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anthony-brautigan
anthony-brautigan
28/M/American
I used to ramble and I used to **** used to blow my tires and get my truck stuck. Used to ramble on forget what'd I say, used to ‘pologize, n' ask if I may. Find myself lost in a foreign place… Used to light candles and grieve for the dead, used to genuflect, bend at the kneck. Used to wear sandals with the necklace, used to sight my prizes, was used to surprises. Find myself running through the mud from the cops, I’d hear their steps, I'd never stop… Tough **** you quit-- you made the most out of it, now they’re a ghost that you miss (ghost that you miss…) the closest you’ve hit. Used to get spooky with that Kerouac, in the mountains or garage with only what I packed. Everywhere lovers, used to meet their stare, I used to write them letters stuffed with my hair. Find myself penniless making mess... Used to be bad, yeah, I used to do drugs, Used to lose my mind combing through a rug. I used to break curses and chase the sunset, Used to count the smiles on my friends as they slept. Find myself slipping out of the house, into the street, filling my mouth... Tough **** you quit you made the most out of it, now they’re a ghost that you miss (ghost that you miss…) the closest you’ve hit.
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Dec 27, 2024
Dec 27, 2024 at 10:47 PM UTC
Ramble
Consider a beam, straight, prismatic, born of one stuff, formed isotropic. Now enforce some constraint and simply support the beam in place. A cut anywhere along its length, if cut plane will stay the same. Let us restrict our ordered space to just the bounds of this page. A force P applied along this beam, normal to length and within the page, will left-and-right produce in an instant reactions determined by their distance. With these forces in balance, we reach quasi-stasis (between those reacting to the one applied). Note how no moments are placed at the ends but the beam sectioned will show how it bends. *A quick aside: as is the norm to keep this right we must prescribe the beam’s deform and bend is only slight!* But a bending moment acts!—it’s on the neutral axis. From there going up, you’ll find it compress, developing normal negative stress. If rather going down, it’s another case: the tensile fibers are stretched in place. How does it vary? Not right-to-left? It varies linear through the depth. If instead your interest is at our cut’s centroid This normal stress does not compress or pull, it’s just devoid. Back to the cut and what appeared, there’s also the force we know as shear. That force which acts along a plane, across the section, contorts in shape. As a stress, at bottom and top, you’ll find that shear stress simply stops. How does it vary? Verily observe: from mid to end, quadratic curve. Stop considering; let loading adjourn. Lest it had yielded, it’s shape will return. Unconstrain all nodes, unequilibrate, save your force P for some other date. No more “Consider…” No more “Suppose...” Let your pupils retire. As for what’s next I will leave what is left for you as an exercise.
0
Dec 27, 2024
Dec 27, 2024 at 10:35 PM UTC
Consider a Beam
Consider a beam, straight, prismatic, born of one stuff, formed isotropic. Now enforce some constraint and simply support the beam in place. A cut anywhere along its length, if cut plane will stay the same. Let us restrict our ordered space to just the bounds of this page. A force P applied along this beam, normal to length and within the page, will left-and-right produce in an instant reactions determined by their distance. With these forces in balance, we reach quasi-stasis (between those reacting to the one applied). Note how no moments are placed at the ends but the beam sectioned will show how it bends. *A quick aside: as is the norm to keep this right we must prescribe the beam’s deform and bend is only slight!* But a bending moment acts!—it’s on the neutral axis. From there going up, you’ll find it compress, developing normal negative stress. If rather going down, it’s another case: the tensile fibers are stretched in place. How does it vary? Not right-to-left? It varies linear through the depth. If instead your interest is at our cut’s centroid This normal stress does not compress or pull, it’s just devoid. Back to the cut and what appeared, there’s also the force we know as shear. That force which acts along a plane, across the section, contorts in shape. As a stress, at bottom and top, you’ll find that shear stress simply stops. How does it vary? Verily observe: from mid to end, quadratic curve. Stop considering; let loading adjourn. Lest it had yielded, it’s shape will return. Unconstrain all nodes, unequilibrate, save your force P for some other date. No more “Consider…” No more “Suppose...” Let your pupils retire. As for what’s next I will leave what is left for you as an exercise.
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58
In the capitol how little we care and little we spy. There's no reciprocal, no quid pro quo, no imminent requital, nowise needs to go, see. Born out of balance and at a distance, nary know, unaware. It wasn't true til you heard news of it, out in the greater empire. We're let do all the better, practice our praxis, but still not know the half of it. This time, it outlasts other cycles and its nice to be still for just a minute. The occupation families asunder cities cindered bought for my clarity and maybe, too, marks the throes of collapse.
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Feb 12, 2022
Feb 12, 2022 at 10:25 AM UTC
Empire
Getting later into life and still ever find that spark that led giants into skies and sailors to the brink me n' mine to step, forsooth When rasps are retired finer things laid cabinet rousty holes let loose to trash while the tilds go on to yield, I'll drown books, I'll hang hats For now snipping corners on the page, from the flaggon Now looms a starry 'stellation —a good omen perhaps— alights now on me lap.
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Nov 30, 2021
Nov 30, 2021 at 12:49 AM UTC
Baroque
* ...'til they cease to be beautiful." I think the thing that's Beautiful, resplendent once and then splayed anesthetized on the table, under scalpel, before surgeon, proves atomic— you can't dissect this thing of Beauty, exhaust the nature's held, muses lost, you can't touch it, you could only cut yourself in haste, or Otherwise make a model in sorry mimicry on some adjacent bench, gaudy gawky gauche and then, yes, (I guess) it ceases to be beautiful.
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Sep 6, 2021
Sep 6, 2021 at 10:05 AM UTC
"You Pick Apart the Beautiful Things...
Hello, I seem to be here still, do you remain to be out there? I’ll brush my teeth knowing that we’re gonna make a go of it. I touch myself dreaming of all the places I’m gonna make you. *We’re living in a special case, subset of an upset time and space. Fire, was it, or pomegranate that broke the spell you cast? Gave up the garden if It’d make it last.* Sorry, why’s I speak is why’s I’m I, so you ought to talk sometimes. I’ll ***** my ears hoping that where we’re the same might be enough, I tell myself living with all choices I made without you. *We’re living in a special case, subset of an upset time and space. Fire, was it, or pomegranate? Whatever the cause, the way is flawed. We’re living in a human race, if you think you can do better, well, you’re wrong!* And when I decide to show my face again… I’m a child of… I’ve seen miles of love, my body’s made of blood. I’m a child of God, my body’s made of mud. I’d like for you and I to reconcile if only one more— Time is not the catch n’ Space ain’t the constraint. I gotta hunch it’s in the changes that we all make.
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Aug 28, 2021
Aug 28, 2021 at 6:24 PM UTC
Issa Chilla Gawd (Love Letter to)
Go up'n roast on a glacier, Make a trip of it, Monsieur— I'll personally see your bags will be waiting, the kindling's got, mosquitoes smashed, and site taken. Go at the right time and can keep humans far away enough as to look like ants. Rising sun nips the tops and chills expressed out of the basin like a sorta sigh. What at home's only closing up shop, wiping counters, resetting for action sweeping between aisles— up here's watching coals die and sun-up, the whole scene subside then set in. Dynamic night stretching miles. Then glorious Day and its weight on painstaken paths, all worthwhile.
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Mar 26, 2021
Mar 26, 2021 at 12:09 PM UTC
Butte
We are soft souls blown ‘round with everything, we are sifted sands and treated grasses. We plug ourselves into cars and wait for destinations; And still: Violins ******* make people cry (the tremolo stings your spine into shivers) And that gives me something you might call hope for my age-bracket. This has been somewhat of a spiritual undertaking for me. The roads of the interstate carry me out of my reality and into another consciousness. Extended driving (the heavy tremolando). I'm blue-glassed eyes and I am ultraviolet light and I open the car window to exhale a lung of smoke into the dustbowl. Well, hell; It's California.
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Mar 26, 2021
Mar 26, 2021 at 11:51 AM UTC
I-5
The heights that burn brightly, burn high holy in mind, can they lead us to live rightly, find us lovers realized? No one touches me deeper than I can myself, yet I prevail that there’s someone else. When with open heart, wallet and bed we take in people and bare deepest parts, and still remain strange, separate yet entwined. Dead alone at some ripe age, pray make sure to cover my grave with mozzarella, amaranths, salame, daisies, sauce and all my imperfect lovers weeping in rivers, and eating a pizza with all the wrong toppings. Might I learn Love in whist, from back over all my false starts, could it teach me to be happy, to stand by for a time?
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Sep 27, 2020
Sep 27, 2020 at 1:30 AM UTC
What's Love Allow?
Suddenly my world so closed becomes open, to follow every animal-trail that emerges in the heaving, breathing woods. Old roads now lead to houses and from canals up high one can keep an eye. I could not find the stepladder weave up the cut of the powerlines; nor could I find the stack glissade of rock upon rock springfed from out of a mine. My home’s at once drafty and dark becoming, doors uncontaining, the roads all too entwining. And so too, my within, chambers filling and then draining.
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Sep 25, 2020
Sep 25, 2020 at 7:43 AM UTC
Seek like a child