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c-b-heath
c-b-heath
English C.B.Heath is a male, left-handed, bisexual poet who adheres to no labels whatsoever.
Which beer is mine, the Becks or the Heineken? A ***** mauve has descended on the night, and on the town a dank black silence, and I am sat here folded like a peace crane. But I want to move. I feel an itch to find someone, any resident up for grabs - I can’t be the only one awake. And my loved ones: if they worry, they worry; I’m gone, but I am only looking for myself in another form - the form of persons lost as I am, wandering as I am through the lively dead-night. Which baccy is mine, the amber leaf or the gold one?
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Oct 22, 2014
Oct 22, 2014 at 9:39 PM UTC
Finding Someone, Drunk
The dog who watched us take off our shoes on the steps before the laying Buddha, this is for you. You were at ease, not guarding, panting from the heat, warming your belly on Bangkok’s stones. Our shoes in a bag, passports strapped to us, photographing the twenty foot high resemblance of the man who asked not to be praised - cast in mother-of-pearl the man who shook off possessions - I suppose to a dog looking up, gods and humans are the same, barefoot idols shuffling through a hotbox corridor looking up at another barefoot human with an immobile face, downy eyes and nearly a tear. Later you found shade beneath an archway at the end of a long line of Buddhas, almost identical, decreasing in age towards you. Some ideas are so respected they need repeating in the same manner every year, the same sculpture carved beside the last, an echo, a silent chant, and you lay there at the end, the chant becomes your visible panting. For a moment you look into my eyes because you recognised my feet, because you know you take the place of the next structure, you know that busy hands will build upon where you sit, that where you go, humans follow, as they do with gods, with shadows.
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Apr 20, 2014
Apr 20, 2014 at 11:58 AM UTC
Bangkok
To drop the latch and your belongings, to say 'put down tomorrow's feat, put down the tune of yesterday, put down what calls away your attention from the endless breadth of now' - to drop the latch and slot the key neatly in and not be reminded of the worst *** of your life, to look down at your shoes and not be in a montage flashback of every game of tennis last summer when each stroke was a delayed rebuttal from arguments before, the manly swipes, the posed sliding on asphalt, the gathering of ***** found sunbathing with the brown baking weeds, to run a mile and feel every jolt and not imagine a face to run from, and not pretend there is an amalgamated idol of petrified lovers just past the traffic lights, to not invent telepathy and play it like a game, reading the negativity in the loiterers outside the post office across the road. To see a mirror and forget to ignore it. To watch the face in perfect humble clarity, to see it as a friend would, to say okay on a daily basis to the eyes, to see for the first time their glory- colour, to be okay without repressing, to drink a glass of sauvignon blanc without accompany on a Thursday morning because the work rota allows the luxury. To turn the television off. to back into the night because you must, to back into the night so you cannot ***** your way with hands, to keep reversing and to watch what you pass and to only stop when necessary, and even then not for long, and turn around and give thanks to walls and tripwires-- in the morning, with nobody there to know, to take off all your clothes and then that final layer, to be devastated by the contours of another's, though it may be only memory, to be distracted by a speck of thought and start again, to be one day older and to never age.
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Apr 4, 2014
Apr 4, 2014 at 1:04 PM UTC
Knowing Knowing
To drop the latch and your belongings, to say 'put down tomorrow's feat, put down the tune of yesterday, put down what calls away your attention from the endless breadth of now' - to drop the latch and slot the key neatly in and not be reminded of the worst *** of your life, to look down at your shoes and not be in a montage flashback of every game of tennis last summer when each stroke was a delayed rebuttal from arguments before, the manly swipes, the posed sliding on asphalt, the gathering of ***** found sunbathing with the brown baking weeds, to run a mile and feel every jolt and not imagine a face to run from, and not pretend there is an amalgamated idol of petrified lovers just past the traffic lights, to not invent telepathy and play it like a game, reading the negativity in the loiterers outside the post office across the road. To see a mirror and forget to ignore it. To watch the face in perfect humble clarity, to see it as a friend would, to say okay on a daily basis to the eyes, to see for the first time their glory- colour, to be okay without repressing, to drink a glass of sauvignon blanc without accompany on a Thursday morning because the work rota allows the luxury. To turn the television off. to back into the night because you must, to back into the night so you cannot ***** your way with hands, to keep reversing and to watch what you pass and to only stop when necessary, and even then not for long, and turn around and give thanks to walls and tripwires-- in the morning, with nobody there to know, to take off all your clothes and then that final layer, to be devastated by the contours of another's, though it may be only memory, to be distracted by a speck of thought and start again, to be one day older and to never age.
Continue reading...
48
I wrote 'the waves adorned your feet in silent hushes'. I wrote and I never said. When you needed it, when you cried for it, I never said. I wrote. In your loft, our joint belongings swelled my throat and I didn't say. But I saw you looking. Your feet descended first - from the attic, from the attic, your feet looked the same. I couldn't say, So I wrote this.
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Apr 1, 2014
Apr 1, 2014 at 3:21 PM UTC
Attic
The working day is blue shirts and lies, twelve last cigarettes, the balancing of SMS from the powerful women who know me. What are your plans later? What are my plans? In the evening, a globe I constructed from puzzle pieces sits in my beggar's hands. One day, they will be large enough to cage it, but not yet. It's not time. There is a cave-in exactly where I next want to go. It's okay. What are my plans? The rest of it.
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Mar 17, 2014
Mar 17, 2014 at 2:36 PM UTC
Thailand
When my Grandparents were young, or relatively young, say, the age I am now, coincidence still had a name; that is to say, was still rare enough to warrant one. They had to wait for them - if they did wait at all. But I am fortunate, am I not? I do not have to wait at all, never, no way. I use an automatic service, administered by somebody else whom I do not know, deployed in ways I do not fully comprehend, utilising techniques I do not fully comprehend. I have one function in the algorithm: to press F5, to press F5, and then - ! - a page appears which seems to know me: 'Lightning over Tucson'. Did I pronounce that right? When my Grandparents were young, or relatively young, say, the age I am now, coincidence still had a name: 'coincidence'. Did I pronounce that right? F5. F5.
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Jan 30, 2014
Jan 30, 2014 at 6:24 AM UTC
Refreshed
We dance, half-poser, half-alone and before the half-filled stalls perform that half-twirl that moans: 'How do I look?' Head to the walls, hands down and fingers parted. We check our shadow from routine, but the watchers have departed - they have seen this show before. Forget the shadow on the floor; check the pulse, check the breath. Quick. Curtain. One thing is certain.
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Jan 22, 2014
Jan 22, 2014 at 7:08 PM UTC
The Performance
To keep a routine, that's the thing, that's what keeps it at bay. But is that not just playing a game - the shaving, the brushing, the toenail- trimming every four weeks? I think depression is no more than the sudden dropping of pretence. You keep up your image, because that is what works, and then when you should be at your happiest, it comes like meteors come - not with the cold efficiency of a mechanical bird, but like the damning hellfire of a heavenly body curved off-path. Say you are going for a walk, and it is Spring, and say your love-of-the-moment is a short distance away, as silent as peace because she knows how you can get. Say it is the first bright day, but still chilly - the moon, having been on a binge all night, holds a silent tune so blissfully, a dog whistle in the deep blue, and say the fields are endless sheathes, the crosshatch reeds of farmed corn forming a mosaic riddle on the ever- stubborn mud, and there are ghostly rainbows in the hidden puddles, and it is joyful unlike anything, and there's the feeling of being lost as a child is, comfortably lost, unphased and focused only on the patch of ground in front - the only patch that is, not a patch on what's behind. And say you feel a smile arrive and you feel too clean, if anything, too new and looked after, like a baby, and just as quick you think: this is not the idea, this is not my retirement, how dare I pretend I deserve a moonlit walk in the middle of the day, how dare I play this game? What next? Will I drink the sun?
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Jan 20, 2014
Jan 20, 2014 at 6:33 PM UTC
Depression
To keep a routine, that's the thing, that's what keeps it at bay. But is that not just playing a game - the shaving, the brushing, the toenail- trimming every four weeks? I think depression is no more than the sudden dropping of pretence. You keep up your image, because that is what works, and then when you should be at your happiest, it comes like meteors come - not with the cold efficiency of a mechanical bird, but like the damning hellfire of a heavenly body curved off-path. Say you are going for a walk, and it is Spring, and say your love-of-the-moment is a short distance away, as silent as peace because she knows how you can get. Say it is the first bright day, but still chilly - the moon, having been on a binge all night, holds a silent tune so blissfully, a dog whistle in the deep blue, and say the fields are endless sheathes, the crosshatch reeds of farmed corn forming a mosaic riddle on the ever- stubborn mud, and there are ghostly rainbows in the hidden puddles, and it is joyful unlike anything, and there's the feeling of being lost as a child is, comfortably lost, unphased and focused only on the patch of ground in front - the only patch that is, not a patch on what's behind. And say you feel a smile arrive and you feel too clean, if anything, too new and looked after, like a baby, and just as quick you think: this is not the idea, this is not my retirement, how dare I pretend I deserve a moonlit walk in the middle of the day, how dare I play this game? What next? Will I drink the sun?
Continue reading...
43
I’m thinking of guilt, of karma, of cause and effect, of sky, of midday sun (a red judge) of midday moon (of its telekinesis, its drowning game of tennis with the tide).
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Jan 5, 2014
Jan 5, 2014 at 7:26 PM UTC
Guilt
They say you’re mobile now, but like a cartoon, the ghost of your outline suspends behind you on the road. How long it hangs before it is the same stuff as breath on a cold day, only God knows; and He cannot be found for looking. You have read every rule the great poets and philosophers have etched. Your technical grasp of love is paramount. But to the quiet tremble of the skin, to the warm and unfearing heart, you are the sweetest of novices. Go, drive away and read no more of love. You have studied enough. Go drive away until you remember why you ever coughed the ignition into life in the first place. And take it as a sign that the reverse gear refuses to play along.
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Dec 9, 2013
Dec 9, 2013 at 9:22 AM UTC
On Buying Your First Car