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kahara-jones
kahara-jones
American
A wisp of smoke, an empty trail, I used to follow you- Up to a place who’s brother is an undisturbed rooftop after the sky has given birth to its million white children with white castles and blue ceilings, gentle cold, that penetrated my thin body no air, simple. No harsh thoughts. As a buddhist I would wander catching the slowest of the feathery creatures with long faces that came to a point stroke them The hidden outbursts of motion would send me sprawling but I felt no pain up there, there were no houses, just white castles that formed and reformed I think King Solomon once imagined a government like this fluid, what doesn't work only crumbles into something that does There were no cars just invisible bodies harmless but powerful riders of the frigid and heated drafts The only noise came from me the single impurity I cried out when I saw the white castles filled with silent ivory people that smiled but did not respond I could see them talking with eyes with more expressions than I have ever seen Silently they spoke swallowing the smoke that came from below
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Mar 1, 2013
Mar 1, 2013 at 9:14 AM UTC
Puff
Raw Misty Morning mossy beds seaweed drying upon clam-adorned rocks deep mud pilfering shoes and small things all forgotten when tides come in better to be on shore than to be out searching better to be safe instead of stuck waist deep in clay-like mud magnificent nefarious stealing sludgy thick mud the water is cold as is the mud mind the tide the seaweed clothes and covets what is lost The clams find homes in what cannot be found the mud paints the pale shoes and things
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Mar 1, 2013
Mar 1, 2013 at 8:00 AM UTC
Lubeck
Morning light is what I’m reading in your eyes half asleep with fire burning low sunlight soft mist drying in the grass letting memories from nightmares pass winter hasn’t covered up the daylight it can only hide the life below our feet
0
Mar 1, 2013
Mar 1, 2013 at 7:53 AM UTC
Morning Light
I met her one day while sitting on a bus. I was unaware of her until she sat down next to me, pressing down the unknown cushion material of the bus’s seat. Her cold blue eyes looked into mine. “Hello!” she exclaimed, as if I was an old friend. I gave here a curt “Hi” because I barely recognized her. Her blue fleece was worn and not entirely clean. Her hair was familiar, it was straw colored, half of it pulled into a ponytail. She had the expression of a smug mouse; exceedingly confident and bossy, with tinges of homeliness and sincerity. I admitted that I had forgotten her name. Once I heard it again, it transported me back to a memory that took place in Mallet school. It was hot outside, and the dust from the stones had made our hands chalky and hot so that it felt like wasps were stinging them. I saw a kid blowing on their hands, trying to cool their blisters from the monkey bars. The girl with the straw hair was writing down her phone number in marker. She slipped the paper into my hand as the bell rang, signaling the end of recess. I knew her. Numerous memories came back, only with the help of a name to remind me. She was the kid who refused to sit up for Mrs.Taylor, the kid who refused to listen to reasonable requests at a young age. The person who pried herself into my life, a person I didn’t understand yet came to know. I didn’t understand her constant negativity. Not until now, not until she washed away the muddled details and replaced them with clearer visions with her tongue. “My father won’t be home from jail for another four years,” She said in a husky voice, “and I don’t get to see him often.” I gasped inwardly, and clutched the edge of the seat.
0
Feb 28, 2013
Feb 28, 2013 at 10:48 AM UTC
What she had to say
I met her one day while sitting on a bus. I was unaware of her until she sat down next to me, pressing down the unknown cushion material of the bus’s seat. Her cold blue eyes looked into mine. “Hello!” she exclaimed, as if I was an old friend. I gave here a curt “Hi” because I barely recognized her. Her blue fleece was worn and not entirely clean. Her hair was familiar, it was straw colored, half of it pulled into a ponytail. She had the expression of a smug mouse; exceedingly confident and bossy, with tinges of homeliness and sincerity. I admitted that I had forgotten her name. Once I heard it again, it transported me back to a memory that took place in Mallet school. It was hot outside, and the dust from the stones had made our hands chalky and hot so that it felt like wasps were stinging them. I saw a kid blowing on their hands, trying to cool their blisters from the monkey bars. The girl with the straw hair was writing down her phone number in marker. She slipped the paper into my hand as the bell rang, signaling the end of recess. I knew her. Numerous memories came back, only with the help of a name to remind me. She was the kid who refused to sit up for Mrs.Taylor, the kid who refused to listen to reasonable requests at a young age. The person who pried herself into my life, a person I didn’t understand yet came to know. I didn’t understand her constant negativity. Not until now, not until she washed away the muddled details and replaced them with clearer visions with her tongue. “My father won’t be home from jail for another four years,” She said in a husky voice, “and I don’t get to see him often.” I gasped inwardly, and clutched the edge of the seat.
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8
Evelyn, you flew out with the day's wind and the sparrows were the only family to see your mouth dry in the buoyant moon The flies with their translucent wings flew about your open lips catching particles of light in their flaky, blue, gold, red, violet veins upon their lovely wings which graced their delicate black clothed bodies They were dressed for this once-in-a-lifetime occasion but not I, in my red itchy face and cotton gown I took you by the hands (my feet numb and covered in inky grass) telling you things only mother would care to hear the unfiltered hiccups and childish wake-ups, and a simple "close your mouth" My father and uncle took your sock-covered feet and we lifted you, took you to the light which filled your mouth we placed you in a stiff wooden chair Your mouth closed then and your eyes remained open your crinkly hands dropped settling into your lap and for a moment you were alive
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Feb 28, 2013
Feb 28, 2013 at 10:45 AM UTC
Evelyn
I watched you there, sitting in the small booth. You were sitting in your denim pants, with your arm draped over the top of the bench’s backing, as if someone had been sitting with you, less than moments ago. A thought flashed into your eyes, and your posture became awful, it bent like a string that was meant to resound and hum, but instead twanged and then broke. The way you sat brought the table closer to your chin, and your eyes became watery. You were gazing into your brown drink. You hadn’t touched the rim yet, hadn’t moistened it with your lips, which hid under a forest of coarse growth. Did you notice the consistency of the foam in your glass? I bet you the waiter had spat in it. He didn’t like your tone; even as glass with something thrown in the middle. He couldn’t place it. Maybe it was melancholy with an aftertaste of maybe. An aftertaste of hope. Or it was an incurable sadness that hadn’t permeated the deepest caves in your lungs. Your heart, I mean. Did you feel it in your chest? This emotion? Let me tell it to you backhand-style, because I think I understand. It’s the time when the little boy runs off the cliff - but the mother or father snaps their fingers around the child’s hand. When you open your eyes, the child isn’t what you thought he would be (gone). He isn’t a soul that, with the loss of him has ripped the living, beating heart from your bare chest. He hasn’t. No, no, but the claws have grazed your skin. Still, you live, the child lives. This is because he hasn’t stolen the air from your heart. Your lungs, I mean. When you see him alive, then your lungs swell, swell, swell, then they pop. Then, and only then, you know you’ve reached your capacity. Ah, but listen now; when joy leaves, it empties a room. The room can get very empty, and cold, like December, and meaningless like July afternoons. The rupture from the pop heals, and where do you go? You know what you’re missing, and you can’t get it back. There you were, back at the shrinking booth. The foam hadn’t nestled in your mustache - yet-. The waiter turned away. You couldn’t see inside his mind, but your eyes told me the loss in yours. I sipped my orange juice, all the while wondering how you were, wondering why I like to watch.
0
Dec 20, 2012
Dec 20, 2012 at 10:31 AM UTC
Orange juice and mustaches
I watched you there, sitting in the small booth. You were sitting in your denim pants, with your arm draped over the top of the bench’s backing, as if someone had been sitting with you, less than moments ago. A thought flashed into your eyes, and your posture became awful, it bent like a string that was meant to resound and hum, but instead twanged and then broke. The way you sat brought the table closer to your chin, and your eyes became watery. You were gazing into your brown drink. You hadn’t touched the rim yet, hadn’t moistened it with your lips, which hid under a forest of coarse growth. Did you notice the consistency of the foam in your glass? I bet you the waiter had spat in it. He didn’t like your tone; even as glass with something thrown in the middle. He couldn’t place it. Maybe it was melancholy with an aftertaste of maybe. An aftertaste of hope. Or it was an incurable sadness that hadn’t permeated the deepest caves in your lungs. Your heart, I mean. Did you feel it in your chest? This emotion? Let me tell it to you backhand-style, because I think I understand. It’s the time when the little boy runs off the cliff - but the mother or father snaps their fingers around the child’s hand. When you open your eyes, the child isn’t what you thought he would be (gone). He isn’t a soul that, with the loss of him has ripped the living, beating heart from your bare chest. He hasn’t. No, no, but the claws have grazed your skin. Still, you live, the child lives. This is because he hasn’t stolen the air from your heart. Your lungs, I mean. When you see him alive, then your lungs swell, swell, swell, then they pop. Then, and only then, you know you’ve reached your capacity. Ah, but listen now; when joy leaves, it empties a room. The room can get very empty, and cold, like December, and meaningless like July afternoons. The rupture from the pop heals, and where do you go? You know what you’re missing, and you can’t get it back. There you were, back at the shrinking booth. The foam hadn’t nestled in your mustache - yet-. The waiter turned away. You couldn’t see inside his mind, but your eyes told me the loss in yours. I sipped my orange juice, all the while wondering how you were, wondering why I like to watch.
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10
Hey. I saw you cutting yourself in your eyes and shedding pain wet drops that stained your skin leaving red trails of salt marking you within as something else you had painted your skin a different shade I can’t cave I heard in your head crashing against the backs of your eyes making you tear up making people stare I wondered I wish I had wondered aloud You left. and did not come back, found comfort in someone else’s arms not that you knew mine were here, hoping, wanting -until feeling passion so intense it could be felt as pain- to brush away your humiliation, calm your hands from clenching it’s shovel, to fill the hole you’d dug, and smooth your knotted brow the heated knife of frustration, and hot-blooded fervor was legible in your eyes as legible as the tears, and the pain I would. If you had known If you had asked I silently whispered, pleading until my hands were cold and white in the December morning I’m here, I’m here, turn your head, I’ll give you what I can but I should have said my hopes aloud, exposed myself as more than the bystander, exposed myself as someone who wanted to be more in a life that was more important than you thought it was
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Nov 30, 2012
Nov 30, 2012 at 9:43 AM UTC
Hey
We've got an old way of working things out and an old life (we are young, sister) though you say we're young (I never lie) but how could we be since that old dusty memory is clear…. clear… clear (ah, yes, you see we're young) And I didn't say I didn't care I just want to forget... and would heaven be at our door if it never had happened (Is that a question?) well why did it happen? just to us (just to us, both of us) When I am home I get shivers and cold feet as they touch where he had fallen and you are out drinking (I am always here) as I am sinking and the fat ugly droplets won't fall they're weak things tugging at my scalp if they fall, I can rest (you sleep better than me) I want them gone but my skin is a cage is a desert (darling, face it.  You have dry eyes and a messed-up conscience-) and whatever tries to seep out evaporates into nothingness why had this happened to me? (you mean us, you silly girl) What can come from tragedy- this is no blessing in disguise (it was bound to happen) and your eyes are that of an old man's (our eyes.  Looked into the mirror recently?  I think not) yes we are older than him now headhunters gather strength in their victims we gather age (we are young, don't lie to us) chained together by skin (bound together is a better word) invisible to the eyes of others you sit, ghostlike in the bar (I haven't had a drink in years!) Sometimes coming back to the skin we share you are my sister my blind spot (the intelligent side, come to think of it) the dirt on my tongue which I haven't found a way to spit out yet you crunch under my teeth (you are the dirt, the whiner, the pessimist the man was a worthless criminal. I saw him dreaming of us. and I cannot digest his foul thoughts, I knew him better than you I saved our life.)
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Nov 27, 2012
Nov 27, 2012 at 8:11 AM UTC
Two Within One
We've got an old way of working things out and an old life (we are young, sister) though you say we're young (I never lie) but how could we be since that old dusty memory is clear…. clear… clear (ah, yes, you see we're young) And I didn't say I didn't care I just want to forget... and would heaven be at our door if it never had happened (Is that a question?) well why did it happen? just to us (just to us, both of us) When I am home I get shivers and cold feet as they touch where he had fallen and you are out drinking (I am always here) as I am sinking and the fat ugly droplets won't fall they're weak things tugging at my scalp if they fall, I can rest (you sleep better than me) I want them gone but my skin is a cage is a desert (darling, face it.  You have dry eyes and a messed-up conscience-) and whatever tries to seep out evaporates into nothingness why had this happened to me? (you mean us, you silly girl) What can come from tragedy- this is no blessing in disguise (it was bound to happen) and your eyes are that of an old man's (our eyes.  Looked into the mirror recently?  I think not) yes we are older than him now headhunters gather strength in their victims we gather age (we are young, don't lie to us) chained together by skin (bound together is a better word) invisible to the eyes of others you sit, ghostlike in the bar (I haven't had a drink in years!) Sometimes coming back to the skin we share you are my sister my blind spot (the intelligent side, come to think of it) the dirt on my tongue which I haven't found a way to spit out yet you crunch under my teeth (you are the dirt, the whiner, the pessimist the man was a worthless criminal. I saw him dreaming of us. and I cannot digest his foul thoughts, I knew him better than you I saved our life.)
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65
Mother birds at home, Their babies are too young to die Why did their children fly away? Away in metal shells, Forgetting feathers to cushion their fall Cold blooded snakes bearing symbols Stole their baby birds, Ate their innocence, And threw them at their enemies To win ashes left from beauty, beauty slithering beasts cannot obtain The snakes are poisoned Their leader: dead His skin and all that mattered: shed. And now the little birds must be slain By enemies they'd not wished to gain And fly away, they must In their hulking metal shells Carrying as many others Underneath their arms But whom do they choose to carry off? Few they can help, Thousands more; forced to stay, Thousands they wouldn’t have to cry for, Thousands they wouldn’t have to remember in sharp obsidian dreams, Thousands they wouldn’t have to gun their engines And run over, to save they few they could If snakes hadn’t stolen them away Cry no more; Create feathers from metal, Though they may at first cut your fingers Take, If nothing else, Hope from endings, And the strength to fly after falling Mother birds wish for their chicks to live beyond them To a new horizon they born to see They coo in their nests, Shocked and unable to cry out in pain Tithing new mothers and their newborns a wish, To live lives that are long For all are young Who see hope slain And purpose undone
0
Nov 20, 2012
Nov 20, 2012 at 5:36 PM UTC
Mother birds
Dew 'neath the eyes become teasing images that lack substance but I am sightless my home is black, colored only for those who bring their lanterns, never shifting, but drifting turning accidentally back, and I, not the right degree drift, find a face I'd thought I lost- don't wind the clock or leave the key where I may see it if you insist, if I am your guest, give me rooms covered in seaweed from the oceans coffin where I may drift unharmed, untouched your rooms, scorched by the warm ice, giving views to the otherlands, where motionless green beasts ponder their actions, filled with water, yet never willing to give, spiking those that dare, those, desperate and dehydrated enough to dare.. those are for the wild, who need pain to quench their need for adventure, mules in a constantly shifting land no, I want cool floors of laminaria, they'll squelch beneath these pale feet of mine, and, as I gather dew, calm my feverish scalp
0
Nov 20, 2012
Nov 20, 2012 at 4:52 PM UTC
Placid