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jessica-britton
jessica-britton
Somehow they made us places. You were a king’s vacation home and I was everyone else’s waiting room. They made you something for the best and I got the ones stalling someone for better. I want to know the first person to fall in love. I want to tell them of you and I, and what happened to you and I, then maybe I can be the first one to break a heart.
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Apr 30, 2015
Apr 30, 2015 at 12:54 AM UTC
Skip to the End
“There’s 7 billion, 46 million people on the planet and most of us have the audacity to think we matter” –George Watsky Dear George, You were there for everyone else. I cried for them all while my dad begged you in whispers, and you melted into the crowds of people, and you dove from the balconies, and pretended like the world consisted of somebodies. You left me with cold copies and ignorant earth. Somehow you made 4am into something selfish. I was losing lessons I was willing to learn. I had no songs to sing, while you were serenading the **** and were packing his bags, and became his love letters for her, and you made me lose someone I never had. You wrapped every lesson I ever needed up in an empty inbox. You painted San Fran diamond sidewalks empty gold,and I needed you! You were there for the mutilated, and kissed their filthy trigger fingers, and spat on birthday wishes, and you made me desire the life of a passenger. You were the only one that reminded me how to smile; you drowned out slamming doors… You didn’t have to make the water thicker or make the bottom seem so far. You didn’t have to give them boats of Titanic shards! Your silence made sinking inevitable. You gave me more with empty hands than I ever would have thought. You taught me that every hero dies, and that I will always love the traitors, never love cardboard cutouts, or dream of cardboard castles. You showed me how it feels grasping at ghosts, and how much you can doubt,and just how much that hurts. I hope you never write your idols. With Love, The Girl That Will Never Learn
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Apr 30, 2015
Apr 30, 2015 at 12:48 AM UTC
Letter to a False God
“There’s 7 billion, 46 million people on the planet and most of us have the audacity to think we matter” –George Watsky Dear George, You were there for everyone else. I cried for them all while my dad begged you in whispers, and you melted into the crowds of people, and you dove from the balconies, and pretended like the world consisted of somebodies. You left me with cold copies and ignorant earth. Somehow you made 4am into something selfish. I was losing lessons I was willing to learn. I had no songs to sing, while you were serenading the **** and were packing his bags, and became his love letters for her, and you made me lose someone I never had. You wrapped every lesson I ever needed up in an empty inbox. You painted San Fran diamond sidewalks empty gold,and I needed you! You were there for the mutilated, and kissed their filthy trigger fingers, and spat on birthday wishes, and you made me desire the life of a passenger. You were the only one that reminded me how to smile; you drowned out slamming doors… You didn’t have to make the water thicker or make the bottom seem so far. You didn’t have to give them boats of Titanic shards! Your silence made sinking inevitable. You gave me more with empty hands than I ever would have thought. You taught me that every hero dies, and that I will always love the traitors, never love cardboard cutouts, or dream of cardboard castles. You showed me how it feels grasping at ghosts, and how much you can doubt,and just how much that hurts. I hope you never write your idols. With Love, The Girl That Will Never Learn
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27
I want a lot of things, like shirts of him. A drape of cotton haze, a bandage for the nights you spend beneath blue sheets, a swim instead asleep. A shred of what’s no more. I want my life to be a movie scene. We drive across the Golden Gate, the bright and trembling lights like camera’s flash. You lean against the window, saying you’re alright. But nothing’s ever good or great or fine. The shirt is not the same as him. The car is short a person that’s cuddling coffins in wine Imbibing soil. I’m saving scabs from scar. I want another look in electric eyes and pain to have no place in last goodbyes .
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Apr 30, 2015
Apr 30, 2015 at 12:37 AM UTC
Stay Golden, Pony Boy (Sonnet)
Scene 1: A Night with the Time-Bomb We sleep under paint and plaster: impressionist probably. I slaughter my feelings in my throat. My heart sends telegraphs instead of beating, but you prefer the silence. I hate that I could never enjoy this. I hate that they all love the stars. The only difference between us and them is where we’re burning. The only difference between you and I is who we are mourning. I never thought it would be me. For you I tear loopholes in my morality And find suffering in getting everything I ever wanted. I pick at the plaster, wake me up when it’s over. Scene 2: Lunch with the Comedic Relief I greet you with defense of my mistakes, justifying the difference of these dog days, comparing a grenade to a grenade. Meanwhile the real contrast is in now and who we used to be. You’re not laughing anymore. I haven’t been the punch-line in weeks, It kills you to look at me, And when you do I hate what I see. It’s all a waste of good material. Cue the canned laughter and suddenly it is sloppy sit-com. Scene 3: After School Specials with the Stereotype You run to me: lanky. You yell my name: cracking. You’re my dollar store Halloween. You’re the only reason I’ll go anywhere today. You laugh: choppy. You read from the usual script, I say my lines from the in-between. You’re the only reason I’ll feel genuine today. We’re screaming at traitors in voicemail. Strangers dive in the unholy waters. I feel how I should have all along, and I fear this perfection is solitary. Scene 4: Piloting a Corpse I lay in bed listening to the endings. I measure the distance between me, everyone and everything. They love all of me, including my worst enemy. They take the ugly and wait for the beauty. I take this desolation and try to dazzle; I ignite like sulfur. I fall deeper into my temporary bed, of my temporary house. Tomorrow I’ll tell you how everything changes, Tomorrow someone might form a complete thought. Tomorrow I’ll tell them all how I feel. Tomorrow I’ll give up after “I love you”. Tomorrow I’ll try to glow like neon.
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Apr 30, 2015
Apr 30, 2015 at 12:26 AM UTC
Again
Scene 1: A Night with the Time-Bomb We sleep under paint and plaster: impressionist probably. I slaughter my feelings in my throat. My heart sends telegraphs instead of beating, but you prefer the silence. I hate that I could never enjoy this. I hate that they all love the stars. The only difference between us and them is where we’re burning. The only difference between you and I is who we are mourning. I never thought it would be me. For you I tear loopholes in my morality And find suffering in getting everything I ever wanted. I pick at the plaster, wake me up when it’s over. Scene 2: Lunch with the Comedic Relief I greet you with defense of my mistakes, justifying the difference of these dog days, comparing a grenade to a grenade. Meanwhile the real contrast is in now and who we used to be. You’re not laughing anymore. I haven’t been the punch-line in weeks, It kills you to look at me, And when you do I hate what I see. It’s all a waste of good material. Cue the canned laughter and suddenly it is sloppy sit-com. Scene 3: After School Specials with the Stereotype You run to me: lanky. You yell my name: cracking. You’re my dollar store Halloween. You’re the only reason I’ll go anywhere today. You laugh: choppy. You read from the usual script, I say my lines from the in-between. You’re the only reason I’ll feel genuine today. We’re screaming at traitors in voicemail. Strangers dive in the unholy waters. I feel how I should have all along, and I fear this perfection is solitary. Scene 4: Piloting a Corpse I lay in bed listening to the endings. I measure the distance between me, everyone and everything. They love all of me, including my worst enemy. They take the ugly and wait for the beauty. I take this desolation and try to dazzle; I ignite like sulfur. I fall deeper into my temporary bed, of my temporary house. Tomorrow I’ll tell you how everything changes, Tomorrow someone might form a complete thought. Tomorrow I’ll tell them all how I feel. Tomorrow I’ll give up after “I love you”. Tomorrow I’ll try to glow like neon.
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52
You are the smoky breath of a liar, the paper in which he is licked and twisted, and the only betrayal he will ever know. Could you taste ashes in the mouth of the other man? Could you find satisfaction in the burns of the other woman? Your eyes are the black and blue bruises of night. You are loud like broken glass, quiet like the cracks, and never saw sympathy in thread fuses. You are a woman of fire and love only those with gunpowder hearts.
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Jul 22, 2014
Jul 22, 2014 at 12:03 AM UTC
Gunpowder Hearts
Our bare feet danced on rocky grins and we sculpted the mountains with footprints until we became the poster children of lost causes. God glared at our river through cloudy fingers. They stuck paddles in his eyes and sent ripples through heaven’s image. There were skeletal faces in the bluffs, an unsettling stillness in the trees and a lethal sense of freedom about us. Our hazy days brought darker nights and we ran deeper into wooded revolution until we became the monsters of a hand-me-down fear. Natives watch us from the water with all the same forgiveness of a wanderer, but knew us with the bitterness of the choice they never had to make. We saw them as the lucky ones. We saved ourselves from the white picket daggers that came with delusions of all-American purity. You loved me enough to break a little girl’s white dress dreams. Now we live in the dark chills of runaway fantasies where thrill turns standing hair into pine needles, and we cloak our paranoia in smiles. You and I are inhabitants of an untamed Washington. We’ll die out here in golden fields by the water, without ever fearing what we know we should. I became human under trees and sky, and I swear I will never go back to the smoking houses.
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May 29, 2014
May 29, 2014 at 1:30 AM UTC
In the Western Landscape
For the first time I couldn't see ***** water under our shining city lights. I kissed you in the site of where I made my first great mistake and found that nothing ever changes. How did you make me forget those seven months without you? For the first time in a long time, you spoke to me without her in the back of your throat. You made me seek comfort in the frigid grass where our friends once stood. For the first time I wanted to remember you in the dark formations of frostbite. Your love is the pink, needle stabbed skin of hypothermia and I will never forgive myself for wanting to freeze. For the first time in a long time, I thought I had truly won since you showed me the pain of losing. I let you feed me three word lies in cold smoke and twirl me across the concrete. I let you try and cushion the blow of broken bones. Failure, I’m sure, you never saw in splattered marrow. This was the last time you let me love you and this is all that’s left of it. I swear this is the last of it.
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Apr 2, 2014
Apr 2, 2014 at 12:24 AM UTC
This is the Last of It
My childhood ended when my dollhouse got repossessed, crying in the back of Daddy’s Caddie. You traded your daughter for diamonds and left it all behind in a U-Haul. You blamed his haunting city streets, and post-war reenactment dreams. You couldn’t be the queen to his beer can kingdom anymore. He flipped too many coffee tables, and let the kids grow up wrong, and suddenly wasn’t the man you loved in high school. He’s just another excuse, But this isn’t about him, This is about you, All 534 miles of it. You’re a woman without mirrors. You play victim too well, and love me like the favorite chip on your shoulder. I gave your title to a deserving stranger, and you flew from my human scent. I never got to tell you about the splatter. It’s hard to forgive someone who’s never at fault. But this isn’t about us, This is about you! All 534 miles and counting! This is about your life in 5 year chapters, and sweeping your problems under the bible-belt. This is about looking for happiness in the small town Carolinas, and loving another man, and another daughter, and all the people you don’t owe apologies. This is all about you, And what you’ve done, And you will never be more than this.
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Mar 5, 2014
Mar 5, 2014 at 10:23 PM UTC
This is About You, All 534 Miles of It
Remember I was beautiful. Take tissue paper roses And remember how I bled for the thorns Stare into the eye of the tittle and see me. We will dance across the lines of life and death And even when I’m gone you will feel my marble hands on your hips I will walk your hallways in paper sheets And tell you secrets in television static I will talk to you with the words of infomercials And tell you who I was in the braille of your goose bumps Remember how I wanted to be beautiful I kissed every letter goodnight with raspberry lips And dressed every cry in silk and cashmere Find beauty in the dark of my shadows And in the arms of a poem’s phantom I left my body in the dust of empty deserts and my soul in lines of free verse obituaries
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Feb 14, 2014
Feb 14, 2014 at 8:33 PM UTC
Ars Poetica (Ghosts)
Today we were vandals And yesterday we were saints Nomads of the commonly know Where bad poetry lines live And Facebooks are forgotten Where ice castles witness first kisses And they dine alone Dashing between the straight jacket high fashions And flipped birds instead of words This is where we belong. I will stay until streetlights explode And suns melts And all I need is in your eyes I carry you through mouse hole thresholds And you never made drifting look so unbearable
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Feb 9, 2014
Feb 9, 2014 at 11:52 PM UTC
Darling