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RoneCruz
23/M/Manila I write both beauty & Babylon
You never act like a boy, or a girl, You act neither, let me give you some reminders: You walk neither, sway your hands in ambiguity, don’t carry with you a briefcase or a feather duster – Talk neither, the tone of your voice must be the interim of everything, if it would have colors it must be colorless, not dark navy nor shallow pink. Think neither, meaning you think without personality. you don’t scatter petals prior the arguments, nor you hide stringencies behind moon blasts – You become neither – you call no one man, nor woman woman, you call every one neither – So smile neither, meaning you don’t smirk, or coyly carve a canopy on your face, it’s offending. You don’t want to offend anyone, do you? Neither do I.
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Aug 20, 2019
Aug 20, 2019 at 9:40 AM UTC
the politeness policy
I heard a plaintive heave before the cleaving of the air, then of the flesh – a forceful splitting of a young citrus, then of the splintering – a crunch that froze the scorch of that afternoon. Finito! the sound of the fragile spine breaking into hundreds... or is it thousands? of pieces. And the debris, of the marrow and the dangling arteries – of chunks of the hypothalamus, a part of the left hemisphere – the tangential stains of blood on modern Golgotha – a cemented clearing deep within the woods parched and dried by the anger of that afternoon - which resembles a festive night: festooned with firecrackers, with showers of embers and fountains of fire, glow sticks of horror, And the lower part, the detachment: loose and limp placid and peaceful. A fresh sculpture of soft clay in red   plaid polo and punturong – both saved by the stain of gore, but not with the stain of nature on the flipside the habiliments are covered in dust – modern dust brought by cement and its slow deterioration of how friction demolishes it era by era tick by tock of the giant slothful clock - and as this same cement seeps all the fireworks vegetation thrives – and the fruit of man, and law, and capital teeth and eye dangles through thick sinewy vines. The land devour the sculpture carved by a single stroke. And then another heave is heard then the cleaving of the air, the almost splitting of the neck meat, the forceful pulling of a penchant edge then the cleaving of the air the splitting of a young tangerine, then the splintering of a spine, the spray of sainthood in scarlet, then the limping, the rolling, the creation of a mask. It was a masterpiece of music, visual aesthetics and natural arts. As the mark of each face was left in the humid winds of that afternoon.
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Aug 19, 2019
Aug 19, 2019 at 6:42 AM UTC
Humanities
I heard a plaintive heave before the cleaving of the air, then of the flesh – a forceful splitting of a young citrus, then of the splintering – a crunch that froze the scorch of that afternoon. Finito! the sound of the fragile spine breaking into hundreds... or is it thousands? of pieces. And the debris, of the marrow and the dangling arteries – of chunks of the hypothalamus, a part of the left hemisphere – the tangential stains of blood on modern Golgotha – a cemented clearing deep within the woods parched and dried by the anger of that afternoon - which resembles a festive night: festooned with firecrackers, with showers of embers and fountains of fire, glow sticks of horror, And the lower part, the detachment: loose and limp placid and peaceful. A fresh sculpture of soft clay in red   plaid polo and punturong – both saved by the stain of gore, but not with the stain of nature on the flipside the habiliments are covered in dust – modern dust brought by cement and its slow deterioration of how friction demolishes it era by era tick by tock of the giant slothful clock - and as this same cement seeps all the fireworks vegetation thrives – and the fruit of man, and law, and capital teeth and eye dangles through thick sinewy vines. The land devour the sculpture carved by a single stroke. And then another heave is heard then the cleaving of the air, the almost splitting of the neck meat, the forceful pulling of a penchant edge then the cleaving of the air the splitting of a young tangerine, then the splintering of a spine, the spray of sainthood in scarlet, then the limping, the rolling, the creation of a mask. It was a masterpiece of music, visual aesthetics and natural arts. As the mark of each face was left in the humid winds of that afternoon.
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