cut me off, push me out, hit me down. I don't want to make anyone ever feel the sickening drop In body temperature That has defined my idea of fear. I don't want to be anybody's idea of failure.
0
Apr 20, 2014
Apr 20, 2014 at 12:25 AM UTC
It makes me ill
3rd grade, 4th grade: A sickening drop in my stomach, My head is in the lowest gear. I know that they live such different lives, And yet we are connected by blood. I can hear my pulse stop from the beat of their music, I can feel my abdomen shrink into my spine as they yell at their mother, I can see my hands shake even though we have the same blue eyes and same round cheeks. I am terrified of their reality. 8th grade, 9th grade: Strangers produce this physiological change in me: Those with dark eyes, dark hair- Those who are obviously different from me. I am scared of realities I know aren't mine. 12th grade, 13th grade: The reality I came to love is what frightens me the most. The 4th grader within me is trembling in my palms, She is crying in my ears, Trying to cover up the sounds of your hiccups, Trying to cover up the feeling of your tremors in my arms. I trust you with my life, But I don't trust you with your own. I am frightened of a reality that I cannot protect. 14th grade, 15th grade: Strength keeps me moving - Both physical and mental. I have carved out my own reality, But lack an understanding of those I used to fear. It's not in the beats of their music, It's not in how you grind your teeth, Or how you haunt me in my dreams. I feel like my body is bruised - I swear I can see the purple fade into green fade into pale skin. I become absolutely afraid of what I still have the inability to do- I cannot ever save anyone I feel for. My fear is of not being a hero, Not of you being the villain. And sometimes When I'm the villain, I dream of heroes cutting me down. I begin to believe in all-or-nothing, black-or-white justice Where I am the only road block to a preferred reality. So just cut me off, push me out, hit me down. I don't want to make anyone ever feel the sickening drop In body temperature That has defined my idea of fear. I don't want to be anybody's idea of failure.
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47
what i have to say is "i'm feeling pretty sad right now" but it can be illegal to let negativity sprout in the crevices of support structures and tear ducts. what i want to tell you is "i miss what i left behind with him" but it is not well looked upon to tell of misfortunes with old loves to those who could be new. what i wish i could say is "the healthier i get, the more i want to go back in time" but those words would fall upon full hearts, heightened expectations, and lost connections. i set ablaze every bridge i came across, and there is no way to travel back now, and there would be not a single soul waiting there for me. what i do say is "my shoulders are burning today, my back feels broken this evening, my eyes are dull tonight" because physical ailments are tangible and have permission to exist, but, indeed, they are the easiest pains to cause myself.
0
Mar 24, 2014
Mar 24, 2014 at 7:47 PM UTC
"you can tell me anything, you know that"
repetitive two- or three- word phrases are the outer limit of my vocabulary when all i can hear is my pulse in my throat and my hands and legs rattling against the floorboards. my back is spiraling into itself, searching for my stomach, for my lungs, searching for a reason for this suffocating pain and imminent death. my eyes can't settle on any single object, because everything is fragile and i'm afraid to watch anything break- maybe it's because i watched you break, i watched my words break your trust, i watched my actions wreck your beliefs. a few minutes later, when the attack passes and i'm alone on my bedroom floor, i detach my arms from around my knees, shove myself up with whatever strength i can muster, and scrub yesterday's makeup from the bags under my eyes. someday i'll look back on this and i'll see that i was a warrior. a warrior with holes in my armor. a paladin without a proper breastplate, lacking the internal systems that offer refuge during something as simple as a panic attack.
0
Mar 7, 2014
Mar 7, 2014 at 12:11 AM UTC
flaws in composure are flaws in armor
cracking you open, right there on the street, would give me the satisfaction that i've never asked for. you offered me your wrist for me to slit for weeks, for months, for years, wishing i'd hurt you just so your tears and self-hatred could be "justified". don't you know? you didn't get the memo? none of us have the justification that we feel gives us permission to destroy or be destroyed. we're all wandering the alleys at night hoping, wishing, that someone will stab us in the gut, just because we wouldn't flinch and wouldn't give up our wallet.
0
Mar 6, 2014
Mar 6, 2014 at 11:52 PM UTC
looking for danger at 3 am
almost every **** day i halt words that are about to spill from my throat, i hiccup over sentences that i can't bear to speak. three letter words can serve as a trigger that launches a full fledged attack on my nerves, which in turn launches me out into the street. and every time my heel hits the pavement all i can hear is "get out. get out. get out." all i know is that i need to get out. and i need to get out fast. but almost every **** day i spit out terms of endearment for all of those who i hold so dangerously high. i almost collapse under their weight when that short, seemingly insignificant word almost sneaks past my lips. the soles of my sneakers can barely hold me aloft when i run with such panicked purpose, hearing nothing but "how could i almost- how could i almost- how could i almost say-" and knowing that indeed, i almost said it. and almost every **** day i lash out at the memories that i've cut into jigsaw pieces, trying to throttle the panic-prone girl i've grown from into screaming the word so loud her voice cracks and her throat bleeds. but she knows the weight that a three lettered word can hold. she will preserve a seat within the limits of her vocabulary for what she defines as 'safety, comfort, security' even though i define it to mean 'panic. go. get out. escape.' and almost every **** day i utter a word to show my loved ones how much i want to hold them, to protect them and take both attack and blame head on for them, how much i want to hurt for them. i stare into the eyes of my best friends and i almost say it, i almost call them 'kid'
0
Oct 23, 2013
Oct 23, 2013 at 1:12 AM UTC
kid
almost every **** day i halt words that are about to spill from my throat, i hiccup over sentences that i can't bear to speak. three letter words can serve as a trigger that launches a full fledged attack on my nerves, which in turn launches me out into the street. and every time my heel hits the pavement all i can hear is "get out. get out. get out." all i know is that i need to get out. and i need to get out fast. but almost every **** day i spit out terms of endearment for all of those who i hold so dangerously high. i almost collapse under their weight when that short, seemingly insignificant word almost sneaks past my lips. the soles of my sneakers can barely hold me aloft when i run with such panicked purpose, hearing nothing but "how could i almost- how could i almost- how could i almost say-" and knowing that indeed, i almost said it. and almost every **** day i lash out at the memories that i've cut into jigsaw pieces, trying to throttle the panic-prone girl i've grown from into screaming the word so loud her voice cracks and her throat bleeds. but she knows the weight that a three lettered word can hold. she will preserve a seat within the limits of her vocabulary for what she defines as 'safety, comfort, security' even though i define it to mean 'panic. go. get out. escape.' and almost every **** day i utter a word to show my loved ones how much i want to hold them, to protect them and take both attack and blame head on for them, how much i want to hurt for them. i stare into the eyes of my best friends and i almost say it, i almost call them 'kid'
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52
convincing a child that someone is now forever absent from their life is a matter of saying goodbye, wiping up tears, and never seeing a trace of them again. as an eighteen year old, i would have appreciated the child's version of this ritual of persuasion. instead, i got two-month intervals of delay and lingering, times of remaining identical to the stale soul i had become. i could count the intervals exactly to the day - two months was the longest anyone could go before shattering into insignificant shards. as a twenty year old, i have become skeptical of the idea that someone could leave at all. i might not speak to them, i might not see them, i might not notice things around me that used to define my vision of them, but the absence of habits gives absolutely no validity to the claim that they are forever gone from my world. i have spent four point zero two percent of my life with dulled senses. for ten months my vision was blurry, my hearing was garbled, my sense of smell was practically ripped out of my body. in this time, i forgot that: there is a certain angle to the shoulder blades that i find beautiful, i feel at peace when i hear a boy sing, a familiar scent can snap me back to whatever year i first smelled it. my lack of perceiving the world almost convinced me that someone could be forever absent. but my senses have recently come back to me, along with all the memories they originally created. i can finally see the bridges of noses and the straightness of forearms, i can finally hear voices tip toe around guitar strings, i can finally recall how comforting it is to know exactly how the most important people in my life smell. i took this reunion of senses as a sign to move forward, as a sign that i'm through with waiting. my life has taken a turn and i have swiftly started on a path to being someone no one knew before. i have heard quite a number of testimonials that explain in great detail just how different i have become. and some nights that is the last thing i want to hear - that i succeeded in changing myself, that i succeeded in giving up what i thought i stood for, what i thought i wanted, what i thought was permanent. i loved who i was. i still love who i was. but, i have almost been thoroughly convinced that who i was is now completely absent from my current spirit. i am learning to love my senses again, even though they remind me of how i lived the other ninety-five point nine eight percent of my life. strangers can smell like boys i thought were forever gone, strangers can laugh just like boys i thought were forever absent, strangers can have the same stretch of shoulders and the same strong forearms as boys i thought would never come back. and sometimes they take the seat next to mine on the bus, in class, at a movie or at dinner. so, as an almost twenty-one year old, i have decided that surely, no one can ever be forever absent from your life. the best you can get is a deadening of senses so that you no longer notice all the little things that bring the part of your soul that they labeled as theirs back into being.
0
Sep 12, 2013
Sep 12, 2013 at 5:49 PM UTC
it's true - i'm leaving you
convincing a child that someone is now forever absent from their life is a matter of saying goodbye, wiping up tears, and never seeing a trace of them again. as an eighteen year old, i would have appreciated the child's version of this ritual of persuasion. instead, i got two-month intervals of delay and lingering, times of remaining identical to the stale soul i had become. i could count the intervals exactly to the day - two months was the longest anyone could go before shattering into insignificant shards. as a twenty year old, i have become skeptical of the idea that someone could leave at all. i might not speak to them, i might not see them, i might not notice things around me that used to define my vision of them, but the absence of habits gives absolutely no validity to the claim that they are forever gone from my world. i have spent four point zero two percent of my life with dulled senses. for ten months my vision was blurry, my hearing was garbled, my sense of smell was practically ripped out of my body. in this time, i forgot that: there is a certain angle to the shoulder blades that i find beautiful, i feel at peace when i hear a boy sing, a familiar scent can snap me back to whatever year i first smelled it. my lack of perceiving the world almost convinced me that someone could be forever absent. but my senses have recently come back to me, along with all the memories they originally created. i can finally see the bridges of noses and the straightness of forearms, i can finally hear voices tip toe around guitar strings, i can finally recall how comforting it is to know exactly how the most important people in my life smell. i took this reunion of senses as a sign to move forward, as a sign that i'm through with waiting. my life has taken a turn and i have swiftly started on a path to being someone no one knew before. i have heard quite a number of testimonials that explain in great detail just how different i have become. and some nights that is the last thing i want to hear - that i succeeded in changing myself, that i succeeded in giving up what i thought i stood for, what i thought i wanted, what i thought was permanent. i loved who i was. i still love who i was. but, i have almost been thoroughly convinced that who i was is now completely absent from my current spirit. i am learning to love my senses again, even though they remind me of how i lived the other ninety-five point nine eight percent of my life. strangers can smell like boys i thought were forever gone, strangers can laugh just like boys i thought were forever absent, strangers can have the same stretch of shoulders and the same strong forearms as boys i thought would never come back. and sometimes they take the seat next to mine on the bus, in class, at a movie or at dinner. so, as an almost twenty-one year old, i have decided that surely, no one can ever be forever absent from your life. the best you can get is a deadening of senses so that you no longer notice all the little things that bring the part of your soul that they labeled as theirs back into being.
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109
what am i doing to myself? that surge of panic a heart-stuttering, mouth-opening, clenching-of-the-jaw panic the realization that my hands are to blame for the strength of my bones for the confidence in my eyes for the smile that comes so naturally now- how do i take this back? how could i be such a stranger to myself how could i let my dreams fall away how could i pack it all into a single shoe box how could i leave her behind, after all she's done for me? this line is much too thin to walk and my bathophobia is making me stumble one side of the fence houses fruit, sweat, strength, genuine laughter, newness of life and enough self-worth to inspire the other contains blood, tears, collapse and destruction, a lack of sleep and enough regret to drown everyone i've ever loved and yet, in my eyes, it is comfort *how do i choose between health and safety? why am i making myself destroy one life to start another? will it even be worth it when someone else steps out of the ashes?*
0
Jul 1, 2013
Jul 1, 2013 at 11:24 AM UTC
you wonder how you ended up here
empty bottle resembles empty heart and empty head, and empty bed -- every song is a punch to the gut reminding her that she must she must be better, be stronger, be confident and yet relapse is on the road to the imaginary land of recovery -- she develops an intense relationship with her lonesome bed blanets reach out to keep her pinned -to pillows -in sleep -with tear-stained cheeks, chewed up nails, swollen shoulder blades her mattress is desperate for the kisses and sighs she gives it night after night
0
Jun 7, 2013
Jun 7, 2013 at 6:13 PM UTC
you will never feel quite clean