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TheBoozerCruiser
TheBoozerCruiser
53/M/United Kingdom Hello! Im Martin Kielty, the Boozer Cruiser a Scottish storyteller travelling the canals of England and Wales by narrowboat. The places I go and the people I meet in pubs are a source of constant inspiration.
She’s fighting the last love war trying to fix whatever went wrong making the new one into the last one then wondering why he’s gone I wish I could be a force for change for herself, if not for me ~ but she’s fighting the last love war again and I’m just ammunition, I see.
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May 21
May 21, 2026 at 6:45 AM UTC
She's Fighting The Last Love War
You can’t have it on budget Can’t have it on time It’s a great British underachiever; It also can’t go Where you want it to go ~ And it can’t be high-speed either.
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May 18
May 18, 2026 at 10:11 AM UTC
Ode to the British HS2 Disaster
It used to be the hardest word to say A word that kills and steals and takes away The chance of making ‘us’ of ‘you’ and ‘me’… But I make that chance eternal now, I see By saying ‘goodbye’ with joy and pride and flair ~ And knowing I’ll say it soon again, somewhere. It’s only cruising; it’s only leaving It’s only flying; it’s only freeing Performance video: https://www.youtube.com/watch?v=VbBKWHd4E_0
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May 15
May 15, 2026 at 7:22 AM UTC
Untying (A Boater Moves On)
Wednesday, January 4, 1967 – The ray of steel cut through the mist and took a swooping turn At the far end of the ice-edged lake in a wash of wilful glow The lady of the smooth lagoon had seen curses in the cards ‘I’m going, he’d said, ‘I’m going’ ~ and she had begged, ‘Don’t go’ Skippered at a master’s hands she set off on a run If any flags caught bonnie eyes then only he would know The mordant man of money had warned of ruin in delay ‘I’m going, ‘ he’d said, ‘I’m going’ ~ to be curtly told, ‘Well, go’ It might have been a wayward wave or a log awoke from sleep But she began to ***** and twist in a battle for control The muted bear of memories sat always at his side ‘I’m going,’ he said, ‘I’m going’ ~ and it seemed to whop, ‘Let’s go!’ Her nose turned brave towards the moon; she seemed near set to fly Until the deep tore back her tail and cast a deadly roll I saw what I’d been afraid to see; the radio made it true; ‘I’m going,’ he said, ‘I’m going’ ~ And I said, ‘I know.’
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May 11
May 11, 2026 at 4:42 AM UTC
K7: Donald Campbell's Final Run with Bluebird
The calf lived, sadly, not as long as I And had as much decision in its end As I did in my start. I am a monk Because an abbot, seeing in my eyes A sense of understanding o’er my years Instructed that I should be given up And sent to learn the silent ways of prayer In grey and brown and cold dark abbey walks. Before my second sleep I would escape From blank recitals, to the room of books Where ****** and points of colour brought to life The words that we were ordered to live by. Among those pages I beheld my call As distant from and better than my kin – The art that called my wayward eye to flow Was sense that moved as easily as air. It must not be that simple, I was told – The rules are more important than the work; And while I bowed and took their words as law I sensed their fear of power as from God. For word of law to them was everything: It kept the abbot in his house of gold And every novice living in the thought That one day such a life would be his own If only he ignored his sense of self. I pricked and pinned and copied sacred texts A line a day, the pigments dull and flat Until the moment came to decorate The words of God impressed on pelt of calf; And then I felt as if I were in charge – The choice was down to me to use bright tones To turn the eyes to points upon the page So the Word was told, but under my control. I truly felt that I was in the place That God Himself appointed me to be; That every shape I crafted passed His Word In such a way that no one could reject The power, truth and honesty bestowed. Yet, while my masters revelled in the fame That texts which I had drawn brought to their house, I could not reconcile within my mind The knowledge that the work I made was seen Only and alone by parish priests And not the congregation in itself – The folk who needed most to see my art. Kings and cardinals have made a much Of certain pages that I came to make Once seniority brought me to a place Where I could do the which that I believe Will bring me to the Lord beyond my death. And yet as I observe my life’s labours As work to be collected, traded, sold; While I am told my only best reward Is to be left to do the which I do – I find I cannot live a moment more Without accepting that, within my soul, I always had to do what I now will. The calf lives, strangely, further more than I But had far less decision in its end Than I have in my own. We are the page – And as I realised, seeing in my eyes A sense of understanding, oft denied,s Instructed me, myself, to end my years By teaching that my colours are a prayer For grey and brown and cold dark abbey walks.
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May 9
May 9, 2026 at 2:35 AM UTC
Vellum
The calf lived, sadly, not as long as I And had as much decision in its end As I did in my start. I am a monk Because an abbot, seeing in my eyes A sense of understanding o’er my years Instructed that I should be given up And sent to learn the silent ways of prayer In grey and brown and cold dark abbey walks. Before my second sleep I would escape From blank recitals, to the room of books Where ****** and points of colour brought to life The words that we were ordered to live by. Among those pages I beheld my call As distant from and better than my kin – The art that called my wayward eye to flow Was sense that moved as easily as air. It must not be that simple, I was told – The rules are more important than the work; And while I bowed and took their words as law I sensed their fear of power as from God. For word of law to them was everything: It kept the abbot in his house of gold And every novice living in the thought That one day such a life would be his own If only he ignored his sense of self. I pricked and pinned and copied sacred texts A line a day, the pigments dull and flat Until the moment came to decorate The words of God impressed on pelt of calf; And then I felt as if I were in charge – The choice was down to me to use bright tones To turn the eyes to points upon the page So the Word was told, but under my control. I truly felt that I was in the place That God Himself appointed me to be; That every shape I crafted passed His Word In such a way that no one could reject The power, truth and honesty bestowed. Yet, while my masters revelled in the fame That texts which I had drawn brought to their house, I could not reconcile within my mind The knowledge that the work I made was seen Only and alone by parish priests And not the congregation in itself – The folk who needed most to see my art. Kings and cardinals have made a much Of certain pages that I came to make Once seniority brought me to a place Where I could do the which that I believe Will bring me to the Lord beyond my death. And yet as I observe my life’s labours As work to be collected, traded, sold; While I am told my only best reward Is to be left to do the which I do – I find I cannot live a moment more Without accepting that, within my soul, I always had to do what I now will. The calf lives, strangely, further more than I But had far less decision in its end Than I have in my own. We are the page – And as I realised, seeing in my eyes A sense of understanding, oft denied,s Instructed me, myself, to end my years By teaching that my colours are a prayer For grey and brown and cold dark abbey walks.
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65
We know you know what we are: Fried embers of a murdered star Learning nothing; flying far Not knowing where to go Inhaling fuss and bleeding rust Stalking souls and burning trust Functions of a fractured lust We’re just the dust We’re just the dust A raging ball of angry aeons Flamed out; flailed by zero seasons Debris of a thousand reasons Trying to be more Selling hopes for boom or bust To get there fast but get there worst We must, we must increase our ****** We’re just the dust We’re just the dust The shadows of tomorrow Cast a thick and anxious gloom And you’re more scared than I am And that just fuels my defiance But we’re just the dust Inhaling fuss and bleeding rust Stalking souls and burning trust Functions of a fractured lust Selling hopes for boom or bust To get there fast but get there worst We must, we must increase our ****** We’re just the dust We’re just the dust We know you know we’re just the dust
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May 8
May 8, 2026 at 8:05 AM UTC
Just The Dust
And tell me you remember where you were When they dropped the second algorithm bomb Sun-shaming ball of temporary hope Tarnished by a deep, cold, looming wrong The screens all froze on maybe-later promises The half-lie post-truth fakes of future’s bloom Solidified in data mines of darkness Embedding us in long-dead limestone tombs You come to stand and stare and shoot the warning A muted clip to tick-tock down the wire Expressed in harsh, scared timeless sculptured screams As Fate decries your digital desire The new clear winter lasted long enough For history to be retold and fast forgotten Leaving us as Nagasaki shadows – Making bombs of us, and making shades of you
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May 8
May 8, 2026 at 8:00 AM UTC
Nagasaki Shadows
I got there six thousand years after he’d gone. It took me that long to find where I needed to be. The message was still warm, even under the frosted stones. I felt it at the moment the steep hills finally bent towards the glen. Whoever he was, if it hadn’t been me, knew words would change; so he left the message in a feeling. In the cold that bit my fingers, in the frost-fingers that spread across the stones of Temple Wood, in the silent solitary standing-stone fingers that stretched up to the pinked midwinter sky. The message didn’t reach my ears – it missed, or I missed it. And the poisoned modern part of my mind pretended to dismiss it. I almost felt like I should bend my knees to catch it. Every stone on every mound begged to be stolen; promised an explanation. I resisted. They let me go. “You can’t have this,” he was saying, I think. “It’s lost. It’s not even here any more, just an echo. Where is it?” Well… I know where it is. It’s behind a door in my mind. It’s not the time to find it. I’ve waited six thousand years. So has he. But he’s asleep, and I’m not.
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May 8
May 8, 2026 at 7:58 AM UTC
Kilmartin Glen