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jessica-austin
jessica-austin
American 17 years old, filled with words.
i. When will I hold a place on your list? Names that are worth something - a few I've never even heard before - sit like pretty little teacups all in a row, all holding their breath, all minding their own business, until something comes along and ignites their genius. (And I want a piece of it.) I want to see my name on your list, I want to feel like everything I think is worth something and I am worth something and I somewhere behind my eyes, I suppose I know I am, but I'd like the confirmation, and if you'd be so kind as to please put my name down on that list of yours I'd be ever-so-grateful, so sir, when will I hold a place on your list? ii. Your decisive opinion of these fictional scribbles is like a black-and-white silent stop-motion film that I was never asked to expose. And when I did, (sir, your mind is like gravy) I knew that you'd thicken with flour and and overrun my potatoes, and I've realized that dinner isn't worth ruining for you, and besides, this film is nothing more than a tally of my faults. One, two, three. Tick-tock. Beep.
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Mar 13, 2012
Mar 13, 2012 at 9:29 PM UTC
This & Nonsense
My bed was built beneath whirlwind puzzles and bow-tied time, pulsing menageries and lopsided rhymes; circles and rainbows and dark-alley’d dreams, suns that explode beneath smoothed-over seams. But between the cracks of the never-ending skyline live shadows and demons and sewage-filled pipelines. There are toy-soldier boys carrying small metal knives, their sharp-tongued solutions highlight well-thought-out lies; and the bubble-gum girl armies that ride into the night spread pink viscous poison and dance out of sight. These spectacular visions linger over my head, with too-full rainbows and ship-wrecked dread; every highlighted secret connects the stars of a time where each piece of the whole was malleable and mine.
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Mar 13, 2012
Mar 13, 2012 at 9:13 PM UTC
Constellation Ceiling
She's spinning swirling cyclic dancing laughing as she's undermining all her chances slip through her hands and she's still smile - smiling. Hunting hurting rhythmic burning up and under iron churning she sees hell too far to tell and she's still smile - smiling. Loving drugging pear tree smuggling through the leaves and water bubbling and lying there above the ground floating holding not a sound she tips up her head on hold and she's still smile - smiling. Plucking clucking back-woods ******* but she's too gone to know it's wrong her fight is lost the stars are crossed and she's still smile - smiling.
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Mar 12, 2012
Mar 12, 2012 at 3:51 PM UTC
A Bird in a Cage
Drip, drip, drop. Pawn to E6; die for your Queen. Lift your head and I'll lift my spirits, but only as long as my hands stay clean. You're worried about the future? I'm worried about the past. I'm scared of what maybe might've couldn't last. Beep, beep, bang. Is it still just a word if I know what it means? Would the ground disappear if I told it to scream? By the works of my hand, I'll fix this broken wagon, hop on the train to Never-Never Land. Tick, tick, tock. You think happiness sits at my doorstep? You think I didn't work for this? I can't help but cry when I see you bleeding out; the muscle that kept you alive for so long is killing you with each decisive pump. It's not worth fighting for. It's not a dream anymore. It's not like holding your breath in a room full of silence; it's going to kiss & tell, like in old folk-lore. Snip, snip, snap. Queen to E6, **** the pool boy you slept with so many times. I fell in love with twins and I kissed them simultaneously; their love was sweet and our ties were thin, their breath together was like ****** and I never counted how many shots I did. I want to drip, drip, drop my ties; I want to know what I can fix. Queen kills pawn at E6, the ****** in her eyes - like a lover's dismiss.
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Mar 11, 2012
Mar 11, 2012 at 4:20 PM UTC
firecracker.
He's lost in a way that can only be seen through the holes in his coat, the grit in his verse (the melody of the blood in his veins). He's overused and underpaid and he has a baby girl and she's - beautiful. She fits into the cradle of his arms as if he made her himself (he did), but he can't give her much, only the love in his bones and the time on his hands, and to live knowing there is nothing more he can give breaks him like a thousand-year-old riddle torn apart by simple science. She is the gravitational constant keeping him knee-deep in dirt, feet so firmly on the ground that he has no space in his heart to have his head in the clouds; she is the fuel at the center of his aging star (we are all made of it). He's lost in a way that can't be found on a map or with directions. He is a bird with a pen (nothing more), convincing the world he's a father and proving it with the words in his love and the silver glinting like spoons in a soup kitchen against the velvet of his pupils.
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Mar 9, 2012
Mar 9, 2012 at 6:30 PM UTC
Rings Like Money Off a Bar
Take a word. Take any word, write it backwards, say it with a smirk. Take a word and then take another. Roll them across your constellations, tickle them 'til they squeal and surrender; take your words and breathe them, against them, through them, with them. Take a word and peel it apart. See if it floats. Unravel its nucleus and strip it of charge. Pound on its door at three a.m., yell its name against the grain, don't stop until it comes out and steps on you. Take a word and marry it. Take a word and make it bold. Sleep with it on a drunken Tuesday; leave before it wakes up. Handle it differently. Write poems about it, write essays that don't fit, write like words are all that matter. Use few. Use far more than you could ever possibly need to explain what you're trying to say. Take a word and beat it to death, nurse it back to health. Show it to your friends, hide it in your freckles, live like it's not judging your movement. Take a word and never give it back. Take it hostage, a pet for a game you haven't named yet. Take your words and coax them into order, let them fall apart. Rearrange and unscramble your words, forget about their meanings. Use them for good and evil, a sword to smite ignorance. (But for the love of god, speak up.)
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Mar 9, 2012
Mar 9, 2012 at 6:13 PM UTC
Using Your Words
He would’ve explained how it was still raining, near dusk one evening, the sky a bright shimmering pink. The fog made things seem hollow and unattached, his life was still a constellation of possibilities. You could let your hair grow, he said. Some things you can feel. He would’ve explained how it was still raining, leaning forward, head down, wading across the field to the river and then turning and wading back. He would’ve explained how it was still raining as the sky went from pink to purple, across that dotted line between two different worlds, a place where your life exists before you’ve lived it. The vapors **** you in. He would’ve explained how it was still raining; he should’ve taken one look and headed for higher ground. The rain was the war and you had to fight it, no time for sorting through options, no thinking at all. He remembered trying to crawl towards the screaming, and the bright pink sky, and the war, and courage. You come over clean and you get ***** He was part of the waste. Outside, a soft violet light was spreading out across the eastern hillsides.
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Mar 9, 2012
Mar 9, 2012 at 5:45 PM UTC
Found Poem: The Things They Carried