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brian-donohue
American Without transformation, there can be no change. / / Body, mind, spirit, brain, heart, soul: these are not many things, not separate things. Perhaps they are not even One. But they are indivisible. This is the foundational premise of my poetry and of my work as a personal counselor and therapist. If the writing you find here resonates enough with you that you'd like to explore working with me in professional counseling, you can contact me. / / Brian Donohue / 103 Albemarle Road / Brooklyn, NY 11218 / / (718) 554-7320 / (347) 451-2929 / / [email protected]
I have no energy left but for revolt — the revolt of the one who abandons the climb, turns his back, and goes back down the hill toward the water. The pinstriped priests sharpen the horn between their legs, The better to carve the granite commandments that drag me to the precipice’s edge with a pill for my mouth, a hand for my pocket, and a push for my back. I have fed at the supersized trough, striven to become a hallmark of standardized measurement.   But I do not want to be fed by those factory corpses who sit like workers in cubicles, unmoving and covered to their hips in excrement and despair. I do not want to work in a box turning time into regret and obedience into tears. I do not want to be informed by the chyron streams that feed the wells of desolation and ignorance. I do not want to be a cog of an economy that fills the fountains of palaces with the blood of innocence; where investment  is a tout sheet that dissolves into electrons as the getaway limousine races toward the mansion. The sheer and final exhaustion of the rebel is his last and only triumph: he drops the knife of his cause, gently lowers the stiffening body of his holy purpose into the receptive dust, clears aside a few stony pieces of the rubble, and kneels in submission to the earth and all its ownerless teeming beauty. For then he knows: it is I, too, like these others, who have walked among the dead. Then he leaves his climbing body there, and turns again, back toward the water.
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Oct 18, 2011
Oct 18, 2011 at 9:22 PM UTC
Return
I have no energy left but for revolt — the revolt of the one who abandons the climb, turns his back, and goes back down the hill toward the water. The pinstriped priests sharpen the horn between their legs, The better to carve the granite commandments that drag me to the precipice’s edge with a pill for my mouth, a hand for my pocket, and a push for my back. I have fed at the supersized trough, striven to become a hallmark of standardized measurement.   But I do not want to be fed by those factory corpses who sit like workers in cubicles, unmoving and covered to their hips in excrement and despair. I do not want to work in a box turning time into regret and obedience into tears. I do not want to be informed by the chyron streams that feed the wells of desolation and ignorance. I do not want to be a cog of an economy that fills the fountains of palaces with the blood of innocence; where investment  is a tout sheet that dissolves into electrons as the getaway limousine races toward the mansion. The sheer and final exhaustion of the rebel is his last and only triumph: he drops the knife of his cause, gently lowers the stiffening body of his holy purpose into the receptive dust, clears aside a few stony pieces of the rubble, and kneels in submission to the earth and all its ownerless teeming beauty. For then he knows: it is I, too, like these others, who have walked among the dead. Then he leaves his climbing body there, and turns again, back toward the water.
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25
Ah, youth! This is from a song I wrote about 30 years ago, perhaps while under the influence of Dylan. Man is born to tremble, I’ve seen it written in the book And a lover’s bound to sicken from a cold impassive look; How an empty glance can promise love between its cold blue lies, I was searching for a future in two dark and dangerous eyes. With every journey started it seemed prospects were fair; Destination is damnation but you never think it’s there. A heart can spread its wings and drift into the blackest skies – I was flying into trouble for two dark and dangerous eyes. God grant me your true wisdom, put my feet back on the ground, I cannot see the forest ’cause these trees are all around; Please don’t save me for the Kingdom, I cannot wait to die: Just give me one more chance to see those dark and dangerous eyes. Could a man forget his passion, could a lover end his search For an angel in the tavern and a saint inside the church? Someday I’ll seek that Inner Peace, be pure and free and wise, But now I’m just a prisoner to her dark and dangerous eyes. I know the ways of wicked men, I’ve watched them on TV; I’ve studied lust and hatred for my bachelor’s degree. A woman is a nightmare wearing fantasy’s disguise, And here I am still dreaming of her dark and dangerous eyes.
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May 13, 2010
May 13, 2010 at 11:36 PM UTC
Dark and Dangerous Doggerel
I have no energy left but for revolt — the revolt of the one who abandons the climb, turns his back, and goes back down the hill toward the water. **** Cheney ate my flesh and shat upon my skeletal remnants. Obama came after him, unzipped his fly and emptied the pale dilution of his bladder-wine onto me (it was warm and sparkling at first, but soon became cold and fetid). I do not want to be treated by your white-robed functionaries who take me to the precipice’s edge, deliver a pill to my mouth, a hand in my pocket, and a push on my back. I do not want to be educated by your masters of delusion, your demons of standardized measurement. I do not want to be fed by your factory corpses who sit like workers in cubicles, unmoving and covered to their hips in excrement and despair. I do not want to be employed by your treadmill machines that turn time into regret and obedience into tears. I do not want to be informed by your chyron streams that feed the wells of desolation and ignorance. I do not want to be a part of your economy that fills the fountains of palaces with the blood of innocence, where investment is a tout sheet that dissolves into electrons as the getaway limousine races toward the mansion. The sheer and final exhaustion of the rebel is his last and only triumph: he drops the knife of his cause, gently lowers the stiffening body of his holy purpose into the receptive dust, clears aside a few stony pieces of the rubble, and kneels in submission to the earth and all the teeming beauty that lies beneath it. For then he knows: it is I, too, like these others, who have walked among the dead.
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Mar 29, 2010
Mar 29, 2010 at 9:12 PM UTC
21st Century National Anthem (a Prose Poem)
I have no energy left but for revolt — the revolt of the one who abandons the climb, turns his back, and goes back down the hill toward the water. **** Cheney ate my flesh and shat upon my skeletal remnants. Obama came after him, unzipped his fly and emptied the pale dilution of his bladder-wine onto me (it was warm and sparkling at first, but soon became cold and fetid). I do not want to be treated by your white-robed functionaries who take me to the precipice’s edge, deliver a pill to my mouth, a hand in my pocket, and a push on my back. I do not want to be educated by your masters of delusion, your demons of standardized measurement. I do not want to be fed by your factory corpses who sit like workers in cubicles, unmoving and covered to their hips in excrement and despair. I do not want to be employed by your treadmill machines that turn time into regret and obedience into tears. I do not want to be informed by your chyron streams that feed the wells of desolation and ignorance. I do not want to be a part of your economy that fills the fountains of palaces with the blood of innocence, where investment is a tout sheet that dissolves into electrons as the getaway limousine races toward the mansion. The sheer and final exhaustion of the rebel is his last and only triumph: he drops the knife of his cause, gently lowers the stiffening body of his holy purpose into the receptive dust, clears aside a few stony pieces of the rubble, and kneels in submission to the earth and all the teeming beauty that lies beneath it. For then he knows: it is I, too, like these others, who have walked among the dead.
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5
I cannot remember the name of that priest who died in agony with his arms around the tree of ignorance. Under his body lay the black scattered shards of his sacred vow of denial to the monument of shadows, and the skin of a fruit uneaten. Nearly all our words, all our truths, are pretense — or at best strangers met on a road a thousand years ago, held with the eye in a wordless moment and then lost to the dusk-lit air of remembrance. Lord make me chaste, said the Saint, but not yet. The banana’s skin does not ask why it has been thrown aside and left undigested beside the path lit by lovers and darkened by gods. Not every life can be a chalice; not every name can be spoken. All, however, though they clutch with their last grasp at the tree of ignorance, can teach.
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Mar 29, 2010
Mar 29, 2010 at 9:11 PM UTC
I cannot remember the name
The desert, they say, is better crossed If the nomad knows his way; Your mind, I’m told, is easily lost, But who am I to say? It’s written that the road is longer now Than the one that Jesus walked; I’ve read where Satan’s stronger now, But who am I to talk? You can’t believe the things you hear; To each his private dread: I’m looking for the Queen of Beers To take her to my bed. Queen of Beers Magic tears Foaming in your head; Give me one more sip And I could slip Between the living and the dead. The TV says that folks are worse Than they ever were before; And the earth is just a cosmic hearse Driven by a ***** The paper’s printing war and fear Seems soon we’ll all be dead; I’m searching for the Queen of Beers To fetch her to my bed. Queen of Beers Golden tears Running through my head; Just one more sip And I could slip Between the living and the dead. Now the homeless folks are crying While the politicians steal; And the animals are dying And religion isn’t real. The subfrastructure’s falling here (Whatever the hell they said); I’m still waiting for that Queen of Beers To lie down in my bed. Queen of Beers Barley tears Burning in my head; I’ll have one more sip And then I’ll slip Between the living and the dead.
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Feb 9, 2010
Feb 9, 2010 at 12:38 AM UTC
Queen of Beers
Sing, O Muse, of greed’s Inferno, fluorescent-fringed and frigid at the core; of white-haired chiefs with square jaws and stiff-lined lips whose speech came clipped and hollow like the towers on whose upper reaches they sat like gods in clouds, sealed from light by iron-toothed, two-footed dogs. Sing of dark jagged lines tipping hellward like Abyss-sucked souls whose eternal fall finds no bottom of either rest or termination; of red numbers glowing like murderous stars in a flat-faced sky whose blank, demonic edges rotate like knives dropping from heaven, shifting but never changing; killing and never dying.
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Feb 9, 2010
Feb 9, 2010 at 12:36 AM UTC
The Opening of a Corporate Iliad
Please come in: go all the way back to the old closet past the kitchen where the priests left their wine-stained robes. Where the arms and legs of hallowed toys that never worked, never played are buried in the graveyard of lies. Let the drunken robes sleep on, undisturbed; but clear away the empty bottles of belief. For every time I touch them, I bleed onto the edges of their granite labels.
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Feb 9, 2010
Feb 9, 2010 at 12:33 AM UTC
To the Goddess of Transformation
Science did not fail me, nor I it. The age of commitment, of the unconditional Fell amid the rubble, after the Bombs Of nuclear autumn. So in an embrace of burning tongues We lay briefly, sporadically Amid delicious sunset passion That each of us will remember In the minute before sleep, The second before death. Perhaps every true scientist has known it, This ambivalent lust For the succulent food That deepens your hunger. Kekule followed a single night’s dream; Newton pursued his madness In a backward race of Order and Law. Einstein rode a starry stallion Of hard-charging, time-driven Libido. Bohm, the fractal infinitude of wonder. Science, your hair gave off light, Your lips brushed my every nerve With the imprint of despair. And you always gave enough To make me ask “what more?”
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Feb 9, 2010
Feb 9, 2010 at 12:31 AM UTC
Science Did Not Fail Me