Atop the frail ego she mounts her merciless machine gun with which she mows down any speckle of personality that dares flicker amongst her immediate surroundings, until only her presence alone can remain untarnished and unfettered by sadistic, sardonically summarized ridicule, luminous and majestically radiating with solitary supremacy. Oh, the splendorous grandeur of self-indicted superiority, the rush of power and authority from diminishing another's essence with ruthless categorical association, the incomparable ecstasy of using their own positive attributes as their rudimentary flaws. Viscerally volatile, the cocking of the mocking gun's hammer is to be recognized as the phrase "You're just trying to be______". This is critical, for all too well she knows to a certainty that at the most essential level, one is only simply trying to be. And when you attack a person's will to try, their will to be, then you are taking aim at the one vital aspect of their existence which they hold any discernible dominion over: their character. The slaying is heinous and orgasmically fulfilling, for how can the perennial, separatist worship of Self be indulged in among so many of these "others"? But oh how exhausting it must be, the perpetually cyclic nature of the task. How can she ***** a light that doesn't exude from a distant source, but is a brother beam of the source they share? How does she extinguish the reflection of a flame off the water? Like fireflies on summer nights they disappear only to reappear again, somewhere else, reminding her of the irrevocable, irreducible power of being born and reborn again in the new moment. The self-aware ******** audacious enough to love themselves. How much of it do they really think they can withstand?
Reload.
Nov 14, 2015
Nov 14, 2015 at 8:53 AM UTC
Sometimes I talk to you the best when you're nowhere around. Like there are things I can't address with an audible sound or an eloquent progression of adjectives and nouns when I feel the weight of eyes running across my face.
It's just the space in which I reside, communication commits suicide and I'll slide out something sly or a bad joke and try my best to let it go, because I know you don't hold it against me.
It's not that you make me nervous, I just render myself wordless. My vocal chords are worthless when the sensations are so heavy. Concepts seem obscure and on the tip of my tongue, but too scared to take the plunge. They turn back and run and my silence seems dumb, distant or despondent.
Sometimes I have too much to say, so I'll stutter to articulate a notion that would take me all day to actually feel like what I wanted to convey was done justice, or worse, I'll reflectively reiterate and ramble redundancies, rearranging rhetorical rumblings, remorsefully reaching to recite a redeeming rendering, like an OCD patient switching her light on and off endlessly because it didn't "feel" the way it should have in her mind the first time, the tenth time, the hundredth...
Though when I'm alone, it's a completely different scenario. Someday I hope you hear me speaking through the speakers of your stereo, and my words will flow and show concise precision of a vision with intention and you'll know, I sat there for hours to bring you that message.
I'm either speechless or I bleed an abstract sequence, the in-between is when I sing to apparitions or rewrite things I've written just to interpret my own cognition. There are no translators or subtitles for my kind, whose vanquished language is transmuted into music, tunes, or incoherently scribbled lines. Though I guess I should confess, sometimes I feel like you decode me nonetheless. I'm blessed to have a friend that knows the truth about my essence, beyond flesh, beyond silence, beyond expression. It's not like my thoughts are oh-so-profound or some ground-shaking revelation too complex to pronounce. But it's something about myself that I've found. I speak to people best when they're nowhere around.
Nov 14, 2015
Nov 14, 2015 at 8:44 AM UTC
The curves that could **** a man
Aren't at her hips
But dance around her lips
As words that serve neither to stroke nor strangle the silence that tangles inside your grip, but sings and breathes beneath wings of wit from
Those casually crafted curves
Weaving a wind into a wave
Never tumbleweeding out
But either darting
Or floating
To and through you
As an inner voice would
Had you not muffled it with music
And reduced it to one or two loose lipped quips and semantic antics
Curves, warm with form and with friction
Neither liquid or gas in state
With no mass but with weight
They're past but don't pass away
They lay aloft, lingering in the light they were given unto
Or, did they bring the light to you?
Oh yes.
Sultry sounds of synchronizing synapses
Seep and slide deep inside, into the spaces
That two souls so similar, long have sat
Seemingly separate from the infinite vastness
Telepathic, though she doesn't act it.
Hourglass figure, go figure
The hourglass smashes
Or remains undetected, in those seconds
The curves that could **** a man
Form the words that could resurrect him.
Nov 14, 2015
Nov 14, 2015 at 8:37 AM UTC
Shifting sleep, the seconds creep
Creep
Creep
Silently they pass by me
Treadmill thoughts, going nowhere but still moving
Thought, the most common form of illusion
What I could be doing, the time that I've been losing
Time, another fine example of confusion
What sorcery could order me to disengage now
Tranquilize the heavy eyes and guide the body back down
High strung bow, pull another arrow from the quiver
Draw it to the shoulder shoot it straight into the river
Useless
Fruitless
Pressure on the cracks
Rearview glances, but there's no tires on the tracks
My palms are too small for the things I try to grasp. I relinquish temporarily the need to draw a map
Futile simulations of my eyelids shutting
I conceive of bigger dreams while my eyelashes are jumping
Nov 14, 2015
Nov 14, 2015 at 8:35 AM UTC