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allison-wright
allison-wright
American Writing is my thing. I'm more novelist than poet, so most of the pieces here come from the mind of a character I'm working on.
Sometimes we have dinner together. All she can do is talktalktalk about food and her family’s obsession with food and how much she loves pizzaicecreambeefchocolatepastadonutscheese while she stares at her plate as her fork twirls the spaghetti around and around and around until it’s only particles, only dust, and somehow there will be a little less there than there was before but she'll be saying something about how it's notasgood as back home, back home where she must eat fifty meals a day with all the food she’s tried. She isn’t fooling anyone and she knows it, but it doesn’t matter because it's the pretending that keeps her alive.
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Oct 1, 2011
Oct 1, 2011 at 9:58 AM UTC
Another Meal
I wonder sometimes, where to go what to do. A slender spirit may oft appear his teeth as yet crooked the eyes a piercing blue. He never smiles, only seethes and asks but a simple question: why must he stay still? His arms are long and wicked but a touch, and I am frozen with thoughts of all before. Across his palms lies "HERE THERE BE MONSTERS" his fingertips, each a word: Suffering, Ridicule, Betrayal, Loneliness and Decay such lovely friends I've made. All memories, my knowledge the better senses bid me leave. Still I wonder where to go.
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Sep 11, 2011
Sep 11, 2011 at 3:21 PM UTC
Monster
I never held his hand, in truth. I never felt his eyes on mine, I confess. I never walked beside, nor brushed past nor fell with nor kissed nor hurt because I only love, as I have ever loved.
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Sep 11, 2011
Sep 11, 2011 at 2:53 PM UTC
Emma
5:48 you saw me crawling on a bed moving with these creatures desperate to be fed I am the beginning of my own end I know. I am afraid. I am afraid of who I was who I am where I go with these hands, these hands your hands. Just let me go. But you grasp these fingers tight and keep me still. You taste these chapped lips and give them sustenance. You betray me, break me, slay me all to save me. And I know, somehow. You are the beginning and the end of me and it's a dangerous road. Don’t let me go I’m almost there.
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Aug 14, 2011
Aug 14, 2011 at 12:22 PM UTC
Sustenance
I don’t want to sit here anymore. I'm done. I won't come back. There’s no one to wait for. Call his name— I dare you. See? Let me go. Wash those hands clean. And twenty years hence, take my place. And if he comes— if he dares— swallow your pride and smile. Wait 'til the last breath. Just. Overcome the angel and wonder.
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Aug 14, 2011
Aug 14, 2011 at 11:54 AM UTC
The Thief
Don't. There's a word for you, a word I like, a word you treasure. ***** A five-letter fantasy of brute force, a word too appropriate for a girl like you. You say it's for the laughs a "term of endearment" only true affection could contradict. Yet with it, you can shut me down convince the world I'm wrong spin the story as you like— all with a smile on your face. Naturally, I do the same with a tone that seems sarcastic the word itself less frequent. I like its flavor so effortless. We think ourselves clever hearing others call us "cute" but of neither term are we deserving. We're still ****** For neither of us is beautiful, neither of us could hold the weight of the world, and neither of us is worth **** At least I admit it.
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Aug 10, 2011
Aug 10, 2011 at 8:59 AM UTC
Terms of Endearment
He doesn’t understand that everything I take from him is a story, every word floating through the air, another line. He doesn’t know that my open mouth is the pen, my rolling eyes, the style. It doesn’t occur to him that he doesn’t know a thing about what his daughter might be thinking, because if he did, he would know what kind of novel she writes. She is hardly a professional. She cannot fully comprehend metaphor, symbolism, allegory. For her, it becomes like another soul's voice, a trembling thing filled with a measure of ambiguity and a touch of wisdom, but still distant, still muddled. A lovely concept existing solely for the purpose of distraction. No, for her, poetry must make sense from the beginning; it must make sense to everyone. If it doesn’t, then it is only words, a mishmash of thought and action made to look attractive. It is simple: if she hears a work is bad, it is bad, if she thinks a thought is stupid, the thought is stupid. Her reality is the true reality, thus, words are only a reality if they are hers. So she writes underneath Bohemian pillows for now. The papers crumple in her hand at the slightest creak, lest the scrawling letters find her out.
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Aug 10, 2011
Aug 10, 2011 at 8:54 AM UTC
A Lovely Concept
Oh, for the sea ever weeping for the darkness. Beneath its taunting skies so scarlet let the blame lie with the dead. Let it lay there, let it fester not a soul would dare refuse not a soul would lift his head. The blood drips from their fingernails Not an innocent remains.
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Jul 22, 2011
Jul 22, 2011 at 2:01 PM UTC
What Remains
It's so hard to be what our parents want. I can't stay. To recite these prayers to wonder why to smile and support while a word tempts me worries me controls me behind this locked door. And they'll never even know. I am their "last hope" molded in empty promises broken from the moment my feet met concrete. Even now, they pretend over and over— just a girl, just a grade, just a drink, just a word. They see the boy the boy playing Christian and they smile. Can they be so blind? He is the fruit of endless correction, the consequence of imitation, a complete absence of true desire— a mere service for them above all. But to stay to let them open these doors and try to love a prodigal who can't change... Impossible. Dear God, may they never find me out.
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Jul 18, 2011
Jul 18, 2011 at 4:20 PM UTC
Playing Dead
There's a certain moment when you have to cry. A certain word, a certain tone, a certain piece of **** who can't wait to say how everything has gone to hell whispers in your fragile ears and then it's over. You could shrug, you could laugh rubbing those tell-tale torrents away claiming allergies or dry contacts and you'll know, they'll know and pretend together. You could try cowardice and run finding safe haven in fuzzy socks and tired pillows. But what you won't do is two-fold: There is no holding back a broken dam nor is there drowning its heedless audience. But today it's me not you and I need your half-hearted hugs your awkward comforts. Anything, really. I don't care if you suffocate. I won't tell you particulars you won't give me advice and that way we'll never disappoint the other. No waterfalls just a pond the perfect inaction of soul and body.
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Jul 17, 2011
Jul 17, 2011 at 6:43 AM UTC
Perfect Inaction