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george-raitt
george-raitt
Cover photo acknowledgment: detail from No 11, 1952 by you know who.
Trees keep falling down. We saw, cut, drag them away. More fuel for the fire.
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Jun 6, 2021
Jun 6, 2021 at 4:12 AM UTC
After the storm
New growth. Leaves, flowers. Bud, unfurl expectantly. Future uncertain.
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Aug 31, 2020
Aug 31, 2020 at 4:06 AM UTC
Spring
New gravel pathway, Softened by rain drops, etched By flowing water.
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Aug 15, 2020
Aug 15, 2020 at 7:19 AM UTC
Rain
Imagine returning from the Crusades With enough money to build A grand stone house, so far In the mountains that conflict Could never find you again. Sitting in this courtyard, On the uneven flagstones laid Long ago, I like to think They succeeded, at least For a generation or two. But history tells us You can run, but you Cannot hide. So we who hide Must return to confront What is happening In the world.
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Jun 19, 2019
Jun 19, 2019 at 12:30 PM UTC
Near the Col de Pendidis (the Cevennes, France)
In a still night under southern stars, Sleeping in a rough farm shed, From neighbouring farms Across the valley, the dogs bark. In our home city, the sound Of trams rattling down the road Blends into the background noise. But next door, the dogs bark. In this city, both ancient and new, With moonlight streaming In our window across the tiled Rooftops, the dogs bark.
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Jun 16, 2019
Jun 16, 2019 at 5:02 AM UTC
Why do dogs bark in the night? (La Seu D'Urgell)
A string of meaningless words, Repeated endlessly, Can be visual art, it seems. In 1942 Gorgio Mirandi painted A still life of a cup and a vase Because they were there, And reflected light. A string of meaningless words Can be art criticism, it seems. And may even be poetry? But string is real: Tied around my finger, I feel it and remember. Stone, glass and steel is real, If you can touch it, Otherwise it could just be An illusion. The finger prints and DNA Of all of us who touched The rusted steel installation, Despite the signs, are real, Though you cannot see them Or feel our presence. Like the shiny parts Of bronze statues touched By each passing viewer, Do these not form part Of the work of art?
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Jun 9, 2019
Jun 9, 2019 at 10:27 AM UTC
No touching (Anonymous Museo, Bilbao)
In vivo; in vitro; in silico; in lapis; In pulverem.
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Jun 6, 2019
Jun 6, 2019 at 11:08 PM UTC
Changing forms
Stone-cutters fighting time with marble, you foredefeated Challengers of oblivion. Eat cynical earnings, knowing rock splits, records fall down, The square-limbed Roman letters Scale in the thaws, wear in the rain. The poet as well Builds his monument mockingly; For man will be blotted out, the blithe earth die, the brave sun Die blind and blacken to the heart: Yet stones have stood for a thousand years, and pained thoughts found The honey of peace in old poems.
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Jun 6, 2019
Jun 6, 2019 at 11:05 PM UTC
A poem by Robinson Jeffers, 'Stonecutters
The ancients did not Hesitate to build atop Their predecessors. But city walls came Down to make way for narrow Roads to new places.
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Jun 6, 2019
Jun 6, 2019 at 6:13 AM UTC
Narrow road to the exterior (Caceres, Spain)
Je sais que tout est Fini derriere moi et que Retour est exclu.
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Jun 4, 2019
Jun 4, 2019 at 7:37 AM UTC
A line from a poem by Paul Claudel, 1921