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emma-zanzibar
emma-zanzibar
The city sounds like the muted trumpet beats of a the nineteen year old protege. Who is sitting in the shadow of the black cube sculpture on Astor Place. There's a sixteen year old waiting for the subway, She is singing alone, to You Make Me Feel So Young, while her absent-minded mother snaps along. Tonight she will relive the boys she has known, who have held her waist and kissed her mouth and She won't feel anything because she is unconsciously dancing to the trumpet music and jazz playing around her in Washington Square.
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Aug 8, 2011
Aug 8, 2011 at 7:54 AM UTC
The City Sounds
I'm not looking for your face in the lights that flash by the subway car window. All blue, red and white blurs across my irises. The train ran parallel to another and in the adjacent car there was a boy, my age, rapping and spilling parts of his soul to an empty subway car. His headphones loud and blaring, he didn't see me. I don't think he was looking.
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Aug 8, 2011
Aug 8, 2011 at 7:48 AM UTC
I'm not looking
We have a brownstone townhouse kind of love The kind that we can cover with the murals of our madness With the paint of our perfection That's built on the floorboards of our expectations The number always changes but the people never seem to I would like our love To not be measures in square feet, But with the creeping doors and narrow staircases. The closets stopped hiding the things we asked them to And my skeletons lay sprawled All hip bones Vertebrae and rib cages What has become of me? I asked myself and your look said unfamiliarity and an animosity Which I never thought possible. Your smile spelt out greed And your vocal chords never articulates the syllables I wanted them to. You used me. An I fell for it. Is love just muscle memory? Are we all just reacting the same way we did the first time?
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Jul 21, 2011
Jul 21, 2011 at 5:49 AM UTC
Brownstone townhouse kind of love
is like an airport terminal; where everyone is waiting and no one is going anywhere. Where the only thing people can tell you is that your problems will be solved in ten minutes. (The amount of time that is short enough to keep you waiting and long enough to make you insane) The number that actually means: I have no ******* clue. Airports are made to be passed through while the people are still bubbling with anticipation. But if you stay long enough you beginning seeing through your peripheral vision. And we all end up being the last bag on the baggage claim going round and round on the conveyer belt. Searching for our owners. At some point we are each the pushy New Yorker the silent blue-eyed six year old, wandering alone. the child singing a song without caring who is listening. We are all trapped in the unaccompanied minors waiting room without a guide in the trust of people, before today we had never laid eyes on and to them we are simply bodies needing to be moved, shipped, transported on some conveyor belt to our next destination we might as well be the luggage we pack our lives into.
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Jun 26, 2011
Jun 26, 2011 at 6:05 PM UTC
Hell or purgatory
The preschool was adjacent to the church and I would whisper as we grew closer to the sanctuary. I would hold my mom’s hand, tightly and peak between the heavy double doors. When she would let go, I would run down the aisle, the light shining through the tall blue stained glass windows. I would count the pews in my peripheral vision. I remember being too scared to go up all the steps of the alter. I remember a three year old version of myself staring wide-eyed into the blue light.
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Jun 21, 2011
Jun 21, 2011 at 1:12 PM UTC
Blue Rose Window-ed Churches
I'm done writing poems about you. I don't want to rewrite them. I just want to put them in a cardboard box put your name on the side in thick sharpie and push it to the back of my closet and move on and forget. Eventually, be happy with what happened with us. But not right now. Not at this moment because it tastes bitter. and I'm remembering things that make me feel empty.
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Jun 5, 2011
Jun 5, 2011 at 1:04 PM UTC
Boxes
Helen. Tell me about Turkey. Mustafakemalpasa. Bursa. Canakkale. Bandirma. 1973. Tell me about your insane exchange family: Ilhan, Sennur, Ahmet, and Canur. Falling for the family friend, Necdet—who died six short years later. Swimming in the Sea of Marmara. That infamous yellow bikini. 110 in the shade. Smelling the drying tobacco. Learning how to read the Koran.  Tell me please, Helen.
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Jun 5, 2011
Jun 5, 2011 at 12:56 PM UTC
Seventeenth Summer
She was wearing a purple sweater His red headphones were swinging around his neck. I hadn't spoken to her in years. All we had in common was preschool playgrounds and chalk handprints. Teaching me how to roll my rrrrr's. It was funny. seeing her like that under the arm of a boy. It was a context which neither of us probably thought we would be in. Before all we knew was floral dresses, tricycles and growing lima beans. Look at us Rosella.
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Jun 2, 2011
Jun 2, 2011 at 6:39 PM UTC
Rosella.
Maybe it was the fact that you only knew broken English And that you cried when all your tongue could only come up with blunt Norwegian Did you cry when all the other first graders thought you were stupid, grandfather? Was it that which drew you inwards to the growing child And the growing misunderstanding of communication. The barrier between elementary school tongues and accents is a large casme in your world. Was it the marines, the war, the things you saw that rationed you Into the secluded soul that you became? The distant, angry man, husband and father Who drove cars far away from home And than raged when you made it home on the weekend. Was it that which made my father different? Made him paint the walls of his room black and break windows at seventeen? The walls of that confining house had never heard yells that loud. The front door had never been slammed that hard. Friends' couches became more familiar family members. Was it that which made him the eclectic artist, unconfident man, funny husband, and tentative father? Who mentioned specific detailed taste without any context Who refuses to be challenged Socially inept, his daughter thought. Slight asburgers, she thought. Ungrateful! Selfish! Attitude stricken! He retaliated. How the **** was he supposed to react? He never mentioned how much he loved her, How much she changes his life. Was it that made her the way she is? She began becoming familiar with wine bottles and ***** that wasn't chased. She drank to forget sometimes She drank to not worry. She'd say **** more often And in the rooms of her best friends, She'd laugh at her circumstances. Than all she'd say was, **** THEM ALL* And sipped until the bottom of the bottle was her best friend.
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May 29, 2011
May 29, 2011 at 1:52 PM UTC
Grandfather, father, daughter.
Maybe it was the fact that you only knew broken English And that you cried when all your tongue could only come up with blunt Norwegian Did you cry when all the other first graders thought you were stupid, grandfather? Was it that which drew you inwards to the growing child And the growing misunderstanding of communication. The barrier between elementary school tongues and accents is a large casme in your world. Was it the marines, the war, the things you saw that rationed you Into the secluded soul that you became? The distant, angry man, husband and father Who drove cars far away from home And than raged when you made it home on the weekend. Was it that which made my father different? Made him paint the walls of his room black and break windows at seventeen? The walls of that confining house had never heard yells that loud. The front door had never been slammed that hard. Friends' couches became more familiar family members. Was it that which made him the eclectic artist, unconfident man, funny husband, and tentative father? Who mentioned specific detailed taste without any context Who refuses to be challenged Socially inept, his daughter thought. Slight asburgers, she thought. Ungrateful! Selfish! Attitude stricken! He retaliated. How the **** was he supposed to react? He never mentioned how much he loved her, How much she changes his life. Was it that made her the way she is? She began becoming familiar with wine bottles and ***** that wasn't chased. She drank to forget sometimes She drank to not worry. She'd say **** more often And in the rooms of her best friends, She'd laugh at her circumstances. Than all she'd say was, **** THEM ALL* And sipped until the bottom of the bottle was her best friend.
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I look at them and see their happiness And in my mind the comparisons are already being drawn up. Their delight in the late night trysts and flirtatious conversations make my thoughtful drawn out ones seem dimmer, darker and less than their experiences. It hit me. The insignificance of my relationship with him. I observe my friend, Return sweaty and crumpled, Her shirt and skirt inside out. She was holding her pink satin bra in her left hand. She could barely communicate the thrills she had just experienced. How can I compare? The senior boys seem to line up Out the classroom, begging from behind the hallpass, to have them run away and leave the darkness  of Mary Shelley, for their arms and lips. I find that the silence is growing in me Like the idea of insignificance has taken root in my mind And it's fruits are envy Which I cannot leave to rot.
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May 24, 2011
May 24, 2011 at 9:40 PM UTC
Their Trysts