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Meena Menon Sep 2021
Flicker Shimmer Glow

The brightest star can shine even with thick black velvet draped over it.  
Quartz, lime and salt crystals formed a glass ball.
The dark womb held me, warm and soft.  
My mom called my cries when I was born the most sorrowful sound she had ever heard.  
She said she’d never heard a baby make a sound like that.    
I’d open my eyes in low light until the world’s light healed rather than hurt.  
The summer before eighth grade, July 1992,
I watched a shooting star burn by at 100,000 miles per hour as I stood on the balcony  
while my family celebrated my birthday inside.  
It made it into the earth’s atmosphere
but it didn’t look like it was coming down;
I know it didn’t hit the ground but it burned something in the time it was here.  
The glass ball of my life cracked inside.  
Light reflected off the salt crystal cracks.  
I saw the beauty of the light within.  
Nacre from my shell kept those cracks from getting worse,
a wild pearl as defense mechanism.  
In 2001, I quit my job after they melted and poured tar all over my life.  
All summer literature class bathtubs filled with rose hip oil cleaned the tar.  
That fall logic and epistemology classes spewed black ink all over my philosophy
written over ten years then.  
Tar turned to asphalt when I met someone from my old job for a drink in November
and it paved a road for my life that went to the hospital I was in that December
where it sealed the roof on my life
when I was almost murdered there
and in February after meeting her for another drink.  
They lit a fire at the top of the glacier and pushed the burning pile of black coal off the edge,
burnt red, looking like flames falling into the valley.  
While that blazed the side of the cliff something lit an incandescent light.  
The electricity from the metal lightbulb ***** went through wires and heated the filament between until it glowed.  
I began putting more work into emotional balance from things I learned at AA meetings.  
In Spring 2003, the damage that the doctors at the hospital in 2001 had done
made it harder for light to reflect from the cracks in the glass ball.
I’d been eating healthy and trying to get regular exercises since 1994
but in Spring 2003 I began swimming for an hour every morning .  
The water washed the pollution from the burning coals off
And then I escaped in July.  
I moved to London to study English Language and Linguistics.  
I would’ve studied English Language and Literature.  
I did well until Spring 2004 when I thought I was being stalked.  
I thought I was manic.  
I thought I was being stalked.  
I went home and didn’t go back for my exams after spring holiday.  
Because I felt traumatized and couldn’t write poetry anymore,
I used black ink to write my notes for my book on trauma and the Russian Revolution.
I started teaching myself German.  
I stayed healthy.  
In 2005, my parents went to visit my mom’s family in Malaysia for two weeks.
I thought I was being stalked.  
I knew I wasn’t manic.  
I thought I was being stalked.  
I told my parents when they came home.  
They thought I was manic.  
I showed them the shoe prints in the snow of different sizes from the woods to the windows.  
They thought I was manic.  
I was outside of my comfort zone.  
I moved to California. I found light.  
I made light,
the light reflected off the salt crystals I used to heal the violence inflicted on me from then on.  
The light turned the traffic lights to not just green from red
but amber and blue.  
The light turned the car signals left and right.  
The light reflected off of salt crystals, light emitting diodes,
electrical energy turned directly to light,
electroluminescence.  
The electrical currents flowed through,
illuminating.  
Alone in the world, I moved to California in July 2005
but in August  I called the person I escaped in 2003,
the sulfur and nitrogen that I hated.  
He didn’t think I was manic but I never said anything.
I never told him why I asked him to move out to California.  
When his coal seemed like only pollution,
I asked him to leave.  
He threatened me.  
I called the authorities.  
They left me there.
He laughed.  
Then the violence came.  
****:  stabbed and punched, my ****** bruised, purple and swollen.  
The light barely reflected from the glass ball wIth cracks through all the acid rain, smoke and haze.
It would take me half an hour to get my body to do what my mind told it to after.  
My dad told me my mom had her cancer removed.
The next day, the coal said if I wanted him to leave he’d leave.  
I booked his ticket.
I drove him to the airport.  
Black clouds gushed the night before for the first time in months,
the sky clear after the rain.  
He was gone and I was free,
melted glass, heated up and poured—
looked like fire,
looked like the Snow Moon in February
with Mercury in the morning sky.  
I worked through ****.  
I worked to overcome trauma.  
Electricity between touch and love caused acid rain, smoke, haze, and mercury
to light the discharge lamps, streetlights and parking lot lights.
Then I changed the direction of the light waves.  
Like lead glass breaks up the light,
lead from the coal, cleaned and replaced by potassium,
glass cut clearly, refracting the light,
electrolytes,
electrical signals lit through my body,
thick black velvet drapes gone.  





















Lava

I think that someone wrote into some palm leaf a manuscript, a gift, a contract.  
After my parents wedding, while they were still in India,
they found out that my dad’s father and my mom’s grandfather worked for kings administering temples and collecting money for their king from the farmers that worked the rice paddies each king owned.  They both left their homes before they left for college.  
My dad, a son of a brahmin’s son,
grew up in his grandmother’s house.  
His mother was not a Brahmin.  
My mother grew up in Malaysia where she saw the children from the rubber plantation
when she walked to school.  
She doesn’t say what caste she is.  
He went to his father’s house, then college.  
He worked, then went to England, then Canada.  
She went to India then Canada.  
They moved to the United States around Christmas 1978
with my brother while she was pregnant with me.  
My father signed a contract with my mother.  
My parents took ashes and formed rock,
the residue left in brass pots in India,
the rocks, so hot, they turned back to lava miles away before turning back to ash again,
then back to rock,
the lava from a super volcano,
the ash purple and red.  


















Circles on a Moss Covered Volcano

The eruption beatifies the magma.  
It becomes obsidian,
only breaks with a fracture,
smooth circles where it breaks.  

My mom was born on the grass
on a lawn
in a moss covered canyon at the top of a volcanic island.  
My grandfather lived in Malaysia before the Japanese occupied.  
When the volcano erupted,
the lava dried at the ocean into black sand.  
The British allied with the Communist Party of Malaysia—
after they organized.  
After the Americans defeated the Japanese at Pearl Harbor,
the British took over Malaysia again.  
They kept different groups apart claiming they were helping them.  
The black sand had smooth pebbles and sharp rocks.  
Ethnic Malay farmers lived in Kampongs, villages.  
Indians lived on plantations.  
The Chinese lived in towns and urban areas.  
Ethnic Malays wanted independence.
In 1946, after strikes, demonstrations, and boycotts
the British agreed to work with them.  
The predominantly Chinese Communist Party of Malaysia went underground,
guerrilla warfare against the British,
claiming their fight was for independence.  
For the British, that emergency required vast powers
of arrest, detention without trial and deportation to defeat terrorism.  
The Emergency became less unpopular as the terrorism became worse.  
The British were the iron that brought oxygen through my mom’s body.  
She loved riding on her father’s motorcycle with him
by the plantations,
through the Kampongs
and to the city, half an hour away.  
The British left Malaysia independent in 1957
with Malaysian nationalists holding most state and federal government offices.  
As the black sand stretches towards the ocean,
it becomes big stones of dried lava, flat and smooth.  

My mom thought her father and her uncle were subservient to the British.  
She thought all things, all people were equal.  
When her father died when she was 16, 1965,
they moved to India,
my mother,
a foreigner in India, though she’s Indian.  
She loved rock and roll and mini skirts
and didn’t speak the local language.  
On the dried black lava,
it can be hard to know the molten lava flickers underneath there.  
Before the Korean War,
though Britain and the United States wanted
an aggressive resolution
condemning North Korea,
they were happy
that India supported a draft resolution
condemning North Korea
for breach of the peace.  
During the Korean War,
India, supported by Third World and other Commonwealth nations,
opposed United States’ proposals.
They were able to change the U.S. resolution
to include the proposals they wanted
and helped end the war.  
China wanted the respect of Third World nations
and saw the United States as imperialist.  
China thought India was a threat to the Third World
by taking aid from the United States and the Soviets.  
Pakistan could help with that and a seat at the United Nations.  
China wanted Taiwan’s seat at the UN.
My mother went to live with her uncle,
a communist negotiator for a corporation,
in India.  
A poet,
he threw parties and invited other artists, musicians and writers.  
I have the same brown hyperpigmentation at my joints that he had.  
During the day, only the steam from the hot lava can be seen.  
In 1965, Pakistani forces went into Jammu and Kashmir with China’s support.  
China threatened India after India sent its troops in.  
Then they threatened again before sending their troops to the Indian border.  
The United States stopped aid to Pakistan and India.
Pakistan agreed to the UN ceasefire agreement.  
Pakistan helped China get a seat at the UN
and tried to keep the west from escalating in Vietnam.  
The smoldering sound of the lava sizzles underneath the dried lava.  
When West Pakistan refused to allow East Pakistan independence,
violence between Bengalis and Biharis developed into upheaval.  
Bengalis moved to India
and India went into East Pakistan.  
Pakistan surrendered in December 1971.  
East Pakistan became independent Bangladesh

The warm light of the melted lava radiates underneath but burns.  
In 1974, India tested the Smiling Buddha,
a nuclear bomb.  
After Indira Gandhi’s conviction for election fraud in 1973,
Marxist Professor Narayan called for total revolution
and students protested all over India.  
With food shortages, inflation and regional disputes
like Sikh separatists training in Pakistan for an independent Punjab,
peasants and laborers joined the protests.  
Railway strikes stopped the economy.  
In 1975, Indira Gandhi, the Iron Lady,
declared an Emergency,
imprisoning political opponents, restricting freedoms and restricting the press,
claiming threats to national security
because the war with Pakistan had just ended.  
The federal government took over Kerala’s communist dominated government and others.  

My mom could’ve been a dandelion, but she’s more like thistle.  
She has the center that dries and flutters in the wind,
beautiful and silky,
spiny and prickly,
but still fluffy, downy,
A daisy.
They say thistle saved Scotland from the Norse.  
Magma from the volcano explodes
and the streams of magma fly into the air.  
In the late 60s,
the civil rights movement rose
against the state in Northern Ireland
for depriving Catholics
of influence and opportunity.
The Northern Irish police,
Protestant and unionist, anti-catholic,
responded violently to the protests and it got worse.  
In 1969, the British placed Arthur Young,
who had worked at the Federation of Malaya
at the time of their Emergency
at the head of the British military in Northern Ireland.
The British military took control over the police,
a counter insurgency rather than a police force,
crowd control, house searches, interrogation, and street patrols,
use of force against suspects and uncooperative citizens.  
Political crimes were tolerated by Protestants but not Catholics.  
The lava burns the rock off the edge of the volcano.  

On January 30, 1972, ****** Sunday,  
British Army policing killed 13 unarmed protesters
fighting for their rights over their neighborhood,
protesting the internment of suspected nationalists.
That led to protests across Ireland.  
When banana leaves are warmed,
oil from the banana leaves flavors the food.  
My dad flew from Canada to India in February 1972.  
On February 4, my dad met my mom.  
On February 11, 1972,
my dad married my mom.  
They went to Canada,
a quartz singing bowl and a wooden mallet wrapped in suede.  
The rock goes down with the lava, breaking through the rocks as it goes down.  
In March 1972, the British government took over
because they considered the Royal Ulster Police and the Ulster Special Constabulary
to be causing most of the violence.  
The lava blocks and reroutes streams,
melts snow and ice,
flooding.  
Days later, there’s still smoke, red.  
My mom could wear the clothes she liked
without being judged
with my dad in Canada.  
She didn’t like asking my dad for money.
My dad, the copper helping my mother use that iron,
wanted her to go to college and finish her bachelors degree.
She got a job.  
In 1976, the police took over again in Northern Ireland
but they were a paramilitary force—
armored SUVs, bullet proof jackets, combat ready
with the largest computerized surveillance system in the UK,
high powered weapons,
trained in counter insurgency.  
Many people were murdered by the police
and few were held accountable.  
Most of the murdered people were not involved in violence or crime.  
People were arrested under special emergency powers
for interrogation and intelligence gathering.  
People tried were tried in non-jury courts.  
My mom learned Malayalam in India
but didn’t speak well until living with my dad.  
She also learned to cook after getting married.  
Her mother sent her recipes; my dad cooked for her—
turmeric, cumin, coriander, cayenne and green chiles.  
Having lived in different countries,
my mom’s food was exposed to many cultures,
Chinese and French.
Ground rock, minerals and glass
covered the ground
from the ash plume.  
She liked working.  

A volcano erupted for 192 years,
an ice age,
disordered ices, deformed under pressure
and ordered ice crystals, brittle in the ice core records.  
My mother liked working.  
Though Khomeini was in exile by the 1970s in Iran,
more people, working and poor,
turned to him and the ****-i-Ulama for help.
My mom didn’t want kids though my dad did.
She agreed and in 1978 my brother was born.
Iran modernized but agriculture and industry changed so quickly.  
In January 1978, students protested—
censorship, surveillance, harassment, illegal detention and torture.  
Young people and the unemployed joined.  
My parents moved to the United States in December 1978.  
The regime used a lot of violence against the protesters,
and in September 1978 declared martial law in Iran.  
Troops were shooting demonstrators.
In January 1979, the Shah and his family fled.  
On February 11, 1979, my parents’ anniversary,
the Iranian army declared neutrality.  
I was born in July 1979.
The chromium in emeralds and rubies colors them.
My brother was born in May and I was born in July.

Obsidian—
iron, copper and chromium—
isn’t a gas
but it isn’t a crystal;
it’s between the two,
the ordered crystal and the disordered gas.  
They made swords out of obsidian.  





Warm Light Shatters

The eruption beatifies the magma.  
It becomes obsidian,
only breaks with a fracture,
smooth circles where it breaks.  

My dad was born on a large flat rock on the edge of the top
of a hill,
Molasses, sweet and dark, the potent flavor dominates,
His father, the son of a Brahmin,
His mother from a lower caste.
His father’s family wouldn’t touch him,
He grew up in his mother’s mother’s house on a farm.  
I have the same brown hyperpigmentation spot on my right hand that he has.

In 1901, D’Arcy bought a 60 year concession for oil exploration In Iran.
The Iranian government extended it for another 32 years in 1933.
At that time oil was Iran’s “main source of income.”
In 1917’s Balfour Declaration, the British government proclaimed that they favored a national home for the Jews in Palestine and their “best endeavors to facilitate the achievement” of that.

The British police were in charge of policing in the mandate of Palestine.  A lot of the policemen they hired were people who had served in the British army before, during the Irish War for Independence.  
The army tried to stop how violent the police were, police used torture and brutality, some that had been used during the Irish War for Independence, like having prisoners tied to armored cars and locomotives and razing the homes of people in prison or people they thought were related to people thought to be rebels.
The police hired Arab police and Jewish police for lower level policing,
Making local people part of the management.
“Let Arab police beat up Arabs and Jewish police beat up Jews.”

The lava blocks and reroutes streams, melts snow and ice, flooding.
In 1922, there were 83,000 Jews, 71,000 Christians, and 589,000 Muslims.
The League If Nations endorsed the British Mandate.
During an emergency, in the 1930s, British regulations allowed collective punishment, punishing villages for incidents.
Local officers in riots often deserted and also shared intelligence with their own people.
The police often stole, destroyed property, tortured and killed people.  
Arab revolts sapped the police power over Palestinians by 1939.

My father’s mother was from a matrilineal family.
My dad remembers tall men lining up on pay day to respectfully wait for her, 5 feet tall.  
She married again after her husband died.
A manager from a tile factory,
He spoke English so he supervised finances and correspondence.
My dad, a sunflower, loved her: she scared all the workers but exuded warmth to the people she loved.

Obsidian shields people from negative energy.
David Cargill founded the Burmah Oil Co. in 1886.
If there were problems with oil exploration in Burma and Indian government licenses, Persian oil would protect the company.  
In July 1906, many European oil companies, BP, Royal Dutch Shell and others, allied to protect against the American oil company, Standard Oil.
D’Arcy needed money because “Persian oil took three times as long to come on stream as anticipated.”
Burmah Oil Co. began the Anglo-Persian Oil Co. as a subsidiary.
Ninety-seven percent of British Petroleum was owned by Burmah Oil Co.
By 1914, the British government owned 51% of the Anglo-Persian Oil Co.  
Anglo-Persian acquired independence from Burmah Oil and Royal Dutch Shell with two million pounds from the British government.

The lava burns the rock off the edge of the volcano.
In 1942, after the Japanese took Burma,
the British destroyed their refineries before leaving.
The United Nations had to find other sources of oil.
In 1943, Japan built the Burma-Thailand Railroad with forced labor from the Malay peninsula who were mostly from the rubber plantations.

The rock goes down with the lava, breaking through the rocks as it goes down.
In 1945. Japan destroyed their refineries before leaving Burma.
Cargill, Watson and Whigham were on the Burmah Oil Co. Board and then the Anglo Iranian Oil Co. Board.  

In 1936 Palestine, boycotts, work stoppages, and violence against British police officials and soldiers compelled the government to appoint an investigatory commission.  
Leaders of Egypt, Trans Jordan, Syria and Iraq helped end the work stoppages.
The British government had the Peel Commission read letters, memoranda, and petitions and speak with British officials, Jews and Arabs.  
The Commission didn’t believe that Arabs and Jews could live together in a single Jewish state.
Because of administrative and financial difficulties the Colonial Secretary stated that to split Palestine into Arab and Jewish states was impracticable.  
The Commission recommended transitioning 250,000 Arabs and 1500 Jews with British control over their oil pipeline, their naval base and Jerusalem.  
The League of Nations approved.
“It will not remove the grievance nor prevent the recurrence,” Lord Peel stated after.
The Arab uprising was much more militant after Peel.  Thousands of Arabs were wounded, ten thousand were detained.  
In Sykes-Picot and the Husain McMahon agreements, the British promised the Arabs an independent state but they did not keep that promise.  
Representatives from the Arab states rejected the Peel recommendations.
United Nations General Assembly Resolution181 partitioned Palestine into Arab and Jewish states with an international regime for the city of Jerusalem backed by the United States and the Soviet Union.  

The Israeli Yishuv had strong military and intelligence organization —-  
the British recognized that their interest was with the Arabs and abstained from the vote.  
In 1948, Israel declared the establishment of its state.  
Ground rock, minerals, and gas covered the ground from the ash plume.
The Palestinian police force was disbanded and the British gave officers the option of serving in Malaya.

Though Truman, Eisenhower and Kennedy supported snd tried to get Israel to offer the Arabs concessions, it wasn’t a major priority and didn’t always approve of Israel’s plans.
Arabs that had supported the British to end Turkish rule stopped supporting the West.  
Many Palestinians joined left wing groups and violent third world movements.  
Seventy-eight percent of the territory of former Palestine was under Israel’s control.  

My dad left for college in 1957 and lived in an apartment above the United States Information services office.
Because he graduated at the top of his class, he was given a job with the public works department of the government on the electricity board.  
“Once in, you’ll never leave.”
When he wanted a job where he could do real work, his father was upset.
He broke the chains with bells for vespers.
He got a job in Calcutta at Kusum Products and left the government, though it was prestigious to work there.
In the chemical engineering division, one of the projects he worked on was to design a *** distillery, bells controlled by hammers, hammers controlled by a keyboard.
His boss worked in the United Kingdom for. 20 years before the company he worked at, part of Power Gas Corporation, asked him to open a branch in Calcutta.
He opened the branch and convinced an Industrialist to open a company doing the same work with him.  The branch he opened closed after that.  
My dad applied for labor certification to work abroad and was selected.  
His boss wrote a reference letter for my him to the company he left in the UK.  My dad sent it telling the company when he was leaving for the UK.  
The day he left for London, he got the letter they sent in the mail telling him to take the train to Sheffield the next day and someone from the firm would meet him at the station.  
His dad didn’t know he left, he didn’t tell him.
He broke the chains with chimes for schisms.


Anglo-Persian Oil became Anglo-Iranian Oil in 1935.
The British government used oil and Anglo-Persian oil to fight communism, have a stronger relationship with the United States and make the United Kingdom more powerful.  
The National Secularists, the Tudeh, and the Communists wanted to nationalize Iran’s oil and mobilized the Iranian people.
The British feared nationalization in Iran would incite political parties like the Secular Nationalists all over the world.  
In 1947, the Iranian government passed the Single Article Law that “[increased] investment In welfare benefits, health, housing, education, and implementation of Iranianization through substitution of foreigners” at Anglo-Iranian Oil Co.
“Anglo-Iranian Oil Company made more profit in 1950 than it paid to the Iranian government in royalties over the previous half century.”
The Anglo-Iranian Oil Company tried to negotiate a new concession and claimed they’d hire more Iranian people into jobs held by British and people from other nationalities at the company.
Their hospitals had segregated wards.  
On May 1, 1951, the Iranian government passed a bill that nationalized Anglo- Iranian Oil Co.’s holdings.  
During the day, only the steam from the hot lava can be seen.
In August 1953, the Iranian people elected Mossadegh from the Secular Nationalist Party as prime minister.
The British government with the CIA overthrew Mossadegh using the Iranian military after inducing protests and violent demonstrations.  
Anglo-Iranian Oil changed its name to British Petroleum in 1954.
Iranians believe that America destroyed Iran’s “last chance for democracy” and blamed America for Iran’s autocracy, its human rights abuses, and secret police.

The smoldering sound of the lava sizzles underneath the dried lava.  
In 1946, Executive Yuan wanted control over 4 groups of Islands in the South China Sea to have a stronger presence there:  the Paracels, the Spratlys, Macclesfield Bank, and the Pratas.
The French forces in the South China Sea would have been stronger than the Chinese Navy then.
French Naval forces were in the Gulf of Tonkin, U.S. forces were in the Taiwan Strait, the British were in Hong Kong, and the Portuguese were in Macao.
In the 1950s, British snd U.S. oil companies thought there might be oil in the Spratlys.  
By 1957, French presence in the South China Sea was hardly there.  

When the volcano erupted, the lava dried at the ocean into black sand.
By 1954, the Tudeh Party’s communist movement and  intelligence organization had been destroyed.  
Because of the Shah and his government’s westernization policies and disrespectful treatment of the Ulama, Iranians began identifying with the Ulama and Khomeini rather than their government.  
Those people joined with secular movements to overthrow the Shah.  

In 1966, Ne Win seized power from U Nu in Burma.
“Soldiers ruled Burma as soldiers.”
Ne Win thought that western political
Institutions “encouraged divisions.”
Minority groups found foreign support for their separatist goals.
The Karens and the Mons supported U Nu in Bangkok.  


Rare copper, a heavy metal, no alloys,
a rock in groundwater,
conducts electricity and heat.
In 1965, my Dad’s cousin met him at Heathrow, gave him a coat and £10 and brought him to a bed and breakfast across from Charing Cross Station where he’d get the train to Sheffield the next morning.
He took the train and someone met him at the train station.  
At the interview they asked him to design a grandry girder, the main weight bearing steel girder as a test.
Iron in the inner and outer core of the earth,
He’d designed many of those.  
He was hired and lived at the YMCA for 2 1/2 years.  
He took his mother’s family name, Menon, instead of his father’s, Varma.
In 1967, he left for Canada and interviewed at Bechtel before getting hired at Seagrams.  
Iron enables blood to carry oxygen.
His boss recommended him for Dale Carnegie’s leadership training classes and my dad joined the National Instrument Society and became President.
He designed a still In Jamaica,
Ordered all the parts, nuts and bolts,
Had all the parts shipped to Jamaica and made sure they got there.
His boss supervised the construction, installation and commission in Jamaica.
Quartz, heat and fade resistant, though he was an engineer and did the work of an engineer, my dad only had the title, technician so my dad’s boss thought he wasn’t getting paid enough but couldn’t get his boss to offer more than an extra $100/week or the title of engineer; he told my dad he thought he should leave.
In 1969, he got a job at Celanese, which made rayon.
He quit Celanese to work at McGill University and they allowed him to take classes to earn his MBA while working.  

The United States and Israel’s alliance was strong by 1967.
United Nations Security Council Resolution 242 at the end of the Third Arab Israeli War didn’t mention the Palestinians but mentioned the refugee problem.
After 1967, the Palestinians weren’t often mentioned and when mentioned only as terrorists.  
Palestinians’ faith in the “American sponsored peace process” diminished, they felt the world community ignored and neglected them also.
Groups like MAN that stopped expecting anything from Arab regimes began hijacking airplanes.
By 1972, the Palestine Liberation Organization had enough international support to get by the United States’ veto in the United Nations Security Council and Arab League recognition as representative of the Palestinian people.
The Palestinians knew the United States stated its support, as the British had, but they weren’t able to accomplish anything.  
The force Israel exerted in Johnson’s United States policy delivered no equilibrium for the Palestinians.  

In 1969, all political parties submitted to the BSPP, Burma Socialist Programme Party.
Ne Win nationalized banks and oil and deprived minorities of opportunities.
Ne Win became U Nu Win, civilian leader of Burma in 1972 and stopped the active role that U Nu defined for Burma internationally
He put military people in power even when they didn’t have experience which triggered “maldistribution of goods and chronic shortages.”  
Resources were located in areas where separatist minorities had control.

The British presence in the South China Sea ended in 1968.  
The United States left Vietnam in 1974 and China went into the Western Paracels.
The U.S. didn’t intervene and Vietnam took the Spratlys.
China wanted to claim the continental shelf In the central part of the South China Sea and needed the Spratlys.
The United States mostly disregarded the Ulama In Iran and bewildered the Iranian people by not supporting their revolution.

Obsidian—
iron, copper and chromium—
isn’t a gas
but it isn’t a crystal;
it’s between the two,
the ordered crystal and the disordered gas.  
They made swords out of obsidian.


Edelweiss

I laid out in my backyard in my bikini.  
I love the feeling of my body in the sun.  
I’d be dark from the end of spring until winter.
The snow froze my bare feet through winter ,
my skin pale.
American towns in 1984,
Free, below glaciers the sunlight melted the snow,
a sea of green and the edelweiss on the edge of the  limestone,
frosted but still strong.    
When the spring warmed the grass,
the grass warmed my feet. 
The whole field looked cold and white from the glacier but in the meadow,
the bright yellow centers of those flowers float free in the center of the white petals.
The bright yellow center of those edelweiss scared the people my parents ran to America from India to get away from.  
On a sidewalk in Queens, New York in 1991, the men stared and yelled comments at me in short shorts and a fitted top in the summer.  
I grabbed my dad’s arm.

























The Bread and Coconut Butter of Aparigraha

Twelve year old flowerhead,
Marigold, yarrow and nettle,
I’d be all emotion
If not for all my work
From the time I was a teenager.
I got depressed a lot.
I related to people I read about
In my weather balloon,
Grasping, ignorant, and desperate,
But couldn’t relate to other twelve year olds.
After school I read Dali’s autobiography,
Young ****** Autosodomized by Her Own Chastity.
Fresh, green nettle with fresh and dried yarrow for purity.
Dead souls enticed to the altar by orange marigolds,
passion and creativity,
Coax sleep and rouse dreams.
Satellites measure indirectly with wave lengths of light.
My weather balloon measures the lower and middle levels of the atmosphere directly,
Fifty thousand feet high,
Metal rod thermometer,
Slide humidity sensor,
Canister for air pressure.

I enjoy rye bread and cold coconut butter in my weather balloon,
But I want Dali, and all the artists and writers.
Rye grows at high altitudes
But papyrus grows in soil and shallow water,
Strips of papyrus pith shucked from their stems.
When an anchor’s weighed, a ship sails,
But when grounded we sail.
Marigolds, yarrow and nettle,
Flowerhead,
I use the marigold for sleep,
The yarrow for endurance and intensity,
toiling for love and truth,
And the nettle for healing.
Strong rye bread needs equally strong flavors.
By the beginning of high school,
I read a lot of Beat literature
And found Buddhism.
I loved what I read
But I didn’t like some things.
I liked attachment.  
I got to the ground.
Mushrooms grow in dry soil.
Attachment to beauty is Buddha activity.
Not being attached to things I don’t find beautiful is Buddha activity.  
I fried mushrooms in a single layer in oil, fleshy.
I roasted mushrooms at high temperatures in the oven, crisp.
I simmered mushrooms in stock with kombu.
Rye bread with cold coconut butter and cremini mushrooms,
raw, soft and firm.  
Life continues, life changes,
Attachments, losses, mourning and suffering,
But change lures growth.
I find stream beds and wet soil.
I lay the strips of papyrus next to each other.
I cross papyrus strips over the first,
Then wet the crossed papyrus strips,
Press and cement them into a sheet.
I hammer it and dry it in the sun,
With no thought of achievement or self,
Flowerhead,
Hands filled with my past,
Head filled with the future,
Dali, artists poets,
Wishes and desires aligned with nature,
Abundance,
Cocoa, caraway, and molasses.

If I ever really like someone,
I’ll be wearing the dress he chooses,
Fresh green nettle and yarrow, the seeds take two years to grow strong,
Lasting love.
Marigolds steer dead souls from the altar to the afterlife,
Antiseptic, healing wounds,
Soothing sore throats and headaches.
Imperturbable, stable flowerhead,
I empty my mind.
When desires are aligned with nature, desire flows.
Papyrus makes paper and cloth.
Papyrus makes sails.
Charcoal from the ash of pulverized papyrus heals wounds.
Without attachment to the fruit of action
There is continuation of life,
Rye bread and melted coconut butter,
The coconut tree in the coconut butter,
The seed comes from the ground out of nothing,
Naturalness.
It has form.
As the seed grows the seed expresses the tree,
The seed expresses the coconut,
The seed expresses the coconut butter.
Rye bread, large open hollows, chambers,
Immersed in melted coconut butter,
Desire for expansion and creation,
No grasping, not desperate.
When the mind is compassion, the mind is boundless.
Every moment,
only that,
Every moment,
a scythe to the papyrus in the stream bed of the past.  

































Sound on Powdery Blue

Potter’s clay, nymph, plum unplumbed, 1993.
Dahlia, ice, powder, musk and rose,
my source of life emerged in darkness, blackness.
Seashell fragments in the sand,
The glass ball of my life cracked inside,
Light reflected off the salt crystal cracks,
Nacre kept those cracks from getting worse.
Young ****** Autosodomized By Her Own Chastity,
Nymph, I didn’t want to give my body,
Torn, *****, ballgown,
To people who wouldn’t understand me,
Piquant.

Outside on the salt flats,
Aphrodite, goddess of beauty, pleasure and fertility and
Asexual Artemis, goddess of animals, and the hunt,
Mistress of nymphs,
Punish with ruthless savagery.

In my bedroom, blue caribou moss covered rocks, pine, and yew trees,
The heartwood writhes as hurricane gales, twisters and whirlwinds
Contort their bark,
Roots strong in the soil.
Orris root dried in the sun, bulbs like wood.
Dahlia runs to baritone soundbath radio waves.
Light has frequencies,
Violet between blue and invisible ultraviolet,
Flame, slate and flint.
Every night is cold.

Torii gates, pain secured as sacred.
An assignation, frost hardy dahlia and a plangent resonant echo.
High frequency sound waves convert to electrical signals,
Breathe from someone I want,
Silt.
Beam, radiate, ensorcel.
I break the bark,
Sap flows and dries,
Resin seals over the tear.
I distill pine,
Resin and oil for turpentine, a solvent.
Quiver, bemired,
I lead sound into my darkness,
Orris butter resin, sweet and warm,
Hot jam drops on snow drops,
Orange ash on smoke,
Balm on lava,
The problem with cotton candy.

Electrical signals give off radiation or light waves,
The narrow frequency range where
The crest of a radio wave and the crest of a light wave overlap,
Infrared.
Glaciers flow, sunlight melts the upper layers of the snow when strong,
A wet snow avalanche,
A torrent, healing.
Brown sugar and whiskey,
Undulant, lavender.
Pine pitch, crystalline, sticky, rich and golden,
And dried pine rosin polishes glass smooth
Like the smell of powdery orris after years.
Softness, flush, worthy/not worthy,
Rich rays thunder,
Intensify my pulse,
Frenzied red,
Violet between blue and invisible ultraviolet.
Babylon—flutter, glow.
Unquenchable cathartic orris.  

















Pink Graphite

Camellias, winter shrubs,
Their shallow roots grow beneath the spongy caribou moss,
Robins egg blue.
After writing a play with my gifted students program in 1991,
I stopped spending all my free time writing short stories,
But the caribou moss was still soft.

In the cold Arctic of that town,
The evergreen protected the camellias from the afternoon sun and storms.
They branded hardy camellias with a brass molded embossing iron;
I had paper and graphite for my pencils.

After my ninth grade honors English teacher asked us to write poems in 1994,
It began raining.
We lived on an overhang.
A vertical rise to the top of the rock.
The rainstorm caused a metamorphic change in the snowpack,
A wet snow avalanche drifted slowly down the moss covered rock,
The snow already destabilized by exposure to the sunlight.

The avalanche formed lakes,
rock basins washed away with rainwater and melted snow,
Streams dammed by the rocks.  
My pencils washed away in the avalanche,
My clothes heavy and cold.
I wove one side of each warp fiber through the eye of the needle and one side through each slot,
Salves, ointments, serums and tinctures.
I was mining for graphite.
They were mining me,
The only winch, the sound through the water.

A steep staircase to the red Torii gates,
I broke the chains with bells for vespers
And chimes for schisms,
And wove the weft across at right angles to the warp.  

On a rocky ledge at the end of winter,
The pink moon, bitters and body butter,
They tried to get  me to want absinthe,
Wormwood for bitterness and regret.
Heat and pressure formed carbon for flakes of graphite.
Heat and pressure,
I made bitters,
Brandy, grapefruit, chocolate, mandarin rind, tamarind and sugar.
I grounded my feet in the pink moss,
paper dried in one hand,
and graphite for my pencils in the other.  



































Flakes

I don’t let people that put me down be part of my life.  
Gardens and trees,
My shadow sunk in the grass in my yard
As I ate bread, turmeric and lemon.
Carbon crystallizes into graphite flakes.
I write to see well,
Graphite on paper.  
A shadow on rock tiles with a shield, a diamond and a bell
Had me ***** to humiliate me.
Though I don’t let people that put me down near me,
A lot of people putting me down seemed like they were following me,
A platform to jump from
While she had her temple.  

There was a pink door to the platform.
I ate bread with caramelized crusts and
Drank turmeric lemonade
Before I opened that door,
Jumped and
Descended into blankets and feathers.
I found matches and rosin
For turpentine to clean,
Dried plums and licorice.  

In the temple,
In diamonds, leather, wool and silk,
She had her shield and bells,
Drugs and technology,
Thermovision 210 and Minox,
And an offering box where people believed
That if their coins went in
Their wishes would come true.

Hollyhock and smudging charcoal for work,  
Belled,
I ground grain in the mill for the bread I baked for breakfast.
The bells are now communal bells
With a watchtower and a prison,
Her shield, a blowtorch and flux,
Her ex rays, my makeshift records
Because Stalin didn’t like people dancing,
He liked them divebombing.
Impurities in the carbon prevent diamonds from forming,
Measured,
The most hard, the most expensive,
But graphite’s soft delocalized electrons move.  






































OCEAN BED

The loneliness of going to sleep by myself.  
I want a bed that’s high off the ground,
a mattress, an ocean.
I want a crush and that  person in my bed.  
Only that,
a crush in my bed,
an ocean in my bed.  
Just love.  
But I sleep with my thumbs sealed.  
I sleep with my hands, palms up.  
I sleep with my hands at my heart.  
They sear my compassion with their noise.  
They hold their iron over their fire and try to carve their noise into my love,
scored by the violence of voices, dark and lurid,  
but not burned.  
I want a man in my bed.  
When I wake up in an earthquake
I want to be held through the aftershocks.  
I like men,
the waves come in and go out
but the ocean was part of my every day.  
I don’t mind being fetishized in the ocean.  
I ran by the ocean every morning.  
I surfed in the ocean.  
I should’ve gone into the ocean that afternoon at Trestles,
holding my water jugs, kneeling at the edge.  














Morning

I want to fall asleep in the warm arms of a fireman.  
I want to wake up to the smell of coffee in my kitchen.  

Morning—the molten lava in the outer core of the earth embeds the iron from the inner core into the earth’s magnetic field.  
The magnetic field flips.  
The sun, so strong, where it gets through the trees it burns everything but the pine.  
The winds change direction.  
Storms cast lightening and rain.  
Iron conducts solar flares and the heavy wind.  
In that pine forest, I shudder every time I see a speck of light for fear of neon and fluorescents.  The eucalyptus cleanses congestion.  
And Kerouac’s stream ululates, crystal bowl sound baths.  
I follow the sound to the water.  
The stream ends at a bluff with a thin rocky beach below.  
The green water turns black not far from the shore.  
Before diving into the ocean, I eat globe mallow from the trees, stems and leaves, the viscous flesh, red, soft and nutty.  
I distill the pine from one of the tree’s bark and smudge the charcoal over my skin.  

Death, the palo santo’s lit, cleansing negative energy.  
It’s been so long since I’ve smelled a man, woodsmoke, citrus and tobacco.  
Jasmine, plum, lime and tuberose oil on the base of my neck comforts.  
Parabolic chambers heal, sound waves through water travel four times faster.  
The sound of the open sea recalibrates.  
I dissolve into the midnight blue of the ocean.  

I want to fall asleep in the warm arms of a fireman.  
I want to wake up to the smell of coffee in my kitchen.  
I want hot water with coconut oil when I get up.  
We’d lay out on the lawn, surrounded by high trees that block the wind.  
Embers flying through the air won’t land in my yard, on my grass, or near my trees.  





Blue Paper

Haze scatters blue light on a planet.  
Frought women, livid, made into peonies by Aphrodites that caught their men flirting and blamed the women, flushed red.
and blamed the women, flushed red.
Frought women, livid, chrysanthemums, dimmed until the end of the season, exchanged and retained like property.  
Blue women enter along the sides of her red Torii gates, belayed, branded and belled, a plangent sound.  
By candles, colored lights and dried flowers she’s sitting inside on a concrete floor, punctures and ruin burnished with paper, making burnt lime from lime mortar.  
Glass ***** on the ceiling, she moves the beads of a Palestinian glass bead bracelet she holds in her hands.  
She bends light to make shadows against  thin wooden slats curbed along the wall, and straight across the ceiling.
A metier, she makes tinctures, juniper berries and cotton *****.
Loamy soil in the center of the room,
A hawthorn tree stands alone,
A gateway for fairies.
large stones at the base protecting,
It’s branches a barrier.  
It’s leaves and shoots make bread and cheese.
It’s berries, red skin and yellow flesh, make jam.
Green bamboo stakes for the peonies when they whither from the weight of their petals.
And lime in the soil.  
She adds wood chips to the burnt lime in the kiln,
Unrolled paper, spools, and wire hanging.
Wood prayer beads connect her to the earth,
The tassels on the end of the beads connect her to spirit, to higher truth.
Minerals, marine mud and warm basins of seawater on a flower covered desk.  
She adds slaked lime to the burnt lime and wood chips.  
The lime converts to paper,
Trauma victims speak,
Light through butterfly wings.  
She’s plumeria with curved petals, thick, holding water
This is what I have written of my book.  I’ll be changing where the poems with the historical research go.  There are four more of those and nine of the other poems.
Ellie Elliott Mar 2014
There is a tear in my existence,
the gap between two milk teeth
breaking away from wide-mouthed childlike innocence
and falling out,
lost to ice cream cones and garden fences
teen dream dancing and cool pretenses
ignorant bliss, aimless goals
and the taste of near-empty Jack Daniels bottles
seems wiped from me
like a milk moustache.

Adulthood, what are you but a mistress who is cruel to be kind
curling and winding around me until I choke in your perfectly proper pencil skirt?
What are you but a greater knowledge of the world and a lesser understanding of it?
What are you but a greater understanding of the self and a lesser affinity with it?

Adulthood, what are you but broken dreams and disappointment?
What are you but bigger dreams with arms that reach beyond death itself?
What do you bring except shrivelled skin and nostalgia for once upon a times?
What but wisdom and a sense of sanguine satisfaction?
What are you but blood and cells and bells and *** and terrific notions and consequences and deckchairs and chinaware and despair?

Adulthood, what are you but glazed-over wasted days and self-loathing?
What are you but three hundred responsibilities taken care of all at once, caffeine eyes and welling pride?
What are you but the inevitable crash and getting smashed and suddenly remembering why I should do things one at a time?

What are you but change upon change upon change upon mistakes made again for the millionth time?
And my changes, now lifeless
cause an identity crisis
about whether I'm really any different in the end
the likes of which will no doubt be seen again
when Monday rolls around,
what are you but Mondays, endless Mondays
driving me into the ground?

Oh Adulthood,
what are you but a downsize of naivity, a self-belief redundancy, a vitamin D deficiency and a proper place for everything apart from me?
What are you but desperate faces smashing into one another, drowning lungs, curtains pulled down, curtains put up, curtains being suddenly important? Curtains ******* me up?
What are you but woodsmoke and patios, warm faces, good graces and the ceaselessly mounting cost of Freddos, buildings and building things and falling in love...

And falling in love, falling asleep, falling awake, falling apart, falling together, falling
falling
falling
down.

What are you, Adulthood, but always always getting back up again no matter what, and alarms and reminders and no bed times
but being so tired you start to admire
that even the sun must sleep sometimes,
even if it always comes back up, shining even brighter
until the timing is right until the living is right until the mind is right only then can we stop trying
only then can we die
no wonder the afterlife is idealised
and even then, will I see the light?
Can I stop now?
Is it really alright?

What are you Adulthood, but a long list of questions?
Because I have so much to ask, you see, but mostly

What are you here for, except to show me how good I had it before?

Adulthood, I don't know.
ellie elliott
Dre G Apr 2013
goodmorning
the **** convinced me
not to move the black bracers-
killer whales wanting to dance
but i stuff them with threads,
knots of ebony and fishnets,
so they hang over my body
at night during my journeys.
are they looking after me or
are they after that red bead
in my center?

burning woodsmoke now, patchouli
melt creamy- as venus sways one
hip from the fire pits of aries
she ends up on the other side:
the dirt finger grove of the steady
bull chanting "hold and touch and stay."

goodmorning
when has the sun glided his way,
as if upon the hips of a sea nymph,
across miles and angles of what
was a dark night?

keep your water, i am weaving.
i am breathing every taste of it
i am touching infinitely that center,
so sought after, like the walls of palaces
when tongue touches lip
i am rubbing every color through me
i am watching your scent drizzle gently
all over my pools of skin.

tend me like the earth, goodmorning
string me like the grape vines bursting forth from soil.
In the rectory garden on his evening walk
Paced brisk Father Shawn.  A cold day, a sodden one it was
In black November.  After a sliding rain
Dew stood in chill sweat on each stalk,
Each thorn; spiring from wet earth, a blue haze
Hung caught in dark-webbed branches like a fabulous heron.

Hauled sudden from solitude,
Hair prickling on his head,
Father Shawn perceived a ghost
Shaping itself from that mist.

'How now,' Father Shawn crisply addressed the ghost
Wavering there, gauze-edged, smelling of woodsmoke,
'What manner of business are you on?
From your blue pallor, I'd say you inhabited the frozen waste
Of hell, and not the fiery part.  Yet to judge by that dazzled look,
That noble mien, perhaps you've late quitted heaven?'

In voice furred with frost,
Ghost said to priest:
'Neither of those countries do I frequent:
Earth is my haunt.'

'Come, come,' Father Shawn gave an impatient shrug,
'I don't ask you to spin some ridiculous fable
Of gilded harps or gnawing fire:  simply tell
After your life's end, what just epilogue
God ordained to follow up your days.  Is it such trouble
To satisfy the questions of a curious old fool?'

'In life, love gnawed my skin
To this white bone;
What love did then, love does now:
Gnaws me through.'

'What love,' asked Father Shawn, 'but too great love
Of flawed earth-flesh could cause this sorry pass?
Some ****** condition you are in:
Thinking never to have left the world, you grieve
As though alive, shriveling in torment thus
To atone as shade for sin that lured blind man.'

'The day of doom
Is not yest come.
Until that time
A crock of dust is my dear hom.'

'Fond phantom,' cried shocked Father Shawn,
'Can there be such stubbornness--
A soul grown feverish, clutching its dead body-tree
Like a last storm-crossed leaf?  Best get you gone
To judgment in a higher court of grace.
Repent, depart, before God's trump-crack splits the sky.'

From that pale mist
Ghost swore to priest:
'There sits no higher court
Than man's red heart.'
It doesn't work when trying to rhyme
To mix the words of valentine
To cross the miles and pass the time
Until once more you are mine
And into to your arms again to climb
When touch and eyes can words refine
Warm bodies in the cold house of lime
Rekindle flames of feeling, taste lips of wine
Till I find my hearts true entwine
And you will be my woodsmoke valentine
The "Lime house" is a ramshackle near derilict barn my lover and I camped in on a cold winters night.
palladia Aug 2013
loathe* — july 17, 2013

reëstablish the current which made being whole
no, not just in another life since fragmented whole is nothing tethered to the waist. that’s what belts are for. *if you say so

monitor it like
you would anywhere
the trajectory is clear : light the torch of multi-orbed sensation
where we wait on the cusp
of the whole
perhaps in another life, we dare to suggest it. i don’t dare. if i did, i would consider myself a pigment of this pallet
i don’t breathe limited expectation
scientific claims
they’re just as good as dead to me. perhaps the whole can be related and consume our progress. there is too much to see. too little methods
methodic function isn’t perfunctory yet. a push is required. jumpstarting will only cause sparks.
i know something better
so sit down and move to the right. the light’s blocking my view and i cannot surmise unless i’m granted a complete oversight. nothing backseat, because we all know
that is reductive
paint splatters on my face
                                                i
              ­                                am
                              ­             frozen
the colors reimage our complexion and erase the mistakes until we are whole
[ uncertainty is the new guarantee ]
introspection is a form by which we do so. everything we see is incomplete. our eyes need to be adjusted
to the [ uncertain ]


adore — july 29 , 2013

black blue strata pillars spruces flutes
eclectic aftermath debris snaffle pop
  chute-in whelked chrome lugubrious
   lifeblood : trans yes mutate pro-ohms
    in timehalts wyoming woodsmoke
     screened scans : rancid gemini rotors
      hulks histories back - lying supine arts
       ( please remind me to act regimentally )
"They are polar opposites. Yet they are one in the same. They are like snake eyes. They are everything I hate and love...odi et amo. Catullus isn't the only one questioning here."
--Inez Impyriad
Erin Lewis Aug 2012
Women sit on the laps of drunken men
Each man has claimed his *****
Only one man sits alone
Nursing a bottle of Jack

His eyes downcast and shadowed
Are filled with fire and doubt
A fire that burns sharp and bitter
Much like the liquor in his mouth

Woodsmoke covers the sweet smells
Of *** and Black and Milds
As all fly higher, they care less and less
The energy becomes primal and wild

Slowly they separate in groups of two
Each pair to find a tent of their own
The clearing empties, the fire dies down
And only one man is left alone
WoodsWanderer Jan 2016
My brother is the musky smell of woodsmoke.
I loved it,
whitewater rafting
in the Adirondacks,
sleeping in tents
cooking on woodsmoke
having a joke with
the
New Yorker yokels
known locally as the locals.

It was Yellowstone that stole my heart,
rings of fire on the end of a rainbow
dreams that we lived and
we lived for the dream,

all the rest is just history
and most of that went to the scrapyard.
Theodore Bird Mar 2015
The smell of woodsmoke in your hair,
     dampened by the shower fog.
The subtle morning chorus,
     the hungover smell of ***,
the tangle of our ankles beneath the pillows.
Chris Behrens Feb 2013
Once, in thirty summers past,
I walked in shadows, moonlit cast
And broke my daylong journey's fast
with sausage, honeymead and bread.

Then in among the piney trees
A sounding crash my nerves did seize
And set my rushing blood to freeze
A sounding crash to wake the dead

I stood at once and looked around
For what had made that terror-sound
and peering through the branches found
An old man working, felling trees.

Carefully, I wandered to
and brought the man back into view:
An ancient woodsman dressed in blue
with woodsmoke drifting on the breeze.

Silently, I stood there, lurking,
For a time, and watched him working
Then I hailed him, with that irking
He met me with an icy stare

He loosed his tongue and dropped his axe:
"beneath the stone and craggy cracks
slept the dragon Cathagorax
Grown old in years beyond his share."

Young Cantabridge the brave and fair
left his father's bedside care
And called to all who gathered there,
Who'll put their courage to the test?"

He cried to them, "I have a plan,
to **** this creature if I can,"
No other, single, mortal man
Would join him on his foolish quest.

And on his way, the young man going
the creature then, in dark ways knowing
Awaken-ed, his hatred growing
prepared his evil darkling cast.

Darkling words and phrases chanting
Screaming, shrieking, raving, ranting
And finally completed, panting
Settled to the ground at last.

Cantabridge stepped in the cave
his face afear-ed, grim and grave
A final warning cry he gave
among the icy water floes.

"Worm my father couldn't fell
******* steel and fly to hell!
Its ring will be your funeral bell
and bring your seasons to a close!"

Wings swept down and armor flashed
Claws rent flesh and hammers crashed
Contending sinews groaned and smashed
And formed a hymn of battle-cries.

Falling down, dank and muddy
Bodies broken, torn and ******
Each warrior turned to study
Each other's watchful, waiting, eyes.

Cantabridge, with strength afleeting
By darkling magic, heart un-beating
Realizing and retreating
His victory had turned to death.

He thrashed about, his body lying
Struggling and vainly trying
Against the magic, finally dying
and with that breathed his final breath.

And in my bed, awake and dreaming
I saw a vision of him, seeming
Like a ghost with armor gleaming
Lying dead and in the sun.

So here upon this piney tree
I hammered, ere I talked with thee,
And in the valley, I could see
The fun'ral pyre for his son

In the moonlight, by the river
I searched and in the night air shivered
and for the woodsman's son delivered
a single, wild, yellow rose.

So on that night, I stood and turned
and watched them while the pyre burned
For the warrior boy who'd learned
The darkling magic a dragon knows.
Natasha Teller Dec 2013
I. the breathing of human nature

her poetry weaves a chimera
through ontario maples,
ghostlike songs intoned in late november breath:
*i don't really want to be a pretty girl... *

whispers of woodsmoke fall from sky
(sky, pink as cochineal, pink as avarice
sky, blue as bruises, as jazz, as tropical waters)
she steps from the fog and ash into the beckoning trees,
seduced by leaves,
an autumn saturnalia of honey, flame, amber,
nectar, pistil, anther.

she is cupola and chalice,
budding fuchsia and iron cherry--
but she writes and breathes
as if something more than a woman
who knows all the names for the ocean
stirs and struts inside her.

II. the statue and sobriquet

piano wires melt into statues,
heat steals rusty bottle caps
and bends them eerily into muses.
butterflies perch astutely on their shoulders,
violet, violent, a mosaic of shredded lilies and shellac,
paris in flames, flowering tea-houses,
the mariana trench, a thicket of morning glory.

nature sculpted this metaphysical tribute to her
for all that she has done, for all that her bent fingernails
and snow-covered lips have given
to inspire solstice and equinox--

in the night-songs of the crickets,
crystal bells and rustic chirps,
she was lauded.


III. declaration

she feels the songs in her eyelashes
and writes of wine and palest bone,
fragments of bashful moon,

roots her fingernails into the tarnished canadian willows
and finds her way through magnolia clouds and sea-spray sky;
after all, she can soar.
David Tollick Apr 2011
(for Glynn)*

Singing breeze
Singing breeze
Carrying nothing
Kissed by sunlight
Carry my wishes
Scatter my troubles

Leave the grey highway
Slip through the forest
Birch and pine
Needle and catkin
Shutting the sky out
Speckles of sunlight

Evening sky
How many colours
How many colours
Woodsmoke and silence
Unsleeping river
Silence and river

Wanting to share this
Beautifully lonely
Only I saw it
Only I held it
Stop this stone rolling
Let the moss gather

Living as leaf-fall
Living as boulder
Keener than snowmelt
Fuller than August
Cradle of tree roots
Mantle of mountain

Granite horizon
Breezes will soothe you
Whispering breezes
Will you be listening
Do you hear singing
Do you hear forests
This is primarily a song lyric of mine; the tune has a kind of rythmic, chanting quality. An Laoigh - (Scots Gaelic - the calf of the red-deer) - is a placename from the foothills of the Cairgorm Mountains.
Jonathan Witte Dec 2016
So the Violets lived
in the long shadow
of a slaughterhouse,

separated from death
by cyclone fencing
and a scrabbly yard.

In summer, family time
meant sitting on the porch
drinking cans of Budweiser.

It took about a six pack
each to mask the smell
of cow and diesel fuel,

but the rumble of semis
and the relentless lowing
of cattle were inescapable.

In winter, woodsmoke
filled the small rooms,
slowly turning the walls

the color of ***** snow.
Icicles hung from gutters,
lengthening like knives.

The youngest Violet daughter
grew up, moved to Louisville,
and became a painter of vivid

abstracts.

I have one of her paintings
hanging on a wide white wall.
I like to pour myself a Scotch

and watch the mangled colors—
brilliant viscera sullying
a slaughterhouse stall—

the smell of peat and smoke;
the taste of earth’s undoing.
Max Hale Dec 2017
Can this be the time once more
Of utter giving up of our control
The simple folliwing of commercial madness
Our desire for the day when food and wine
Have to be gathered about us like the defences of yore
Headlong we run from mid-summer until
We are exhausted in body, spirit or credit
The desperate worry of what to buy whom
Or when to order the especially fattened bird for your table
The ridiculous overspending on presents
When time could be the finest present you could give

Yule tide is a special period for Druids and all pagans alike,
The wonder of simplicity of reflection of our past year
The elements of sleep as mother earth regenerates herself
Resting often under the warmth of a blanket of snow
Gathering of families and loved ones
Blessings of the solstice as the wheel of the year turns
Once more into the light as the sun begins it's journey
Returning to the northern hemisphere
Our birds and native animals preparing for the winter
Storing their food, digging deep as they look for vitals

Likewise the land is resting,
The soil teems with dormant life, every insect and worm
Every root, form and bulb
Slowing right down as the degrees fall to freezing
The frosty and rime ridden mornings giving the flora
A lift of white dusting and sparkling light reflecting
The weak, beautiful winter sun
Heaves itself onto the low glancing position
Just making it to the tree tops before retiring once more to sleep
Leaving glorious swathes of orange and red
Painting the sky as it falls and rises.

Yule tide comes as all seasons, times and periods
But once a year in our short lives
The earthy sounds, the images and emotion
The smell of the newly fallen snow and woodsmoke
The foraging birds and squirrels
The warbling and tuneful song of the blackbird
And the tut tut of Mr Robin resplendent in his
Bright red waistcoat bobbing around in the crisp frost
Our lifetime of Yules is a wonder to enjoy,
I know as I look from my window where my heart is
As the distant tree bare in it's winter shroud speaks
To me as a friend and anchor within this beautiful planet.
Joe Cottonwood Nov 2017
In my little town
dogs sleep on the street
and act affronted
when you drive on the bed.

My little town allocates resources
in proportion to priorities.
We have one school
two churches
and three bars.

The teenage boys in my little town
gather by the pond after dark
with big engines and little cans of beer.
They steal the Stop sign, stone the streetlight,
moon a passing car.
But at least
we know where they are.

In my little town some girls keep horses
in their back yards. Above the dogs and surly boys,
they cruise on saddles astride a big beast,
dropping opinions as they meet.

On the Fourth of July
the whole little town
has a big picnic.

The ducks on the pond in my little town
waddle across the road each afternoon
a milling, quackling crowd
round the door of the yellow house
where the lady gives them grain.
When it rains,
they swim on the road
or sleep there, like dogs.

On a cold morning
the woodsmoke of stoves
lingers like fog
in my little town.

We hold village meetings
where a hundred-odd cranks and dreamers
***** for a grudging consensus.

We cling to the side of our mountain
building homes, making babies
beneath trees of awesome height.
We work too hard, play too rough,
and sense daily something sweet about living
in our little town.
Marian Apr 2013
Crisp breezes blow
The clouds are a sign of snow. . .
Snow is on the way
Making it's way here today
The Autmn cottage stands strong and tall
The crisp breeze is a sign of Fall
Fall is here ever speak
And brittle leaves lie in heaps
The country lane is full of leaves
Which dance and twirl in the breeze
The trees on either side
Make it seem so very wide
This path was walked by many tired feet
In the coolness and the heat
Lots of leaves piled everywhere
And the strong smell of sweet woodsmoke in the air
This is one of my favourite Seasons
And perhaps you've caught the reason
Because. . . It's so beautiful
This time when Fairies sit upon toad stools
They laugh at the window
And cry with the snow
Their cheeks of warmth a glow
In the rain and in the snow
This is why I love Fall the best
When Autumn wears it's pretty vest!

*~Marian~
Dedicated to Autumn, my favourite Season of the year or at least one of my favourites!!! :) Yay!!! :D ~<3
Violet Jan 2014
the smell of woodsmoke
fills the cold
and bitter air
Claire Elizabeth Feb 2015
I can't wait for the summer again when:
I can stand in a big open field and look up at the sky with the sun setting in the West, slipping down the trees and through holes in the horizon until it's bled away into the atmosphere.

*I can't wait for the summer again when:

I can stand on a hill at dusk and breath in the air that smells faintly like brush fire and soft woodsmoke, tinted with the summery tang of ripening fruit; peaches to be exact.

I can't wait for the summer again when:
I can wake up on the early mornings where the fog veils the trees like wispy lace, scented like lavender and rain, mixing the air like watercolours, swirling pinks and blues and purples together to create a pallet.

I can't wait for the summer again when:
I can sit on my front porch and watch the sky explode with lightning during a thunderstorm, illuminating the fronts of houses and my driveway, drenching everything in purple and white light.

I can't wait for the summer again when:
I can be free.
irregular, you came, your best clothes

shining.



never mind. the first tune hit the mind,

patterns and mathematics.



the kindness that is, mixes

with dampened autumn air, and your woodsmoke.

sweet oak.



all that there is. here.



sbm.
mark john junor Nov 2013
the hollow man come calling
his crown of fig leaves
is tinged brown with decay
he carries a scent of late fall
and the woodsmoke of homestead cookfires
he bears with him a satchel made of skin
inside are the measures of madness
and the tools of his craft
he comes calling
to your door
sit with him at you table of plenty
and let him feast at his leasure
let him bide his time
and take his rest upon your finest linens
give him your silk shirt
and your skilled leather boot
fore this hollow man is one
who's displeasure you care not to seek
the hollow man come calling
to the headstone and the friars chapel
the hollow man and his empty echo of words
speaks in pig latin
foretelling all and yet nothing
his cold touch is bone thin
and he leaves behind a
letter handwritten on parchment
that smells faintly of bandages and
a metallic cinnamon
the letter gives the day and hour of your passing
and the ultimate meaning of your life
the cost of all the things you accomplished
and the regrets of all thouse you have loved
the hollow man
is waiting
for each of us
with a letter addressed to each
he is but a delivery boy
for the inevitable
a day late and a dollar short for this poem some might say, but i was waiting for the hollow man, and he is running late
Joe Cole Feb 2015
I'm thinking back to the times when I was camping last year
Sitting by a crackling log fire with Mollie at my feet
Watching the sun set over the trees
The smell of woodsmoke
Occasionally seeing a ghostly owl on silent wings
Hunting small creatures of the night
At such times I don't miss the company
Of mankind
I'm content with the solitude of the fields and woods
My only entertainment is what nature provides
The warm aroma of pine resin
The sweet song of the Nightingale
Who needs more than that?
I certainly don't
Out there in the woods I'm at peace with myself
I can put away the dark thoughts, the nightmares
Sometimes I will sit there until the early morning hours
Happy, content, not bothered by what tomorrows headlines
Might say
Unaware of the sadness, the daily death and destruction that makes the news
I look at faces on the moon
And in my mind see magic in the stars
Read stories in the crackling flames of the campfire
Solitude, peace, the time I love the most
Now approaching 70 years old I don't know how many more times I will have that peace and I'm not sure I would want to do it without Mollie. She's getting old and hasn't got to many years left
I dreamt of drinking whiskey
first sip
favorite brand
dry for a year
now wet again
felt the weight of the glass in my hand
heard the ice tink against the sides
as it sloshed around in warm amber glow
held it under my nose and
inhaaaaaled
noseful of vapor burn
so wonderful
so familiar
comforting as a favorite old t-shirt
woodsmoke and caramel and corn
county fair
harvest festival
excited heart racing
time to do it
break the seal
break the spell
I cast on these lips last Witches' Night
ember sparks the tip of my tounge
and fire spreads down
my throat
and out
to my limbs
and through
my whole being
dopamine rush of
ohmyfuckinggods
and I know this is the single greatest thing
I have ever put in my mouth
and I know I was born to do this
and I wake up
thirsty
Allison Charde Oct 2013
my clammy  hangover hands
have only myself to hold this morning
and i am thankful for that

if you were here
i would apologize for them
and you would laugh and say it's totally okay
i would know you were lying
or at least just wrong

you're heavily sealed
and i have no instruments to carry you from your wrappings
though i **** and lick and rub up against the outside
it never feels quite right

you kissed me from full moon and warm sand
into apple trees and woodsmoke
from sleeping under stars
to turning leaves

but now that the breeze sweeps cold under my soft chin
i am afraid you will not remain to keep me warm or occupied.
annh Jan 2019
I’m wearing your old jacket. Remember? The one you used to fish in. The one with the tear in the silk of the right-hand pocket. You used to tease me. You used to say that this jacket kept your loose change safe from my chocolate addiction. You being left-handed; me being right.

I bury my face in the nap of the moleskin collar. My nostrils fill with your scent - stale cologne, a hint of woodsmoke, and...fish. More disconcerting than unpleasant, it’s all I can do not to choke on my memories of you. Of me and you. Together.

'Tell me, how can I be, now that you alone are gone and I am left behind?'

I feel like I’ve been abandoned in a foreign capital with nothing more than the clothes I stand up in and a wallet full of the wrong kind of currency. The day is drawing to a close. My luggage has disappeared with the exhaust from the bus which took off before I could catch my breath and explain my dilemma - that I’m not sure where I’m going or even where I’ve been. Lately.

Maybe a kindness will point me in the right direction. An open-all-hours diner on an inner-city corner, snuggled in between the high-rise office blocks. Maybe I’ll have enough cash for a meal and a trail of hot, sweet tea to lead me into tomorrow. Maybe I’ll close my eyes and remember where I’m supposed to be and what I should be doing.

And just maybe, as the rhythm of the traffic slows and the night progresses, I’ll find some peace in the ever-changing cityscape. A time-lapse production of late revellers, harried shift workers, the dispossessed and restless; until finally the earliest commuters and exercise fanatics emerge from the riverside neighbourhoods to face the new dawn.

‘Hey, lady.’ A disgruntled voice shatters my reverie. 'I ain’t got all day, y’know.' Scrambling for cash, I reach deep into your left-hand pocket and find...***...a limp fifty-dollar bill...and a battered envelope. There’s a note scrawled on the outside in your familiar hand:

'How can you be, now that I alone have gone and you are left behind? The short answer is: you will be. For you are as singular and complete today as you were before 'mine' became 'yours' and 'I' became 'we'. My darling, I’m no tourist. You know how impatient I can get - always taking the most direct route. I’m just out of sight around the next corner. You take your time and meet me when you’re ready. Sometime...later. Whenever. I’ll be waiting.'

Stunned, I mutter an apology to the waitress and step out from the warm fug of the café into a bright, fresh New York morning. The doorbell tings shut behind me and I realise with new-found clarity that I know exactly where I am. I’m home. It’s not going to be a great day but it’ll be a better one, which is a start. Besides I have things to do - chocolate to buy, a jacket to launder, and a needle to thread.
This started out as a haiku...and turned into 500 words of I’m not sure what. Probably not poetry. I’ve seen a smattering of very long pieces on HePo - about this length - and thought I’d post it anyway. Otherwise it will just gather dust. :)
The leaves crunch under my feet and the wind plays with my hair,
the distant scent of woodsmoke fills the air.
I stop and breathe in the fresh scent of nature, here I find repose,
in my pocket a scrap of paper and pencil, I take them and compose.
Audrey Lipps Nov 2014
You are an aimless nap,
casual and languid,
Cozy but dangerous

In the gray wash of the day,
you're a single red balloon,
floating, floating
toward nothing, toward
oblivion

A sly-eyed persona,
an ombre-d smile and
a heart mixed with lemon, sour
but sweet


An afternoon green and airy,
and my mind is full of you,
destructive but beautiful,
I wish I could fix this for you,
I would fix this for you

You're the lucky eyelash and
the smell of woodsmoke in Winter
a warm, windy anecdote
when the sun sets early

You smell of roses,
an irrisistable aroma of
beauty,

You don't know how to love
and that is okay, and I am okay
because girls with a sly-eyed personas
and who smell of roses,
are girls who linger in daydreams and
who smile sleepy smiles
and know the best music

Girls like you, cozy and
Dangerous,
are girls that I paint,
so dark
and
mysterious
Hollie Shantz Dec 2013
The warm kiss of a summer breeze
The melodic singing of birds
The quiet mornings after rainfall
The sting of cold water on your feet
The dull itch of soft grass
The soundless echo of caves
The life vibrating through forests
The rough, comforting feel of trees
The bubbling laughter of rivers
The cool breath of winter to come
The warmth of sunbeams
The tall mountain sentries
The dust left over from climbing claycliffs
The numb feeling of snow
The peace of twilight
The smell of woodsmoke hanging in the air
The dark of long winters
The joy of short summers
The yukon
an evening,
a morning,
a coughing grandfather sighing
with all the weariness of a dimming afternoon.
raining,
windy,
the old flower-tree of grandmothers tap-tap-tapping
against the window.
late spring roses dropping dew and dropping petals
lodging their greenish stem-thorns in boiling bloodstreams
hooking their way into the red-thick muscles of hearts
biting paler lips and weaker tongues,
signing songs of dusk and
coughing,
coughing in the afternoon
in their shallow slumbers of  evenings.
call on me weakly,
carry me not into the evening of love,
dimming lamps and fleeting, snoring breaths
call on holy mothers with no more silence
than the tap-tap-tapping
of those flowered grandmother trees.
a morning,
an evening,
parallels of forced breaths and sighing leaf-whispers,
the childish way of half-falling off beds,
shallow, deep, ragged, grumbling inhalations
of neveragain places,
dreams of highlands and weepings of meadows
and woodsmoke in summers.
weep not for life, weep not for death,
weep not for the salty tears in your mouth
weep silent, weep quiet, weep beautiful and stoic,
weep as pretty
as those flowered window-tapping trees in wind and rain,
bite your pale rose-lips like those greenish stem-thorns.
and in the morning,
and in the evening,
sleep deep, sleep deep, sleep deep
but do not weep.
Joe Cole Oct 2015
A few small things in a bag
A good canoe and a paddle
A river unknown
That is all I ask for
My 10x8 tarp for my shelter
Fragrant pine twigs for my bed
My alarm the sweet dawn chorus
Of a thousand singing birds
The fragrance of the woodsmoke
As I watch the sun sink down
The messages in the moon and stars
Before in sweet repose I bid goodnight
BUT

So few places of Tranquility left
B Yeung Feb 2017
Music
Slides from your eyes, hands,
Guitar strings
Voice
into
my senses like

wine
elixir
Cut grass
Woodsmoke

The demons of your mind
Are the demons of mine
The animals tearing the surface
Of a pinpointed, widening iris

The delicate lisp of
The depths burning
The surface
The sarcastic twang of an
Upturned syllable

Starry twinkles
In the corners of your mouth
Mirrored in my
Starry
Iris whispers

And the music
Of
Every whimsy
Sliding into my eyes

Like wine
Spilt on a dartboard
Waiting to be hit

— The End —