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LETO1971
19/Gender Fluid/London, UK
there's a void that lives in my ear dark and twisted and cruel and i thought that that perhaps i could learn just to live with the silence the echoing, harsh nothingness of the void but you see my void houses yet another creature oddly, the two are as light and day the void is cold and cruel, dark and silent and oh so endless but this other thing oh, the void's friend is loud and restless, eternal and painful and insistent so even in the potential i may have seen a window a porthole of hope for respite my resigned silence has become this maddening, neverending hell and it all lives in my ear you see the branches, they shrivelled up and died look at my ear as you would a tree a firm, long standing oak roots and branches for nerves a resilient base for an ear drum imagine the tree has fallen all but the base you can hack at it you can hope it may function just as it did before as trees are just meant to but the roots are dead the branches are cracked and gone so imagine an ear as an ear again it's purpose to hear and receive now imagine a silence as promised by description of ailment only there is one exception that constant, infuriating noise the one that keeps you awake that fuels your insomnia and campaigns your insanity a working ear drum will still receive the noise the vibration, the impact, the pressure but as a tree functions so does an ear with no roots and no branches the base is just a base it may receive but no message shall be truly received not with my ears nothing but constant static or a piercing ringing seldom a painful tone but enough to suffer with too loud and you hear the blaring you feel the pressure you try in vain to double down to cover where it affects you but it only gets worse too quiet, silent and slowly, very slowly you may just lose your mind in my ear lives a void the roots are dead the base lives on and the void's host may just destroy me
0
Jan 5, 2018
Jan 5, 2018 at 12:36 AM UTC
the void
there's a void that lives in my ear dark and twisted and cruel and i thought that that perhaps i could learn just to live with the silence the echoing, harsh nothingness of the void but you see my void houses yet another creature oddly, the two are as light and day the void is cold and cruel, dark and silent and oh so endless but this other thing oh, the void's friend is loud and restless, eternal and painful and insistent so even in the potential i may have seen a window a porthole of hope for respite my resigned silence has become this maddening, neverending hell and it all lives in my ear you see the branches, they shrivelled up and died look at my ear as you would a tree a firm, long standing oak roots and branches for nerves a resilient base for an ear drum imagine the tree has fallen all but the base you can hack at it you can hope it may function just as it did before as trees are just meant to but the roots are dead the branches are cracked and gone so imagine an ear as an ear again it's purpose to hear and receive now imagine a silence as promised by description of ailment only there is one exception that constant, infuriating noise the one that keeps you awake that fuels your insomnia and campaigns your insanity a working ear drum will still receive the noise the vibration, the impact, the pressure but as a tree functions so does an ear with no roots and no branches the base is just a base it may receive but no message shall be truly received not with my ears nothing but constant static or a piercing ringing seldom a painful tone but enough to suffer with too loud and you hear the blaring you feel the pressure you try in vain to double down to cover where it affects you but it only gets worse too quiet, silent and slowly, very slowly you may just lose your mind in my ear lives a void the roots are dead the base lives on and the void's host may just destroy me
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79
they never talk about the trees with history so shaped by poetry, tales of the aesthetic and also the way in which the light bands across the delicacy of skin along her neck, how could they neglect the trees? the source of which material you deface litter with your soliloquies and your... your scrappings of failed attempts to... how could you not devour them? with all your grand metaphors and your passing, blindly romantic drabbles the pen is mightier than the sword so turn your weapon towards your blank canvas battlefield and write of the trees revel in the symphony note the calibre of such leaves as they thrive and not just fly but soar oh, and recall the aching; the bark can only withstand the wind for so very long before the unstoppable force renders the immovable object a hopeless nothing on the forest floor tell me, if you fell so completely with not a soul around to witness you did you ever really fall at all?
0
Jul 21, 2017
Jul 21, 2017 at 1:22 AM UTC
blank canvas battlefield
you know that option for signing yourself off in a card not simply 'love' or even 'lots of love' the one with the deeper meaning the more you think about it the more it becomes yours truly these two words put together have different intentions there's the 'yours truly' that serves a kind, platonic message there's the 'yours truly' that's meant for business, formal and mandatory but the one this poem happens to be about is the one you write when you want that person to know .... well, wouldn't that be telling? it's a game of interpretation dependent on dynamic not only in the world of cards but in life, in literature, in love see i've had 18 years to ponder this and, you see, the phrase 'yours truly' always reminds me, somehow, of pride & prejudice another 'most ardently' it's one of those phrases that isn't just a phrase it's a message an intention i have never been 'yours truly' not until i met you in a world where intimacy = romance there's you and i more than family in words not yet discovered not yet in the dictionary i could describe us but that time has not yet come and i reckon i'll never find the right words i doubt i could even find the wrong ones nothing has ever really come close nothing but yours truly because you see that's the truth of it, brother i am truly yours and i know what you're thinking this sounds like a love poem and you'd be right it's just not a romantic one i am yours, truly truly yours yours truly in any way you arrange these two words it's perfectly describing you and i yours - because i belong to and with you in a way i never have with anyone else truly - because i couldn't think of a greater truth yours truly meaning; a walking, talking anchor, a source of comfort a however long phone call, a casual distraction in the form of a chat a sentinel at your side, whether physically or not, i'm with you a sister, a brother, a substitute for all and any family you might need a warm, breathing reminder that you are not a **** up, because here i remain a portable, perfectly willing cushion, a simple solution to touch starvation a buddy for those long nights where sleep escapes the both of us, a comrade in insomnia a single, everstanding, ever dilligent and passionate reason to continue living, another life you have saved a fellow adventurer, a fan of not just the things you love but the things you love and owe your happiness to a stubborn loyalty, a fierce, angry, vengeful power that will never dim and never die out, a companion in the worst of times a reason you can rest your weary body at the end of every day and every night without fear of the nightmares or abandonment so george this is a shambles a rambling mess but the point has always been that i am yours truly, alistair.
0
May 29, 2017
May 29, 2017 at 4:48 PM UTC
yours truly
you know that option for signing yourself off in a card not simply 'love' or even 'lots of love' the one with the deeper meaning the more you think about it the more it becomes yours truly these two words put together have different intentions there's the 'yours truly' that serves a kind, platonic message there's the 'yours truly' that's meant for business, formal and mandatory but the one this poem happens to be about is the one you write when you want that person to know .... well, wouldn't that be telling? it's a game of interpretation dependent on dynamic not only in the world of cards but in life, in literature, in love see i've had 18 years to ponder this and, you see, the phrase 'yours truly' always reminds me, somehow, of pride & prejudice another 'most ardently' it's one of those phrases that isn't just a phrase it's a message an intention i have never been 'yours truly' not until i met you in a world where intimacy = romance there's you and i more than family in words not yet discovered not yet in the dictionary i could describe us but that time has not yet come and i reckon i'll never find the right words i doubt i could even find the wrong ones nothing has ever really come close nothing but yours truly because you see that's the truth of it, brother i am truly yours and i know what you're thinking this sounds like a love poem and you'd be right it's just not a romantic one i am yours, truly truly yours yours truly in any way you arrange these two words it's perfectly describing you and i yours - because i belong to and with you in a way i never have with anyone else truly - because i couldn't think of a greater truth yours truly meaning; a walking, talking anchor, a source of comfort a however long phone call, a casual distraction in the form of a chat a sentinel at your side, whether physically or not, i'm with you a sister, a brother, a substitute for all and any family you might need a warm, breathing reminder that you are not a **** up, because here i remain a portable, perfectly willing cushion, a simple solution to touch starvation a buddy for those long nights where sleep escapes the both of us, a comrade in insomnia a single, everstanding, ever dilligent and passionate reason to continue living, another life you have saved a fellow adventurer, a fan of not just the things you love but the things you love and owe your happiness to a stubborn loyalty, a fierce, angry, vengeful power that will never dim and never die out, a companion in the worst of times a reason you can rest your weary body at the end of every day and every night without fear of the nightmares or abandonment so george this is a shambles a rambling mess but the point has always been that i am yours truly, alistair.
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71
perhaps, in the end of all ends, we are meant for nothing more than the perpetual hell we spend the majority of our lives in. after all, boy, who are we to ask questions such as these? exactly. nothing. no-one. not a thing you or i say will matter to any of them. so that is why we write our stories. it's the only way our words will matter, and it's the only way they'll listen.
0
May 29, 2017
May 29, 2017 at 4:46 PM UTC
perhaps
i don't know what to tell you. there's a place out there that's not yet tainted and desolate. i don't know what to tell you. somewhere there's a blade of grass that's not yet crumpled and sorry. i don't know what to tell you. somewhere there's a world that's not yet at war and desperate. i don't know what to tell you. somewhere there's an answer that's not yet empty or shallow. i don't know what to tell you. somewhere there's a reason that's not yet overlooked or inadequate. i don't know what to tell you. somewhere might be out there but that place is just not here.
0
May 29, 2017
May 29, 2017 at 4:45 PM UTC
barely hope
when we die our lifeline amounts to nothing more than a straight line but when we're alive our line spikes and flies so knowing this doesn't it make so much sense that we feel most alive when riding rollercoasters and soaring through the skies? when we sleep are we in actuality rehearsing our death? imitating that solitary line or following that erratic pulse that stand to prove our mortality a small fascination with two lines and simple parallels.
0
May 29, 2017
May 29, 2017 at 4:45 PM UTC
lifeline
oh, you you're shades of blue the calm of a daily sky the depths of the vast ocean the ice that shrouds your being but i have more than examples you're blue because you're sad and there's a reason that a child will always choose a blue crayon over the rest when asked to depict sorrow you're blue because you're apathy sometimes you seem to care less about those closest to you than those you haven't even met i really hate to say it but on regretful occasion you seem more selfish than simply apathetic oh, and you you're shades of red the tenderness of amore the flash of thunderous anger the trickle of blood from a vein as always, there are more than examples you're red because you're intense and i don't know how to shake you how to make you realise what you're doing to me there's a reason red depicts the strongest feelings as for you? you're a bright, strobe like sickly and arrogant y e l l o w because you're annoying.
0
May 29, 2017
May 29, 2017 at 4:44 PM UTC
shady
there's a boy and every inch every aspect of this boy is another line in a poem he dons himself in jumpers of blue and baggy hair shaggy though short, short enough and a strip of black it permeates the flesh and the chapped hue of his lip and he dips through doorways or for the sake of hugs sometimes you'll see a tug at his sweater weather sweater though, really how could there be more to cover by jumpers there's a boy who embraces from behind takes time to rewind and he's such a nice boy but when he loops a long arm around your shoulders and across your chest and you feel the slight grace of the boy's chin you feel the sun expand but somehow it seems a modern myth is one sun when one expands within you and yet the other it's at your back there's a boy whose jumpers are more than colour the wool and it's hue are statements of mind and mood and the boy is sad but, my god it's so beautiful when the boy smiles
0
May 29, 2017
May 29, 2017 at 4:42 PM UTC
there's a boy