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imaginariumemporium
imaginariumemporium
still writing
The heart of a healer Holds many secrets To care for another through vulnerable moments Through biggest regrets Through tears and the pleading To care for the others Even when you're lonely and bleeding When The Creator created it was all by design To help you help the others through the same moments That you were forced to leave behind It was no mistake The Creator did create You to correct the balance of darkness Because your heart among us Is such a pure presence The angels in heaven Barely could open their eyes The sun would blink at your sight because all of your light Is more blinding than a mirror, sunlit Because you are here We are all better for it
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Dec 17, 2020
Dec 17, 2020 at 2:34 PM UTC
To All Of The Healers
mismatched wood tape on ceiling sauces on table genuine laughter dessert board with pie silverware noises talk about oil khaki pants pouring drinks in the morning
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Jul 8, 2017
Jul 8, 2017 at 2:04 PM UTC
Scene in a Restaurant
to permeate in the leaves of trees we hibernate like gold in the hands of thieves across seas I know you'd be proud of me set the scene velvet ropes for a quarter life dramaturgy weeps as it sings in your car in the rain everything's different left exactly the same purples and greens in the rain in your eyes I miss holding your hand at night loved you harder than a bottlecap opens sugar fizz boils over come over COME OVER
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Nov 30, 2016
Nov 30, 2016 at 12:05 PM UTC
Come Over
I watched your flame grow Until I was in my room alone Thinking about you When you were in my living room When you were dancing in my living room
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Feb 10, 2016
Feb 10, 2016 at 2:08 AM UTC
trance at the local bar
You walked casually away I was bursting into flames Here come the headaches The air smells like medicine I found myself alone nobody told you? you can’t hide from this heat our love was ******* gorgeous and then you ****** us coughing up dust pulling the curtains closed Too much wine creeping on the edge of silver lining because my pen is tired of writing on my hands and knees the countless ways you smile with your teeth Do forget The unpleasantness Chemical taste upon the tongue Exhaled through the lips Softly whistle your siren song this will be the last time Because I’ve been fast approaching death loose grip and thin skin Chemical taste upon the tongue Hold the exhale in
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Oct 12, 2015
Oct 12, 2015 at 11:02 AM UTC
Stability
It’s been a whirlwind of days. I’m writing after being inspired again by a Gonzo documentary. This revolutionary style is the contribution of journalist within the story journalism. Which is magic. Sticky, delicious connectedness. Because to write a good story, you have to be an interesting writer. And an interesting writer must be an interesting person with interesting experiences and thoughts. Lame people write lame stories and great people write great stories. It’s just that if your lame you’ll like the lame story and think it’s great. No classifications are really necessary, you drooling evolutionary creature. As your spirit sings to the addition of added information to your consciousness. So, gonzo journalism- now you suddenly added a wildly interesting character to your story. Yourself. It’s a fool proof plan. Because each one of us know that we are the best. But how far would the individual go for their own story? It's an every day test. And yet, how authentic can you continue to be. Not to say that Hunter Thompson didn’t fabricate stories. But he matched a level of absurdity that by logic made the truth and fabrication indecipherable. A terrible, carnival maestro puppeteer planting questions in place for the reader to suddenly wonder about the writer, did that really happen? We could never be sure. Because even if the writer confirms in person of the account, we can still never be sure because we do not have the concrete ability to tell what that specific experience was. We cannot tell because in this world there are truths and lies and it doesn’t ******* matter any way because it’s all the same. It’s all a creation. It’s all one, whole thing chillin together in a small plot of city grass hidden by a paint peeling fence in a sunburst alley in some stinking city. While we separate our books into categories- what is real section, what is not real section, this section, that section, and other stuff. Mostly because we always want to know what we are in for. Because if we know what we are in for, then we get something. knowing. Like a lousy christmas gift. Which has no practical application. It’s an acorn swimming in a sea of acorns and walnuts and the squirrel god just likes eating nuts in general. He doesn’t give a **** To be frank, he’d actually like if there was an even bigger variety of nuts. In the process, should a writer ever really delete and edit what they say while they are writing? You said something and suddenly you don’t want to say it anymore- delete. A cohesive piece to your **** storm brain’s thought process, gone. Will the reader understand you less or more now? Does that really even matter. Does the reader matter? More than anything. The readers hold all of the knowledge. They seek out and absorb information from their personally groomed selections as predictable as a trophy wife in a tennis skirt. Words, like toothpaste oozing from a toothpaste tube, will not go back in. Unless you have the technology to put in back in, to prove a grueling point to a close friend that you have to win the argument over. This is the 21st century for crying out loud you ******* idiot. We can do whatever we want. So this is all frank language. Because brilliant men, are mad. And brilliant women, are beautiful. And it comes off matter of fact when in another universe I am writing the antithesis to every word delivered to this page. Like my evil twin. The dark matter to my matter. While I’m the one on Earth writing the coupe de grais of bathroom poetry. Words- the trying, conniving, carefully plotted seeds of rash giving plants. Affecting everything they touch, spreading thought and emotion feverishly, plaguing us nationally, while they remain the same. Genderless lines, basic shapes, swirling into a vortex of time when you could not yet read but still saw words. We keep words around, always around, kept close within reach, always in eye sight. Just look around.
0
Aug 15, 2015
Aug 15, 2015 at 3:07 PM UTC
Scribbling of a Mad Man
It’s been a whirlwind of days. I’m writing after being inspired again by a Gonzo documentary. This revolutionary style is the contribution of journalist within the story journalism. Which is magic. Sticky, delicious connectedness. Because to write a good story, you have to be an interesting writer. And an interesting writer must be an interesting person with interesting experiences and thoughts. Lame people write lame stories and great people write great stories. It’s just that if your lame you’ll like the lame story and think it’s great. No classifications are really necessary, you drooling evolutionary creature. As your spirit sings to the addition of added information to your consciousness. So, gonzo journalism- now you suddenly added a wildly interesting character to your story. Yourself. It’s a fool proof plan. Because each one of us know that we are the best. But how far would the individual go for their own story? It's an every day test. And yet, how authentic can you continue to be. Not to say that Hunter Thompson didn’t fabricate stories. But he matched a level of absurdity that by logic made the truth and fabrication indecipherable. A terrible, carnival maestro puppeteer planting questions in place for the reader to suddenly wonder about the writer, did that really happen? We could never be sure. Because even if the writer confirms in person of the account, we can still never be sure because we do not have the concrete ability to tell what that specific experience was. We cannot tell because in this world there are truths and lies and it doesn’t ******* matter any way because it’s all the same. It’s all a creation. It’s all one, whole thing chillin together in a small plot of city grass hidden by a paint peeling fence in a sunburst alley in some stinking city. While we separate our books into categories- what is real section, what is not real section, this section, that section, and other stuff. Mostly because we always want to know what we are in for. Because if we know what we are in for, then we get something. knowing. Like a lousy christmas gift. Which has no practical application. It’s an acorn swimming in a sea of acorns and walnuts and the squirrel god just likes eating nuts in general. He doesn’t give a **** To be frank, he’d actually like if there was an even bigger variety of nuts. In the process, should a writer ever really delete and edit what they say while they are writing? You said something and suddenly you don’t want to say it anymore- delete. A cohesive piece to your **** storm brain’s thought process, gone. Will the reader understand you less or more now? Does that really even matter. Does the reader matter? More than anything. The readers hold all of the knowledge. They seek out and absorb information from their personally groomed selections as predictable as a trophy wife in a tennis skirt. Words, like toothpaste oozing from a toothpaste tube, will not go back in. Unless you have the technology to put in back in, to prove a grueling point to a close friend that you have to win the argument over. This is the 21st century for crying out loud you ******* idiot. We can do whatever we want. So this is all frank language. Because brilliant men, are mad. And brilliant women, are beautiful. And it comes off matter of fact when in another universe I am writing the antithesis to every word delivered to this page. Like my evil twin. The dark matter to my matter. While I’m the one on Earth writing the coupe de grais of bathroom poetry. Words- the trying, conniving, carefully plotted seeds of rash giving plants. Affecting everything they touch, spreading thought and emotion feverishly, plaguing us nationally, while they remain the same. Genderless lines, basic shapes, swirling into a vortex of time when you could not yet read but still saw words. We keep words around, always around, kept close within reach, always in eye sight. Just look around.
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I don’t mind the smoke Because I like to watch the smoke rise Your dialated pupils Shine more than any sunrise Is this all just a dream Where did it begin I get it I get it Larger than a force of wind Just let it begin Just let in begin Happy, shiny diamond rays These are the best days These are the best days I get you I get you
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Aug 15, 2015
Aug 15, 2015 at 1:30 PM UTC
I wrote this on DMT
cocoon inside your blanket let the waves come take you nightmares spill out of your head on the pillow with a single deep breath the day is dead
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Jan 19, 2015
Jan 19, 2015 at 1:59 AM UTC
Settled In Twilight
Silence is silver I don’t want any tea with my sugar I am at one with apples Christmas eve Just hanging at the gallows Another flawless execution To remedy the peeling sutures Here, it's a flat scene. Christmas lights twinkle Sparkling within the reflection of the tv screen Evergreen, oh, evergreen. Your plastic limbs hardly deserve any given esteem Because you’re an imposter One of the biggest fakes That I have ever seen. Our relationship is prehistoric Like an old woman sitting at a beauty parlor But my sheets are still warm Sleep lost like a dead king And now i'm miserable, dear Since there's nowhere to run Because I just got here. So if you do love me Show, don't tell. And I’ll do my best to quiet The prison riot Going on inside your wishing well We’re two of a kind a sheep and spider Sharing a sleeping bag
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Dec 30, 2014
Dec 30, 2014 at 12:14 AM UTC
Sharing A Sleeping Bag
Los Angeles whispers lies in my ears while I’m sleeping A glittered invitation of deprivation And I awaken in darkness only to feel woe A moment of silence for the troubled Hollywood starlet who weeps alone after the show Trying to scrape up words to say these days Is like scrubbing blood out of the concrete These palm trees no longer impress, only lulling me to sleep
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Nov 19, 2014
Nov 19, 2014 at 1:30 AM UTC
Los Angeles blues