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gwen-davis-feldman
I've lived long enough to know that: / Poetry talks / its own way / mocking time / and decorum / with purpose
We don’t get to pick our family Or the country in which we’re born Most families are quite imperfect High praise will seldom adorn Our country acts as, in absence of, A national family We’ve come together as mighty fist To overcome tragedy Just as you have complained about; The faults of sister and brother; The arbitrary dad’s imperfect justice; The imperfectly care-worn mother So it is with the family national Not every behavior good Complaints and suggestions are rational Don’t banish before understood One’s right to protest what isn’t good For the national family A founding right that’s understood Wherever that protest be Some family members are not all good Most not prone to riot Some bring dirt to the nation’s house While others stay, clean, and quiet If you demand “protestors leave” You fail to understand There’s no place to go but home And clean the dirt that demands National attention not just blind scorn Your so self-righteous display You can help with hearts reborn To clean or get out of the way
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Oct 17, 2016
Oct 17, 2016 at 10:59 AM UTC
SPEAKING OF PROTEST
For 21 days I saw changes wrought by the freedom of 22 years Secrets of razor wire straight and taut Speak of those who continue to fear I saw nature’s beauty in land and face As black heel continues to rise Via school, ambition they prep for the race Even as secretly despised What’s changed in Soweto? I did not live But photos and newsreels survive Pictures of shanties bulldozed to give Whites room to extend their hives Now malls; monuments to white retail Built on Mandiba’s words Polished chrome and marble hail “Happy” workers in a black-faced world Monuments ringed with vendors tribal Carved goods for sale and cheap The rands they make do not rival What multi-nationals’ continue to reap Happiness is shallow until sundown When the curtain of decorum lifts Showing reality’s new shanty-town Where space and plumbing are gifts I wonder if He would be okay Seeing his people so used As pawns for labor with little say As black is seldom excused The young know the time is now As old hatred’s in shallow graves To be unearthed by book and plow Keeping dreams from stunting and fade
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Oct 12, 2016
Oct 12, 2016 at 8:48 AM UTC
SOUTH AFRICA - POST APARTHEID
May the road rise up to meet you As you travel on THE WAY May the music in your heart Untangle the worries of your day May old dreams be tossed Upon that pyre of strife And personal manifestos of peace Ascend to take on life And when the night closes in Anxiety and bliss compete Remember growth is hard my friend Some truths come incomplete In the meantime: May you step easy o’er the rocks That appear on The Way to defy Keep in mind your destination To reach that far-rimmed sky
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Sep 16, 2016
Sep 16, 2016 at 7:56 AM UTC
Buen Camino My Friend: As You Travel the Road to Santiago
On the playgrounds of the future Children will laugh and sing And we’ll cross the bridge to real peace Where the bells of sanity shall ring Until then we’ll play the game Which will all add up to naught “It’s your fault, no, it’s theirs…” Why some fail at what is taught. We’ve been given new books and bosses Numerous regs to do the job But money flows to the burbs Inner-cities fair game to rob Touching the future may seem easy From a point too far away One could assume it’s all just ditto - Then lunch - then math - then play If this is your belief You could not be further from the fact That success is measured forward As we have our students’ back So forward we will plod Secretly teaching to the mean We will test, and test and test From which all congress shall glean Information in nice neat form Of bars and charts sublime Symbolic of teachers and students Who have been sentenced to hard time And the monied districts shall rule Golden in and out And the bootstraps will appear Accusing all who doubt Good will be the words to spread And many who will eat them The failures will be shown the straps But for pity’s sake, don’t beat them G. Davis-Feldman
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Sep 15, 2016
Sep 15, 2016 at 9:54 AM UTC
CLASSROOM CONFIDENTIAL
I stand before my college class struggling For the forty-dollar word to replace The two-dollar one That inadvertently slipped my lips You know - Those words that tell The skeptical you’ve been there Done that Read that and Know this Those words have worn smooth My rugged road from Compton Words speaking a sub-text of Silhouetted meanings The words that bring on the dreaded Compliment “articulate” As if I could speak Any other way But, it appears I can I have a way with words plentiful The two-dollar variety Like my cheap shoes Of childhood: Sometimes embarrassing Always loyal Today, my two-dollar Words work quietly In poetic dungeons Hooded in simplicity Fooling no one Laboring, as they do, Under the Trappist Creed: Give up everything Give up everything
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Sep 14, 2016
Sep 14, 2016 at 6:35 AM UTC
POWER TO THE WORD
Touch – An act that’s been corrupted Even through clothes - Your 2nd skin   Yes, I am Presumptuous Crossing a barrier Erected by The tyranny Of a false decorum We don’t touch that which We fear, distrust, hate So I touch you, Your smooth unscarred arms, Hug your broad Sometimes slumping shoulders As I tell you that You remind me of my Niece, the one in Vegas Who danced For her supper; My nephew, Kind, clever, innocent, And dead. Arrest me For touching Your face to allay My fears; nightmare Dreams of you sprawled On some ***** 8X8, gas station Bathroom floor Searching your dreams For the money, the needle, The power to control Your future I can only give you One key A book With hopes That your 3rd grade Self has not Been forsaken and You can read I can’t teach you What my fears Teach me Everyday The news rings out Pictures of lifeless Black Bodies carried From the filthy 8X8s Potential men & women Who’ve flunked Their assignments In search of ease, Acceptance and Painlessness How strong are you? My fears fall flat Against the bathroom walls That have touched your history A history from which Only you can Draw on That 8X8 cell Strength     or Despair By Gwen Davis-Feldman © 2016
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Sep 10, 2016
Sep 10, 2016 at 8:59 AM UTC
Touch and the Teacher (What is Lost in a Gas Station Bathroom)
Not the express train – The uneventful Quick-trip to decay We’re on the Limited; Confined within limits On life’s platform Night watching Brief recognition vanishing outlines Illuminated windows, They stare ahead Silhouetted profiles against flashing light Glimpsing the gold coins of The Paradise Express We remain for the day As we see ourselves Age and wisdom In separate cars On that same track Tearing through A landscape of Scattered grace
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Sep 1, 2016
Sep 1, 2016 at 10:56 AM UTC
The Life Limited
Why'd we stop writing 'bout love? was it the mortgage? the kid? ambition?
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Aug 28, 2016
Aug 28, 2016 at 8:42 AM UTC
Toxic Mix: Haiku