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Daniel-J-Weller
Daniel-J-Weller
London Aspiring young poet influenced by imagist and beat schools of poetry, Kerouac prose, Haiku and free verse. Subjects mainly confessional and observational.
Stern men line a path, to Doors with plaques stating former occupants: Chopin, Churchill, Napoleon III. Overhead flags hang early evening shadows From ornate golden arms Across the first of nine or ten marble steps. And up them walk folk with schmoozing faces From cars with private drivers And windows tinted black. White limestone porticos are Split by solid black adorned with gold, And expensive gowns in violent colour. And I notice the eyes Fixed on my passing As I slip into familiar grey.
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Jul 17, 2018
Jul 17, 2018 at 10:05 AM UTC
View from St James'
Bus conversation Brought rhythm to impeded Speech like free-est jazz Be-bop syllables Legato then staccato Neither with cadence It sounded as if Commas, were, splitting, each, word Then, each, sy, lla, ble.
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Jul 17, 2018
Jul 17, 2018 at 6:16 AM UTC
Conversation in Haiku
(verb) Observe. 1. Notice or perceive (something) and register it as being significant. 1.1. Watch (someone or something) carefully and attentively. Observe all. See all as significant. Especially that which seems strikingly not so. Watch it carefully, attentively, examine the subject, the object, the Thought. Stop and take your thoughts in, then; Sit and let the words out; Sit and be quick, for observations are constant; Sit and you may forget them all, so Sit, and write. Observe beauty—or ugliness—in the mundane And the daily. The prettiness of flowers is well documented As is personal love. Observe feeling without vague subjectiveness Or dreamt-up narrative. Observe your surroundings and take in that moment Five minutes to write it down (Or ten, if you're lucky). Cast away your barriers. Meter and rhyme, Lines ending with full sto— —Vocabulary narcissism. Let everyone understand your words, for Poetry is not for the well-educated Or the creative Or the recluse, Poetry is for all that observe And register their sights and sounds significant. The poet merely watches carefully and attentively Then marks it down (noun) Poetry 1. Observation
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Jul 13, 2018
Jul 13, 2018 at 8:01 AM UTC
Oberservationist Manifesto
The wind is ripping From the sound of oscillating Overhead 'copters Splitting my vision. In the peripherals;        A polyester carpet—sleeping bags—breaks the dry monotony of summer grass;        The bicycle courier awakes from said floor, listless; Important man, suited, takes calls from other men, suited — octopus arms scattering papers, receipts, coffee cups and tie;        Two hard hat builders chain cigarettes and fight visible hangovers, droopy eyes staring down some impending scaffold. And I almost miss it all, For the passing, Of oscillating 'copters.
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Jul 13, 2018
Jul 13, 2018 at 5:13 AM UTC
View from Cavendish Square
Pinprick morning eyes See Through blurry Films;                          A rough sleeper/panhandling hopeful, wide awake, wishing a good morning — in my pocket, a toehold on Everest's side;             A second (a girl), she's taught her dog to hold The Big Issue in between its yellow-black teeth;             A scattering of people staring, smiling (at the pet)—"look, look"—"isn't it cute"—"bless"—;             A flat expression, dead eyes (the girl's), she's ********* a selection of cuts on her arm, invisible;             A tragic scene, in the shadow of London's limestone Everests. But the toehold leaves Selfishly In my rushing, full Pocket.
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Jul 12, 2018
Jul 12, 2018 at 11:41 AM UTC
View from Oxford Street
A composition, bordered by brown track, white shelter and yellow line; off-white, smear-windowed building (background)                                   hexagonal floors, brutalist mandala; triangle across the frame, a ***** polluted structure                                   one half of a red cross logo, boarded windows                                   - chipboard, corrugation, MDF; and Southern Rail green is grass in the lower foreground                                   arrows, words, people.
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Jul 12, 2018
Jul 12, 2018 at 10:34 AM UTC
View from Platform Four
Rastafarian perches on a BT wiring cab Slapping dark green metal and screaming Obscenities in Patois and nonsense Alone.           Passersby stare; shrieking oldies;                                        laughing kids;                                        bewildered Neil;                                        and I Sit drinking, taking it all in Alone.
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Jul 12, 2018
Jul 12, 2018 at 10:21 AM UTC
View from The Marquis
Spare me your venice. I know it's beautiful, but I've four more senses And a nose That smells stagnant Water and **** Floating with pretty buildings On the Adriatic. Spare me: its Doges, its saints, its Campanile. Spare me piazzas and inquisitive xenophiles. I've got all the water And **** I desire Floating in pretty alleys Beside the black Thames.
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Jul 12, 2018
Jul 12, 2018 at 9:55 AM UTC
Venezia
I was just in my shower after a long time away from it. Thoughts scattered and fell over and I felt like The Dead fumbling at the start of Morning— —Dew in the Lyceum in London, not Athens, before it all makes sense again
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Jul 12, 2018
Jul 12, 2018 at 7:20 AM UTC
Fumbling at the Start of Morning
You weren't the poetic one, but I just read Kaddish and thought of you;            of 1998 beach photo, Sussex somewhere - as I remember you, perhaps a bit younger;            of sweet peroxide blonde, hiding brunette. I was naive to the dye 'til I saw 'the Hepburn shot' - that 1950 something print, you in Rembrandt light,            or the black beehive wig in family portrait— 1970ish— dicky bows and cocktail dresses - Dad, aged seven, in a shirt and trousers;            of youthful snapshots: Portobello Beach, Edinburgh (4), with parents in Kent (8), your gang of girls some snowy place (14), painting the house with Raymond in Croydon (20);            of latter digital images, 2012, more gaunt and wrinkled, but ever-beautiful - seemingly ageless, as you wished;            of care and trust and overdone vegetables, thin gravy, brussel sprout production lines - beautiful, mundane memories at Cowfold breakfast bar or Langley Green kitchen tops;            of seaside trips to Shoreham, Portsmouth, Brighton, dogs homes and holding my hand past the loud ones;            of picking roses from the garden for 'perfume' - sticky hands, wet floors and beautiful smells;            of early morning rude awakenings, met only with cheer and offers of tea and toast - I still have your butter tray (hospitable even in death);            of my brother's wedding, taking time to jive and seem alive whilst everyone else was dying inside, despite the fact that it was you, and you only, who should care the most (and thus, if you didn't, why should we have);            and of that very temperament, infamous tempers never shown—at least to us—just pure, kind acceptance and forgiveness.            You weren't the poetic one.            You were; the ninth child of a ****** and his wife                               the girl with the Scottish accent                               the wife of an engineer from Mitcham                               the mother of three, the loser of one                               the stern face of discipline                               the BT telephone operator, the masseuse                               the grandmother of three boys                               the ageless face of beauty                               the one I remember best            You told me you couldn't recall your siblings' names - I've looked into it. Ada, Jack, Edie, Emmie, Mabel, Joyce, Raymond, Terence.
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Jul 11, 2018
Jul 11, 2018 at 11:19 AM UTC
Margaret Rose
You weren't the poetic one, but I just read Kaddish and thought of you;            of 1998 beach photo, Sussex somewhere - as I remember you, perhaps a bit younger;            of sweet peroxide blonde, hiding brunette. I was naive to the dye 'til I saw 'the Hepburn shot' - that 1950 something print, you in Rembrandt light,            or the black beehive wig in family portrait— 1970ish— dicky bows and cocktail dresses - Dad, aged seven, in a shirt and trousers;            of youthful snapshots: Portobello Beach, Edinburgh (4), with parents in Kent (8), your gang of girls some snowy place (14), painting the house with Raymond in Croydon (20);            of latter digital images, 2012, more gaunt and wrinkled, but ever-beautiful - seemingly ageless, as you wished;            of care and trust and overdone vegetables, thin gravy, brussel sprout production lines - beautiful, mundane memories at Cowfold breakfast bar or Langley Green kitchen tops;            of seaside trips to Shoreham, Portsmouth, Brighton, dogs homes and holding my hand past the loud ones;            of picking roses from the garden for 'perfume' - sticky hands, wet floors and beautiful smells;            of early morning rude awakenings, met only with cheer and offers of tea and toast - I still have your butter tray (hospitable even in death);            of my brother's wedding, taking time to jive and seem alive whilst everyone else was dying inside, despite the fact that it was you, and you only, who should care the most (and thus, if you didn't, why should we have);            and of that very temperament, infamous tempers never shown—at least to us—just pure, kind acceptance and forgiveness.            You weren't the poetic one.            You were; the ninth child of a ****** and his wife                               the girl with the Scottish accent                               the wife of an engineer from Mitcham                               the mother of three, the loser of one                               the stern face of discipline                               the BT telephone operator, the masseuse                               the grandmother of three boys                               the ageless face of beauty                               the one I remember best            You told me you couldn't recall your siblings' names - I've looked into it. Ada, Jack, Edie, Emmie, Mabel, Joyce, Raymond, Terence.
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