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ChadMartinZNatividad
ChadMartinZNatividad
I. I cannot seem to picture holes in my body like most people do. That popular metaphor they use to represent loss. I think of those cardboard boxes that come in different shapes, displayed in bookstores. Those you don't especially need but feel like walking away with like they've always been yours. One resembles an emptied pool, another like a cake eaten so carefully, the sponge remains barely intact, imitating a box. And yet, for some reason, you don't want to put anything in them. They look appealing as they are, empty. When a friend loses something, maybe a blown-off cap, I picture a green oblong box neatly caved in his crown, through his skull. I can't visualize a hole, or a collapsed floorboard, nor dug-out soil. Assorted colored boxes in odd shapes, at different locations and time, fitting flawlessly, like an expensive upgraded sink, through people's body parts. Sometimes I picture them with a lid on but they're still visible: an obvious bright patch of cardboard ingrained in someone's palm, or at one side of another's abdomen. II. Holes, usually from gunshot, are intentionally plumbed by nature and open till the other end. True loss, to become irretrievable, has to have an element of reach and is then restricted by space—tracing inevitability. You lose a phone and you search through the rectangle case by your thigh, and seize nothing, there's only cardboard and skin. III. You lose someone. But an entire box the shape of your body can't possibly replace you or your whole skeletal system would pop out. So you imagine that loss, an open cocoon, as a single organ—a heart, or at least half of it. You can't tell whether that side is capable of beating, but when you knock on it, it sounds the same. You feel that compartment in your chest and it's all solid and compact, maybe even scratchy. You reach and your hand doesn't go through. Of course, it never arrived like a bullet. You deliberately chose to put something in that box. And as much as you rather wanted to see that bright ear-shaped box empty, leaving it's contents to imagination, you compromised, thinking half a heart wouldn't take too much space. And losing that person, you think back on the day you first got the box. It was never meant to be filled, you imagine. It looked better on a shelf behind glass among other colored boxes: firm as new and all equally fragile, maybe even bearing a scent or taste. I believe this is one way to cope with loss, by disassociating it—turning it into a pretty spectacle you'd want to buy but don't, just another section one passes in a mall.
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Apr 29, 2017
Apr 29, 2017 at 10:55 AM UTC
Assorted boxes
I. I cannot seem to picture holes in my body like most people do. That popular metaphor they use to represent loss. I think of those cardboard boxes that come in different shapes, displayed in bookstores. Those you don't especially need but feel like walking away with like they've always been yours. One resembles an emptied pool, another like a cake eaten so carefully, the sponge remains barely intact, imitating a box. And yet, for some reason, you don't want to put anything in them. They look appealing as they are, empty. When a friend loses something, maybe a blown-off cap, I picture a green oblong box neatly caved in his crown, through his skull. I can't visualize a hole, or a collapsed floorboard, nor dug-out soil. Assorted colored boxes in odd shapes, at different locations and time, fitting flawlessly, like an expensive upgraded sink, through people's body parts. Sometimes I picture them with a lid on but they're still visible: an obvious bright patch of cardboard ingrained in someone's palm, or at one side of another's abdomen. II. Holes, usually from gunshot, are intentionally plumbed by nature and open till the other end. True loss, to become irretrievable, has to have an element of reach and is then restricted by space—tracing inevitability. You lose a phone and you search through the rectangle case by your thigh, and seize nothing, there's only cardboard and skin. III. You lose someone. But an entire box the shape of your body can't possibly replace you or your whole skeletal system would pop out. So you imagine that loss, an open cocoon, as a single organ—a heart, or at least half of it. You can't tell whether that side is capable of beating, but when you knock on it, it sounds the same. You feel that compartment in your chest and it's all solid and compact, maybe even scratchy. You reach and your hand doesn't go through. Of course, it never arrived like a bullet. You deliberately chose to put something in that box. And as much as you rather wanted to see that bright ear-shaped box empty, leaving it's contents to imagination, you compromised, thinking half a heart wouldn't take too much space. And losing that person, you think back on the day you first got the box. It was never meant to be filled, you imagine. It looked better on a shelf behind glass among other colored boxes: firm as new and all equally fragile, maybe even bearing a scent or taste. I believe this is one way to cope with loss, by disassociating it—turning it into a pretty spectacle you'd want to buy but don't, just another section one passes in a mall.
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I'm terrified of traveling along any major body of water I feel uncomfortable imagining how low a rock could sink Yet I don't mind flying against the skies above the clouds I'm curious as to how high birds could lift their wings And yet I know that oceans and seas have a bottom floor While the darker blue of the sky is too vast to have bounds So maybe I just like places that don't act as cages And I fear the things that I'll eventually come around
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Jul 31, 2016
Jul 31, 2016 at 5:51 AM UTC
To come to terms
Hey there Skater girl You got me all twirled up inside When you made those turns I get goosebumps When you swerve right by me I'm pretty sure it was you And not the evening chill And yes it was late The lampposts were on And the traffic lights Out of sight Why should anyone Tell you when to stop or go You were an unchained thing You had the road all for yourself And I had that night To see you scribble in your strides You did ballet, not on thin ice, But on rough pavements For life was not always A smooth and clear ground It can be a lonely Concrete street It can be you right now Free and astound With me in the distance At first glance It'll seem like You're free-rolling But I know It's really art In its abstract form The solid, rigid sound of wheels Scraping ground Is tranquilizing To our left is a quiet parking lot And at the right, a multipurpose home While I'm sitting on grass In a suit Please don't mind me And keep on skating Skater girl Doodle me a way Map me a dance With the tracks of your skates In this fast-rolling world
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Jul 13, 2016
Jul 13, 2016 at 8:01 AM UTC
Skater girl
She wore an olive fleece He wore a beige corduroy She was a princess in sneakers He was a modern man of Troy (But their coats were merely frames Their shirts were exactly the same) She brought home brewed coffee He sipped lukewarm cocoa She was chained to yesterday He was impatient for tomorrow She sat on the stone slab He laid down with arms tied She was to the left of him He was right beside She took pictures of the lake He stared into the sky She carried a small knapsack He held a lost goodbye While around them, Two lovers flirted from afar A middle aged man sat alone A mom and dad spoiled their kids A group of students headed home Yet, the two remained there On that grassy concrete brick Sharing a single tiny shade Repeating the same old tune All they did that afternoon A moment they had played That'll only be a memory soon
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Jun 17, 2016
Jun 17, 2016 at 8:07 AM UTC
Thick Coats
The books you carry are so expressive Some pages have those obvious gaps That show even when the book is closed They point put the places you've reread Over and over again Or the pages you've kept open for too long Some have plastic covers, while others, leather wraps Which to me hint favoritism Or the pricelessness of your literary artifacts While some don't even have covers anymore But thats okay, cause with you, The books don't ever have to feel cold Some have bookmarks you've bought in the past Cause you thought they were cute or had a nice quote While other bookmarks you've made yourself Out of cut-out folders, and sticky notes And some have strings, while others don't Some pages have highlights along the text Maybe of lines you want to remember Or of moments you want to feel again Of places you want to visit in the future Or of words you have yet to comprehend Some areas have spills and stains Perhaps from drinks that refreshed you As you flipped through page by page While some look like tear drops From when characters rode with you But left to catch some other train Or maybe you just fell asleep reading And it could have been just the rain The books you carry are so expressive Some titles are familiar, while others new And I just can't help but wonder How they all seem to be a reflection of you
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Jun 15, 2016
Jun 15, 2016 at 4:44 AM UTC
The books you carry
If I stood on top Some polar planet And looked for you Among the traffic Of meteor showers And beyond that I'd see Only vast empty space Don't worry cause I've not yet laid us down For then I'd know for sure You're just somewhere in Illusive Earth Perhaps sitting inside Some cliché cafe Stirring, brewing up A Mocha galaxy On your creamy latte Listening to Treasure Planet Soundtracks Like that one entitled "I'm Still Here" But if ever you just Suddenly get up And leave an empty spot In that tiny world Inside me Temporarily Asking for space In between When there's enough around And more above Then I might begin To wonder Where at this moment In this infinite Zero-gravity Could you possibly Be drifting now
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Jun 15, 2016
Jun 15, 2016 at 4:40 AM UTC
Polar Planet
Tell her that she's loved, Even if she denies. Cause, You know otherwise
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Sep 14, 2015
Sep 14, 2015 at 9:53 AM UTC
Notify (haiku)
Hit me hard and break my heart into a million pieces Cause only then will you see how much its worth Don't settle for a dozen scraps, a hundred, or a thousand Strike with passion and leave a mess upon the earth Then watch me as I pick up every piece that was scattered, From the loftiest clouds they perched, and crevices they slipped Now take them from my hand and hold it in yours all together And feel the weight of the million pieces that you had ripped I want you to see how they still mold and form the same original shape How a million pieces could be reattached and still reveal a heart Yet, do not mistake their lightness for instability or lack of focus They can also be diamond tough; my soul is the fortress, while it, the rampart Its not some plastic easter egg thats only as good as its design Not a false brittle shell, with a hollow and empty core Each piece accounts apiece, a full apple with no worm Every heartbreak meant to make it, love even better, than before So if you're looking for commitment, let that be the trial I'm not promising it'd be easy, it can only be worth the pain It's only in shattered hearts, that subtle thoughts are brought to light Neither the first nor the last, but I'd repeat it all the same, If you're the one I'm about to gain.
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Sep 12, 2015
Sep 12, 2015 at 10:36 AM UTC
Break my Heart
You told me back then that its fine because its over, And everything that happened should be all in the past. Then why is it now, that every time we pass each other, You'd make me feel like, that conversation was our last? I admit that I, myself, didn't offer you my everything, And that the chase I gave, wasn't even barely a run. But how could I sprint, when your signs were confusing? And the I Love You's you gave, all came out undone. So it turns out that the rain, didn't properly end. And puddles still form, from small drops that remain. Those sunny skies of blue were all just make pretend; Like parts of the weather forecast, that you failed to explain. Second chance is a slot machine, and I'm running out of change. So I'll drop my last coin, under the score of my name. Because the next time we meet, either the spin goes out of range, Or the coin comes back out, and it was all just a game.
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Jan 20, 2015
Jan 20, 2015 at 5:27 AM UTC
I'm Running Out of Change
I ponder now, to the years ago, To what came on every Christmas Eve. About the gift that I could get, The perfect gift to have or to receive. I was only seven, many fleeting years ago, And I loved all kinds of dessert. So then, to get the perfect gift, A chocolate cake was all its worth. I was asked at 12 to choose my gift And a new typewriter was all I said. At a time when technology had once been young, I was pleased with mine, a branded crimson red. 12 more years passed by and I could not find A better gift than what I got years ago in my life. At 40, I celebrate the 8th anniversary Of the lovey-dovey years I that I spent with my wife. I'm 55 and weeping, for now both my parents are gone. My dad just died a week ago, at the ripe age of 83. If time was a gift, I'd give it to those I love. Christmas just isn't as complete as it used to be. It's Christmas yet I'm dying, and loved-ones use the tongue of tears. My final wish would only be to have my whole life encoded in memory; For memories are all that I can leave, and all that I could bring, From all the blessed 86 years-God's own Christmas gift to me.
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Jan 1, 2015
Jan 1, 2015 at 5:51 AM UTC
The Perfect Christmas Gift