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alexandra-emmalie
alexandra-emmalie
I write to relieve the tension.
*I say, "I love you," you say, "te amo." I wrote a poem but it seemed hollow.* I'm starting to see that we are not so imperfect, but rather, only different. I'm still waiting to age, still learning to gauge with the dynamics we create - you speaking a language so foreign, it seems that you speak sweet to me but I fail to believe you say what you mean. It's as though the weight of the phrase "I love you" hangs heavy with the ones who came before you; it reminds me of airport goodbyes, of late-night confessions on Facebook - sleepy and painfully honest, it reminds me of another story, "I love you" has significance, a ponderance, an expectation, a manner in which I can predict the things you think behind those unsmilingly eyes, but "te amo" "te amo" is Rihanna, it's an utterance on a evening beach, it's a reflexive simple present tense, conjugated with practice, and now it's my haven, my integration, you have become engrained in my conversations.
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Feb 23, 2017
Feb 23, 2017 at 1:10 AM UTC
Untitled
i am split between barely-different desires, or rather, equally-addictive inclinations: you see, half of me wants nothing but to strip away the sticky sweet self-hatred, just say **** it and be happy/ relive the day-after-day same sensations, but this time enjoy them freely, without the hesitation usually harbored within, fed again and again; the other half of me wants to live sort of slovenly: one day, purchasing scarves and layered plaid garments, hiding behind charcoal eye liner and perhaps a full sleeve of amateur ink (tree leaves changing into full-piece stories); half of me hates me, and the other wants so badly to grasp hold before I tumble full force into the cracks out of reach from the future created for me, by me, waiting patiently.
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Jul 17, 2015
Jul 17, 2015 at 2:13 PM UTC
Coin Flips
Self-respect is not me dismissing my own emotions, it is not excusing unprotected *** and disrespectful texts because the ****** is better than the silence; no--- self-respect is not me crawling down the street to fake-sleep beside your smug form, only so that I may cab home the next day and nap away the pain; self-respect is not what I have given myself these past eight months, but I promise to fight now because if you believe this poorly labeled, loosely constructed relationship allows you to **** her with your clothes on in the corner of the dance floor** while I am five feet from your disgraceful piece of **** self, then I can find the strength to delete every pleasant memory from the place in my brain that's been holding me back; there are so many inches of my body and my soul that you will never know (*not that you even thought to pry*) and I will keep them safe for the next deserving guy
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Jan 27, 2015
Jan 27, 2015 at 1:13 AM UTC
This is not a poem, it is a midnight reminder of why I must take up boxing.
every ***** must be floating in my self- loathing, my brain detached and sparking in the fluid, crying out to me, logically *get off the balcony, Romeo isn't who he appears to be* and my lungs are flooding quickly, but my heart beats without the need to breathe, every piece of me is independent, and yet they all ache from the same **** pain, and I hate the credit I'm giving you just by waking up, trying impossibly to forget you - I hate you, I swear to God, I hate you for making me weak, for making me believe this ache was caused by you and not me
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Jan 2, 2015
Jan 2, 2015 at 3:20 AM UTC
Tectonic Plates
[my memories are not loose threads that catch passing through the doorways] you are not something I despise, and yet I no longer sacrifice parts of my well-being for your shallow communication/ your subconscious lies; if you cannot define yourself, then do not wait for me to redefine my life- waiting- there is something remarkable about you, and it took me too long to realize that what I saw in you was an image from within my own mind; you were only ever human, a creation of my own exaggeration
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Nov 22, 2014
Nov 22, 2014 at 9:05 PM UTC
You Were Only Ever an Exaggeration
moral tamponade: resisting the existing pressure against my breath; the right in wanting, the wrong in settling - the confliction in my conviction for both *** and respect; must the two be mutually exclusive? I don't do that catch and release type of relationship **** - no predator/prey - just equally matched competitive exhibition: rotate the roles of top and bottom, pleasure and pleasing, we are in need of fire breathing; I want purity in purpose, practice in form/I want limbs to be tangled and words to be torn
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Nov 15, 2014
Nov 15, 2014 at 5:24 PM UTC
Informed Consent
hold my hand/ above my head kiss me sweet/ against the bed call me pretty/ into my breast cleanse my sins/ I am wet
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Nov 15, 2014
Nov 15, 2014 at 3:10 PM UTC
Tension
You are the equivalent of a knotted necklace chain - your ends tied to mine, but it's about time I untangle our comedic tragedy; you are a mess of constant confusion, occasionally relaying and resting your uncertain intentions/ motivations on my chest, and asking me drunkenly to unravel your misery, and darling I did that, I tried that, and in the end I'm not like that.
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Nov 15, 2014
Nov 15, 2014 at 2:35 PM UTC
Knot Tonight
we could be any number of things: platonic cuddle buddies, a sloppy half- forgotten kiss against the ***** banister, an excuse to expose ourselves in ways we only save for the dark - deep, and confused, and vulnerable; we could be any number of things, but I think I'd like us to be something/anything - lately, I've been craving new experience the same way one might crave a day at the beach with a few clouds and summer heat
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Nov 9, 2014
Nov 9, 2014 at 7:53 PM UTC
How Soon is too Soon
first date conversation: research on lemurs and taxis without floors because the city is too poor for upscale renovation and we exchange backgrounds and drug stories and some-day-soon kind of musings /a southern peach and a sour stiletto; the man in corner singing slowly Nobody's Child/ and eventually we write our names in chalk on the ceiling (and the wall because I'm tired of places appearing as if I'd never been there at all) and later still we write our names in heat against the cloudy window (twice because the steam keeps swallowing up our evidence of existence) but it's easy to write again and again because our names are the same and I'm starting to believe in this idea of genuine permanence
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Nov 9, 2014
Nov 9, 2014 at 12:35 PM UTC
Southern Peach and a Sour Stiletto