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kaavya-1
kaavya-1
22/F When I'm writing, I don't have to be brave. / Thank you to everyone who listens.
I’m told I was a twin in the womb, And that is why my life is twice as lonely. But sometimes it’s like A different pair of eyes stare through mine And my head is too small for all of its thoughts. I hear her breathe, softly, from the chair I am sitting in. Time passes, but we are still next door neighbors, of limited use to each other, all hues and no gradients. We are one note, the both of us, but it is only I that seeks harmony. I call to her, but she may not hear. I feel her approach though, a tsunami in the guise of the tide. My feet submerge, and my lungs flood. Somedays, her door is open. I am afraid, but I will enter. It is but a blink, a walk through a wall of water, And then there is a stranger in my house.
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Nov 11, 2022
Nov 11, 2022 at 11:03 PM UTC
myselves
At the base of the mountain I meet a man who sells prayers. I do not know what to wish for so I take them all. One for dreamless nights, One for gentle tide. One for locked doors, One for shameless pride. At the ridge that separates sky and earth I find myself in a pond. It asks me not to see life a series of obstacles. I kneel to drink, but am offered no cup. The water is beyond me; I must climb further up. At the tip of this world, At a place I have no proof of, I am close enough to touch the moon. In some versions, she descends and I come away blessed. In others, I just wonder where there is to go next.
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Oct 28, 2022
Oct 28, 2022 at 8:05 PM UTC
recovery
the secret to any open window i found over three different lives. i spend the next trying to share it. but what matters is: a broken ocean a gentle gradient your breathing heart.
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Sep 24, 2018
Sep 24, 2018 at 10:55 PM UTC
open windows
Say I defined time in quarters - A flash of lightning, an inflamed heart a silent revolution, a fallen photograph. Suddenly life is too short. Say I divided a circle into thirds - Hush, no space for shelved dreams And buttoned up plaid shirts. We do not break bread with discontinuity. Say I had two hemispheres of life - too many secrets spill from my ears: the nook where I braid my hair into knots the reason not to walk a beach at night. Say I was brave enough to erase all lines - unexpectedly, it is not enough, not at all. I breathe even with the wind-whistle in my skull, but then it is not a breath, how unready am I?
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Sep 11, 2018
Sep 11, 2018 at 7:29 PM UTC
In transition
The stories I have to tell may not all be true. This is why, when I break open my fortune cookie at family dinner I get a message, poetry is for the selfish. Words that come from my father who holds my cosmos in his reading glass, thoughts stolen from my mother who is determined to curve my shadow into a snow globe. You see, I have a theory about resistance: I exist in the tension between warring magnets, a wormhole between universes that have no blue and green for me, my soul a tribute to the fact: poetry is for the selfish. I made my apologies already, sorry for being loud in the wrong ways and quiet in the right ones. You see, in this life I can have only one favorite color but in reality the answer is always C#. In this life I have woven a web to keep my head above the clouds just so my feet can sink two inches into ocean sand. Poetry is for the selfish, says the spider at the crown of my head. And if all I can allow myself is four letters, I’ll take them with the uneven edges of piano keys and the shadow of something more wholehearted.
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Aug 11, 2018
Aug 11, 2018 at 1:51 PM UTC
Self
i’ll say it again. this is the only time i write with music. listen now and i’ll spin the wheel again, an ocean is no excuse for a tipped balance. trace origins back to சாதம், வீடு, பறவை. tip-toe to reach the top half of the stove, where the stories and the music are, but hand on head, not quite there yet. in the meantime, i hope my hands become as fire-glazed as yours one day. listen now and i’ll tell you how to live a life in compromises. here, come help me with my சாறி, no, i don’t have flowers for your hair, because there are are two different languages in this house. inhale savory vowels and lives rolled into the sun, exhale தயிர் without salt, a theoretical childhood, heart with half  the guilt. listen now for something i told my அம்மா: travel eight thousand miles by foot and open one eye, make a phone call and taste dew- glittering நெய் தோசை. listen now for a final time. when there are not enough unfurled petals of this world, look up and find the பௌர்ணமி in a hidden corner of your heart. blink once to skip time zones, twice to remember the promise of a thousand locusts and monsoon rain.
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Jul 28, 2018
Jul 28, 2018 at 1:28 PM UTC
cultural vase
I learned how to write from ghosts, at a time I didn’t trust anything more concrete. Afraid of the ravens, searching for my eyes, I drew heat from the thinnest whispers the most deceptive mountains. And when I couldn’t take it, I also grew feathers, to escape the birds tearing at my hair. Letter by letter, I claw back. I learned how to write from the bottom of a cave a place I thought I’d been to already. I felt it this time, the poetry humming from my lips and my heart tip-toeing across an open window. The sun pours in, dripping fire and honesty. I swallow. I learned to write so I could follow the river, imagine the mirror that is a drop of rain so that I’d find the curve in the plane of my soul. And now, I write from the ghost of my thoughts, the metallic edges that spin breathing colors the worlds in which I have wings.
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Jul 22, 2018
Jul 22, 2018 at 12:19 AM UTC
History-Keeping
regret number one: i didn’t do it for love i confess i know too many languages i didn’t ferry the moon across my heart. too much fear to break the rules. regret number two: i wrapped my voice into a seashell and buried it into the sand. i broke my poet’s promise to always write in caps. i am too unsure to write in triplets. this is where i apologize for bringing us to the end. every poem is too long never enough slices of happiness. this is where i admit i broke yet another promise fingers dripping with orange juice and i couldn’t give you a slice. final regret: this one’s a whisper as my legs stumble a beat and my heart misses the horizon. don’t let go of me just yet. i take it back. there is no conformity in lowercase. a quiet breeze, a soft freedom a will to sketch a greyer plot. and now, for once there isn’t enough room for regret all i can do is hope this is not the end sit here with me, won’t you and hope this is not the end that this moment will come again and there will be more oranges to slice.
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Jul 15, 2018
Jul 15, 2018 at 8:24 PM UTC
prologue(s)
There are too many words in English (for me, at least) for what a fire does. None of them tell me what a fire is - for that, i suppose all you need are images and memories and eyes. And there is no point (for anybody at all) trying to describe what a fire looks like. No point in charcoal imagery and allusions to hell and poems with holes in them. Because that’s all a fire leaves behind. Charcoal and what feels like hell. This poem would have holes anyway. But there is always a reason to fill these holes with words. Why is it there are always words when there are holes? Oh, why are there words? Yes, words are human but god, so are the holes, those between the spidery embers that we dare to call trees. (which are human too.) And since I’m also made of holes and words and dying embers I (instead) focus on those holes between trees and think that wood is not really food for fire and realize that this wasn’t supposed to be about me and pretend that I am not at a loss,
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Jul 10, 2018
Jul 10, 2018 at 8:52 PM UTC
Forest Fire
You should know              That I don’t normally do this.                          Words come easy                              and shape does not.                          I know the purpose, though,              And have felt the effects, a flowing melody              a short prelude                          A bowstring across a violin.              I’m sorry.          Sorry that the river rushes              at the wrong times and, sorry that I haven’t warned you              of the waterfall.                  Sorry that I write              in pulses and not lyrics,          sorry that the sun sets too early              over somebody else's mountain. Sorry that I can’t start again -              the suspense of pause                          has already leaped from my lips                                      and the fluttering that is suspense                  has melted into the river              and all that remains is the value of silence.
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Jul 5, 2018
Jul 5, 2018 at 10:50 PM UTC
Enjambment