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jedd-ong
jedd-ong
Hey hey.
(i see) two scions dance in traffic: sun and moon, sky and stars; God’s two heirs dancing in traffic as if they weren’t demigods but small maya birds - transfixed mortals, fighting to keep away from the blinding might their status affords them. as His children their world and its light is for their taking, of which they can feed - or not: they go on instead like hungry wolves, next to I, rising (sidelined, falling) flagging down jeeps in the thick of the Vinzons Hall jeepney stop. They bark loud and cheerily to keep idle; from unravelling their wax-worn strings. They are birds guided by concrete routes, those yearning to feel its bleakness in each syllable creeping up their gold-and-marble throats: the soft choke of exhaust smoke and the rosiness of their gaunt in the face of all-knowing fate: that of snatching from death a world not theirs. They declare: “Perseus we are not, and Janus we choose.” They shuttlling commuters obscure and without fuss and without end to and fro, where they come they spit on the universe in baggy basketball shorts
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Dec 4, 2016
Dec 4, 2016 at 10:42 AM UTC
Vinzons Hall Bus Crier Oracle:
the cat snores at midnight, below call centre agents: bathed in white lights above and the security guard’s badge below which gleams of splendour; reflects the moon by his chest: waxing where it rises and waning as it falls; a truck’s engine roaring in the distance. my footstep stirs not the cat
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Dec 4, 2016
Dec 4, 2016 at 10:37 AM UTC
the cat by the call centre
"Nothing beside remains. Round the decay Of that colossal Wreck, boundless and bare The lone and level sands stretch far away.” -Ozymandias I. O wait for us, Colossus as we wait - and throw you to earth: from heaven’s gates judge you unworthy - to hades’ lands assign, where your iron limbs make mincemeat out of anguished homes - by tyrants you were thrown but floated aimless past the drifting realms where once lay hell, and fired you your rocket boosters - apollo’s gift blinding still your eyes - II. next, awake: the visage of the Child in your face - languishing, affronted: two vast and trunkless legs of iron glare, only to grow rigid still - slumping at His feet: with heart-engine smoking, eyes hollowed-black, lying in slumber with giant's knees bent, in grasslands rest and where hearkens the plain - He cries out: ’tis you! though dwarf, He is - he kneads your iron by grass, and your wounded legs the earth now christens, snd blesses still your sleep. III. He moves forth with grass blades and twigs, crown you a nest; and bear stones unrolled to where your feet first kisses ground. -2.17.16
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Mar 15, 2016
Mar 15, 2016 at 11:38 AM UTC
Iron Giant
do i want to lie flat in your prison cells? perhaps not. but i do know that the curse of our words is that they will one day swap out our air for oxygen, and we will breathe ink down our throats; gasping for sound. it is inevitable. these vestiges of mind matchless to those who give chase - we who disappear like ghosts - one day to resurface - our bodies in exchange. we will be beaten by batons, cut open by silver: a cuff for a tongue. we perish for our speech.
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Feb 22, 2016
Feb 22, 2016 at 12:39 PM UTC
quick exercise of freedom
reverse engineering: tomorrow i will know still your voice, how your silence splits words into pieces, as you break me with your collared sweaters and polka dot socks: tell me i am floating, question my Gods, forbid me from touching your church elders; your parents’ Lord. today i will know your laughter, a tad frail: the voice of an unsteady deity - your fingers - never stilling a pen, nor sketching a hand - whittling my own: your chin trembling as you chide me for their largeness; i show you their erasures: your lack of wayward lines; your work of an artist. yesterday i tell you to sing, you tell me not to - you arm yourself and lock away in your room, say your poetry terrible, wrong, un-joyful, cross-averted; they cracks in all the wrong places like your flimsy hands, like your hopes massive-disintegrating like the feebleness in your dust-allergic bodies; your lack of lungs: brittled long by heavy-handed words and thin brushes: you with death - the un-wayward stroke: You who are sickly, whose quiet breaths reach where we cannot find and find the places where our gods long to be touchable.
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Feb 11, 2016
Feb 11, 2016 at 11:55 AM UTC
reverse engineering:
i. the poem has a beginning exactly as you’d expect it: pa in sweatshirt, ma with purse; the funny thing is i never used to call them those names: “pa,” “ma,” always found them too cowboy-ish, too un-me, un-like us: who held chopsticks before dinner time and shared stories of how grandpa came over from china. ii. (at the dinner table) there is no symbolism here. there has been none for a while now. this household eats and eats in quiet. my grandmother is a poet but their books all burned down back in ’45 when mao stormed into fujian and all her uncles could eloquent on was that “the communists were coming!” “the communists were coming!” and instead of poems took with them their children, and their gold to pawn and their clothes on their muddy mortar-stained backs and the japanese iii. my grandfather now comes twice a week to the hospital for chemotherapy. it is a nice hospital. good view of the cleanest part of our ***** city. there are lights and white folks now. two things my dad said did not used to be there. they used to be spanish. they tilled our rice fields and spent the money on living rooms with lots and lots of space to sleep. we on the other hand, worked. he claims. your grandfather and his grandfather and i iv. awake every sunday morning at precisely 8:30. made to go down to the temple in kalesas and told to fetch the office paper for noontime reading. see we weren’t spoiled: grew up just next to the pasig river which back in the 70s did not smell as bad as sin only sweatshirts and the sweat we soaked them in we reeled along steamed fish heads and chopsticks for picking at them with and bowls of rice we never really ate with spoons. v. (back at the dinner table) i listen to my mom and dad sweat profusely in the evening heat only we can have here he in his sweatshirt and she with her golden purse, preparing to leave - a wedding party awaits - an jacket draped over his shirt just like grandfather used to do it in a sense, but gripping the chopsticks delicately for all us to see: “pa,” “ma,” v. it is not cowboys that give us our names.
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Feb 11, 2016
Feb 11, 2016 at 11:55 AM UTC
Pa wears a sweatshirt, ma carries a golden purse:
i. the poem has a beginning exactly as you’d expect it: pa in sweatshirt, ma with purse; the funny thing is i never used to call them those names: “pa,” “ma,” always found them too cowboy-ish, too un-me, un-like us: who held chopsticks before dinner time and shared stories of how grandpa came over from china. ii. (at the dinner table) there is no symbolism here. there has been none for a while now. this household eats and eats in quiet. my grandmother is a poet but their books all burned down back in ’45 when mao stormed into fujian and all her uncles could eloquent on was that “the communists were coming!” “the communists were coming!” and instead of poems took with them their children, and their gold to pawn and their clothes on their muddy mortar-stained backs and the japanese iii. my grandfather now comes twice a week to the hospital for chemotherapy. it is a nice hospital. good view of the cleanest part of our ***** city. there are lights and white folks now. two things my dad said did not used to be there. they used to be spanish. they tilled our rice fields and spent the money on living rooms with lots and lots of space to sleep. we on the other hand, worked. he claims. your grandfather and his grandfather and i iv. awake every sunday morning at precisely 8:30. made to go down to the temple in kalesas and told to fetch the office paper for noontime reading. see we weren’t spoiled: grew up just next to the pasig river which back in the 70s did not smell as bad as sin only sweatshirts and the sweat we soaked them in we reeled along steamed fish heads and chopsticks for picking at them with and bowls of rice we never really ate with spoons. v. (back at the dinner table) i listen to my mom and dad sweat profusely in the evening heat only we can have here he in his sweatshirt and she with her golden purse, preparing to leave - a wedding party awaits - an jacket draped over his shirt just like grandfather used to do it in a sense, but gripping the chopsticks delicately for all us to see: “pa,” “ma,” v. it is not cowboys that give us our names.
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*for my pastor, for my father, and for a friend. 6. i find your name carved quiet by the windowsill in an empty room. 5. i find half your coat hanging wayside where once his coat was, too. 4. father told me you too keep your dentures in a cup like grandfather’s. 3. that you were there as he packed his bags and warbled off for the hospital. you didn’t talk to him then but still we knew. or so he did: he caught you smiling by the desks where he worked. 2. i find your photographs by the balcony, and your footprints by the garden. bits of your hair by the pavement next to candy wrappers and pencil jars. 1. together we pick up the pieces you left behind. and sew. and stitch ourselves together. open our mouths in silence. 0. we wait for your next visit.
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Feb 2, 2016
Feb 2, 2016 at 8:11 AM UTC
Death is the prevalent theme
Let us rise once more as saplings sprouted from gravel, by the highways where the mufflers of the buses threaten to blow us all away, and sprout none the lesser and watch for maya: who may take our seeds and spread them and we by them survive, strangled as we are by breath, exhaust and white smoke: teach them with our dying leaves their names, and let them mouth it on their tongues, discoloured as they might be by their birth, and see and hear once more the cars’ horned blare and the tired cackle of gravel, and the whistles of the trains rushing to: up, forth and away, farther farther farther farther from the cracks where they must have heard it, and with that sound pick themselves up and give chase to that sound that too is theirs, but fading away from where they too were born, and begin to begin again.
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Jan 20, 2016
Jan 20, 2016 at 4:24 AM UTC
Of the concrete kind
“And he was one of the bravest men I ever met." Wands raised, we sing for thee who bows to death, And greet him well hello with such a smile, Whose smile bade such farewell we shan't forget, A teacher - always, now - who loved beguiled: His potions dangling coloured on the walls, The marks of darkness shroud by hidden sleeve, Who glided quiet, blue through hallowed halls, And stared down pupils green like daybreak’s Eve. The dawn she, and her forlorn chaser you, Who sought her out as kin seeks too for kin, Who found instead her brood, and harshly knew Her steadfast love kept just by scars within. Pierced sharp, his wounds knit twice from serpent's pain, Now wakes to see, and leaves this world no blame.
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Jan 16, 2016
Jan 16, 2016 at 8:19 PM UTC
Snape:
For volleyball games with our kids and the grit of dirt slipping through your teeth like a pancaked hand flat on cement surface. Ball. Court. It is a good morning and the sunrise rises to give life to the game. This game: ours. We run and jump and sing; old bones made to jog its memory. Bounces the ball and we run again. Laughing like children. Next to the children. Leaping after them. Watch as the ball rises high in the sky next as outstretched arms give chase to them: its hands caked with dirt; gravel on nails from the swept cement rock and line paint. This we share like a communion, a church service. Young and old, here and not here we rise and we fall prostate next to the prayers of the net, the brush of fingertips against fabric against rubber, each palm of the ball a Sunday chorus stretching, congregation, religion, swept from the sky and made to kiss ground where the gods of our sweat and grit belong.
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Jan 2, 2016
Jan 2, 2016 at 10:42 AM UTC
Gravel on face, gravel on face