Hello Poetry
Submit your work and get some sparkles! Create free account
emma-louise-ca
emma-louise-ca
I write about myself. / I like semicolons.
you are red lipstick stains on white wine glasses and the pale blue smoke of a cigarette the hot tang of fruit perfume and sticky, sloppy kisses graph paper, ballpoint pens, coffee with milk, Christmas lights, ***** socks you're ice cubes in hot tea and boots in the snow and lace curtains and most of all you're slow, uninhibited conversations at 2am you are laughter and candles and I'll never be cold again and your eyes aren't quite one color and they aren't quite another but they sure are lively and they sure are bright I want you and a pile of blankets and a rhythm of raindrops on the roof and we'll pretend to hate domesticity while we cook food together and work on chemistry well, I've spent a long time hating myself and a lot of time trying to fix what I now know wasn't broken but when I've got the soft dizziness of an alcohol stupor and a handful of your hair and you tell me I feel "right," it's easy to forget that I was ever so sad It's easier to breathe.
0
Jun 5, 2015
Jun 5, 2015 at 4:03 PM UTC
For you...
on the floor there is a parka and a pair of snow-bitten boots a hat, a scarf, mittens all frosted over a cozy old sweater a flannel woolen socks and another pair of socks for good measure a long-sleeved shirt and jeans and leggings and everything is blizzard cold and your hair's undone and the temperature in the room goes up by increments of five my heartbeat flutters and maybe, just maybe you'll open up to me and then your underwear join the ridiculous melee on the floor and once again you are undressed but not naked
0
Mar 2, 2015
Mar 2, 2015 at 11:37 PM UTC
Wisconsin Winter Strip Club
fingernails black like pupils and eyelids sticky like manzanita flowers and tongue heavy like a down pillow and cheeks rosy like cherry pie and brain fuzzy like a dying fire my mouth is golden and sour and sweet and chocolate my lungs are full and empty and laughinglaughinglaughing a trampoline full of dead leaves and I jump and jump and fall and almost throw up but I don't I'm wild and I could run away and scream and laughlaughlaugh I'm tired and I could lie down and kiss and sleepsleepsleep I like it I like it a lot where are my problems? gonegonegone I'm happy giddy living and Harry Potter's on the TV it's easier to love myself like this and you can be **** sure I'm making a good milkshake again
0
Feb 16, 2015
Feb 16, 2015 at 3:04 PM UTC
a good milkshake
I sat on a curb in a parking lot, surrounded by friends, eating cheap Thai takeout. I looked and saw my legs expand against the rough concrete. "I have fat thighs" I say. "so?" he says. "all girls do" But he is not right I have seen girls with slim, willowy thighs that do not even touch. There are girls with smooth hard thighs that do not jiggle or tremble thighs that have lines and shape. Backstage one night, in a dress that made my breathing come short, I complained about its tightness, blamed it on myself. She laughed and said "god, I would **** to be as skinny as you" Truthfully, I do not know what I look like I know an ever-changing image trapped in cold glass and soft pale pieces that conform to my touch but I have never seen myself, not really, and I never will. So I won't ever know, no, not really, how I appear to others. "you're too pretty for that" Am I too pretty for the sticky lips and swollen eyes? "how do you stay so thin?" I'm on a great new diet it's called 'I hate myself' "I wish I looked like you!" but god, do you know how it feels? how each second is self-conscious --more; it's self hatred how sustenance is a numbers game how your friends laugh when you order a salad ("oh my god, really? again?") and how it cuts right to the very center of what makes you human and whole. You wish you looked like me? I wish I knew what I looked like.
0
Feb 11, 2015
Feb 11, 2015 at 11:27 PM UTC
I Don't Know What I Look Like.
She sat next to me on a hill by the sea, under the shade of an old aspen tree. We sat hand in hand, watched waves caress sand, when she turned with bright eyes and she made her demand. It was light in the sky and the birds fluttered by, but my heart remained cold and I didn't know why. Like a story she told: "If I may be so bold, I just ask that you love me," her voice sounded cold. My words whispered now, I spoke shame like a vow, confessed best I could that I didn't know how. It was bare on that hill with us both lacking will; she recited a poem, I remember it still. So I pondered love, cast my eyes up above and I realized I didn't know anything of. There were no words to say, so she walked away, and alone by the sea is where forever I'll stay.
0
Feb 8, 2015
Feb 8, 2015 at 11:06 PM UTC
A Poem She Said
I sleep on white bed sheets with the windows open so the breeze can brush my face and the rain can fall on my lips. I sleep in the gray half-light that washes the color from my walls. My skin is bare, fingers tangled in the blankets, hair drying in the same air that dries the dew off of the leaves. Get drunk on dreams crumple the sheets ice packs and underwear poetry, bracelets, books. I sleep with tearstained cheeks swollen eyes and a runny nose and bite marks in my mouth. I sleep with a heavy heart and fingertips on fire. Dizzy, fuzzy eyesight and fantastic scenarios played out like film in my head. I sleep in the warmest and coldest room of my house. I sleep under quilts and blankets curled up against the cold, and I sleep naked with the air warm against my skin. I always sleep with a book at my bedside and the drapes opened so I can see the stars. I sleep through sunsets and sunrises and lightning that cracks open the sky. I sleep through delicate snowstorms and hazy summer smoke. I sleep by myself and I seize the quiet as a moment of my own, not shared not secret. I sleep for life and rebirth and tranquility, for peace and second chances. I sleep for mornings.
0
Feb 8, 2015
Feb 8, 2015 at 12:04 PM UTC
Sleep
**** She says through a mouthful of cigarette smoke and hair. She has bitten open her lip again, and it bleeds. This is not unusual; blood is her own scarlet lipstick. Breaking skin is a nervous habit she just can't shake. But she laughs it off, pushes dark hair out of a pale face. Her eyes are as gray as the winter sky. We stand under the eaves of a dilapidated old restaurant. The sign has read CLOSED for at least six years. It's not raining but it might as well be. The air chills my open eyes. It's mostly quiet. She smokes. I write. When she breaks the silence I listen reverently. She talks of little things, anecdotes I can't resist. She thinks philosophy is ******** One time she spat out her toothpaste and it was ****** She hates her freckles. (I think they are stars on her skin.) She had to dissect a baby pig once and she doesn't eat meat anymore. She has broken the law twenty-two times. She keeps count. I don't ask her questions because I know she won't answer. Something stops her answers in her throat. She laughs often. She is not happy, though. There is a distinct heaviness about her persona. It's the air of a frequently-exploited soul. I am filled with a vicarious sadness when I am with her. I wonder if perhaps I am siphoning some of her sadness and if maybe she feels a bit lighter. I don't know. It does begin to rain. She is in love with rainy days. I hope it brings her peace. She gazes at the rain as though she can feel each droplet seeping into the ground, her soul. I gaze at her the same way.
0
Feb 7, 2015
Feb 7, 2015 at 12:41 PM UTC
Writing Piece 1
**** She says through a mouthful of cigarette smoke and hair. She has bitten open her lip again, and it bleeds. This is not unusual; blood is her own scarlet lipstick. Breaking skin is a nervous habit she just can't shake. But she laughs it off, pushes dark hair out of a pale face. Her eyes are as gray as the winter sky. We stand under the eaves of a dilapidated old restaurant. The sign has read CLOSED for at least six years. It's not raining but it might as well be. The air chills my open eyes. It's mostly quiet. She smokes. I write. When she breaks the silence I listen reverently. She talks of little things, anecdotes I can't resist. She thinks philosophy is ******** One time she spat out her toothpaste and it was ****** She hates her freckles. (I think they are stars on her skin.) She had to dissect a baby pig once and she doesn't eat meat anymore. She has broken the law twenty-two times. She keeps count. I don't ask her questions because I know she won't answer. Something stops her answers in her throat. She laughs often. She is not happy, though. There is a distinct heaviness about her persona. It's the air of a frequently-exploited soul. I am filled with a vicarious sadness when I am with her. I wonder if perhaps I am siphoning some of her sadness and if maybe she feels a bit lighter. I don't know. It does begin to rain. She is in love with rainy days. I hope it brings her peace. She gazes at the rain as though she can feel each droplet seeping into the ground, her soul. I gaze at her the same way.
Continue reading...
25
Storms. I like storms. Sometimes they start slow with ominous, cadaverous clouds, slowly rolling, tumultuous. A few drops of rain, frigid and fresh, speaking in a pattering argot on my roof. Calm, soft rain. Rain that lulls me to sleep. Sometimes they are fast and sweet. An ephemeral rush of raindrops, mellow cannonades of thunder, trees still verdant, green against gray. Sometimes they are hot and volatile with lightning so bright it hurts my eyes, thunder that roars and permeates the quiet. The wind screams, rain batters my windows. These are the nights I do not sleep. I sit, thrilled, listening to the primitive barrage, the aphotic chaos, remembering that this is how it feels to be alive.
0
Feb 3, 2015
Feb 3, 2015 at 11:09 PM UTC
Storms
my heart is paper and I have no eraser to rid it of your words so there they'll stay, I suppose they sound nice together my heartbeat and your words
0
Feb 2, 2015
Feb 2, 2015 at 11:32 PM UTC
2/13/14
a fatigue that fogs the mind, shackles that shake the soul, someone has smeared purple-light shadows around your eyes, and your teeth are a whitewashed wall between you and the world. your footsteps say "cold fingers, late-night poet, not enough time." not enough time to drive to the city, not enough time to burn your house down, to jump off a bridge and let the water envelop you: a quiet, cold cocoon. your breaths say "warm lips, sunrise philosopher, too much time." too much time to contemplate your worth, too much time to count to a thousand, to let dust settle on your skin and seep into your blood; you are stagnant. you let yourself wither away: arrhythmic adolescence. your jaundice clouds your judgment as you watch the birds fly free. you have a thirst, a longing need to rip the chains from your chest to run until your feet pound with the heartbeat of the earth, until your eyes sting and water, until your lungs burn and your breath runs hot, until you have the acrid iron taste of blood on your tongue. it's the necessity of intangible freedom. you seek liberation and validation and the two walk a pace ahead of you, hand in hand. monotony weighs you down. it drags your feet deep into the mire, the trap. your half hellos are a plea for help, behind those pretty eyes lies a slowly smoldering panic. you kiss change with all you've got, press your mouth right against what you seek and what you fear. change won't kiss back; it never does. the mutterings of your mind seem to say "darling, you'll die this way." what is there to do? listen, artist. hear the noise of the weather and the sounds of the sea. taste life. let the flavor of being coat your tongue. touch, and feel. run your fingers through sea foam, scald yourself on a match, hold handfuls of earth, sense life in everything; everything is alive. your chains appear ironclad and your prison walls cold, but grasp tightly to sunshine, fill your mouth with fresh rain. you'll make it out okay, out of your head. you'll live love, dear.
0
Feb 1, 2015
Feb 1, 2015 at 11:37 PM UTC
UNTITLED
a fatigue that fogs the mind, shackles that shake the soul, someone has smeared purple-light shadows around your eyes, and your teeth are a whitewashed wall between you and the world. your footsteps say "cold fingers, late-night poet, not enough time." not enough time to drive to the city, not enough time to burn your house down, to jump off a bridge and let the water envelop you: a quiet, cold cocoon. your breaths say "warm lips, sunrise philosopher, too much time." too much time to contemplate your worth, too much time to count to a thousand, to let dust settle on your skin and seep into your blood; you are stagnant. you let yourself wither away: arrhythmic adolescence. your jaundice clouds your judgment as you watch the birds fly free. you have a thirst, a longing need to rip the chains from your chest to run until your feet pound with the heartbeat of the earth, until your eyes sting and water, until your lungs burn and your breath runs hot, until you have the acrid iron taste of blood on your tongue. it's the necessity of intangible freedom. you seek liberation and validation and the two walk a pace ahead of you, hand in hand. monotony weighs you down. it drags your feet deep into the mire, the trap. your half hellos are a plea for help, behind those pretty eyes lies a slowly smoldering panic. you kiss change with all you've got, press your mouth right against what you seek and what you fear. change won't kiss back; it never does. the mutterings of your mind seem to say "darling, you'll die this way." what is there to do? listen, artist. hear the noise of the weather and the sounds of the sea. taste life. let the flavor of being coat your tongue. touch, and feel. run your fingers through sea foam, scald yourself on a match, hold handfuls of earth, sense life in everything; everything is alive. your chains appear ironclad and your prison walls cold, but grasp tightly to sunshine, fill your mouth with fresh rain. you'll make it out okay, out of your head. you'll live love, dear.
Continue reading...
68