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chad-katz
chad-katz
American "I do not know which to prefer, / The beauty of inflections / Or the beauty of innuendos, / The blackbird whistling / Or just after" / --Wallace Stevens
Bustling: The morph of bodies of viscous crowds, of pulsing sounds, indulging mouths in conversation and conversation and the traction of sheets of breath on teeth; everywhere, the room breathes in unison. And as buoyed stones the water schisms and unfolds around and leaves me to face new currents, unsure how to gauge my own tenor against the choral undertow.
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Mar 22, 2011
Mar 22, 2011 at 1:56 PM UTC
Small Talk
I Fanciful and then the first notice of suspended mouth corners, fleeing gravity with invisible strings, sloppily synchronize in giggles. II A glance at the shore horizon, widening into chasm, Erebus leaking ominously— oh but the raft is far too small! oh and flimsy! surely the shadows will ravage the branches and pull this neurotically euphoric contraption below. III glazed malfunction blurred and hazed for lack of clarity billowing surges mold as magnets inandout and in andoutandinandout again fades in before melting again to disjointed gestures in a multicolored backdrop IV Skeletal architectures return from a hysterical awareness of ****** intricacy— And discussion is, of course, forever precluded for fear of relapse and embarrassment.
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Mar 22, 2011
Mar 22, 2011 at 1:55 PM UTC
Pantomime
morning said cold sunday and all her hopeless smiles breathing in the quiet of dissipated yesterdays left to hush them both beneath shuddering blankets bliss gone with dark undulations vibrant kisses long overdue and another reason for neither to forget again that brown eyes should be the only measure and finally noon wraps callused fingers around the windowsill anywhere but inside but also nowhere else and somewhere else they huddle to weather the stormy day waging war on ephemerized memories but only for so long only for an hour here or there will they chance to remember the opportunity not wasted loving and hating that like stories they begin and end apart
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Mar 22, 2011
Mar 22, 2011 at 1:54 PM UTC
morning said cold sunday
My friend said I talk like another language; like I’m transposing all my sentences. I told him he was right. But also, my computer friend said the sense I make isn’t enough; like I’m switching instruments mid-song. I told him he was right, too. And so dance around the fire mouthing the words off-tempo, knowing the set may collapse. Or instead, All the ordinary windows can drop watery curtains while we sit in the rain. Feeling the pitter patter drops percussive and wanting the next refrain. Oh I’m so bad at rhyming! With such horrible comedic timing. And it’s so hard to know what to say to different types. Dante warned against not taking sides, but I’m held ajar. Oh didn’t I cover it all already? (Burial, Chess, Fire Sermon, Death by Water, Thunder, and the Notes.) I want to feel sure that I’ve said too much so everyone has a little bit of something.
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Mar 22, 2011
Mar 22, 2011 at 1:54 PM UTC
Untitled
*More distant and more solemn Than a fading star Let me be no nearer* After The Hours let’s find our way— From the greens to the walks and up the long streets, like giddy children; naïve and visceral. Let’s find a way to be in, in it, Starry and distant so we can pretend we’re not noticing her foaming at the edge of the sand. The glacial street faces and glassy traces all amok— All struck by our buzz; open wide the rotted door fuzzed with molds and peeling lesions— And the incision leaks the glow-ing of inner-workings, pulsing with all the light of an oasis, of an asylum. Besides, there are faces on the television and singing from the radio telling us that our lives are here and staying—our headaches should go away—but they ache with so much wonderful pressure, like a clenched cradle in a smiling and contracting halo. Let us find a way to sleep, a way to scale the dawn so steep. And when morning scrapes away night’s handsome features, so we awake to fear of losing something we were quite sure we had— Or at least alarm at failing to recognize its face. And to know it’ is real; animate, is to be assured of who to write for, who to tell all the things we now know to say; we really need it for the dark. So in the hours between Hours the cunning man will warn against putting the minutes in order. He says: “this, your consolation is one burst afraid of the next momentment.” Let us find our way from dreaming to the other kingdom, hoping I can face faces with eye to eye.
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Mar 22, 2011
Mar 22, 2011 at 1:53 PM UTC
The Other Kingdom
*More distant and more solemn Than a fading star Let me be no nearer* After The Hours let’s find our way— From the greens to the walks and up the long streets, like giddy children; naïve and visceral. Let’s find a way to be in, in it, Starry and distant so we can pretend we’re not noticing her foaming at the edge of the sand. The glacial street faces and glassy traces all amok— All struck by our buzz; open wide the rotted door fuzzed with molds and peeling lesions— And the incision leaks the glow-ing of inner-workings, pulsing with all the light of an oasis, of an asylum. Besides, there are faces on the television and singing from the radio telling us that our lives are here and staying—our headaches should go away—but they ache with so much wonderful pressure, like a clenched cradle in a smiling and contracting halo. Let us find a way to sleep, a way to scale the dawn so steep. And when morning scrapes away night’s handsome features, so we awake to fear of losing something we were quite sure we had— Or at least alarm at failing to recognize its face. And to know it’ is real; animate, is to be assured of who to write for, who to tell all the things we now know to say; we really need it for the dark. So in the hours between Hours the cunning man will warn against putting the minutes in order. He says: “this, your consolation is one burst afraid of the next momentment.” Let us find our way from dreaming to the other kingdom, hoping I can face faces with eye to eye.
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65
I think yesterday is years away; Between one and the other, Between fathers and brothers. So sisters and mothers Blink feathery at their watches. Hums like a hummingbird Flails to a shrillness, And a polyphonic fearing panic Pulls us all back by chance To the chancery. Somewhere after grandfathers Before grandsons, Like Robert Frost being a modern Not modernist— There’s the last of the conceivable eros— Conceived by sleeping Resource and resourceful Poverty with all the impressionism of the gardens and allegories at a dinner party.
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Mar 22, 2011
Mar 22, 2011 at 1:49 PM UTC
Untitled
Tonight— I think we should talk in Black and White. How else could we? Stay in color for all I care; You won’t catch my scars and rumpled hair. And we’re being so good like I thought we would. Oh, so you’re joining me in talking shades of gray and blinking ashes free like teary embers from eyelashes. And we’re being so good like I thought we would. Who knew I could be looking in again on black and white— In and in until that’s all there is just like I want— Who knew I could be missing reddish blemishes and all seeing colors. And we’re being so good like I thought we would.
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Mar 22, 2011
Mar 22, 2011 at 1:49 PM UTC
Talking in Black and White
The animals have always been mischievous— the eagle and his prey. Showers of orgiastic rain through cracked soil— the eagle is no better than his brother. The umbrella daughters don’t feel the rain but hunt all the same— the eagle’s offspring are destined to try for—
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Mar 22, 2011
Mar 22, 2011 at 1:49 PM UTC
Better Things
Ten years from now I’ll answer all my own questions I’ll take care with the brighter lights and sadder days Even when there’s nothing but the abyss of empty rooms Of fleeing demons on the swoop and prowl for what’s left Even when there’s everything under the rug and more And more reasons to keep the turns and sidetracks buried Even if I can’t begin to know or try or see or do all the oaths Of foolish guardians on my shoulder that are fed up Somewhere there will be a flash or a bump or a splash Of the best kind of amnesia to remind me to let myself Forget the silly toobabs and bills and errors of a decade Spent on the worst kind of expectations and fights And frights and sights and blighted odysseys of my times As a hero—Theseus and Perseus know how hard it is How can all the boxes underneath the bed ever be cleared Of the things they hold so boldly in the face of the moving Planets and lonely Pluto waiting not so patiently for a surrender From the waxing waning pulling straining lifting tugging Falling and falling that keeps me awake and puts me to sleep And asks and asks and asks and asks and asks
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Mar 22, 2011
Mar 22, 2011 at 1:48 PM UTC
Knowing Older People
Like water— assuming windy shapes and earthy sways So too, we accept; so easily, could we plunge hands beneath the surface and so in vain, could we tide a new direction
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Mar 22, 2011
Mar 22, 2011 at 1:48 PM UTC
Untitled