i.
I always offered every part of myself, to you
So when I found out about what she had done,
How she had made you feel
Hurt seeping from your every pore,
I rushed down right away
To be there.
ii.
But in the process, I have realized something
To not put myself first, before you,
Before her,
Is killing me
That is the worst part of it all,
To watch myself continue to give to you,
The things that I no longer have
To watch myself continue to hold you,
When it's all just false comfort
A way for me to feel okay about
the things that have taken place
iii.
I still am trying.
Does that speak volumes,
or am I running around in circles again?
I always wanted to go somewhere with you,
Anywhere but where we remained,
Stagnant,
And you taught me to love,
but in ways that were too late,
In ways that I noticed
Long after the fact
In ways that I could not validate,
Yet you never validated me,
Never any part of me
iv.
I want to know what makes you hurt,
Just like you spilled those dirty secrets to her,
Yet was I never good enough to know?
We shared everything else,
But I realize now that she may have known
you better, within the span of a two week time
I sat on my knees, hands clasped, begging you
You accused me of never asking,
But it doesn't mean I wasn't still thinking,
Wasn't still aching for you to reach out
I shouldn't be the one to pry
I just didn't want be that girl,
Yet she was that girl for you
v.
And look where it got us,
Back to the same place, all over again
Rewind and repeat, and yet
I'll still be here.
a girl with too-long hair and smiling eyes
and two laughs-- one sardonic, one irrepressible
had very little
room to sit
next to him:
a boy, almost a man with a
guitar and callused fingers.
strong-- hands two sizes
bigger than hers.
she leaned on him (out of necessity, of course)
he held her up (to be nice, of course)
their knuckles touched and she got restless
she moved her fingers against his ever so
light
ly
he played the game and nudged her thumb
fingertips like dancers on broken glass
collided
quietly--
like vines, we intertwined
carelessly growing up
Matilda.
The light of my life.
The poem of my tongue.
The fire of my chest.
The wind of my loins.
The hate I loathe.
The beauty I view.
My lady.
My dream.
My hesitant rainbow.
My fearless tears.
My coverlet and starlet;
my blanket and dainty amulet.
My distant promise and cautiousness;
but in all my darling; looking ever so stately-
yet not like yon faraway, morning dew.
Matilda.
The hands I adore;
the fingers I want to kiss.
The solitude I live in;
the fate I was born in.
A pair of eyes ever to me too divine,
A charm that loyally strikes, and glows and shines.
A lock of hair that petulantly sways and sweats.
A midday tale of love; as how it is mine,
a beauty that this world ensures,
but cannot adore.
Matilda.
Even the brisk turquoise sea
is ever less glossy than thy eyes,
for their calmness is still less harmful,
unlike unbending, thus insolent tides, at noon.
Ah, Matilda, thou art yet too graceful,
but tricky and indolent, as the puzzling moon!
Thy purity is like unseen smoke,
tearing the skies' linings like a fast rocket,
making me ever thirsty, turning my heart wet,
but still this attentive heart thou canst not provoke;
thou art a region too far from mine;
but still luck is in heart whose fate's in thine.
And as thou singeth a tone I liketh to sing
I cannot help but more admiring thee;
And as thou singeth it genuinely more,
thou capture all my breath and give it all a thrill;
for I realise then, that thou canst be stiff, as sandless shores;
but thy beauty canst so finely startle,
and whose startledness
canst kill.
Matilda.
But deadness, and ever desolation
are vividly clamouring in thy eyes;
Thou art but distinct, distinct indeed-from serenity;
for thou warble thyself, but gladly-away, from thy sullen reality.
Ah, Matilda, how canst a soul so comely
be hateful to fame, and dishonest just from its frame?
Matilda, to those merciless hearts indeed thou beareth no name;
Thou art a shame to their pride, and a stain to their bitterly fevered, sanity.
Yet still, thou art to innocent to understand which,
and in love naively, as thou just art, now-
with that feeble shadow of a pampered young fellow,
Whose stories are also mine,
for his father's money is donned,
and coined every day-by my servant's frail hands;
The sweat of my palms obey me in doing so-
I am my master's son's poor sailor,
and he his sole heir-and soon is to inherit
an indecent boat; full of roaming paths, doors, and locks
And at nights, costly drapery and jewels shall be planted in their hair-
yes, those beastly riches' necks, and skin fair,
And thou be their eternal seamstress,
weaving all those bare threads with thy hands-
ah, thy robust virgin hands,
whilst thy heart so dutifully levitating
about his false painting, and bent even more heartily, onto him.
Ah, 'tis indeed unfair, unfair, unfair-and so unfair!
For such a liar he was, and still is-
Once he was betrothed to a bitter, and uncivil Magdalene;
Uncivil so is she, prattling and bickering and prattling and bickering-
To our low-creature ears, as she once remarked,
She who basked in her own vague hilarity, and sedate glory
And so went on harshly unmolested by her vanity, and fallibility;
But sadly indeed, occupied with a great-not intellect,
As not sensible a person as she was;
At least until the winds knocked her haughty voices out-
and so then hovering stormy gales beneath,
took her out and gaily flung her deep into the raging sea.
Still he wiggled not, and seems still-in a seance every night,
whenst he but cries childishly and calls out to her name in fright.
Her but all dead, dead name;
'Till his father tears him swiftly out of his solitude
And with altogether the same worried face
but drags his disconcerted son back into his flamboyant chamber.
Ah, and I caught thee again, Matilda,
Bowed over the picture of yon young sailor;
'Twixt those sweet-patterned handkerchiefs
On thy lil' wooden table, yesterday
And curved over yon picture, I was certain;
I caught some fatigued tears in thy eyes-
for from thy love thou wert desperate,
but still unsure even, of the frayed tyings of cruel fate.
Ah, Matilda, your hair is still as black as the night
The guilty night, though nothing it may knoweth, of thy love,
and perhaps just as unknowing it seemingly is;
as th' tangled moon, and its dubious arrows
of unseen lilies, above
Shall singeth in uncertainty; and cordless dignity
And which song shall forever be left unreasoned
Until the end of our days arrive, and bereft us all
of this charismatic world-and all its dearest surge of false,
and oftentimes unholy, fakeness.
Oh Matilda, but such truest clarity was in thy eyes,
And frightened was I-upon seeing t'is;
As though never shrouded in barren lies
Like a love that this heart defines;
but never clear, as never is to be gained.
Ah, Matilda, and such frank clarity dismays me;
It threatens and stiffens and chortles me,
for I am certain I shan't be with thee-
and shall ever be without thee,
for thou detest and loathe me,
and be of no willingness at all-
to befriend, to hold, or to hear-
much less reward me with thy love,
as how I shall reward thee with mine.
Matilda, this love is too strong-but so is, too poor
And neither is my heart plainly bruised;
For it is untouched still, but feeling like it has been flawed
Ah, why does this love have to be raw-and far indeed, too raw!
I, who is thy resilient friend, and fellow-sadly never am in thy flavour;
for in his soul only-thy love is rooted;
And this love is forever never winning-and it is sour,
Like a torn, mute flower; or like a better not, laughter.
And my heart is once more filled with dead leaves-
Ah, dead, dead leaves of undelight, and unjoy;
Whose cries kick and bend and strangle themselves-
all to no avail, and cause only all its devouring to fail,
For his doorless claws are to strong,
Stealing thy eyes from me for all day,
and duly all night long.
How discourteous! Virtual, but too far, still-
corrupting me; ah, unjust, unjust, and discourteous!
Tormentingly-ah, but tormentingly, torturously, insincere!
Ah, Matilda! But soon as thou prayeth,
every single grace and loveliness thou shall delicately saith;
Thy voice is as delightful as nailed, or perhaps, cunningly deluded vice-
Which I hath always feigned to be refuting tomorrow,
but is only to bring me cleverer and cleverer sorrow
'Till hath I no power to defy its testy soul,
that for no reason is too shiny and bold,
but so dull, and bland as a hard-hearted summer glacier,
and too unyielding as hurtful, talloned wines.
Oh, but no appetite I hath, for any war
against him-for he is fair, and I am not,
He is worthier of thee, than my every word;
He who to thee is like a graceful poem,
he who is the only one to smirk at
and hush away thy daylight doom.
Matilda! For evermore thy heart is mine;
and mine only-though I canst love thee
only secretly, and admire thee from afar,
Still cannot I stand bashful, and motionless-too far,
For I wish to hath been born, for thy every sake
Though it shall put my sinless tongue at stake
And even my love is even gentler then blue snowflakes;
and more cordial than yon rapturous green lake.
Ah! Look! Upon the moors the grass is swirling,
so please go back now; and be greedy in thy running.
Still when no music is playing,
all is but too painful for thee,
which I liketh to neither witness, nor see,
for upon thee the moon of love might not be singing,
as it is upon all others a song,
But somehow to nature it not be wrong,
for he cannot still be thy charm, nor darling.
O-but I hate thinking of which affectionately,
when thou crieth and which sight, to my heart, is paining.
Ah, Matilda! For even to God thy love is but too pure;
for it is faultless as morns, and poisonless-
like those ever unborn thorns;
Of yon belated autumn melody,
But is, somehow, fraught and dejected
With sorrow, for it is him, that yesterday and now
Thou loveth softly and securely,
Two hours later and perhaps, in every minute of tomorrow.
Matilda! But still tell me, how can thou securely love a danger?
For I am sure he is but a danger to thee, indeed;
Once I witnessed how his face
grotesquely thrusted into furtive anger
As he burst into a dearth of strong holds,
of his burning temper-under the blooming red birch tree;
And as every eye canst see,
He is only soft, and perhaps meek-as a butterfly,
Whenever the world he eats and sleeps and feeds on in-
Tellest him not the least bit of a lie;
Ah, Matilda, canst I imagine thee being his not,
ah, for I shall be drowned in deflating worry, indeed-I shall be, I shall be!
I dread saying t'is to thee-but he, the heir of a ruthless kingdom,
and kingdom of our God not-within their lands and reigns of scrutiny,
His words are but a tragedy, and a pain thou ought not to bear;
O, Matilda, thou art but too holy and far too fair!
Thy soul is, so that thou knoweth, my very own violin-
To which I am keenly addicted;
I am besotted with thy red cheeks-;
As whose tunes-my violin's, are thy notes
as haunting and sunnily beautiful,
And cloudless like thy naivety,
Which stuns my whole nature,
and even the one of our very own Lord Almighty.
Ah, Matilda, even the heavens might just turn out
far too menial for thee;
and their decorum and sweet tantrums idle and unworthy;
Thou art far, far above those ladies in dense gowns,
With such terseness they shall storm away and leave him down.
But why-why still, he refuses to look at thee!
Ah, unthinking and unfeeling,
foolish and coquettish,
unwitted and full of deceit-is himself,
for loving should I be-if thy smile were what I wished,
and thy blisses and kisses were what I dreamed;
I wouldst be but warmer than him,
I wouldst be but indeed so sweet,
I wouldst be loftier than he may seem;
and but madden thee every sole day, with my gracious-
though sometimes ferocious-ah, by thy love, ever tender wit.
I hath so long crept on a broken wing,
And thro' endless cells of madness, haunts, and fear,
Just like thou hath-and as relentlessly, and lyrically, as we both hath.
But not until the shining daffodils die, and the silvery
rivers turn into gold-shall I twist my love,
and mold it into roughness-
undying, but enslaved roughness;
that thou dread, and neither I adore;
For for thee I shall remain,
and again and again stay to find
what meaningful love is-
Whilst I fight against the tremor
and menace this living love canst bring about-
To threaten my mask, and crush my deep ardor.
Ah, my mask that hath loved thee too long,
With a love so weak but at times so strong;
and witnessed thee I hath, hurt and pained
and faded and thawed by his nobility
But one of worldliness; and not godliness
For heavens yonder shall be ours, and forever
Shall bestow us our triumphs, though only far-in the hereafter;
Still I honour thee, for holding on with sincerity-
and loyalty, to such contempt too strong
For thou art as starry as forgiveness itself,
and thus is far from yon contempt-and its overbearing soul;
And perhaps friendly, too unkind not-
like its trepid blare of constant rejection, and mockery
And as I do, shall I always want thee to be with me;
For thou art the mere residue, and cordial waning age of the life that I hath left;
For thou art the only light I hath, and the innate mercy I shall ever desire to seek;
and perhaps have sought shall, within the blessed soul of my 'ture wife.
Oh, Matilda, thou art the dream t'at I, still, ought not to dream,
thou art the sweetness I ought' only charm, and keep;
As thou art the song, that I may not be right'd to sing;
but the lullaby; which in whose absence, I canst shall never sleep.
echoes in my head
his deep voice yells
and paralyzes my senses
journeying in this life
full of walls
and with vacuum left by the failure
again and again, slowly dying inside
...... and aging
the reasons are finished,
the strength is gone
and with empty hands,
there is only the sound of rejection
flooding your mind
losing my mind
push it down until it isn't there
blocked out
blacked out
like those years
2.5
bodies hard and sweaty in the dark
hands and tongues
reaching
searching
2.5
forget and never forgiven
but somehow you do
specks of blue
across my chest
2.5
light the night for us
betrayal
but not betrayed
for not one; but two
2.5
A product of an given environment.
A democracy being ran by tyrants
A offer of change..
Jesus Christ is hiring
Spiritually jobless cause the worlds firing..
Only thing worst is death and that fire pit..
But my Lord is a fireman..
With living water..
For you that fire could be a mist..
But know that hell is not a myth..
Know that heaven is at hand come on take sip..
Matter of fact take a gulp.
My Christ the sacrifice his blood
Overflows like a flood...
Talking oceans beyond a gulf..
Move mountains he can swift a coast..
Strength of the uttermost..
My stewardable host..
Came down to earth yes he left his post..
Just to have his flesh left on a post..
A passion that no other being could
fathom ..
the True definition of compassion..
He took on all our sin Nothing was rationed ...
His beard striped off..
His bones exposed..
His feet n hands left with holes..
Extreme bleeding..
Yes beaten to his skeletal system no x-ray was needed..
Not one fracture..
He took it all for us our true Master.
Damaged beyond human appearance..
How can u not be down in allegiance
With the Christ of this World
The only being to embody all that is right in this World..
Yet we hold on to darkness like he not the light to this World..
He died for us Yes he fought the good fight for this World..
We are to be his bride
Yes the church but Look at us yet he still won't pick another girl..
We cheat on him..
Our selfish desires
We beat on him..
Oh how we conspire..
To destroy the truth..
Yet we need to cling to it like Ruth..
Did to Naomi..
And react better when rebuke by a pony..
Stop dancing around the truth like its going to result in a Tony ..
Award..
Too many people are phoney
Randomly comprised like what resides in bologna
I am down with Christ .. Geronimo
See the signs of his coming its almost time to go...
..
Your voice is like sweet ether
On a dirty kitchen rag
It calms me down
It knocks me out
Knocks me up
I am pregnant with the sound
That 6 strings produce
And the beauty of your words
The fire walkers in you
Your fingers always knew
Know?
Have known?
How to pick the smiles
From my insides
Pluck the kisses from my lips
Draw the nectar
Sweetness?
Sugar?
Out
50 Ways to turn me upside down
50 ways to be knock-the-wind-out-of-me
Put-me-back-on-my-feet
Incredible
In the beginning it was dark
And you said
"Let there be colors
Let me have a guitar"
In the beginning
God colored me
Full of red blood cells
And vitriol
Carefully
Steady hands
Inside the lines
But with shaky hands
There's so many more shades
Blooming
Cascading
Lightning strikes
And this is the last time
I swear it's the last time
I will weather these storms
My daddy said there'd be boys like you
Boys who could make it rain
You know when I'm with you
I lose my mind a little
Who is this kid?
And how is he under my skin?
He's a tattoo I don't remember getting
Maybe I was drunk
Maybe I'm in love
Whatever that is.
Dog hair on duvet covers
Avocado-flavored lollipops
Antique shops
Every song about a different girl
Like 32
24
36
Bursting at the seams till I
Can't take no more
Jackie
Madeline
Taylor
Adrienne
And probably
Certainly
Girls I've never met before
What you do to me doesn't make sense
My intestines turned up at the corners
Pelvic thrusting on the couch
A little bit louder now
A little bit louder now
The mortars are screaming
Down
I'm quickly losing the war with myself
Jericho's walls
Are crumbling
And I'm told we have nothing to fear
But fear itself
Nothing to fear but ourselves
And a boy with glasses
Writing checks that I'm afraid will bounce
Singing softly to me
On the couch
Gawd, aren't relationships terrifying?
(If I were writing this to anyone else, especially and most probably a woman,
it would go something like this:
I would like to unfold you one layer at a time;
I will peel off clothing
until I hit bottom
until there is nothing between
my hand and your drumming heart
except trembling skin.
But writing you right now is different; those soft words would feel forced, fake, hollow and pretty and attractive and wrong. I can’t tell you why but I know my heart has a song of its own
for you and if I get it wrong you know you can laugh at it.)
Do you know how overpowering you can be?
Do you know what it is to draw a breath,
one tiny insignificant breath,
and feel my entire body throb to
touch you?
To run my fingertips across your skin
(not necessarily gently)
to press my hands into your skin until the impress -
like a flower pressed in a book -
remains.
I don’t want to peel your clothes away from you,
slow and confident and assured, (not right now).
There isn’t always confidence in want, is there?
I’d rather tear them away from you,
quest for your beating heart and the shape of
your hip and the long line of your spine attempt,
with my lips on yours,
to take your breath and make it ours.
My hands are hungry;
they feel empty, grasping, needful.
My lips are wet.
I love you.
(I ask what I am saying and I wonder if this is weak: I want your body against mine.)
Strike-
if your hands are shaking
shake the world with them;
come on, love
sit up
if your back is breaking
ignore the constant aching
and walk past it.
Another chapter another story another life for you and me lets give each other a promise lets hold our hands together you showed me your world and i showed you mine, i think its time, its time to take the step to move forward , a brighter side is waiting and this was the last thing of what you said you left my heart held with fire you left my mind lashing in memories you gave me hope ,you gave me something beyond wt i asked for and now yu left me in this world .I stood beside your grave planted flowers went back through our memories and set my heart on fire and frm this moment till the end i promise you that you and only you are the one that my heart was opened too and closed after you❤
