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alyssa-rose-evans
alyssa-rose-evans
American I write stuff. / / Also, I have a blog: http://aletteraddressedtonowhere.wordpress.com/
No one born too far from Niedersachsen, said Oma, ever quite captures their sing-song intonation. Characterized by subtleties, like an umlauted vowel, all non-native imitations sound inevitably as ****** as would a cry of “ello, guv’nah!” in a London coffee shop. Her Plattdeutsch instincts neutered by decades abroad, married to a son of Milwaukee, her permanent, dormant longing for Salzgitter awakes only to trigger hunger pangs of irreconcilable nostalgia at the passing whiff of a Germantown bakery. She taught me the word “sehnsucht” over lukewarm coffee and a pause in our conversation: a compound word that no well-intentioned English translation could render faithfully. It isn’t the same as just longing, she sighed— longing is curable. Sehnsucht holds the fragments of an imperfect world and laments that they are patternless. How the soul yearns vaguely for a home remembered only in the residual ache of incomplete childhood fancies; futile as the ruins of an ancient, annihilated people. How life’s staccato joys soothe a heart sore from the world, yet the existential hunger, gnawing from the malnourished stomach of the bruised human psyche, remains— insatiable, eternal. Long enough ago, a reasonably-priced bus ride away from the red-roofed apartment in which she babbled her first words, a kindly old man in a pharmacy asked her about her peculiar, exotic accent. Once inevitably prompted with the question of where she was from, she responded only that she was a tourist off the beaten track. And when I pointed out, to my immediate regret, that she gets the same question back here in Ohio, I realized then that, not once, has she ever referred to the way the people of her pined-for hometown spoke as though she had ever belonged to it.
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Sep 29, 2015
Sep 29, 2015 at 2:21 PM UTC
"Sehnsucht"
No one born too far from Niedersachsen, said Oma, ever quite captures their sing-song intonation. Characterized by subtleties, like an umlauted vowel, all non-native imitations sound inevitably as ****** as would a cry of “ello, guv’nah!” in a London coffee shop. Her Plattdeutsch instincts neutered by decades abroad, married to a son of Milwaukee, her permanent, dormant longing for Salzgitter awakes only to trigger hunger pangs of irreconcilable nostalgia at the passing whiff of a Germantown bakery. She taught me the word “sehnsucht” over lukewarm coffee and a pause in our conversation: a compound word that no well-intentioned English translation could render faithfully. It isn’t the same as just longing, she sighed— longing is curable. Sehnsucht holds the fragments of an imperfect world and laments that they are patternless. How the soul yearns vaguely for a home remembered only in the residual ache of incomplete childhood fancies; futile as the ruins of an ancient, annihilated people. How life’s staccato joys soothe a heart sore from the world, yet the existential hunger, gnawing from the malnourished stomach of the bruised human psyche, remains— insatiable, eternal. Long enough ago, a reasonably-priced bus ride away from the red-roofed apartment in which she babbled her first words, a kindly old man in a pharmacy asked her about her peculiar, exotic accent. Once inevitably prompted with the question of where she was from, she responded only that she was a tourist off the beaten track. And when I pointed out, to my immediate regret, that she gets the same question back here in Ohio, I realized then that, not once, has she ever referred to the way the people of her pined-for hometown spoke as though she had ever belonged to it.
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You finally roll over, after downing the remainder of the wine you said you’d share with me and lay the bottle to rest beside the bed, in a graveyard of clutter I periodically nag you to tidy up so now I can finally assure myself with more than tenuous trust that you will not confirm your gazing over my shoulder at my laptop screen with that irritating ******* chuckle when you see whatever I’m privately trying to enjoy for myself because now it would make more sense that I’m doing anything other than typing, typing furiously about how I can’t articulate why I’ve admitted you into my bed. Why we mutually burn through seasons of wasted time on Netflix, and instinctively, someone’s head falls within the soft hollow of another’s shoulder, yet I cringe the moment you reach over to make the embrace intentional and why when the remnants of the drunken, desperate stumbling to my then celibate bed that spawned what we can’t seem to finish have long dissipated, do we insist on carrying our dead within us and why once you turn back and see me, do you retreat to the living room to strum hopelessly on the Les Paul you spent too much money on and had shipped to my apartment because you barely spend any time at yours, as I type this groggy and reaching for what’s as reachable as mist with only a room between us, separately we decode the repercussions of being haphazard nomads somehow assigned to civilization.
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Aug 31, 2015
Aug 31, 2015 at 7:46 PM UTC
"An Accidental Commitment"
She’ll wander back to you again, but drawn by the string of ineffable instinct—kissing the sand of your beaches still damp by the routine of her departure. Yet as she recedes, you already ache her homecoming as though longing for an estranged relative. You count the years by the bitterest point of every winter, and value your harvests against the cruelty of the drought— and even when she rearranges herself nightly, by increments you’ve already calculated by meticulous observation, somehow good fortune owes you eternity, even as it crumbles under the weight of its own impermanence. You’ve never dealt well with entropy; all that came before you, which also happens to survive you—an honorary god. Stranded on earth, you monitor your greying scalp as grimly as you decry a darkening sky above you succumbing to the certainty of winter, but even she is ebbing, too. You curse her departure like an abandoned child, but she had never sinned against you— that was your idea. You mourn the day she repossesses with mortal anguish, yet you still find a way to forgive her when she sends Dawn to shine his light between the trees.
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Aug 31, 2015
Aug 31, 2015 at 7:44 PM UTC
"Komorebi"
“Nature wins eventually,” mused my uncle David as we drove past an overgrown lot on a barren street, where a struggling Motel 6 had long crumbled under the weight of entropy. Defying the ghosts of a business drowned in the unforgiving current of Dayton’s economy, among the leasing sign marking their graves, patternless flora prevailed effortlessly.
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Aug 31, 2015
Aug 31, 2015 at 7:37 PM UTC
"By Default"
Charlie crumpled up the script that his mother left him as a note on the banister; an ode to matronly passive-aggression scrawled in haphazard cursive on the back of a Meijer receipt when she was drunk. While conducting a routine bedroom sweep for any arbitrary evidence to convict her son, yet again, as the eternal family scapegoat, Marilyn was far from pleased to find his final disregard of her bankrupt maternal instinct clouded by inherited alcoholism wadded up in his wastebasket. Jaded by plot conventions, dodging foreshadow, we scrapped our narratives and hopped in his car. Untethered by destination, we drove through the rain in the last hours to waste of a Sunday night. Stopped at an intersection in an unfamiliar town, he turned to me with an expectant smile: “Where to now?” With no surrounding traffic to rush our decision, I glanced in both directions. “Let’s turn left.” “Where’s that lead?” I squinted in the dark. “Wherever the hell we’re going.”
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Aug 31, 2015
Aug 31, 2015 at 7:32 PM UTC
"Ad-Libbing"
In your ’97 Mercury, that grumbles like an arthritic old mare at every cautious nudge of her gas pedal, evoking the utterance of “easy now, girl” at least twice a commute, we’ll journey haphazardly to wherever I-675 spits us back out. With whiny indie music harping cumbersome lyrics aided by passion-silly guitar solos blaring on ****** speakers, we’ll savor the names of every exit we pass by in defiance; accelerating through sensible opportunities to get gas somewhere and turn back to obligation. Midwestern gypsies, urban nomads, academically-disoriented college students—whatever we are, reveling in the aimless misadventures of going ******* nowhere. They raised us to pursue infinity, we grew to embrace the absurd; we press our handprints in the sand and thank the gentle tide for letting her shoreline’s scars fade painlessly.
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Feb 19, 2015
Feb 19, 2015 at 6:44 PM UTC
"Infinity is too much effort"
Only as they lie flat with defeat on a rain-slicked sidewalk will we remember how dearly we loved the autumn leaves. The trees stand half-naked, sparsely adorned with red and orange emblems of mortality, dropping like the gradual sands of an hourglass. They stare down desperately at the passersby, warning us of the impending winter. “Remember me,” they plea, branches gesturing toward a greying sky— resisting entropy like every creature who finally realized his impermanence.
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Oct 28, 2014
Oct 28, 2014 at 3:16 PM UTC
"But we forget the leaves"
We are stories told through carbon bonds and the smoky trail of cigarettes— the distant chatter from porches and balconies, caught out of context in a moment of humanity. The faint light of illuminated apartment windows, inches parted curtains unveiling another segment of infinity. Overlooking the lackluster glory of Fairborn, Ohio from the balcony of a student apartment, the smoke from her cigarette vanishing like the sweet impermanence of mortality, Alena stares. Too pensive to tend to the nearly-falling ashy tip of her Camel Silver, our conversation stagnates. Bonded intimately by growing into the stumbling result of our respective ****** childhoods—aching for the familiarity of disaster— we find ourselves pondering the answered question of why we’re repeating history. The street is nearly empty; the traffic sleeps. Sparsely spaced cars cruise on by like gypsy travelers. 8am is for commuters—a sensible time, but 3:30 is for the lonely. A time to uncover what daytime banishes to the subconscious— the peak time for catharsis too inconvenient for civilization. When insomniacs stare restlessly at ceilings, and when the desperate tearfully pray; when procrastinators type frantic essays, when the chaste ********** when the stoic weep. And then of course, there are poets like me half-drunk on seven dollar tequila after working the night shift, cultivating my loneliness. I can’t finish your story for you, Alena, but I will say this: there is a reason why advertisements repeat their names a mind-numbing number of times. They don’t necessarily think you’re stupid enough to assume their product is superior for that reason, but they’re relying on that one moment you’re rushed into a dilemma, too frazzled to think. You’ll reach for whatever name has been shouted to you the most just because it’s familiar. Of course, that’s a terrible reason and not grounded on anything sound, but something-something caveman brain that evolved to escape a ******* mastodon rather than perpetuating poor life choices, itches for familiarity. And though anyone who says we write our own stories has never looked beyond the microcosm of their own apartment window (or realized we don’t own them at all) no one was ever prepared to make any decision with consequence, so of course we **** it up. But at least resist the dark temptation of habit like a type II diabetic before a chocolate cake. We are stories, and the rest of infinity passes us by— it sounds daunting, I know, but I’ll be willing to bet that the bulk of it is just the familiar perpetuating itself.
0
Oct 28, 2014
Oct 28, 2014 at 2:45 PM UTC
"Stories"
We are stories told through carbon bonds and the smoky trail of cigarettes— the distant chatter from porches and balconies, caught out of context in a moment of humanity. The faint light of illuminated apartment windows, inches parted curtains unveiling another segment of infinity. Overlooking the lackluster glory of Fairborn, Ohio from the balcony of a student apartment, the smoke from her cigarette vanishing like the sweet impermanence of mortality, Alena stares. Too pensive to tend to the nearly-falling ashy tip of her Camel Silver, our conversation stagnates. Bonded intimately by growing into the stumbling result of our respective ****** childhoods—aching for the familiarity of disaster— we find ourselves pondering the answered question of why we’re repeating history. The street is nearly empty; the traffic sleeps. Sparsely spaced cars cruise on by like gypsy travelers. 8am is for commuters—a sensible time, but 3:30 is for the lonely. A time to uncover what daytime banishes to the subconscious— the peak time for catharsis too inconvenient for civilization. When insomniacs stare restlessly at ceilings, and when the desperate tearfully pray; when procrastinators type frantic essays, when the chaste ********** when the stoic weep. And then of course, there are poets like me half-drunk on seven dollar tequila after working the night shift, cultivating my loneliness. I can’t finish your story for you, Alena, but I will say this: there is a reason why advertisements repeat their names a mind-numbing number of times. They don’t necessarily think you’re stupid enough to assume their product is superior for that reason, but they’re relying on that one moment you’re rushed into a dilemma, too frazzled to think. You’ll reach for whatever name has been shouted to you the most just because it’s familiar. Of course, that’s a terrible reason and not grounded on anything sound, but something-something caveman brain that evolved to escape a ******* mastodon rather than perpetuating poor life choices, itches for familiarity. And though anyone who says we write our own stories has never looked beyond the microcosm of their own apartment window (or realized we don’t own them at all) no one was ever prepared to make any decision with consequence, so of course we **** it up. But at least resist the dark temptation of habit like a type II diabetic before a chocolate cake. We are stories, and the rest of infinity passes us by— it sounds daunting, I know, but I’ll be willing to bet that the bulk of it is just the familiar perpetuating itself.
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73
The benefit of challenging anything too comfortably established isn’t so much some clichéd grand expansion of one’s worldview, but rather a well-warranted reminder that anyone claiming to have found any conclusions is very likely full of **** I love you dearly, humanity, but you discover the world like a toddler discovers his own foot, and cling to obsolete sensibilities like trying to justify your belief in Santa Claus. And you hate what you find when you look too long, because you say that you discover the world but what you so stupidly, so humanly overlook is that the world bears herself with no inhibitions, and even though you can’t see everything immediately, it’s all there; she has nothing to prove to you. Yet the mystery you so excruciatingly choose to maintain is that even though the earth bares her skin unashamed, you find her ****** absurd and clothe her blatant body in preconception, tragically dedicating the decoding of your existence to finding out what truly lies beneath. So perhaps, humanity, you should embrace those who **** you off, because you cushion your soul with every reason to distance yourself from any realization that there is no inherent parallel between every finite question and the eternal answer, unsatisfied with the tantalizing ellipsis the universe leaves you, and that the very fact I even formed a sentence is punctuated by my mortality.
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May 23, 2014
May 23, 2014 at 12:56 PM UTC
"The Ellipsis"
I want to write a letter to everyone who ever made me question anything, from the nature of the universe to what tastes best on toast, because this is the only way I know how to say thank you—thank you for not letting me stay the person I was at any moment when I thought I had come to any conclusions. And even though I spend most of my thoughts creating answers that are only to terminate curiosities too abstract to even be a question, I’ll admit that I try to tie things together that don’t even have strings— and I sulk in frustration that I can’t even find them, things that don’t even know that they should exist. So I take my pencil of imagination and draw lines between everything and end up with a blueprint of some hypothetical reality—because we say that we discover the world but what we so stupidly, so humanly overlook is that the world bears herself to us with no inhibitions, and even though we can’t see everything immediately, it’s all there; she has nothing to prove to us. Yet the mystery is that even though the earth bares her skin unashamed, we find her ****** absurd and clothe her blatant body in preconception, tragically dedicating the decoding our existence to finding out what truly lies beneath. I want to thank everyone who has ever ****** me off, or negated any idea I’ve held too dear, because you get me closer to realizing that there is no parallel between my finite questions and the eternal answer, and the very fact I even formed a sentence is punctuated by my mortality.
0
Mar 8, 2014
Mar 8, 2014 at 9:54 PM UTC
"Dedicated to Boat-Rockers Everywhere"
I want to write a letter to everyone who ever made me question anything, from the nature of the universe to what tastes best on toast, because this is the only way I know how to say thank you—thank you for not letting me stay the person I was at any moment when I thought I had come to any conclusions. And even though I spend most of my thoughts creating answers that are only to terminate curiosities too abstract to even be a question, I’ll admit that I try to tie things together that don’t even have strings— and I sulk in frustration that I can’t even find them, things that don’t even know that they should exist. So I take my pencil of imagination and draw lines between everything and end up with a blueprint of some hypothetical reality—because we say that we discover the world but what we so stupidly, so humanly overlook is that the world bears herself to us with no inhibitions, and even though we can’t see everything immediately, it’s all there; she has nothing to prove to us. Yet the mystery is that even though the earth bares her skin unashamed, we find her ****** absurd and clothe her blatant body in preconception, tragically dedicating the decoding our existence to finding out what truly lies beneath. I want to thank everyone who has ever ****** me off, or negated any idea I’ve held too dear, because you get me closer to realizing that there is no parallel between my finite questions and the eternal answer, and the very fact I even formed a sentence is punctuated by my mortality.
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