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n)Ethno-spirit and Biodiversity (Diogiversity)

Given its ethnikos factor and contribution towards a common origin of multiethnic and languages, in values and traditions, its morphological factors of Verthian sub-mythology, are provided with content, features, colors, and textures of neutrality, focused on a biosphere ecosystem, where the air conditioning, flora-fauna will make Sub-mythological Biodiversity, where the beings that inhabit it and will be in the range of evolution of mythological living beings, whose diversity of genetic seizures, will adopt natural and compound patterns, but always predominant in the biological pattern and organic. Wandering the world in desert places, in alloys and classified plant compounds, emptying their species through the hollow of the atmosphere and through the green grasslands in the reviving surviving evolution of organisms and species that for the first time see each other as a biotype between rocks and plantations, reciprocally among themselves, and extemporaneously generating mythological genetics heritages. Considering millions of years in evolution with explosions of multicellular and fossilized species extinct in massive and occlusive memories. Inert matter and geological strata will make millions of years converted into microseconds in the Verthian Biodiversity of the Duoverse, in a Psychic and spiritual Universe, emerging in all macroscopic perspectives and parapsychological regressions. Impact They will cause the maturity of all the diversity of externality and sensations in new topologies of anonymous universes and species of biodiversity, under a pillar of culture based on the Sub-Mythological biosphere process, encompassing all mythological species where the hope of Life and Super life. Transforming systems of functionality under the protection of spontaneous generation and in a matter that is availably underlined in the mountainous tissues of the mechanics of the subset of the air mass, water, climatic biospheres, and biogeochemistry, that in the unreal juncture of, and inter-procedural reality of carbon, that factor the species key and specimen disclosure, in the collection and in sinks, water drains but without carbon. encompassing all mythological species where the Life expectancy and Super life unfolds.

Hyperdisis, the galaxy connected to the Duoverso, in its biotic diversity, reinsert thick clumps of Nothofagus Obliqua forests, in waste processes, to domesticate the Leiak ethno-forest species, as balance nutrients and repair the disgraceful disgrace of unnatural toxicity and fragile of the agrosystem, maturing cultures and preventive pollination in succulent transfers for purposes of food webs and the environment. Making the appearance of species more effective and perceptible, reunited in community chains of coherence, to amortize low-resource needs and distance economic-political impacts, in view of new base resources and the sustainability of balance of allopathic crops, for the good of driving the extinction of plagues or flagrant excesses not converted, Hyperdisis has a mass of inert matter that creates accesses of resilience, for salinity, rainfall, and human adaptive mythological innovation, given its versatile opening of complement and generation of substances, for the convenience of living beings and No. Having adopted in the context of mythological Galaxy, related to beings of light comparable to distant elements, by means of Psychic Trisomies and tell transportation, for energy sources and soil and water mechanics with Leiak, constituting molecules for the simplification of phenomena of exacerbation of chronic diseases and endogenous. Forests and parks of Hyperdisis in the symbiotic open air, for more airs in microbiological space, in the intimate portion from greatest to least challenge of elements exclusive of antinomies of hieratic human bio culturalization, in a showcase of communities with an interest in technologies and renewable empirical usability, each part doing its scientific role and biodiversity in the portico of its home. As a hieratic quality, presenting amendments that are glimpsed and more existing, although it passes before our eyes without a Carbon Footprint, figuring logical mathematics by sponsoring its count more than a shadowy synthetic body, anticipating super-appraisal measures, averaging them in tiny theological portions, with varied and dissimilar levels of genetic habitats and alleles or heterozygous in the taxonomic functionality of reproductive and approving biological elements. The wealth and abundance of this item are delegated to Leiak, in all the revolutionary processes of the oak forests and the high mountains,

Within the gasifications of Cinnabar, there was Carbon in its Life cycle, being Zefián; the curator of the Duoverse, destined for a lifetime, under Universal and intergalactic effects. Claiming innocent beings with greater attributes of predation survival in the ecological chain, with the mix of Tsambika and Theoskepatis, granting multidirectional dynamic residual matter for green energy emissions. Feedback quantifies offset options in carbon circulation, offsetting multipurpose CO₂ inventory. Through the darkness Zefián and Vernarth traveled in the streets of Rhodes, and in Tsambika looking for the distilled portions of the carbon and sulfur emanated by the Cinnabar. In the same way Etréstles in Theoskepatis initiating with the Archpriest by virtue of the honors and the rubies of accumulations of water mass and of sulfur and carbonated air, which hung over the low sky of Rhodes and Kimolos. They were going to the Necropolis of Hellenika, when the gnostic rampages were glimpsed in the surrounding slab, minting half of the gold bars for the great goldsmith who erects the conventionality of having the physis imperturbably established, as a matter of patriarchal character. They entered Helleniká and the souls that wandered were ringed under crescent-encrusted rings, lavishing the independence of the night in the hands of Borker, which was reflected in the capitals of a mausoleum. Borker is consistent in saying that he is free in Helleniká, In the myth of the dustbin woodworm of the frieze where Etréstles perched next to Zefián's strap, who would manipulate the gold and alabaster chain, to pull its ascetic and rubies from it, approaching a final night in the astronomical autumn, in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn, and the mountainous temple of the one that follows the equinox in the meridian of seven days towards the southern and northern hemisphere. in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn. They enter the Necropolis of Helleniká, by upper and lower trays, cordoned off by obelisks in a series of petrified labels, in the square sections of the convergent ones and the linearity of the central pyramid, where they sponsored all the sectors of the stones of the prismatic geometric body, next to some piloneos that flanked the third of those that were in the figurative memory of funerary monuments of Vernarth. In harmony with the radiosities of the Cinnabar, they purged the carbon emanations in the intra-bodies of petrified breaths, expanding in the segments of frenetic life of the behavior of the inert matter, crushed by the organic, polishing the degrading character of the excavated prayers, under a superfluous shade. It was already dawn, Etréstles and the Archpriest broke the loaves to deposit them in the bowl of the Day, stretching in the arms of heaven under the gargle of the god Vertumnus who forged from the materiality of Jupiter. Vernarth nodded his head to the movement of the winds that cut the profile of a Citarista yawning on the frieze that raises all the crowns of the princes of the living-dead, making them part of the royal occasion, preparing petty spaces and tyrannies for devouring vassals in Helleniká, from the lair of his rib one, sees Diogenes of Sinope emerge, splitting with his doctrinal staff all the Isthmian paroxysms, which declared the cell of his life as Diogiversity.

"There were murmurs of astonishment at the surprising response of the wise man because no one dared to speak like that to the king. Alexander the Great asked: "Why do they call you Diogenes, the dog?", To which Diogenes replied: "Because I praise those who give me, I bark at those who don't give me, and the bad ones I bite." Again, more murmurs, but Alejandro was not moved by those answers and said: "Ask me what you want." So Diogenes, undeterred, replied: "Get away from where you are, you cover the sun for me"..., Vernarth replied: "Look for him in the bones of those who refused to die and fear beyond expiration who rejoices in the cold of the dean ossuary seed, without heat or memory here in Corinth and its Diogiversity ".

o)Reflection space length (π)

The hemispheres were out of proportion, one another was modified in the air, leaving the horizon exorbitant and the poles out of square. Coastal the lengths of the sun around areas that some Helleniká countrymen had never put on the crowns of their consciousness. Certain pressure changes dislocated other modules in the filaments that had rudimentary inaccuracies, creating reflection space failures in the installation of the Duoverso, due to the due calculation defect. The observations of Hyperdisis, generated superpositions of the Zigzag Universe, before the crescent moon, after the full moon, again de-calculating the sphere of Hyperdisis in relation to the ecstatic length of itself in the hands of a third of a second a day, to overflow in impositions that They revealed Dekas Cove in Kimonos(π).

The value of the opinion of reflections will be the originality of breaking of statics, of the motors of the verb and the conscience of the flushed being, and of erudition of the naive contrast when decanting the perceived morality. They concur with the moral value in every sub-mythology of an ambivalent being of supernatural human co-belonging, not dependent on gnoseological reflections, rather spontaneous under the embankment of reason. The latter being absent in the shadow of its shadow, no reflection can take hold of anti-values, self-valorized in contingencies under the effects of the drug of lies or truth, in a difficult equation to refer to in gnosis treatises, declaring the absence of consciousness to species without reflection or length of their molecular evolution, in evidence of mythological humans. The triangle Patmos, Rhodes, and Kímolos, make up a Venusian adonis, of stimuli in the nostrils of Aion, which sneezed on the integrity of the reflex arc at high speed superseded in the tremors of Athens until Hyperdisis, flashing anatomical and pejorative on the optic nerve of the Colossus Rodino, and the twisting of the multi-personal muscles..., but already depersonalized..., with little telluric reaction in the core of the symmetry of his legs, dodging as he thrashed on his frowned arms, behind the legs of the lycaons..., digging his jaws in reflex arches, for ages that only an immemorial one would enchant him, and be it the throbbing of the earth in the crust and seams of the calcined Colossus. Existing like this their reflection of attenuated light, they shook through the sea full of sinewy pieces of precise length. Frequently in the hydronium cations, undermining the temporality of Tsambika in random stones in the humid, and dark narrowness of the anthropic reflection, having lived in the heavenly paradise that formed them by the volcanic tube and its syngenetic, by the erosion of the subsoil of Rhodes. In Helleniká, everything that is expected, flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas it flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas from Devonian to Cretaceous, escaping from the ferocities of the Etesios and these same escaping from the roars of Vernarth.

p) One-Dimensional Beams II

When their ears fell in love with the Orthoptera or Grylloideas before Joshua, the night became restless, abandoning them from their shelters, they brushed the seeds of the thistle that trembled with the new millennium of the Duoverse. Levitating their ailerons in the tenors of their birth and dilettante sounds, before an ovipositing candor of the remains of the abdomen that remained in their jaws, always being from one of the Beams, for the largest Enciphers that hung from their antennas in search of Joshua's telepathic messages in the manger. Sappho of Mytilene, also known as Sappho of ****** or simply Sappho, pretended to be a marigold proliferating in the twenty corridors of the Greek poet, and also as the tenth poet in the other ten that was reflected with transparent wings of the dew that stuck, phenomenal of physique -Saphonic and in the recent rain of wind and condensed air, in the form of drops due to the sudden decrease in temperature in contact with cold surfaces. Sappho's dew was talked about in Kafersesuh, usually when it comes to condensation on a Poetic Grylloidae surface, naturally on the ground cover or artificially in a dull cloudy crystalline, in the amount of supernatural tradition, heroes, superheroes, and anti-heroes conspiring with the territorialities of hexagonality.

The Aramaic message comes forward with vigor from the orthopterans and birds that piled up on the journey, going back and forth. The Beams shone from the celestial kingdom holding on to the Cherubim and the Archangels, through the paths of conversion and the support of the bizarre Christian time, in implacable hegemony for the propaedeutic of phylogeny, but more than perfumers chemistry and the same creation. carrying Lepidoptera winged tetra and Sand Crickets, on the interlocking and obfuscated pheromones from a nascent-elemental child, in his own evangelical philosophy, from a winged dimensionality and in the gloom of Manger shouted and aligned, before the compendiums of double pyramidal landmarks and of inflection, of his word in the Grylloids and panaceas created in the affinities of the world and Animalia, stylizing muleteers carriers, phrasing acronyms and parabolizing the polygonic nomenclature of the child made a territorial man on the wings of a Cricket, already being it !, but representing himself as a lifeless man in the entirety of an advantageous canon child, from a sudden bi-dimensionality of Grylloideos. A great Zohar light gathered all towards a whole in those vantage points of terrestrial columns and orthopterans that Joshua felt in advance in his resined ears, like irreversible entropy giving back his wise existence to prepare them for the day of his holocaust. Pre Existing in catharsis and busilis substance of divinity connected with the Grylloid phylogenetic species, classifying until the Aramaic crackle, pontifying pheromones settled in the lithosphere site of Gethsemane, coincidence in the wading of a Libraco period, or in the phenomenological simultaneity of Eukaryota and Glaucophyta until late Animalia, giving relation parental in the characters of the vibrational timbre of the Beams and the atavistic pedestal, readapting in the evolutionary ellipticals of tetra-winged species, allowing to change the ancestral linguistic accouterments in processes of redesigning the genetic historical tree..., divine and increasing.

Inter-Duoverse, in space demography, has been frequented since today in a nuptiality between the Sun and Earth, wrapping the inter-generational homes that have prostrated themselves to the One-dimensional Beams, evolving millions of years between links of angels from the north and the south., for each year between half years and decades that the ancestors are passionate about, unleashing in what they aged in their youthful lives and eternal ideals, as an atom not guaranteed in families that did not get to know their Duoverse. When they walk through the urbanized farm of their parents they go in their shoes and in the paternal and inter-parental sun barefoot, the children travel far from the monographic patriarchy, declaring themselves between psychic families and unstable plots of core conformity and procreation.

The line of supra healthy cerebral is born from the Beams of deforested family trees and treasured in the Trunk of the seventh ascending generation, towards a nefarious tribal of industrious and vegetating regressive parapsychology, bringing zombie societies, to great lethargy that disorganizes the parallel emotion of the Being descended from a Messiah, with the prophetic organization. There in the Koumeterium of Messolonghi, in past generations, the "IO" was omitted to limit them from the spellings like Ghost Cemetery lost in other lost sacramental ancestors. The inappropriate location of our ancestral duties has guided us in the axis of the pabulum, before the second coming of Messiah Parousia, to continue the re-sprouting foliage of the Universal theological tree. The children of the seven intergeneration generations, will be from the endearing of a patriarchal family, and those of Exo family lineage will be from outside the non-generational family, where everything flourishes according to the requiems of ******-domestic economies, and in the new chimera from new shocks and reprimands, already being spouses the Sun and the Earth after being divorced from a deluge of immolations and inter-millennia and rotations, further than those of any prophet wandering without advancing or rotating, enlisting and expiring in succumbed and pre-historicized generations of other prehistoric ones. Pre and post Flood; not presenting itself as the object of linking a thousand decades where not even a holy chirp from the Thrush, praises on the windows of the world bringing us babies that are born without past or future quantum generations. Ready to the hint of Duality and its nuptiality with the Sun and the Earth, They will make us magical creditors of the increase in demography and of unions that will marry in inter generations, not seeing passions in exhaustion, under the grass of the allegory of defeated love. Giving ourselves conjugal virtuosity, but of immanent dogma for the purposes of multi-figurative coexistence, under the Yoke of an individualized Faith, in the passing of millennia, we continue to crawl on the floor of the nebulae, and we do not rise to establish ourselves as masters of ecstasy, and the pendulum of the stars, creating us more in the orthogonal egalitarian of the cosmos and its Vernarthian architecture, of poly productivity, of Sun-Earth and its post-genetics, of high-grade clay, expanding with halberds on the self-insolated Suns, and highly calorific inherited towards a rupture of Solar freedom leaving us in the horizontal, not having ascendants of sin enriching their illicit chromosome. Made a beast, from the inertia of a paradise full of hidden public and private exchanges, but not secular, for those who pay tributes of ecstasy in a reborn and weakened state. This is how Diogiversality is verticalized (Diogenes's anthological action), concluding the variants that weaken the nexus of the denatured society of its atavistic social nuclear concomitant, extending eco-life gaps, but eco-unstructured and crucial inter-generational nature, being of arbitrary passion and of seismological doctrines, of haughty morality and of sociology fabrics without body or motor, with frail of castes and generations evolved age in a retrograde and elemental psychic sense, but biologically and reversibly to their boomerang lineage.

q)Amphibology Cosmogonic, Sub-Mythological root

The threshold, as a minimum rubric, must be in force from the Constellation of Orion, with barely a hundred millionths under the same eye of Orion and his psychophysical space, sensitive to the falcado charioteers and the water vessels on the backs of the probable Barnard Loop., and its nebula presence. The icy impulsiveness brought her under her right shoulder and the lean hollow under her arm unraveling from a staircase, at the entrance point of Betelgeuse coming from the cosmogony of Eridanus and in tune with Ptolemaic astrology. In the Sibyl and with a hint of a metric brilliant mass triplet, Betelgeuse Orionis, is the scale of the Aulos and piccolos expelling hydrogen as an Ace in 240 scales of harmonies and in sounds of light, for cycles and years of Light. The binary of Orion, is pre-born of the sub-mythological root, with binaries of Poetic Parapsychology, or Para-poetical; which is the trapezoid and the kinetics of the hunter Orion arrowing the Pleiades and its nebulous plains, with diametrical diarthrosis in his synovial joints, with the third militarizing joints already formed by the hyaline cartilage, which joins the two bones with the synovial fluid, before reaching the deltoid of Hunter Aurion, to awaken the Asleep world.

Vernarth in one of his adventures in Pella, scapula with his arms the force of the friction discs of the Olympics and corrected his hands and shoulders, for this purpose of Aurion and his dilettante Astro Betelgeuse, with giant arrows against matters towards the sky of its Constellation, embedded in beaten Odyssey and turpentine in the sullen Hellenistic, being for May its amber trapeze of trunk and arm, in each hand a Xifos and Dorus, always in right-handed hemispheric pathologies of their shrewd hands in Kopis swords, and in the memories of the wind that throws pain to the whistle of the combatant, when the meteorites decay in the Tyrrhenian Sea. With his brass-bronze club and Vernarth's corrosive breath, he proceeded to file odyssey on Eos's ******* and peduncles; Goddess of the Dawn, in Dionysian beauty in bulk, Mintaka, Alnitak, Alnilam, (The Three Mariah), For the twelfth lunation of the Celestial Vault, together with Pleione, in its bolometric Oceanid matrix; against borderline stellar magnitude in the major and minor dogs, and in there a priori waves of misdeeds lending measurements in the eyes of Aurion, always henchmen on their Pleiades.

From this intricacy, Cosmo-is born the Vernarth Duoverso incited towards the Horcondising, so that it is mythical co-property at the origin of the universality of the Duoverse in the Vernarth scapulae, bleeding towards the cosmos that was born from his stellar blood, conjuring chaos and uncertainty in messenger Gonies, facilitating community life free of ethnocentric, psychic, intersubjective life, the metaphor of myth and dogmatic, by the imaginary struggle that leads its bleeding back over the Cosmos, and its demiurgic brilliance over the atmosphere of the earth like bronzes that twist in the necks of oxen, that urinate on the officers of the Barnard Loop, and its polyphonic magnetic exciter, on it the ***** of Orion falling on the poles, like flagrant Amphibology.

The Kanti Steed and the Aurion nebula, to the beat of a waltz ionize, lavish chemical ions free of electrons, on the neutral molecules of Betelgeuse, to proclaim in the nerves of the shoulders and its bronze club, as musical praxis and harmony net, giving way to the nebula and the art of the Duoverso, which shows the pristine astral days, how his alchemical arm sprouting in chemo-astralities of the pectoral, and his armpit that joined in its maximum stick, cutting down roots of Olive Bernar, behind Barnard's Loops, in the midst of runaway stars that are systematized in their ionized bleeding esplanade, such as Stellae Novae, who retrograded the astronomical ritual into cosmogony, and in her escape by going at night to sleep near her father Poseidon and Euryale, who cheered him near the grassy fields to paste explosive clay on the sheet of his drunken smiley face with Ionic wine, in advance of spreading the nascent Duoverso throughout the new world.

r) Hyperdisis

Sitting on the edge of Andromeda, in his planetary chamber Zefián; The Duoverso computer separated the parasitic inter-chamber from the Duoverso, which would be born from the Auriga, which in his buggy would unleash the senses of structures and luminosity between this colossal interplanetary chamber. Being between points that venture through the axon of time infinitesimal and longitudinally for light-years, which even so, will intervene from the Duoverse, for thermal purposes and other changes of the remnants, when especially the luminosity will speak of the destruction of the darkness inherent in the eyes of the universe, which can only stabilize areas that have not been fused in the discs of the Universe-Duoverse spatiality, long before the initial explosive between the Constellation of Orion and Andromeda. Globular clusters that will make up the perfect delay of transfusing the blood and no other, which makes the character Hyper naming and hyper-pectoral blood, which flows from this tri-astral polynomial, compromising the method of area, shape, and refinement of the sagittal profile of Hyperdisis in the Duoverse in the reversible intergalactic plane. Going from lenticular to irregular over the keystone of the trapezoid, towards the right arm of Orion, where its radius becomes hypocentral sequentially, but it takes advantage of interstellar matter, to generate its own light. Some explicit explosive arms of Andromeda were expelled from their center towards the right arm of Orion, for the purpose of implosions in the effect of the clubs or snails, as a sublime effusion on other stars, which lost essential stellar mass, to differ from one another.

Radio-Patmos, or galactic energies of Andromedian origin, would arrive as devout prayers at the border of Skalá, such astro-omegas and Invisible Universes, which inhabit the flaccidity of the Universe of Consciousness of the pole contact with the Xifos or Kopis, when Andromeda contacts the spur of the clubs or snails, inciting the capos of Astro-Omegas spaces, which would begin to take the front and front, after having been the atrium of invisible stars, only visible in the spurs of the swords, which were only moistened with the viscous blood draining from Orion, towards Hellenic lands as Omega age, for Vernarth early when he carries the keys of the Omega World, towards the shadowy proto galaxies, knowing that the Milky Way and Andromeda come so close in their stellar mass, being able to collide in a few million of light years, in advance, since the Duoverse of Hyperdisis will be formed as a Galaxy of change, to interact with each other, dismembering, but re-transforming into the new speculative nucleus of the Duoverse as a great Black Hole, embedded in the Kardiá of Patmos.

Hyperdisis, navigates from the most ancient confines, from the origin of nothingness itself on the threshold of the Universe, but now it is already converted into the Duoverse, re-implanting itself in helical polarity, and in bifurcations of luminosity, of colorful reincarnations or astral, to consent to the cessation of darkness and valuing luminance, possessing colorimetry and chromatic steps of childish tales in infant galaxies, which in all the lives of Greece and Vernarth delivered for their ancestors, articulating the iconology of Orion, in candlesticks per square meter, in vigils of:

LV is the luminance, measured in Nits or candela per square meter (cd / m²).

• F is the luminous flux, in lumens for the Andromeda triad, Milky Way e Hyperdisis in conjunction with Orion.
• dS is the surface element considered in the triad of Kímolos, Rhodes, and Patmos.
• dΩ is the solid angle element, from Vernarth Omega and the origin of the Duoverse.
• θ is the angle between the diameter of Andromeda and the Milky Way (2.5 million light-years)

The luminance can be defined from the radiometric magnitude and the radiance without more than weighting each wavelength by the sensitivity curve of the eye. Thus, if LV is the luminance, Lλ represents the spectral radiance and V (λ) symbolizes the sensitivity curve of the Vernath's eye of the Betelgeuse area below, dumping plasma and bruises on the galaxies and the Orion Eyes.

s) Zigzag Universe

The Zig Zag Universe was and will be excluded between time and space, in a world adjusted to the senses that are driven within the contextual totality, the world and the biosphere framed in the phenomena of the Zig Zag Universe, being born on a stellar night when Our life searched the earth, being able to see how cordial matters of the cosmos caressed its cosmology, making it its magistracy and descendants of the Hellenic cosmos, in constant caresses of the universe already predisposed to the Bing Bang, emerging from another type of self-observation, seeing ourselves in the face of Horcondising anti-material and Universal Biomass. We preexist under science that models the system of energy and matter in causes of ancestors, with whom their vital and ours sneakily crashed. Gravity made great paternity in the Vernarth Biomass, being in the Dodecanese, being cosmos in its arcuate curvature, which makes us screen with the moon in its romantic astrophysical swings, and with the exaggerated geometry of a zigzag. We are the versatile and multi-dynamic mass that expands simultaneously in the head that pauses in the Nothofagus Obliqua of Vernarth's Horcondising and also time2-space2, which has not been troubled by the origin or abscess of the stars that move irregularly in zigzag, for the fractality of its component, which is clearly Aramaic blue light, in circuits of clusters and movements brushing the air, attracting the attention of the entire order of the hypnotized universe and making the duplication of the universe itself appear before them; in Duoverso that is the Universe shaken and young of its gratitude's ".The distribution of nearby galaxies are keys to the paleo universe already arranged in macro waves, which are percentages of spaces in the Trisolate energy fields, which interact with the Mashiach of Gethsemane phylogeny, now tending to a stagnant decomposed future, towards a specific frozen present. Its final station is to bet the Zig Zag Universe on the re-expanding temporal Medieval chrestomathy, in gregarious qualities of Sub-mythology, already conformed here in Archangelos. The implosion of gravity has created worlds of visibility in great astronomical yearnings, in some fractions of time zigzagged by millions of fractured light-years, as an irregularity that resembles the measurements of everything quantifiable, being omniscience or not, acquiring the hexagonality of the birthright in the passage, Here the Mashiach emerged and died in its abstraction in the One-dimensional Beams and in the foreign eyes, eroding those who are mortal and do not see with divine eyes in the self-resemblance, of our hypochondria and of the failed plan to amplify the size of the unknown analytic, of this new dimension in the implosive movement of the Verthian Duoverse. The nature of the snowflakes in Bethlehem are natural fractals, detailed in their nature and in the natural infinity, here the privileged new world was envisioned, for self-similarity in the speculative and cosmogonic functions of Vertnarth, at intervals in each space of the shadowy walls, bringing accelerated courier bombs from Gethsemane among mutated olive trees to other humans. "Its correlation is an infinite fractal with reversible observable time.

Finite is the curvature, between the time that walks between the grove of the Duo-Universe as an alternative of energy Zig Zag and Duoverso, which triggers our subconscious observable world, which is a great reflecting lantern eye, which ignores and prescribes extreme distant and focal parts of the One-dimensional Beams of Kafersuseh in Ein Karem, since the Duoverse is the trial Universe that the Mashiach had, before coming to the Holy Land, provided by his form of Hyperdisis escorting him from Betelgeuse and in Orion. Change from arduous colors to the gradient in Avant-Garde, for the confines of perspectives and verbality, in amendments of physical fields, interwoven by an external gravitational means. The macro waves, are exposed matter not contained in the abrupt changes of the optical selection of the Mashiach with the One-dimensional Beams, attracting selection crystals to atomize them, in reaction disturbances and recreation of multiform plasma saviors of Christian cosmic. The double expression of macro waves and the equation of them over the axial of the universe turned into the universe Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion energy with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all being more than time... !, remaining at the expense of the wick of all electro-matter " The double examination of the macro waves and the equation of them on the axial of the universe turned into Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all of them being more than time... !, remaining at the expense of the wick of all electro-matter. The sub-mythology having already been constituted, Hestia appears, having slept a great slumber. When he appeared before Vernarth in Tsambika, he was seen changing in size, when he was six meters away he looked dwarf and when he was already two meters from him he looked monumentally huge, but in a versatile physiognomy, therefore he was already appreciated in his last steps, with her domestic Goddess figure that emanated light-years from the chimneys of the habitable galaxies. The critical immanence will happen, pre-existing of the perfectible plan for the Universe Zig Zag and Hyperdisis, as Hyper-Hestia, bringing torn words for those who were approaching the main altar of Vas Auric, which was in the great ratio of the proscenium in the vicinity of Tsambika, between Mind / Meditation for constant mechanisms of Wisdom / Meditate, according to the cosmological constant, taking them perhaps to the beginning of a decade and the third universe called Traverse. The oscillations of all these fantasies, Vernarth observed, but he knew that he would have to collide with these worlds finally already precipitated, and of temperature that acted on the average of the normal range, therefore it was imminent to mutate it to the provisional Christian Duoverse, which moves backward. among the dizzying lights of creation. Immediately afterward, the Universe has torn apart and lost among those around it, establishing itself in units of millions of years of light compressed in the piccolo Aulos, which Hestia carried in one of its golden hands, from the prytaneion, igniting with the flames of the Kardiá on fire and the passion of consanguineous love, "Prytaneum", the omphalos stone, marking the navel of the world with the boast of wandering towards the island of Delos, in the daily warmth of a spring afternoon in Rhodes. She is a woman with veils on her face, always walking to and from her virginal abode, in the house of foolish or vestal virgins, there is no Hestia, only maybe there are some similar ones staying in the cold fire of her menopause, losing fertility afterward. that his father swallowed it, and then it was expelled from himself, regurgitated in flames of love candles in a blessed house and full of immunity, giving the Duoverse another geometric category with never contained angles, sliding vibratory between the distances that discount minutes of the Hestian space, for such a corollary by approaching its finitude, and inaugurating the sub-finite, that it will never be the source of the end of a disconcerting end of time, neither equationally consummated nor physical. "This consolidates the Duoverse into Duo-Universe, expressed in figures that moderate the length of a physical state before it is finished and restarted in a process that does not end (sub-infinity)

t) Vernarth Omega (Ω) - Preface

before facing the Achaemenides. Being Omega and Micron in the warlike primer of their cause, within the prophetic in all necropolises of tiny omega (ω), towards an Omega that reaffirmed the good hand in Saint John the Apostle by rewriting the Apocalypse twice, coexisting the same but with the voice of Vernarth commanding the ten thousand Falangists, who made up inter-generational gaps, of camouflaged alien ancestors. For this purpose, he opened the windows with their pillars sheathed with tetrachloride of chlorine, at solid angles of Ω, in what was Virgo institutionum / Aurion-entity that interfered by projections and leaks, which converged on the strut of the omphalos of his heavenly father dealing frequently and bled his immortality, constituting from a helper being to the planes of subconscious reprogramming and perspective. With his arms raised, in each hand a raised sword to pierce the vanishing point, between the spaces that were ascribed, under the solid projection, from an observer that inhibits ad limits the biomass in all the masses of aqueous filter and lumen flow, towards the throne of the angelic guardian of Avant-guard by the stereotype and sclerosis of Zeus in his dissociated physicality, even though he is an amorphous entity with pulverized magnitudes, between Pi and Golden numbers, fading away without area or volume. Vernarth in the humanoid apocalypse was transfigured from a solid point in Hyperdisis, as a direct escape settlement to Aurion, towards a surface of conical vestige in three-dimensionality towards Andromeda, the Milky Way, and the shoulder of Betelgeuse,

Vernarth distracted the emeritus stars in the corner of his room and in the convex the points of his celestial patriarchs in the conical spheres of perenniality, leaving only solid angles in each of the two parts of space-delimited by two semi-planes that start from their common edge, under the ideal geometric concept and that it is only possible to partially represent it as duplication in parallelograms with a common side, symbolizing two half-planes, making from all distances seclusion of visions in the culmination of imagination and apparent angles, seen from any point of the Celestial Vault in invisible counterpoint.

The decalcified cells of Vernarth solfying together with Sophocles in orpheons after the victory of Salamis. Already being a tragedy in the next act of the prologue and their friendship bordering on his tragedy, he continues to exist in energetic arms to write, and Vernarth to dispute the characters from a regular prologue writing with his own blood hematology verses, which traveled meters and that they shrunk from the anti-verses scarring their declaimed intra-breath, in corals that only the wind clarifies of what precedes and happens towards the suffering, in the metrics of the Areimos chorus that were lectured anti-verses, and that they tried to ****** him from the hands to Sophocles, in immortality that refined him by abandoning him in sub-units. With masks and mythical cycles, he mixed the metaphorical facsimile of momentum and the separation of friendship with him, seeing him in an episode of his works, and instead of Vernarth's transcript sheltering him in the origins of the volatilizations of his orpheons, converted into physical waves of a dramatic-oracular order. Gods re-transformed into divination and futuristic germination, they were hidden dormant and forgotten in times of subconsciousness in the Selenite collection, felt in the Colossi signs of parliamentary, where the oracle leans on the lines of vibrational words and how they cough their " páthis "in the place where the language dissociated from the heart nucleus speaks. In misguided divination, the oracular mantic brought the cold of loneliness and the fiery heat that guesses in the laurel forests in oracular daphnomancy, Vernarth omega self-erects as a versatile column that temporalizes the threads of his organic brain, creating synaptic logos in Pashkein or the alert regret of abandoning the arm that rewrites his heroic Sophoclean and tragediographic biography, in ancients transiting in disintegrated emotionality and ****** Hellenic neurotransmission, "Two omega men or omega speedometers, carrying neurons from ankylosed and frustrated herd of pleasure, for tripartite meson form of routine grinding in Alzheimer's lost, lost in sympathetic and para-sympathetic routines, with probability of Hellenic gray matter; That is to say, of all memory that does not sin of ignorance in the ancient world, in more than nineteen hours of vehemence, the dangers will brighten when reliving nth times in the twilight of omega, Vernarth, was already narrowing on the tracontero Eurydice, to save his pains, deposed in terms that would renew anti-economies by supplying unsustainable in liquefactions and in synaptic melts, extra energetic vesicle of pure natural law of the eyebrows, of lunation that rests in the inter millennium, beating with ecstasy in the Buddhist suttas, and in the adaptation of the flesh of the hypersonic fissures of the Meltemi, and attachments that still beat over the dermis of pain. Vernarth draws his sword Xifos of phenomenal structure and he cuts on the Sutta or sermon that mimicked him at the time of the lunation, doing sabotage of redemption of the anti-verse from the court of Sophocles, as a myth-saboteur and anti-value, overvaluing the wiles of the same utilitarian tragedy, conquering in the curtain of mourning and sadness, unguarded and overcome by the stoic duel of jubilation. From here Vernarth, opens the gates of hell, eight hundred times going mad with omega value, by reiterating omeganymy, creates the numbering of the anti-verse and the suffering that does not even sleep further from the departure of a soul and a body only asleep of concave omega, overlapping in golden transfinite chests, which reorder the natural numerals with the ordinal transfinite omega, but on frictionless wheels of other omegas that break in recirculation rules on alpha, in supra omega levels such as parades, stamens, episodes, and Vernarth-omega paradigmatic exodus.

Omega I Prologue: "Once upon a time, amidst a rain of clouds full of drama, in a time that was oriented regime of the armpit of Betelgeuse and Aurion, 334 BC, it was the penultimate breeze of Tsambika, in the spiritual devotion that hovered over the unison voice in the magnanimous Zeusian chorus, as an alternate event of imprisoning past and next in an episode of the present act. The expectant was curious about the retouched makeup of the drama's superlative consonant, in a disembodied place, but with a good narrative source when it came to fruition. Here the myth is plausible, among everything mythical, more than all the super sums of expectations of the Ismo "

Parod I: "For the submissive words on the stage of the trident fire, where I have to warm my hands with ashes of eternal fire"
(Directing the scenes through the coripheum, there is the master lord who, in flames and by unequal numbers, pawned in the Aulos and piccolos, whose bare feet bordered the risk of the bellies of the Maenad damsels united in processions, between princes, powers and Dionysian dances holding on to the Pufios; in Baquian and ceremonial liturgy near Vernarth, taking a glass every seven minutes in animosity, in cages of his stuck little finger, whistling from organic pimping, next to dancers raising an arm and directing the palm towards the heaven, while the other remained down with the palm towards the earth; in this position, since he was like Vernarth buried by the tides of Patmos wandering him in times that marked the entrance from Mars to Jupiter, and from autumn to winter in fifteen times agreed with Sophocles, hanging from the penultimate to the entrance with his trembling voice desalted..., tolerating himself in his own tragedy)

This is I: "Through the right hemi-body, Vernarth intoned his laterality exposed in harsh penumbras, while Hera brandished over his existentialism clouds of oatmeal and candies in a liturgy, a homily that personified the Stasis, in the choral intermission resisting his angry hands in tragic passion and frenzy, unleashing oratory of self-blame, unraveling drama-tragic, and in each pause the emotion that was accompanied in new episodes when it was stoked "

(Vernarth says: "submitted in parts that are not its parts, my pain has blinded me, where it has embittered the conflict of ethical interest if the stars as a public cheer are anointed, sentencing the opposition of other lesser stars who cheer what that does not shine. The principle of the voice violates the normal parenthesis, which is governed by itself in the omega voice, mocking the modal in four magistrates, in martyrdoms of an ideal of the procession, each one being with his super-private toga, before me It must not be who recognizes if I will be who I am, on the seventh judgment of my surviving ethics)

Episode I: "Vernarth extrapolates the values of his judgment, which override the first, the coryphaeus directs his promenade from the countryside on his Horse Alikantus"

(Vernarth says: "I have instantiated the steps that my chestnut crossed with you in the future if I am to sing with a sorrowful voice, no choir will be able to follow me when you are gone. However, I have to define what personifies who, more than a thousand miles away, carries with him the lamp that opens the light of your roguish contemplation... "
Alikantus wailing says: "From the luster of your heartbeat, I obfuscated the jailer from your ribs, for the preference of the one who takes you even further in tempestuous pro-hedonistic prose "

Exodus I: "Sometimes the endings smell like fields of lavender, where the call of the almighty is heard, to take him over his loaded plantations, which are emerging from the dialogues in the afternoon with its twilight, as well as stanzas that smell of lavender anointing, separated in syllables and tonic that flex my charm, not to say that I was anointed with Lavender when I was prepubescent "

(In fifteen times, in syllables and rakes, the sentences of its paragraphs are sterilized, leaving the audience speechless, without a gesture or word that emanates from a sacred paradise, rather from the Stasis that never purged the omission of the syllable that is not of proscenium nor trident, but it is umlauts on Omega, between syllables of fire that burn from its proscenium)

With few and precise changes of consciousness, Vernarth approaches his Omega Point, as the end of his self is identical to his consciousness. He was leaving Tsambika and Kímolos, diligent towards Theoskepatis, warning Etréstles for defiance goods in the aftermath of the Eschaton. His spiritual cerebellum faded identically when he wandered through the distances of the entities that competed and are prominent, transforming his Hetairoi reliquary, here his tendentious impulse begins and dehumanizes him by becoming a Celestial entity, but with Noosphere endowment. The tendencies are established hyper-connected, with him Tsambika, Theoskepatis, and Patmos were triangulated for consummations and finality from the rudiment of Universal deity, reprogramming the end of restricted humanity to a mere boundary of dogmatic morality declared existential.

Within the Omega points, his unfolding acted as a disembodied statue and redemption of similarity and humanity, leading him to a self-conspiracy, by abandoning himself to his own equal, for the duration of the final sulfurous sublimation of the Cinnabar's margin of abstraction, after joining in all the quantum, physical and biological lines, making the Duoverse an inter chamber of the prior Master in a process of change, to sensitize his image of physical-chemical Man, but of God in his rigid powers. Cataloged as hommo sapiens who expresses himself in fallen beings under the arms of his sword in a limpid target, rather than in his own pointed tongue, and steely towards the point of unification in the hyper-dimensional of good achieve spatiality and volume, only contacted by his devoid of a Xifos hand. Consciousness rarely loomed in its compendium in nth bytes and data, much more than those recirculated in astrobiological quantum, creating blind exclusive and patrimonial universes, on the basis of nth bytes, which kept reorganizing itself in the personality of the unknown, fewer than four bridges of consciousness united in their own gregarious universe. The transcendence of the basic data of consciousness will lie in the Maenads, and their deliberate acre magic, extending through the limbs of the Nymphs, to re-possess it and take them to the confines of mystical paranoia, perhaps towards the embodied Vestal Virgins, purging their paths that they notice a variant of licentious departure in the stanzas when seeking final swings, which are not for the sake of shedding everything before the Universe rescinds its intellectual limitations, contracted in an orgiastic Imaginary Universe, and the precariousness of the concept transporting us to the origins of the species and its behavioral rapture of loss of sensation, and reason, for this reason, Vernarth takes them with him for his ******* and alienated perceiving of inherent reality and its opposite sunset. The ministry of the sacramental mystery is the consciousness of the Dionysian being in gestation, wanting to be the paroxysm of its equivalent, in an eternal Omega effect, for the purposes of omeganymy of conscious chaos, being the same portion of omega ad limit of its secondary reluctant personality of being, to found the hermit solitude on his revived empty ego, residing in his being by bilocating with two idiosyncrasies for a Venarthian Thiasoi, succumbing to weightlessness over all the Maenads and the intoxication of community in its opacity,

The madness was a transcript of reasons lost by the Vernarthian Omeganymy, sometimes the disproportionate of his steps by more than what should be generated was objected to in the circles of the Tsambika monastery. The unification of blood was confused by the viscous wine of the mysterious foliage of the Diospyros tree that led them through the enigmatic unaware, in primary practices that tore apart some somatized ones of the order of a third body, which still transmitted the last organic matter, refusing to spread at the omeganimic points. The consciousness of replicated beings of themselves challenged themselves towards the perfect copy of their transcendent alter ego, in an understanding of the present-future elucidating for whom or those who demystify the visions of an arbitrary creation, allied to the evolutionary myth-truth, in the face of any real and human maturity gap, the conclave of the near pious Christ, bequeathed in us and in the venerated hominization, at his sole and directional will. Now we are all in the aqueducts of Christian Science, for specimens of eternal categorization and frontally in view of a God-Mashiach, as ordinal inclusion and in greater ecumenical diversity, with variables of independence range, for staggering motor skills, retaining the attention of all the powers of the Christian world at an Omega point that seemed to be Alpha. The sense of the Duoverse in Vernarth Omega makes us rethink the central phenomenon of thought and frustrations, by the socialization of distant species from prudent dogmatic ostracism, towards refractory empathic and ultra-rational reasoning.

The supra intelligence has to become in them and those, the pre-existing point of duality, to reunify them in Patmos, as the only spirited meaning, and biomass evolving on the super-dimensioned materiality, in a greater radius where it will have to be delivered to whoever speaks with words. of living energy, and not complex towards all processes of emancipatory concord of personal authorship, on levels of relative lust in the absolution of medium integrity, and towards an elemental unitary totality of animal instinct guarded by the instinct of Being, that from its similar awakened rebirth of the sleeping mass matter, and in the animal purifying multiplicity. The man stands in his memorandum bend, like a haughty memorial, evolving in the cosmic expiration of the molecular transverse, admitting us in its vestige of complex extinction, but not in human slip, nor in acid and self-instituting scenery, on the real creation of its DNA, which reverts from the formality of helical reiterative rings, by heights of whoever oscillates in their coupled pairings, and their silent probable associations, in the nature of real origin and their structural perfection. The acceptability scenarios derive from the feasible concretion, and the approval of their tendencies and mobilizations of the structure of life, and codes greater than those that limit them to reside, to more than one body, residing from an incorporeal body, capable of its quantitative life and the extension of existence, super existing in the heights of the helical rings, which may vary more than they are, and which could be, without being seen under a scientific gaze. "Becoming a mechanics of maturation and prayer, which the energy from the material world to the spiritual, as a moving particle of inert matter in parasitized free radicals, which are re-energized by the mystery of the helical trans-threshold of the Aramaic mystery of the Olives Bern. "Vernarth disintegrates in omeganymy in laxity towards Aurion, descending pro-tenebrosity towards the profanity of Patmos, engulfed by Love in a dark summer, brushing the silos of DNA in the will of the automated world"
DUOVERSE
Antino Art Feb 2018
South Florida
if you were a body part,
you’d be an armpit.

You’d be a bulged vein
on the side of a forehead
forever locked in a scowl
behind sunglasses.

You speak the language of horns
middle name, finger
blood type, combustible

You're a melting ***
that's boiled over the lid
sweating salt water at the brows
eyes red as the brake lights
in the maddening brightness,
you’re torrential daylight
heating nerves like greenhouse gasses
waiting for a reason to explode.

You’re a tropical motilov cocktail
no one can afford
2 parts anger, 1 part stupidity
full of yourself in a souvenir glass with a toothpick umbrella
You're all image

You’re all talk: the curse words
breaking out the mouths
of the angry line mob at Starbucks in the morning
You’re the indifferent silence
in the arena at the Heat games leaving early,
showing up late
due to the distance
from Brickell to Hialeah,
West Palm to Pompano
the gap between the entitled and the under-paid
a skyline of condos in a third world country
You’ve always been foreign to me.

You’re winterless, no chill
you attract only hurricanes
and tourists,
shoving anything that isn’t profitable
out of the way like post-storm debris
into the backyards of the Liberty City projects,
onto a landfill off the side of the Turnpike
Hide it beneath Bermuda grass,
line it with palm trees
if only conceal your cold blooded nature:
I see you.
You are overrun with iguanas,
blood-******* mosquitos
hot-headed New York drivers
not afraid to get hit

You get yours, Soflo
and you'll go as low
as the flat roofs of your duplexes
and the wages that can barely pay the rent to get it
latitude as attitude
temper as temperature
if you were a body part
I swear you’re an *******

south of the brain, one hour
in all directions,
I’d find you.
You’d impose your way
onto my flight to the Philippines,
to Seattle, to Raleigh
You’d follow me like excess baggage,
like gravity,
bringing me back when asked where I'm from:

That area north of Miami, I’d say
(the suburbs, but whatever, we are hard in our own way)
I'd show you off on their map
like some badge of grit,
certificate of aggression
I know how to break a sweat
walk brisk, drive evasive
ride storms in my sleep
I know you, I’d say,
“He’s a friend of mine.”
and I’d watch them light up
and remember
the postcards you've sent them
of the sunrise,
welcoming brown immigrants
onto white sand beaches
You were foreign to us
yet raised us as your own
in the furnace of your summers
iron on iron, the forger striking
softness into swords
built for survival
I'm made of you

my South Floridian temper
cools down
in your ocean breeze

if you were a body part,
you'd be a part of me
a socked foot in an And1 sandal
pressed to the gas pedal
as my drive takes me north
of your borders, far from home

I see you
in the rear view mirror,
tail-gating
like a sports car on the exit ramp
the color of the sun.
1
I sing the body electric,
The armies of those I love engirth me and I engirth them,
They will not let me off till I go with them, respond to them,
And discorrupt them, and charge them full with the charge of the soul.

Was it doubted that those who corrupt their own bodies conceal themselves?
And if those who defile the living are as bad as they who defile the dead?
And if the body does not do fully as much as the soul? And if the body
were not the soul, what is the soul?

2
The love of the body of man or woman balks account, the body itself
     balks account,
That of the male is perfect, and that of the female is perfect.

The expression of the face balks account,
But the expression of a well-made man appears not only in his face,
It is in his limbs and joints also, it is curiously in the joints of
     his hips and wrists,
It is in his walk, the carriage of his neck, the flex of his waist
     and knees, dress does not hide him,
The strong sweet quality he has strikes through the cotton and broadcloth,
To see him pass conveys as much as the best poem, perhaps more,
You linger to see his back, and the back of his neck and shoulder-side.

The sprawl and fulness of babes, the bosoms and heads of women, the
     folds of their dress, their style as we pass in the street, the
     contour of their shape downwards,
The swimmer naked in the swimming-bath, seen as he swims through
     the transparent green-shine, or lies with his face up and rolls
     silently to and from the heave of the water,
The bending forward and backward of rowers in row-boats, the
     horse-man in his saddle,
Girls, mothers, house-keepers, in all their performances,
The group of laborers seated at noon-time with their open
     dinner-kettles, and their wives waiting,
The female soothing a child, the farmer’s daughter in the garden or
     cow-yard,
The young fellow hosing corn, the sleigh-driver driving his six
     horses through the crowd,
The wrestle of wrestlers, two apprentice-boys, quite grown, *****,
     good-natured, native-born, out on the vacant lot at sundown
     after work,
The coats and caps thrown down, the embrace of love and resistance,
The upper-hold and under-hold, the hair rumpled over and blinding the eyes;
The march of firemen in their own costumes, the play of masculine
     muscle through clean-setting trowsers and waist-straps,
The slow return from the fire, the pause when the bell strikes
     suddenly again, and the listening on the alert,
The natural, perfect, varied attitudes, the bent head, the curv’d
     neck and the counting;
Such-like I love—I loosen myself, pass freely, am at the mother’s
     breast with the little child,
Swim with the swimmers, wrestle with wrestlers, march in line with
     the firemen, and pause, listen, count.

3
I knew a man, a common farmer, the father of five sons,
And in them the fathers of sons, and in them the fathers of sons.

This man was a wonderful vigor, calmness, beauty of person,
The shape of his head, the pale yellow and white of his hair and
     beard, the immeasurable meaning of his black eyes, the richness
     and breadth of his manners,
These I used to go and visit him to see, he was wise also,
He was six feet tall, he was over eighty years old, his sons were
     massive, clean, bearded, tan-faced, handsome,
They and his daughters loved him, all who saw him loved him,
They did not love him by allowance, they loved him with personal
     love,
He drank water only, the blood show’d like scarlet through the
     clear-brown skin of his face,
He was a frequent gunner and fisher, he sail’d his boat himself, he
     had a fine one presented to him by a ship-joiner, he had
     fowling-pieces presented to him by men that loved him,
When he went with his five sons and many grand-sons to hunt or fish,
     you would pick him out as the most beautiful and vigorous of
     the gang,
You would wish long and long to be with him, you would wish to sit
     by him in the boat that you and he might touch each other.

4
I have perceiv’d that to be with those I like is enough,
To stop in company with the rest at evening is enough,
To be surrounded by beautiful, curious, breathing, laughing flesh is enough,
To pass among them or touch any one, or rest my arm ever so lightly round
     his or her neck for a moment, what is this then?
I do not ask any more delight, I
     swim in it as in a sea.
There is something in staying close to men and women and looking on them,
     and in the contact and odor of them, that pleases the soul well,
All things please the soul, but these please the soul well.

5
This is the female form,
A divine nimbus exhales from it from head to foot,
It attracts with fierce undeniable attraction,
I am drawn by its breath as if I were no more than a helpless vapor,
     all falls aside but myself and it,
Books, art, religion, time, the visible and solid earth, and what
     was expected of heaven or fear’d of hell, are now consumed,
Mad filaments, ungovernable shoots play out of it, the response
     likewise ungovernable,
Hair, *****, hips, bend of legs, negligent falling hands all
     diffused, mine too diffused,
Ebb stung by the flow and flow stung by the ebb, love-flesh swelling
     and deliciously aching,
Limitless limpid jets of love hot and enormous, quivering jelly of
     love, white-blow and delirious nice,
Bridegroom night of love working surely and softly into the
     prostrate dawn,
Undulating into the willing and yielding day,
Lost in the cleave of the clasping and sweet-flesh’d day.

This the nucleus—after the child is born of woman, man is born
     of woman,
This the bath of birth, this the merge of small and large, and the
     outlet again.

Be not ashamed women, your privilege encloses the rest, and is the
     exit of the rest,
You are the gates of the body, and you are the gates of the soul.

The female contains all qualities and tempers them,
She is in her place and moves with perfect balance,
She is all things duly veil’d, she is both passive and active,
She is to conceive daughters as well as sons, and sons as well as
     daughters.

As I see my soul reflected in Nature,
As I see through a mist, One with inexpressible completeness,
     sanity, beauty,
See the bent head and arms folded over the breast, the Female I see.

6
The male is not less the soul nor more, he too is in his place,
He too is all qualities, he is action and power,
The flush of the known universe is in him,
Scorn becomes him well, and appetite and defiance become him well,
The wildest largest passions, bliss that is utmost, sorrow that is
     utmost become him well, pride is for him,
The full-spread pride of man is calming and excellent to the soul,
Knowledge becomes him, he likes it always, he brings every thing to
     the test of himself,
Whatever the survey, whatever the sea and the sail he strikes
     soundings at last only here,
(Where else does he strike soundings except here?)

The man’s body is sacred and the woman’s body is sacred,
No matter who it is, it is sacred—is it the meanest one in the
     laborers’ gang?
Is it one of the dull-faced immigrants just landed on the wharf?
Each belongs here or anywhere just as much as the well-off, just as
     much as you,
Each has his or her place in the procession.

(All is a procession,
The universe is a procession with measured and perfect motion.)

Do you know so much yourself that you call the meanest ignorant?
Do you suppose you have a right to a good sight, and he or she has
     no right to a sight?
Do you think matter has cohered together from its diffuse float, and
     the soil is on the surface, and water runs and vegetation sprouts,
For you only, and not for him and her?

7
A man’s body at auction,
(For before the war I often go to the slave-mart and watch the sale,)
I help the auctioneer, the sloven does not half know his business.

Gentlemen look on this wonder,
Whatever the bids of the bidders they cannot be high enough for it,
For it the globe lay preparing quintillions of years without one animal or plant,
For it the revolving cycles truly and steadily roll’d.

In this head the all-baffling brain,
In it and below it the makings of heroes.

Examine these limbs, red, black, or white, they are cunning in tendon and nerve,
They shall be stript that you may see them.
Exquisite senses, life-lit eyes, pluck, volition,
Flakes of breast-muscle, pliant backbone and neck, flesh not flabby, good-sized
     arms and legs,
And wonders within there yet.

Within there runs blood,
The same old blood! the same red-running blood!
There swells and jets a heart, there all passions, desires, reachings,
     aspirations,
(Do you think they are not there because they are not express’d in
     parlors and lecture-rooms?)

This is not only one man, this the father of those who shall be fathers
     in their turns,
In him the start of populous states and rich republics,
Of him countless immortal lives with countless embodiments and enjoyments.

How do you know who shall come from the offspring of his offspring
     through the centuries?
(Who might you find you have come from yourself, if you could trace
     back through the centuries?)

8
A woman’s body at auction,
She too is not only herself, she is the teeming mother of mothers,
She is the bearer of them that shall grow and be mates to the mothers.

Have you ever loved the body of a woman?
Have you ever loved the body of a man?
Do you not see that these are exactly the same to all in all nations and
     times all over the earth?

If any thing is sacred the human body is sacred,
And the glory and sweet of a man is the token of manhood untainted,
And in man or woman a clean, strong, firm-fibred body, is more beautiful
     than the most beautiful face.
Have you seen the fool that corrupted his own live body? or the fool
     that corrupted her own live body?
For they do not conceal themselves, and cannot conceal themselves.

9
O my body! I dare not desert the likes of you in other men and women,
     nor the likes of the parts of you,
I believe the likes of you are to stand or fall with the likes of the
     soul, (and that they are the soul,)
I believe the likes of you shall stand or fall with my poems, and
     that they are my poems,
Man’s, woman’s, child, youth’s, wife’s, husband’s, mother’s,
     father’s, young man’s, young woman’s poems,
Head, neck, hair, ears, drop and tympan of the ears,
Eyes, eye-fringes, iris of the eye, eyebrows, and the waking or
     sleeping of the lids,
Mouth, tongue, lips, teeth, roof of the mouth, jaws, and the
     jaw-hinges,
Nose, nostrils of the nose, and the partition,
Cheeks, temples, forehead, chin, throat, back of the neck, neck-slue,
Strong shoulders, manly beard, scapula, hind-shoulders, and the
    ample side-round of the chest,
Upper-arm, armpit, elbow-socket, lower-arm, arm-sinews, arm-bones,
Wrist and wrist-joints, hand, palm, knuckles, thumb, forefinger,
     finger-joints, finger-nails,
Broad breast-front, curling hair of the breast, breast-bone, breast-side,
Ribs, belly, backbone, joints of the backbone,
Hips, hip-sockets, hip-strength, inward and outward round, man-*****, man-root,
Strong set of thighs, well carrying the trunk above,
Leg-fibres, knee, knee-pan, upper-leg, under-leg,
Ankles, instep, foot-ball, toes, toe-joints, the heel;
All attitudes, all the shapeliness, all the belongings of my or your body
     or of any one’s body, male or female,
The lung-sponges, the stomach-sac, the bowels sweet and clean,
The brain in its folds inside the skull-frame,
Sympathies, heart-valves, palate-valves, sexuality, maternity,
Womanhood, and all that is a woman, and the man that comes from woman,
The womb, the teats, *******, breast-milk, tears, laughter, weeping,
     love-looks, love-perturbations and risings,
The voice, articulation, language, whispering, shouting aloud,
Food, drink, pulse, digestion, sweat, sleep, walking, swimming,
Poise on the hips, leaping, reclining, embracing, arm-curving and
     tightening,
The continual changes of the flex of the mouth, and around the eyes,
The skin, the sunburnt shade, freckles, hair,
The curious sympathy one feels when feeling with the hand the naked
     meat of the body,
The circling rivers the breath, and breathing it in and out,
The beauty of the waist, and thence of the hips, and thence downward
     toward the knees,
The thin red jellies within you or within me, the bones and the
     marrow in the bones,
The exquisite realization of health;
O I say these are not the parts and poems of the body only, but of
     the soul,
O I say now these are the soul!
IV. TO HERMES (582 lines)

(ll. 1-29) Muse, sing of Hermes, the son of Zeus and Maia, lord
of Cyllene and Arcadia rich in flocks, the luck-bringing
messenger of the immortals whom Maia bare, the rich-tressed
nymph, when she was joined in love with Zeus, -- a shy goddess,
for she avoided the company of the blessed gods, and lived within
a deep, shady cave.  There the son of Cronos used to lie with the
rich-tressed nymph, unseen by deathless gods and mortal men, at
dead of night while sweet sleep should hold white-armed Hera
fast.  And when the purpose of great Zeus was fixed in heaven,
she was delivered and a notable thing was come to pass.  For then
she bare a son, of many shifts, blandly cunning, a robber, a
cattle driver, a bringer of dreams, a watcher by night, a thief
at the gates, one who was soon to show forth wonderful deeds
among the deathless gods.  Born with the dawning, at mid-day he
played on the lyre, and in the evening he stole the cattle of
far-shooting Apollo on the fourth day of the month; for on that
day queenly Maia bare him.  So soon as he had leaped from his
mother's heavenly womb, he lay not long waiting in his holy
cradle, but he sprang up and sought the oxen of Apollo.  But as
he stepped over the threshold of the high-roofed cave, he found a
tortoise there and gained endless delight.  For it was Hermes who
first made the tortoise a singer.  The creature fell in his way
at the courtyard gate, where it was feeding on the rich grass
before the dwelling, waddling along.  When be saw it, the luck-
bringing son of Zeus laughed and said:

(ll. 30-38) 'An omen of great luck for me so soon!  I do not
slight it.  Hail, comrade of the feast, lovely in shape, sounding
at the dance!  With joy I meet you!  Where got you that rich gaud
for covering, that spangled shell -- a tortoise living in the
mountains?  But I will take and carry you within: you shall help
me and I will do you no disgrace, though first of all you must
profit me.  It is better to be at home: harm may come out of
doors.  Living, you shall be a spell against mischievous
witchcraft (13); but if you die, then you shall make sweetest
song.

(ll. 39-61) Thus speaking, he took up the tortoise in both hands
and went back into the house carrying his charming toy.  Then he
cut off its limbs and scooped out the marrow of the mountain-
tortoise with a scoop of grey iron.  As a swift thought darts
through the heart of a man when thronging cares haunt him, or as
bright glances flash from the eye, so glorious Hermes planned
both thought and deed at once.  He cut stalks of reed to measure
and fixed them, fastening their ends across the back and through
the shell of the tortoise, and then stretched ox hide all over it
by his skill.  Also he put in the horns and fitted a cross-piece
upon the two of them, and stretched seven strings of sheep-gut.
But when he had made it he proved each string in turn with the
key, as he held the lovely thing.  At the touch of his hand it
sounded marvellously; and, as he tried it, the god sang sweet
random snatches, even as youths bandy taunts at festivals.  He
sang of Zeus the son of Cronos and neat-shod Maia, the converse
which they had before in the comradeship of love, telling all the
glorious tale of his own begetting.  He celebrated, too, the
handmaids of the nymph, and her bright home, and the tripods all
about the house, and the abundant cauldrons.

(ll. 62-67) But while he was singing of all these, his heart was
bent on other matters.  And he took the hollow lyre and laid it
in his sacred cradle, and sprang from the sweet-smelling hall to
a watch-place, pondering sheet trickery in his heart -- deeds
such as knavish folk pursue in the dark night-time; for he longed
to taste flesh.

(ll. 68-86) The Sun was going down beneath the earth towards
Ocean with his horses and chariot when Hermes came hurrying to
the shadowy mountains of Pieria, where the divine cattle of the
blessed gods had their steads and grazed the pleasant, unmown
meadows.  Of these the Son of Maia, the sharp-eyed slayer of
Argus then cut off from the herd fifty loud-lowing kine, and
drove them straggling-wise across a sandy place, turning their
hoof-prints aside.  Also, he bethought him of a crafty ruse and
reversed the marks of their hoofs, making the front behind and
the hind before, while he himself walked the other way (14).
Then he wove sandals with wicker-work by the sand of the sea,
wonderful things, unthought of, unimagined; for he mixed together
tamarisk and myrtle-twigs, fastening together an armful of their
fresh, young wood, and tied them, leaves and all securely under
his feet as light sandals.  The brushwood the glorious Slayer of
Argus plucked in Pieria as he was preparing for his journey,
making shift (15) as one making haste for a long journey.

(ll. 87-89) But an old man tilling his flowering vineyard saw him
as he was hurrying down the plain through grassy Onchestus.  So
the Son of Maia began and said to him:

(ll. 90-93) 'Old man, digging about your vines with bowed
shoulders, surely you shall have much wine when all these bear
fruit, if you obey me and strictly remember not to have seen what
you have seen, and not to have heard what you have heard, and to
keep silent when nothing of your own is harmed.'

(ll. 94-114) When he had said this much, he hurried the strong
cattle on together: through many shadowy mountains and echoing
gorges and flowery plains glorious Hermes drove them.  And now
the divine night, his dark ally, was mostly passed, and dawn that
sets folk to work was quickly coming on, while bright Selene,
daughter of the lord Pallas, Megamedes' son, had just climbed her
watch-post, when the strong Son of Zeus drove the wide-browed
cattle of Phoebus Apollo to the river Alpheus.  And they came
unwearied to the high-roofed byres and the drinking-troughs that
were before the noble meadow.  Then, after he had well-fed the
loud-bellowing cattle with fodder and driven them into the byre,
close-packed and chewing lotus and began to seek the art of fire.

He chose a stout laurel branch and trimmed it with the knife....
((LACUNA)) (16)
....held firmly in his hand: and the hot smoke rose up.  For it
was Hermes who first invented fire-sticks and fire.  Next he took
many dried sticks and piled them thick and plenty in a sunken
trench: and flame began to glow, spreading afar the blast of
fierce-burning fire.

(ll. 115-137) And while the strength of glorious Hephaestus was
beginning to kindle the fire, he dragged out two lowing, horned
cows close to the fire; for great strength was with him.  He
threw them both panting upon their backs on the ground, and
rolled them on their sides, bending their necks over (17), and
pierced their vital chord.  Then he went on from task to task:
first he cut up the rich, fatted meat, and pierced it with wooden
spits, and roasted flesh and the honourable chine and the paunch
full of dark blood all together.  He laid them there upon the
ground, and spread out the hides on a rugged rock: and so they
are still there many ages afterwards, a long, long time after all
this, and are continually (18).  Next glad-hearted Hermes dragged
the rich meats he had prepared and put them on a smooth, flat
stone, and divided them into twelve portions distributed by lot,
making each portion wholly honourable.  Then glorious Hermes
longed for the sacrificial meat, for the sweet savour wearied
him, god though he was; nevertheless his proud heart was not
prevailed upon to devour the flesh, although he greatly desired
(19).  But he put away the fat and all the flesh in the high-
roofed byre, placing them high up to be a token of his youthful
theft.  And after that he gathered dry sticks and utterly
destroyed with fire all the hoofs and all the heads.

(ll. 138-154) And when the god had duly finished all, he threw
his sandals into deep-eddying Alpheus, and quenched the embers,
covering the black ashes with sand, and so spent the night while
Selene's soft light shone down.  Then the god went straight back
again at dawn to the bright crests of Cyllene, and no one met him
on the long journey either of the blessed gods or mortal men, nor
did any dog bark.  And luck-bringing Hermes, the son of Zeus,
passed edgeways through the key-hole of the hall like the autumn
breeze, even as mist: straight through the cave he went and came
to the rich inner chamber, walking softly, and making no noise as
one might upon the floor.  Then glorious Hermes went hurriedly to
his cradle, wrapping his swaddling clothes about his shoulders as
though he were a feeble babe, and lay playing with the covering
about his knees; but at his left hand he kept close his sweet
lyre.

(ll. 155-161) But the god did not pass unseen by the goddess his
mother; but she said to him: 'How now, you rogue!  Whence come
you back so at night-time, you that wear shamelessness as a
garment?  And now I surely believe the son of Leto will soon have
you forth out of doors with unbreakable cords about your ribs, or
you will live a rogue's life in the glens robbing by whiles.  Go
to, then; your father got you to be a great worry to mortal men
and deathless gods.'

(ll. 162-181) Then Hermes answered her with crafty words:
'Mother, why do you seek to frighten me like a feeble child whose
heart knows few words of blame, a fearful babe that fears its
mother's scolding?  Nay, but I will try whatever plan is best,
and so feed myself and you continually.  We will not be content
to remain here, as you bid, alone of all the gods unfee'd with
offerings and prayers.  Better to live in fellowship with the
deathless gods continually, rich, wealthy, and enjoying stories
of grain, than to sit always in a gloomy cave: and, as regards
honour, I too will enter upon the rite that Apollo has.  If my
father will not give it to me, I will seek -- and I am able -- to
be a prince of robbers.  And if Leto's most glorious son shall
seek me out, I think another and a greater loss will befall him.
For I will go to Pytho to break into his great house, and will
plunder therefrom splendid tripods, and cauldrons, and gold, and
plenty of bright iron, and much apparel; and you shall see it if
you will.'

(ll. 182-189) With such words they spoke together, the son of
Zeus who holds the aegis, and the lady Maia.  Now Eros the early
born was rising from deep-flowing Ocean, bringing light to men,
when Apollo, as he went, came to Onchestus, the lovely grove and
sacred place of the loud-roaring Holder of the Earth.  There he
found an old man grazing his beast along the pathway from his
court-yard fence, and the all-glorious Son of Leto began and said
to him.

(ll. 190-200) 'Old man, weeder (20) of grassy Onchestus, I am
come here from Pieria seeking cattle, cows all of them, all with
curving horns, from my herd.  The black bull was grazing alone
away from the rest, but fierce-eyed hounds followed the cows,
four of them, all of one mind, like men.  These were left behind,
the dogs and the bull -- which is great marvel; but the cows
strayed out of the soft meadow, away from the pasture when the
sun was just going down.  Now tell me this, old man born long
ago: have you seen one passing along behind those cows?'

(ll. 201-211) Then the old man answered him and said: 'My son, it
is hard to tell all that one's eyes see; for many wayfarers pass
to and fro this way, some bent on much evil, and some on good: it
is difficult to know each one.  However, I was digging about my
plot of vineyard all day long until the sun went down, and I
thought, good sir, but I do not know for certain, that I marked a
child, whoever the child was, that followed long-horned cattle --
an infant who had a staff and kept walking from side to side: he
was driving them backwards way, with their heads toward him.'

(ll. 212-218) So said the old man.  And when Apollo heard this
report, he went yet more quickly on his way, and presently,
seeing a long-winged bird, he knew at once by that omen that
thief was the child of Zeus the son of Cronos.  So the lord
Apollo, son of Zeus, hurried on to goodly Pylos seeking his
shambling oxen, and he had his broad shoulders covered with a
dark cloud.  But when the Far-Shooter perceived the tracks, he
cried:

(ll. 219-226) 'Oh, oh!  Truly this is a great marvel that my eyes
behold!  These are indeed the tracks of straight-horned oxen, but
they are turned backwards towards the flowery meadow.  But these
others are not the footprints of man or woman or grey wolves or
bears or lions, nor do I think they are the tracks of a rough-
maned Centaur -- whoever it be that with swift feet makes such
monstrous footprints; wonderful are the tracks on this side of
the way, but yet more wonderfully are those on that.'

(ll. 227-234) When he had so said, the lord Apollo, the Son of
Zeus hastened on and came to the forest-clad mountain of Cyllene
and the deep-shadowed cave in the rock where the divine nymph
brought forth the child of Zeus who is the son of Cronos.  A
sweet odour spread over the lovely hill, and many thin-shanked
sheep were grazing on the grass.  Then far-shooting Apollo
himself stepped down in haste over the stone threshold into the
dusky cave.

(ll. 235-253) Now when the Son of Zeus and Maia saw Apollo in a
rage about his cattle, he snuggled down in his fragrant
swaddling-clothes; and as wood-ash covers over the deep embers of
tree-stumps, so Hermes cuddled himself up when he saw the Far-
Shooter.  He squeezed head and hands and feet together in a small
space, like a new born child seeking sweet sleep, though in truth
he was wide awake, and he kept his lyre under his armpit.  But
the Son of Leto was aware and failed not to perceive the
beautiful mountain-nymph and her dear son, albeit a little child
and swathed so craftily.  He peered in ever corner of the great
dwelling and, taking a bright key, he opened three closets full
of nectar and lovely ambrosia.  And much gold and silver was
stored in them, and many garments of the nymph, some purple and
some silvery white, such as are kept in the sacred houses of the
blessed gods.  Then, after the Son of Leto had searched out the
recesses of the great house, he spake to glorious Hermes:

(ll. 254-259) 'Child, lying in the cradle, make haste and tell me
of my cattle, or we two will soon fall out angrily.  For I will
take and cast you into dusty Tartarus and awful hopeless
darkness, and neither your mother nor your father shall free you
or bring you up again to the light, but you will wander under the
earth and be the leader amongst little folk.' (21)

(ll. 260-277) Then Hermes answered him with crafty words: 'Son of
Leto, what harsh words are these you have spoken?  And is it
cattle of the field you are come here to seek?  I have not seen
them: I have not heard of them: no one has told me of them.  I
cannot give news of them, nor win the reward for news.  Am I like
a cattle-liter, a stalwart person?  This is no task for me:
rather I care for other things: I care for sleep, and milk of my
mother's breast, and wrappings round my shoulders, and warm
baths.  Let no one hear the cause of this dispute; for this would
be a great marvel indeed among the deathless gods, that a child
newly born should pass in through the forepart of the house with
cattle of the field: herein you speak extravagantly.  I was born
yesterday, and my feet are soft and the ground beneath is rough;
nevertheless, if you will have it so, I will swear a great oath
by my father's head and vow that neither am I guilty myself,
neither have I seen any other who stole your cows -- whatever
cows may be; for I
In the heart of the Courtroom sat God with his Only Begotten Son The Christ to his right-hand side to the left-hand side was Lucifer fully armored with a Golden Celestial Horn which will be blown once the war speech commences. Directly in front of them sat 25 Golden Robed Kings dressed in a white tunic with Golden Crowns flowing above their heads. In the massive throne room, there were nearly 750,000 thousand Angels gathered to hear this important speech. Within the crowd, there was some excitement and yet commotion going into play. The Golden Armada Of ArchAngels was presently composed of only 8 Lv-1000 ArchAngels they are under God's direct command and they are the most powerful toughest meanest baddest Angels God has put aside for the most dangerous and toughest assignments ever to be imagined. What God didn't expect was about to happen he was about to get betrayed by one of his main Angels and he himself be tested with the greatest trial he would ever face. Suddenly, Lucifer blew the horn the speech was about to commence...

Meanwhile in Infernus...
Inrah is harnessing Infernus power and converting it into a massive ball of power by opening his mouth wide the energy ball that has a rainbow color to it gets bigger and bigger and has created a transparent shield covering him leaving the angels unable to attack him directly...so every attack they throw at him has failed whether it be a long ranged attack or a close-range attack. Sebastian added "If I were to attack the beast somehow in close range I could potentially aim my Holy Spirit Purple Flame Arrow Of Fate is one of the most powerful attacks I have in my repertoire of moves. Valerye tells Krillin to use stealth and cloak herself from enemy view and attack him from behind the skull of the dragon...the dragon had peaked power in its attack and aimed directly at the 4 ArchAngels floating in mid-air about 400 ft away. In a blink of an eye, Krillin shot at the Dragon with Heavenly Gun Celestial Ray Bullets to draw attention to the dragon. Leona had used her doppelganger to act and be portrayed as Krillin. That made Inrah believe all 4 was there. The bullets broke the shield behind Inrahs skull and 3 bullets penetrated his head exploiting deep within and causing huge rupture like holes on his head. Inrah lost power and was interrupted so the energy ball lost some power itself. Squad #6 realized this was their chance to take Inrah down ...so Valerye being the muscular wise the strongest she leaped then teleported to Inrahs head and descended with a colossal attack disestablishing his power ball and exploding creating a distortion of ethereal space and the blast was so powerful that the Arch Angels suffered extensive damage to their armor. This time Inrah whole head had exploded and collapsed on itself Slowly but surely the tremendous beast with ferocious power had been silenced they all thought Inrah was dead. So each of them examines their selves Valerye had a crack on her shoulder side of her armor. Krillin had her armor almost intact except the broken shattered part of the crystal armature which some shards cut her left arm below the armpit. Krillin was bleeding but recovered phenomenally. Sebastian had Burn marks all over his lightweight armor. Leona had not suffered much due to the fact that she was observing the blast farther away. She had once again used her doppelganger to trick Inrah that she was Sebastian and had moved close to the energy ball when it was still in decent condition. Those golden seconds allowed her to teleport to a nearby location to observe the blast.
It had been 7 minutes and Inrahs head had not recovered...Exhausted from the long battle the Angels began to slowly fly away from the scene. However, Inrah was not dead yet and he gathered his last bit of strength to go back to his Arch Fiend form. The Arch-Fiend flashed and grabbed Valerye then Inrah began glowing dark energy and wouldn't let go of Valerye. So then all the other 3 members threatened Inrah to let go of Valerye then Inrah shouted to the Angels that if they were to attack him or interfere on the absorption of holy power he was going to perform that he would explode leaving Valerye dead or heavily injured. She then telepathically told all the goodbyes and all. Then Valerye heard the Lord's voice to tell her teammates to attack Inrah. Sebastian telepathically asked her if she wanted him to use Celestial Arrow so then they all detected that Inrah couldn't telepathically communicate with them anymore due to his lack of power. So they communicated this among each other and they took advantage of this opportunity to communicate with each other about Jesus message to them saying it was OK for them to attack Inrah due to the fact he had allowed the Holy Spirit to descend to Infernus temporarily to shield Valerye. Taking advantage of Inrah's inability to decipher their angelic messages thru telepathy they readied their positions. In fear, Inrah shouted to him and warned him that he would explode. Sebastian just looked at him and smirked and said... "Don't you see Demon is over..." at that very moment he drew his heavenly bow and slowly drew a celestial arrow. So then Inrah responded nervously... "I may be at my last stand but Master will understand..." right when he finished those words he exploded annihilating him instantly but Valerye was left unharmed due to the Holy Spirit Godly Shield an ability able to withstand any blast with a power level below 1000. So there all four Arch Angels stood on the ground of Infernus and made a surprising discovery. Their power level had grown. Furthermore, a new ability was unlocked by each member of the group. Sebastian learned Shadow Arrow. Leona Infernal Shield. Krylinn learned Earthly Armor. Last but not least Valerye Shadow Clone the ability to use two doppelgangers. The victory came at last and they all four after being left roaming Infernus for 7 long days they arose to heaven victorious and feeling joyful to see the Lord's gentle face and to feel God's embrace and power ever so mightily.

Back in the Courtroom...
The earnest tone of voice and a most elegant poise was worn by Lucifer as he gave his speech. Spoken in Umen a diabolical dialect mixed in the crowd was Vhar disguised as a messenger Angel. He contacted Nebol the 6th DemonLord of Infernus who has 650,000 Necromancers and 1.5 million undead soldiers at his disposal. Nebol made a rift allowing the Undead and Necromancers inside Infernus to relocate to random places around the perimeter of the Throne Room. Vhar and Nebol stormed into the Throne Room just to find themselves surrounded God had given orders to dispose of the imminent threat if any that opposed him or his kingdom. However the demons knowing God's presence would be overwhelming Nebol opened a portal right in front of him which transferred him to Infernus however him and Vhar sustained damage which lowered Nebol vitality due to Occult technique Shade of Darkness which allowed them to be shielded from God's Celestial Light and Adonai Vortex the first ability allows Yahweh the to impair demons use of abilities and conjuring power. The second ability is a is a white dim and slowly becomes a transparent hole that disintegrates demons any rank if touched by it. So with 1/4 of Nebols troops disintegrated when he almost lost his life and almost lost one of his best Generals Vhar he was outraged at the fact he had lost a significant amount of his demonic fleet. Now with 450,000 Necromancers and only having a million undead soldiers left. Nebol killed and consumed the heart of 5 Lv500 General Undead Soldiers and 1 out of only 6 in all the Necromancer Platoon an Lv-800 High Diabolic Priest Necromancer regaining all his power and armor back and with a stronger more powerful stance now regaining his posture as a Demon Lord. *There are 9 DemonLords in Infernus. Each and every single Demon Lord has Immortality and a power level of 1000. However some Demon Lord's are weaker and some stronger even though their power level cannot be higher. It ultimately matters of determination and skill. Aikalar First of the Demon Lord's rules the first circle of Infernus. He is a Huge White Wolf with Black flames with a small blue hue in his eyes and tail dominating the entrance of Infernus the smallest circle of Infernus. The Second Demon Lord portrayed as a Crow in a rotten tree high in the heights of Infernus. The second biggest circle in Infernus. Croxuss the third Demon Lord of Hell portraying himself as a huge turtle looking monster with Bloodshot eyes and ugly putrefying stench emitting from his body. The 4th Demon Lord known as Flayiron a once beautiful Arch-Angel LvIII Bow-Master now that he has joined the Infernus Fleet after his rebellion in Acapella He has a light blueish/purplish armor with a gigantic bow that can be transformed to a sword or a shield with a telekinetic command given by Flayiron. The fifth Demon Lord of hell is known as Asmodeus a half-giant half grey skinned demon who killed an Arch-Angel known Killas. Nebol the 6th Demon Lord of hell who was inbound to attack the great palace of heaven retreated momentarily to collect his thoughts. Lilith the 7th Demon Lord is the Angel of Lust a pure goddess of seduction with tremendous power. Nova the eight demon lord the most powerful goddess of all demon lords extremely beautiful and extremely sensual she does as she pleases with any of the Arch-Angels God has sent her way so far...she doesn't know she is about to meet her doom ...
Squad # 6. Arch-Angel Valerye with Arch-Angel Leona Arch-Angel Kryllin and Last but not least Arch-Angel Sebastian. They came to the 8th Circle Of *Infernus
where Demon Lord Nebol from the 6th Circle Of Infernus.
Work in progress...
majsrivas May 2015
Wish i am strong enough by this time.
Wish i had the courage to face him later.
Wish that i could hug him tight by the time that i saw him.
Wish i could kiss him again.
Wish i could reach out and grab him and feel his arms around me again.
Wish i could share another day with him and share the laughter again.
Wish i can smell his armpit and feet.
Wish i could say i love him endlessly.
Wish i am not craving for him anymore.
Wish i am not crying at night wanting him to just appear in front of me.
Wish i am not crying on the bathroom floor begging God to bring him back.
Wish that i had him not only in my dreams so that i would not want sleep so much cos i know that dream is the simplest way for me to feel him again.
Wish the gets-inside-you-and-rips-you-apart game is not that strong.
Wish i didn't wished these last Wednesday wishes.
©jenzybabyy
it was warm
for a winters eve
unusually warm
but damp very damp
birthing a persistent
midnight mist that
crawled over everything

avenging
halogen angels
flitted down from
streetlight perches
skidding through
bare limb bars
of broken trees
roped in by sagging
telephone wires

skulking
seraphs
joined
ebullient
neon auroras
laughingly
brake dancing,
jittering away on the
pock marked rims
of hip hop streets

the fine drizzle
descending from the
black urban heavens
splayed holy water
over the bodies
of anything
that moved; and
layered mounds
of transparent beads
on all inert things
chiding those yolked
to weighty burdens
to seek relief of
a much needed
breaking point

our
slouching city
mired in a cycle
of a prolonged
historical rut
beavers away
to lift the lid
on tomorrows
tipping point
in a desperate
labor to stop
tripping over
itself...

a dinged up
Sentra’s
flashing spinners
twisted round
our dark corner
nearly clipping
our troop

inside the
yakking low-riders
scuttled along,
their hidden ***** eyes
cruising the stoops
and cyclone alleys
scoping opportunities
for the next
jolly hustle
to feed
a growing
angry fix

tonight
Mother Nature was
running a *****
to the wall third shift,
manufacturing a
stationary low
of gagging precip
churning volumes
of Vulcan smoke
conjuring
convective spirits
from all the
dim places

emanations lit
the balmy January air
rising from
stubborn gray patches
of despoiled snow
and rancid ponds
organic gutter water
composting
in distilled pools
awaiting leakage
through flotsam
clogged sewage grids

Paterson’s
litter police
could close the
city’s budget deficit
if all infractions
were properly cited
and paid in this
neighborhood

this queer elixir of
rising vapors from
evaporating snow
escaping the cracks
lining the bowels of
mordant streets
joining descending
screens of billowing mists
blurs boundaries of light,
diffusing temporal time

people and things
lose precise definition
reducing sentient beings
to moving silhouettes of gray
photographic negatives
framed in dribbling palettes
of pastel hues

our
5th Ward mission
planted in the
hub of a neighborhood
still holding on...

Old WASP’s
of St. Paul’s
long ago
winged away
from this
princely
Episcopate
principality

the abandoned
conical nest, its
chambers filled with
the mud of 50 dead rectors
precariously clings
to its shivering
boulevard corner

its endowment depleted
its earthly treasure rusting
grandiose Tiffany windows
remain the last legacy of an
opulent faith now
shamefully rattling away
in moth eaten frames

once icons of
adulatory reverence
the final sparkling asset
of a distressed religion
begs to be monetized
by flummoxed vestrymen
yearning to extend
a stewardship
over a dissipating
ESL flock

distress in the hood
parades down Broadway
in all directions

a few blocks east
a shuttered
Barnert Hospital
transfigured into an
urban enterprise zone
for health-care privateers
working overtime to
extract federal
corporate welfare
rent subsidies
dutifully fulfilling
fine print obligations of
Obamacare legislation

Old Mayor Barnert’s
namesake synagogue
once hard by
City Hall
is long gone
its absent footprint
now centered by
a thriving
White Castle

near Broadway’s end
on the outskirts
of Eastside Park
Art Deco Emanuel Temple
the last anchor
for the city’s Judaism
lies vacant
awaiting a renewed
purpose

fraught with irony
a thriving Islamic Center
stands juxtaposed
across the street
from the old
Hebrew Temple

we wonder what
will emerge
from the
hallowed chrysalis
of decommissioned
Emanuel?

rumors of a
Great Falls Art Center
trickle like a leaking faucet
failure to secure a mortgage
in the post credit
bubble pop economy
dams the possibly
of a new centers
coming to fruition

will
the city’s
changing
demography of
reverent Muslim’s
genuflecting
across the street
take time away
from prayer to
patronize a venue
offering decadent
bourgeois jazz and
risqué reviews
of retro Borscht Belt
vaudeville?

when Constantinople
became Istanbul they
converted the Christian
churches into mosques

when the Inquisitioners
drove the Moors from
Granada they converted
the Grand Mosque to
the Cathedral of the
Incarnation

what incarnations
will this city’s
twilight bring?

As Byzantine
begets
Constantinople
begets
Istanbul
the links
in the Silk Road
spanned west
to the new world
of mechanized looms
powered by
Great Falls
raceway water
and a distribution
and procurement
chain anchored
by the Morris Canal

Capitalist
modernity
begets
our Silk City
it also bespeaks
its demise

in the courtyard
of St. Paul’s
a muffled chorus
trawls the thick air

a posse of pimps
done wrangling
their stables
of $5 ******
sing reveries to
the evening haul

midnight lullabies
of corner crooners
lift a Capella hosannas
from the dark armpit
of an alley behind
the Autozone

“i said
you say
what can make
me feel this way
my girl”

juiced pimps
cashin in
livin large on
a skanks
50 cent haul

the trade in flesh
of distressed
human capital
remains a
growth industry

Music Selection:  
Temptations, My Girl

jbm
3/1/13
Oakland
Part 1 of extended poem Silk City PIT.  PIT is an acronym for Point In Time.  PIT is an annual census American cities conduct to count the homeless population.  Paterson NJ is nick named The Silk City.
Julia O'Neary May 2014
When you say: you are Sooo
skinny, *****. I think you’re
trying to complement me
but just don’t, please just stop.
I’ll let the use of ‘*****’ as a term
of endearment, go for now.
But Skinny is not a complement.
It’s a buzz word that evokes images
of too thin runway models, and
******* thigh gaps. Please don’t
associate me with #thinsperation.
Social media is as divided on
the issue as my thighs.
Pitting skinny ******* against
fat ****** all in the name of likes
and follows and shares.  
They pray on our own need
to validate our bodies and they
know the fastest way to do
so is to hate hers.
But taking the media’s
imposable beauty standards
and turning it on its head than
passing it on to me is just a game
of tag that none of us can win.
We are warring against our fellow woman
in pursuit of the ideal female form.
We are warriors behind the message
boards fighting the good fight for say
‘health’ or ‘feminism’.
Feminism does not mean do whatever
you want say whatever you want.
Feminism is not fat or thin.
She is not lipstick or armpit hair.
****** or…not a ******.
She is simply women, plural,
because there are a lot of us.
I won’t fight anymore with
surface level insults,
but I will debate you on
how social media
is the assemblage of all
human depravities
So the next time you call me a *****,
leave my skinny *** out of it.
Corset Jun 2015
It follows my movements
behind a seashell,
every few steps
it drops the cup
over it's shoulder
prolifically it shifts
positions, so do I,
as slight of hand.

If the secret of love
is buried in his armpit,
and it is, maniacally.
Tho' not the kind
you buy at the movies,
of optimist derringers,
smoking guns.
Still,
flight begins when
the sun goes down
it shifts euphemistic trees
like shadow puppets
into walls of passion,
makes bulimia dreams
of doughnut holes,
something sweet
craving bakery counters
and bagels take up
the lonesome place
still ringing in our ears,
my ears,
placards hanging lobes
of the emotionally distressed,
handicapped dangle
I can't move my tongue
...again.
But, they still hear love
whisper their name
just before
the dawn becomes.
Sunny rising sonic
boom that scatters the birds
all  into synchronized
sign language.
We strain,
to hear them sing anthems
over the roof tops,
it makes us happy to hear
every time,
just one more time.
First Love is funny
Like a burning ring
We all fell into it once
Memories Memories

Time ago
Young in age
Tender in heart
Just like in the garden
I wanted to touch the apple

Just the next street
Yet my bath must be long
Had no real beard
Wonder what I was shaving
Armpit cleaned like a desert
Nails cut to shape
Memories Memories

Shirt ironed repeatedly
Trousers checked for unseen tears
Day before
Only shoe shined to new.
Hair line brought to shape  
By my mum used  tiger razor
Memories Memories

Vasselin on my face
Power on my neck
Perfumed ear
To make complete
Memories Memories

Mirror Mirror
How do I look
Turning Turning
Looking Looking
The boy must be perfect
To met his presumed perfect girl

With a novel in hand
A nappe in the other
The boy  good to go
Certified by my coach
Unseen shadow accomplices

Bold and calm
Queens and polished
coach gave order
Tell her she is not beautiful
But pretty
Tell her she is not a girl
But an angel
Tell her she is not now
But the future

Whistle blown
I marched forward
Be calm be calm
My shadow kept saying
Target in sight
Worrior on the March
Memories Memories

At the junction of battle
Without rain
Was covered in sweat
Had a quick look backward
My shadow had disappeared
queens refused to be fluent
words of love had flew away

Smiling was i
Cleaning my sweat
Opening my novel
able to ask for her note
Last assignment of Saturday
We don't school on Saturday
Memories Memories

Prayed for rapture
Even though I new
will end in hell
Any other thing
My hunted  asked
No! no!! no!!!
The hunter said
Hunted standing
Hunter running
Memories Memories

Now in a corner
Waiting for my scar to heal
****** up my coach said
Thanking God I came alive
Even when the battle was lost
Memories Memories

Love is like a burning ring
We all fell into it once
Memories Memories
    And
Memories
Arthur Habsburg Jul 2018
Cockcrow harbour:
the gulls whining like tethered dogs
about rooftops
paliophobic cars and
grounded vessels..
Look:
on the hoary horizon
a glaucous strip
beguils
with backwater.
Not putting on a show
the frigid sea benumbed..
Easily,
with a tail of emerald jelly
skim a vanishing lane off that
lustrous sheet
and watch
the trailblazing mainland
scuttle.

Now,
Only scattered dreaming is possible.

In it's bachelor pad,
cradling over crinkles,
away from the meretriciosness
of validating the real by sharing it,
THE WIND
blusters off any veneer.
Here,
stale but spry,
fare your way around the inoffensive isle
to it's most shyest of harbours:
a mouth full of silver
saving it's breath.
The windows facing the sea
seem
black & white,
their wooden frames hooked to the wind,
the splattered gulls meow
your name
in a way
that's
personal.
Of course comes to mind.
The pines
are demanding a visit,
They're whispering
so you can hear them,
each as different as every snore,
these pines know
how to grow in the sand
and still reach for
the Nimbostratus with heads in unison.
The spaces
between their trunks illuminating
the blazing needles
raining down
painting the ground
familiar
to your lover's
skin texture:
Feel her closeness
from jilted borderwatchtowers
as she speads her mire
like no one's watching:
weedy and sugared
with bellflowers,
the waves in her shallow armpit
billeting a pair of white swans:
demurely they float
sometimes as pillows and sometimes
as question marks..
Go ask the seasoned locals,
they say the bones she parked
when she let her ice sheet melt
are portals
to her noble underbelly.

Hidden in the woods
reminiscent of your heart,
the red
tank-sized stone
is sealed,
but what the lighting reach cannot
the rain shall sluice apart
dumbly.
And though her hair has
come to be
the moss
black and hoarse
as sailor's beard,
there is still time.
The void says
her noisy neighbour is nothing
to die for.
The theadbear car with absent doors
incites
to drive her
in reverse gear
to the first few
days of holidays:
her golden locks a-blaze,
her arm around your
hind-sighted doppelganger.
Going to Prangli island.
Alexander  K OPICHO
(Eldoret, Kenya;aopicho@yahoo.com)

from north in Kaduna  of Okigbo to south in the Rhoben Island
of Mazizi Kunene and D M Zwelonke who sang the song of Shaka;
in Zulu Heroism that beautified our face in the armpit of Ezkia Mphalele,
the sons of Africa in the knighthood of poetry,chantery and incantations
you are hailed with with glory and dignity for your service to humanity
your service to literature and gods of poetry in the spirit of the song
that we chant in the spirit of love and peace the glory of hour heritage
is an eyesore to the lazy ; who though ill will can stop the flow of African river,

Sing our songs and chant our spirituals as you write our poems
open your poetic ***** for the world is a ******
in which the seed of African poetry will plummet and flower
to glory of man the essence of Godliness,

Let Soyinka and Achebe sing our songs without fear of home
As Okot P' Btek  revamps from the ashes like a phoenix
to re-plant the bumpkin in the old homestead of Taban Lo Liyong
Who sang the cacotpic song in the dystopia of black diaspora
when he saw another ****** dead in the guest for Nocturnes of Senghor
who feared  Marxist poetry and African songs which Aime Cesaire chanted
in the mayoralty of Paris.
david badgerow Jan 2012
unsuccessful potatoes & you found a tree in the ocean
i spent the afternoon digging, digging
my fingernails into my own fear of commitment
the fear of my own reputation

now the cat's in heat & richard nixon (the dog)
is teasing her with his trump card
she takes it
& squeezes it
very gently
then rips it open madly & snarls
& it oozes and drips out of her mouth
we all pick up a thousand pieces of a minute

i cremated my sister this morning & new spirits
arrived at my doorstep before noon
they sang to me of instinct,
whinnying about the antique zenith
up in cheyenne

"gimmie some secrets" she said
so i carved them
into my arm
into a minotaur's chest
into a giant looking glass
into a wooden boat
& i set sail for the sundial,
"there is no truth"
my eyes are wax & the ocean
means nasty filth

but everything is useless now
frogs carry high powered harmonicas
& walk into the spells of Poe
& into the hexagrams of Hamlet

i do not want to carry a pitchfork across
some godforsaken desert
i do not want to feel my own evaporation
while the real artists brood in the meantime
i want to waste away on a slushy evening
i will live in my armpit
& hate you
& never wear deodorant

"your mind is small--it is limited--why must you understand?"
AJ Robertson Mar 2013
***** feet
***** of them ache
they're dry
all dried out, moisture to face and digestive tract make little difference
but comfort a little sort of; maybe
subdue to replenishing
skip the pain with a drink fucken, fucken drink fucken
dust lingers in the brain, it swirls
a cloud of ground envelops the shape of u
u become covered
u have a layer,
salty,
and dry
and 'organic'
(surely bio (though im not sure what is or why are))

full city boy, suburban boy, not particularly gritty boy
along side hippies
and volunteers all tripppy
and unwashed, and un plastic
yet forcefully hemped
drunk of micro beer
and burnt brown and blotchy red
and wire-y

and dry

and matted
as if nothing really matters except for principles
misguided and randomly enforced

feel like a husk; peanut shell
insides swallowed by the mouth of the party embodied
a monsterous sweaty man tanned and thickly bearded
and beered
fat dreads fall around and surround u; a forest of hair
a circle encroaching of fuzzy pillars in fibres
entrapped inside them; feel their lingering time matted hold
a wealth of effort to become unkempt; they are bars
they are walls
and the FACE!
………………………   ………………………………… oh
looming down, wafts of armpit vapour cloud; a looming puft that surrounds
engorged by the scent as it circles u, the mouth that lowered onto u
chews u and spills bits of u
chomp chomp
protein for vegetarians; u; ur rigour ur vigour ur guts
  
eaten in a flurry of chomps and slurps and it crunches
and it grates
like the rocks on the ***** of ur feet it grates

u are digested
and reused
as they would like
but for them; for a collective u dived into
for fun
2 days to peddle ur wares
to progress ( admittedly through some days of regression…)
for all humans, and Humans; for fun

on monday we will repent
for the damages waged on the inside of the body
and the outsides too
for some gain
i guess on this which we settle
for always for display for fun
Michael W Noland May 2013
The dread set in upon opening my eyes, as i swing my legs to the right side of the bed and stand. Slightly stumbling i make my way to the bathroom while adjusting to a waking state. I flip on the light, wincing my eyes in a sharp electric freeze from the back of my head, and while recovering, i pull the shower curtain away from the showers pull ***. Pulling the *** out slowly twisting it to ninety degrees as the water turns on, i am reminded to feed my plants before leaving the condo for the day. I step into the shower dipping my head under the warm stream of steaming water while resting my hands against the wall, as images of all the women i had saw the night prior begin shuffling through my head and a partial ******* forms. I imagine their eyes filled with tears, as i shove them down to my ****, and finally the Rolodex of faces stops on a Starbucks girl with piercings all over her pouty face that i had encountered on a lunch break a few days ago, and i begin stroking my **** with my right hand whispering "you ***** ****" over and over, as her eyes look up at me innocently, Mascara running down her face, until suddenly i hear my phone vibrate atop a pile of pocket change in the bedroom which promptly kills the moment in my wonder of the importance of a 5:00 AM jingle, which slowly fades, while i proceed to apply Ax shower gel to my Ax body scrubber that i had received as a gift in a Holiday work raffle three months prior.  Vidal Sassoon extra volume shampoo plus conditioner, "All in one," proudly printed on the label, as i apply a handful to my shaved head in a smooth dripping lather, that i do not rinse until after applying a pink ****** scrub that's label has worn off, and i am unsure, and not concerned with its origin, as I squeeze a blob of Colgate paste onto my toothbrush from the rack overhead, and scrub in a slow circular motion, while i rinse off the shampoo, shower gel, and ****** scrub, and then reach for my Listerine mouth wash, and swish for 30 seconds before spitting the burning mixture into the drain, while putting the brush away. I tilt my head up, and open my mouth wide under the water, taking in a mouth full, which i gargle for 10 seconds then spit, and turn off the shower reaching for a tattered towel left over from a breakup four years prior.  I dry off while still standing in the shower, and gently lay the towel on the floor before stepping out onto it, and grabbing a stick of Degree antiperspirant from the counter.  I apply 3 long strokes to each armpit before capping it, and putting it down. Two sprays of coolwater cologne i apply from a 1 foot distance, misting my chest and lower neck, before i put it down beside the deodorant, and walk back into the bedroom, grabbing a pair of boxer shorts from a drawer not caring which pair i grab. I slip them on, and walk over to the mirrored closet where i flex a few times, point aggressively, and in an authoritative tone repeat "I don't give a ****.", three times before sliding the closet door open and grabbing a pair of Marc Echo blue jeans that i had purchased online two years prior with a gift card from a local pub that i may have frequented too much to have received.  Reaching for an Infliction black tee shirt with ghostly gray swirls cascading to its base, i become completely still, left arm clutching the shirt still on its hanger, i am paralyzed for two seconds before looking away, and saying  "I don't have any plants" inquisitively to myself, yanking the shirt from the closet, and walking over to my phone atop the dresser.

Picking up the phone almost eagerly, i click the screen on in a light squeeze, and swipe my finger from left to right across the display to unlock the device, to a missed call from an unknown number, a voicemail, and 3 missed text messages. I tap the voice mail icon, and enter my pass code upon the automated prompt, "1234." The voice mail immediately clicks a few times before hanging up which assures me of its automation, and i assume its the power companies robots attempting to collect the monthly charge again. I tap on the missed text message icon, disconnecting from voice mail, and see that all three are from a girl named Haedies i met through a roommate long ago that i have recently found over facebook. A "How are you!", "I MISS YOU!!!", and a picture message of her with a wax figure of a trollish cartoon character i cannot quite place, both looking very serious, and i look at her **** pressing out from her white tanktop, ******* clearly hard, and her neck, long and attractive, its definition, thins my blood, and her dark black medium length hair loosely dangles just above her shoulder, causing me to partially smile, as i close the message paying it no further thoughts, and slip on my tee shirt, as i head for the kitchen. I open the refrigerator and grab a plastic bottle of 5 Hour Energy, and twist it open, tip my head back, and take the whole drink down in one swallow, throwing the empty plastic shell back into the fridge, and swing the door shut with my bare left foot, before i head back to the room to put my socks and boots on. Once my black combat boots are fully laced up, i put my wallet, change, and keys into the appropriate jean pockets, and head for my jacket hung on a hook beside the door. A black leather windbreaker. My mini trench that allows for a high level of concealment, and pocket space made possible by Wilson Leather. I run my hand over my face satisfied with my slight stubble from not shaving today, and reach into my left inner pocket of my jacket and pull out Sony earbuds, and plug them into my phone. I select a Pandora station based on the black metal band "Burzum", and walk out the door, locking only the dead bolt behind me.  5:25AM
david badgerow Jun 2015
i love you when we're alone
because you eviscerate me in front of your friends
but alone you kiss the veins in my arms
press your small hips into my hips & sigh into my neck
& blink so slowly that i can hear your eyelids whispering

you won't hold my hand in public
because you blatantly want to seem available to other men
but when it's only you & it's only me
we lie on our backs letting the summer rain collect in puddles
in our bellybuttons & you swear to god
there's only one way this can end

you say i can't meet your parents
but everything i do reminds you of your father
that tall strong man of your childhood
singing sinatra to your mother in the kitchen
just like i do when i sneak behind you &
tickle your neck with my tongue you're
giggling as i carry you like a bride
into your bedroom for naptime or playtime

you only miss me when you're by yourself
like a flower hidden in a fenced-in backyard
but you ignore my texts most days
because when your friends are around you're busy
dancing toward the sun & lying to them
about where you spent last night &
the blueberry pancakes you ate for breakfast
you don't mention the ticklish new rib spot i found
or the quiet music we make together at night
or the stars we wished on with our pinky fingers tied together

i love you most when we're sticky asleep alone
you humming in turquoise ******* snuggled into my armpit
with your warm hand melting into my chest
& me in the pinstripe boxer briefs you bought with
my arm under and reaching for your exposed breast
Glenn Sentes Feb 2013
Who else in this inhumane edifice
can dance while the suspecting eyes stare
at his moistened armpit?
Pathetically unknowing music uplifts not just the soul but the intellect.

Who else got the fire in imparting?

or …

did theirs even start a single spark since then?

Who else brings out the best in these hopefuls?
It’s all the worse and worst that they see.

And you think San Pedro would be pleased
when you gloat you made all the priests, doctors, and engineers?


Woe to you who humiliate the chair by your indolent butts
while uttering kindergartenous blabbers you claim to be education!
Then you get all you want while tabula rasa remains tabula rasa.

And you
You  seated on the higher chairs!
Why don’t you trample down awhile
and put your cataracting sight to use
before it even brings you to the death of light.

Has anyone of you even heard what your god told to Pontius Pilate?
Ha! The you-have-no-power-over-me’s have always been impervious to you bigots!

And you say to your kin let me handle it.
When it is delayed and their impatience grows
you see they’ll leave.

Did you ever fret about deadlines
of bills, of matriculas, of debts?
What do you feed to your clan? Feeds?

Get Ripley’s here!

Oh how divine to utter all the Fs!




©Glenn L. Sentes
February 20, 2013
Kurt Carman Aug 2016
Morning smells of Lilacs rapture me,
Taking me back to Kinderhooks Chatham Street….June 21st 1961……not a cloud in the sky.
Lying in bed I open my eyes to the hum of a window fan.
And in the distance I hear a Hudson River barge blast its horn.

This moment in time, well it brings tears to my eyes.
Eleven years old, brown hair, hazel eyes, a toothy smile,
Grins in the mirror, hoping to find a whisker or two…
My cat Oscar sits there on the sink purring out his contentment.

“Oscar” I say, “today I leave for the Freedom Farm”
The Freedom Farm is the one place where I’m free to be me
Without the fear of a negative comment or a boot in my ***
I climb aboard the Greyhound bus with suitcase in hand, And looking down at Mom and Dad....I wave…. So Long Suckers!!              

Walton NY, June 22nd, Dunk Hill Road, the smell of cow ****,
The land of Milk and Honey, Fields of four leaf clovers and 10’ corn stalks.
It was here that all my friends lived, Shorty the horse, Mrs Blue the Holstein,                                                        ­                      
And there was Uncle Ike, Aunt Minnie and 9 Cousins. I loved them all!

On this little dairy farm……my potential was unlimited,
Uncle Ike taught me to drive the Tractor, water the heifers,  
Milk the cows, shovel ****, spread manure and have some **** fun!
Hell Uncle Ike even let me try a piece of his plug tobacco... (Note to self…Just say No Thanks next time)

A summer filled with character building experiences and an eight year olds understanding of work ethic.
But we still had plenty of time for fun and cousin bonding.
My Cousin Tom taught me to ride the cows and honed my spitting skills.
And in my downtime I'd perfect the finer points of armpit farting,
Four weeks of heaven on earth where nothing was impossible.

*Once you work on a farm you get dirt in your shoes. And when you get dirt in your shoes, you can never get it out!"
Miss that old farm at the end of Dunk Hill Road. My Uncle Ike and Aunt Minnie were the best people! I had so much fun with cousin's Joann, Tom and Katherine.  Love you all!
Bill murray Aug 2015
Today comes alacrity aloof
My face is sagging now, should I cut it or let loose,
These amorphous little greys on my front structure
Are out of control
They dip in my soup
They sit in my bowl
And I am wondering,
Why am I getting skinnier"
My beard eats all my food
And the beard defecate's it back out
Through my armpits.
Daylight 4U2C Apr 2014
I drank the alcohol, expecting something.
boy was I let down, when I got nothing.
No silly laughter, or grand horror story.
No youtube video, or easy talk for me.
Just a headache or two and a feeling of suffocation.
Just a scolding from people, and a dizzy sensation.
The bottle looked nice, and tv shows made it seem fun,
but after 3 gulps, I just felt like a street ***.
So I said goodbye to armpit beer,
and I assure no rose wine here.
*** is for pirates,
much too complicated for me.
I'm done with heartache alcohol,
as you can plainly see.
How do people even get addicted to that nasty stuff?
Anna who was mad,
I have a knife in my armpit.
When I stand on tiptoe I tap out messages.
Am I some sort of infection?
Did I make you go insane?
Did I make the sounds go sour?
Did I tell you to climb out the window?
Forgive. Forgive.
Say not I did.
Say not.
Say.

Speak Mary-words into our pillow.
Take me the gangling twelve-year-old
into your sunken lap.
Whisper like a buttercup.
Eat me. Eat me up like cream pudding.
Take me in.
Take me.
Take.

Give me a report on the condition of my soul.
Give me a complete statement of my actions.
Hand me a jack-in-the-pulpit and let me listen in.
Put me in the stirrups and bring a tour group through.
Number my sins on the grocery list and let me buy.
Did I make you go insane?
Did I turn up your earphone and let a siren drive through?
Did I open the door for the mustached psychiatrist
who dragged you out like a gold cart?
Did I make you go insane?
From the grave write me, Anna!
You are nothing but ashes but nevertheless
pick up the Parker Pen I gave you.
Write me.
Write.
michelle reicks Oct 2013
the last time we
****** was pumped
with passion and
there was an extra
flavor there that I
am now proud to
admit was
              awkward.

You pulled your laptop
into the bathroom
and the picture was
so blurry that
I couldn't really
tell if you were
biting your lip
or grinning
insanely.
I was twisting
uncomfortably
in my bed,
trying to pose in a
way that didn't
feel as though
my legs would go numb
and drop off my
hips in ****** apendages
but that also
didn't cause my stomach
rolls to emerge
in a way that
suggested I could
be popped into
an oven and devoured.

The time before that,
We were ******* each other
goodbye. There were
black make- up stains
on your dorm room
pillow and some mixed
smells of regret and
my **** juice. You tried
to reassure me that
we'd stay in touch-
that you would *******
call. I promised I
would try to feel better
about the situation

but promises are
meant to be broken,
especially if they're made
by 2 ex-lovers at
four in the morning.

The time before that
was make-up ***.
I never told you this,
but I wasn't really
sorry. I
think I needed to
get ****** by that
other guy
    to prove to myself
that I was worth
fighting for.
(Besides, it's
not like you and I
were still together.)

The time before
that was on a Tuesday
before we had to
go to class.
(I always sat in front
of you, and we
would pretend that
the other didn't exist-
but your deep voice
sweeping the floor behind me
made it very difficult)
I remember
smelling your armpit
on my hand, and
wondering why that smell
got me so excited.

The time before that,
we both begged the
other to make love
to our sweet aching
lonely bodies while,
outside, the kids were
smoking *** and laughing.
My hands burned like
hellfire against the
back of your neck
and that sweet
melancholy sensation
and questions formed
inbetween our teeth
Do you still love me
        what will this
look like, come tomorrow?


Then, the time
before that, I
was ******* you
while alone in the
privacy of my room
(you were asleep in your bed, I'm sure)

I sobbed,
tugging at my *******
in a frenzy,
plunging into myself
so hard that the
next morning, I was
sore when I sat
down. The way
I imagined you inside
of me, back home
again which I guess,
at that point, is
where I thought
you belonged.
But now, I guess
I'm not so
                sure


The time before
that, we
were falling apart
and we both
knew it. I
think I lay numb,
underneath you,
going through the motions
thinking Thank God for
muscle memory. Without
it, I would be as
much of a robot on the
outside as I
felt on the inside.
And that would be
a ****** way for you
to find out that
I didn't love you
        anymore.

The time before that,
we were drunk
you asked me
a thousand times if
I was sure I wanted
to. You even made me
promise I wouldn't regret
it in the morning.
But promises are made
to be broken, especially
if they are made by
two drunk lovers at
four in the
morning.


The time before that,
we were in your
back yard.
The moon shone down
on us through the
willow branches.
I heard crickets.
  Just the right
amount of tipsy
   both of us pulled
our pants down
past our hips,
     you placed your
hoodie under my
***. I breathed in
the smell of your neck
I pulled you so close
I could swear our bodies
were going to melt
into each other

and the time
before that

was in the morning on
a saturday
         I kissed you
softly awake, pressed up
against your hot
skin under the covers
I swore I loved you

              and the thing
I have so far failed to mention

                   is that I
                           still do
Mare Stare Apr 2018
Bigger things are easier to see. You might miss a humming bird or bee. You won't miss a condor or eagle. The opposite is true for people.

How can that be? If there's more of me, why am I impossible to see?

Invisibility isn't a cloak or spell. It's your fat pants stretched thin and worn as hell. It's the T-shirt you never thought you'd fit now threadbare and torn in the armpit.

There's just more of you to love, I thought the saying went. Well there I was feeling only torment. Faces fell when I said no, I'm not pregnant.

Does love bloat like this body of mine? Does it get watered down like cheap wine?

My back, my legs, everything hurt. My body just didn't work. If not by plane, by train, or car, I wasn't getting very far.

I longed for someone to scoop me up, to cradle me and gently rock.

I didn't fit in anyone's arms and briefly flirted with self harm.

Twice at work I took to crying. It went unnoticed without my trying.

The wrong solution looked too friendly and as of late, far too trendy.

Left alone I pondered fate. If I died, I'd be dead weight.

I felt stuck forever like dried cement. Sinking too low even to lament.

I watched my waist size raise and fall with the tides. If the full moon swells with admiration, why was round me full of desperation?
Mateuš Conrad Oct 2016
Sorbian, meaning, tickling the armpit of Germany
in terms of what's the desired encoding;
the variations of person:
            čłowjek (upper sorban)
               cłowjek (lower   "    )
     čovjek (croatian)
                           člověk    (czech')
człowiek (polish)      clawak (polabian)
              człowiek (kashubian)     človek (slovak)
                                 człowiyk (silesian)
         чoлoвік (ukranian).

' well, there is a little misunderstanding with the
  czech caron e (ě), mind this later.

yes, the peasants spoke more softly
compared with urban sharpening of accents,
so that you knew that in urban areas South
London has hardly Hackney Cockney,
and never Richmond, like Essex never spoke
good Yorkshire -
                             so they sharpened the letters
and that translated into involving accents
to later be abused -
                             the recipe? yes,
i was cooking Ukrainian Borscht today -
apart from the fact that Borscht isn't exactly classified
as a soup, a Borscht is a *Borscht
,
   it transcends the category of being a soup,
just like rosół transcends the same category of being a soup,
           it's a very fine version of what is otherwise
chicken soup -
                            and as a critique of western cuisine?
why are all western soups like puree? they have
snot consistency, they ever never see-through -
they're all ******* creamy, like toddle-pulp of mauled
faeces - as if a bird feeding its chicks with regurgitated
products - eastern soups are see through,
floating bits you can see, a bit like the sea turned into
a Narcissus clarity. let me tell you,
the nurses love hearing the answers to the questions:
do you do any exercise?
                 yes, i walk everyday, once a week a take on
the miles.
             do you smoke?
        i try to fit within a packet of 20 a day.
do you drink?
                   only on alternative days.
        do you eat your five-a-day necessary ration
of fruits and vegetables?
          i don't like fruits... i avoid them...
vegetables? sure.
the basic ingredients of an Ukrainian broth?
        carrots, beetroots, celery, parsley root,
potatoes, leeks, fibre: green broad beans,
                   mushrooms,
                         red borscht concentrate
           white borscht concentrate for the sourness -
garlic.
                             (base? chicken, salt to taste).
well, coming back to the czech variation of the word
person... i feel there's a need to somehow find
diacritical uses coherent -
                                  i can only see it as
the nakedness of the original phonta (variation
on quanta: a specified sound being encoded with each
letter) -
                      it's diacritical marks akin to punctuation
marks and a few mathematical deliberates -
                  e.g. caron:
                                                        z
                                                      š
the z is invited to be applied to the s to make a shush
stress -
                                       arms wide open looking to
the sky for manna from heaven -
soon enough and y and j were confused with
yaks, tetragrammatons and some Spanish conquistadors
named Jesus - whether jumping or yanking the
shortest straws while sitting in a kayak -
or as Jacky said yards ahead if himself -
                   for every Jew there's a yew tree blossoming.
              there should be a rule of law stating:
only such and such diacritical marks to be applied
to vowels, and such and such marks to be applied to
consonants - but, evidently, this is not the norm -
             these are not merely unconscious accepted
aesthetic consideration, when i was being taught
French at school, i was never taught that
    ê (circumflex e) does as much damage to pronunciation
as does the è (grave e) - i.e. the circumflex is binding
the two letters in-between the stressed vowel,
while the incisor e with è cuts the word off when it's used -
              so the caron (mathematically more than? i.e. >)
  asks pleading to the skies for a letter to balance on?
   and the circumflex looks to the earth to find the seashells
and pebbles?
                             as in less than? i.e. <     ?
i rose above language, i rose above spelling because
i decided i could say to Bukowski's claim of genius:
tie your shoelaces before you talk to me:
simple as simply said: whatever lessons in life
i have to learn i'll learn them by my own accord -
               being drunk in Europe is the norm,
as is prostitution -
               last time the police booked me for drinking
i wasn't there... last time i talked with the Bulgarian mafia
i went back to get my debit card back,
            the **** showed me a wallet with 100 or so more
credit cards, i said: none of these are mine...
          the police cruised pretending law abides to the
standard imposed by politicians...
                   prostitution is fair game, but
keeping the girls contrary to self-employment is abhorred....
            me? i just don't do the dating scene,
should i be harrowed from that hide & seek of western
society's women woefully fishing? can i?
i can't be bothered with the games and the Geisha.
                       - you reach the proper level of appreciation
when you start to ridicule your heroes -
                                  you overpower them,
there's no point brown-nosing them with excess over-quotation,
you brown-nose them for a while, but then the gimmicks
begin... and they know it to be true:
    i' peg down Mr. B like anyone critical of getting an
education: learn to spell, and punctuate, and tie your shoelaces.
       you can't let them get away with it... those dumb-*****,
you can't: we all have a sad story...
    does anyone give a ****? m'eh... probably not.
it's the part when he says he read philosophy
but never bothers the ideas behind into a narrative:
                                   with him your end up *******
before Sophia rather than ******* her...
                        you have to **** her at some point...
                  no point ******* women and simply
******* before the deity -
                  better nothing ******* women and not
******* before the deity of worded fertility -
i was brown-nosing him for much too long...
                 whatever he said in his defence,
i'm aiming to capture the imagination akin to ****** addicts.
                      and that's hardly a feat to undertake.
so yeah, punctuation marks and some mathematical marks
above the Latin... Greek went wholly toward the Cyrillic -
oddly enough a Persian, Cyrus, entombed it into the strength
it possesses, rather than some Saint...
                                        so if i'm a loser at considering
myself a citizen of the world... what is Syria to me?
                                               Syria to me being Anglo-Slav
is:                    when Ramses destroyed Syria...
            don't come here with Westminster, please don't,
leave it out in the open with the paedophiles...
                                            i'm a citizen of England,
not of this world: you keep concerns over Syria where
you're at... if i can't be a citizen of thee world in a world
of globalisation, don't include me!
                                    diacritical marks, punctuation
alongside mathematical Copernican -
                                             yes, umlaut and the colon:,
what's the list? an extra oh... the latter phrase for
          omicron.
                                               Boršč or z z (zed zed)
             or h h (tricky, hay hay? ****** ******?
                               hatch hatch?)
            evidently the pronounced: shoo!
                                                        stinker that one:
given z morphs into h when given s or c...
                                i guess it's easier with      šč,
                   a.k.a.           shch...
and the most frequently asked question in English?
(by the middle class), how do you pronounce this?
                   you know why gangsters don't attack
educated people?
                           they love the fact that people made
the effort to learn reading and curtail other peoples' efforts
in changing perceptions -
                  for me it was always about being taught bad
French and rewriting the laws of stress -
                       i'll never understand the caron on vowels:
sure, the French makes it assured to make the circumflex
and the grave accenting above vowels synonymous...
  &
Sam Temple May 2016
I heard him say my name
just as clear as these words you read
concise and with force
as if I were a child again
on the precipice of mortal danger
as if at any moment
I could very well cease to be
or perhaps
fall so far as to have never existed –
the tar melted
smelling of old lemon acidity
pooling in the low center
of a blackened tablespoon
70 brownish cc’s
sat, still warm in the syringe
I pictured his face
and took the plunge –
I heard him say my name
but he had been dead five years
my father called to me
and then left me to consider
the meaning
what does it mean
when  ghost calls your name….
was I supposed to stop….
was I supposed to act…
I shot the drugs
into my left armpit
and pushed the job offer away
I shot the drugs
into my left armpit
and let his voice carry me to sleep
I shot the drugs
into my left armpit
and threw another five
years into the addiction soup
giving it just enough temper
and spice
to block the sounds –
I often think back
to a double-wide trailer
just at the edge of Hubbard
and the night my father called my name
while I stooped
in a ****** slumber
considering what was to become of me –
Trinity O Feb 2012
I never leave the West when it isn’t raining,*
My brother says to me through the phone.  
He is on his way back
over the Rockies and through Nebraska.
He’ll never make it intact—
hands fuse to the steering wheel
like nylons on a burn victim,
knees and elbows bolted in
precise angles keeping the car straight,
tires pulling everything forward.
One foot is the pedal, one becomes the floor mat.

Shoulder to armpit with a semi truck
hauling jet wings from Denver,
he notices the paths of rivets
like bread lines in Omaha.
Some of them are starving.

But where is the rest, the airplane body
without its wings? A hollow silo,
pilot in a cockpit
not going anywhere.  
I think airplanes molt this time of year.
It’s still raining or it will be,
the white-lined highways
will carry you here unscathed.
irinia Jan 2023
we are the stories between the armpit
and the hand
between the whisper and the sigh
forged by galaxies of wounds
in the fragility of light
of spaces crushed
by the acceleration of time
our irises boundless
sometimes

we are the stories that tell
our soles when to stop
our bones when to sing
that put sunflowers
in our haze
cranberries in our waitings
delight in our might
skyscrappers of thought in our deeds
promises in our hands full of mud
over caskets

we are the stories of love's failure
(aren't we asking too much from love?)
of decay of pretend of parasitic laughter
of the violence of bodies without minds
without singing in the hearts
stories of fists strife and toil,
the boredom of dawn
repetition of self-deception
circles not round
triangles full of hurt
of the rigidity of one plus one
equals two
the rest is wonder

so many stories exchanging nouns, verbs
attributes just to capture
what is forever escaping alluding flowing
naturally undisturbed in the exchange of
vowels
like dark matter that escapes iself
only in dreams

was it the awe of vowels that invented the world?

incessantly on the edge
of chaos of blindness of knowing
of loss of void of grief & joy
of floating to the unknown
or pausing into certainty
hard working minds and eager souls
errect citadels of meaning
in dialogue sometimes
or as oppressive as
the denial of slippery roads
of sad guitars or
maddening violins

our shadows sit closely next to us
precisely when
we're stepping into the light
Sam Temple Jul 2015
Not since the days
of shooting ******
into the artery in my armpit
(too many blown out veins
in my arms and feet),
have I spent multiple nights
pacing and sweating…..
******* simple carbohydrates. –
In the first months
of being a non-cigarette smoker
I would see folks light up
and near instantly collect
a chilled film on my back
and fingernails…
forget about it;
but the other day I drove
by a pizzeria
and had thoughts of ski masks
and 45 caliber pistols…
******* simple carbohydrates. –
Once upon a time
I drank near 200 ounces of
Mountain Dew
each and every day.
If I missed a day,
I would have massive headaches
combined with serious irritation;
while it has been more than 5 years
since this body ingested caffeine,
last night I could not fall asleep for anything
and no amount of cannabis oil
or ibuprofen
had the ability to curb
my aching noggin….
******* simple carbohydrates –
change is the only constant
and humanity has evolved
amazing adaptability
while I know I will be fine
at this moment only one thing
really runs through my head:
******* simple carbohydrates! –
heathen Nov 2016
"Is this anti-feminist of me?" I wonder out loud into the steam as I shave the fine, tiny hairs in my armpit. "Maybe," it whispers back, "I don't know."

Showering is very therapeutic for me. Being around or in any body of water usually is. This time gives my thoughts free reign, wondering about anything that the structure of my day doesn't normally allot time for. I think - or don't - dumping my stream of consciousness down the drain with my conditioner, rinsing myself of impurities.

---

I’ve killed my third plant in two months. They were all those little succulents too, the ones that are supposed to be next to impossible to **** up. A plant that has grown and adapted and learned to thrive in harsh environments, can sustain life for months without any water or even sunlight, through sandstorms and deep permeating frosts and being trampled on by...a camel? An armadillo? I’m actually not really sure where succulents are naturally indigenous from. I bought mine on the cheap from Trader Joe’s. Maybe California? Anyway, it can flourish all completely on its own - and I killed it. This is my relationship with plants. I so desperately want to feel like I am the kind of person who is attuned to life and have a natural synchronicity to all things living. I like to tell my friends that I am Snow White and that the elements and the animals all bend to my touch and my will. The idea is to purposely come across as boastful but I know that when I repeat this terrible joke over and over, the person I’m truly trying to convince of that is myself. Hovering, I keep a watchful eye over what I have put so much investment in and tweak and pinch and poke until I am positive every aspect of their care and growth has been properly attended to. And then they die. I pour too much care into my wards and leave them drowning, but only with the best of intentions. Nature vs. nurture vs. me.

This is my relationship with people. I can become overbearing. I know I can. So, I make sure that I’m not. I’ve got that deep-seeded nurturing aspect that is laced within my responsible, eldest female caretaker upbringing, which translates to me being overly affectionate but also being headstrong and yell-
y. I just want the best for you, I say as I smother my loved ones. I sigh and exfoliate my feet.

After draining all of my thoughts, I emerge from the shower into this wall of humidity. I feel sterile and perfect. This whole scene feels like some sort of cinematic metaphor for rebirth, but really I'm just trying to look presentable for work. I grab my fat purple towel and pat dry my face. While I'm blinded, I shuffle to position myself in front of the mirror. Naked, I throw my towel to the side to reveal myself. I play this game every time I bathe, and every time I hope to unveil a new person. I look at myself in the fogged mirror. Still me, just wetter. Shinier. Pinker.

---

"You know, 'pinker' isn't a real word," my friend who I read this to tells me. "You should replace it with 'more pink.'"

"You know," I start, "language isn't even, like, a real thing. It's just a set of ancient rules and guidelines based in other dead 'languages' to give ourselves boundaries of comfort and live in predictability and reason. I'm shaping language to my vernacular to best portray my thoughts and ideas to you. You know what I'm trying to say, anyway. After all, language is just another construct. It keeps communication within a nice, neat little package, therefore it keeps creativity and free thought in a nice, neat little package. I'm, like, redefining definitions. I'm making words my own. Like Dr. Seuss! I'm like ******* Dr. Seuss. Zoopity Zoo and Binkity *****! That means 'Step outside of your temple of familiarity, you ******* sheep person.'"

I was never one to take constructive criticism very well.
My friend goes home. I go to take a shower.
Andrew Parker Dec 2013
Follicle Poem
December 6, 2013

A mental relapse occurs.
I see hands plowing through my head of hair
They continue to grasp at the roots,
as if attempting to expose a truth hidden underneath.
But what secrets could bequeath a hair follicle?
Well, one might tell a tale.

Scared of the dark, a 6 year old Wynn laid awake in bed.
He prolonged the inevitable destitution of a dream state.
No longer wanting to accept a reoccurring nightmare,
he took to a dreary exercise of staying awake in the dark.
One hair follicle today may tell of how,
on that night it did not rise in a panicked state.
Wynn had finally conquered his fear of the dark.

"Something felt different today," said Follicle #567.
A new shampoo.
But more than that, strange scissors.
"Who is this new person cutting Wynn's hair now?"
remarked one hair follicle,
"I wonder what happened to the usual lady?"
She had passed away.

An emerging chest hair observed the extended family has grown recently.
"Darker relatives who look different and live in other regions of the world.
Who are they and why do they get treated differently?
Nobody has heard of the ***** region in the southern hemisphere,
or armpit land where our hair family members supposedly smell weird."
The perspective of a follicle in puberty.

"The loud sound of electricity and gears grinding scares me.
There is a storm which ravishes our lands.
First, a foamy cloud surrounds us.
Next, comes a sharp stinging sensation,
not a pleasant feeling to be set free from your roots.
A tidal wave crashes, washing away my follicle friends and family forever.
Then, the lightning strikes - dooming us all."
A ****** follicle's worst fear.

"We are a persevering bunch.
We cling to our conventions and grow, grow, grow.
But recently Wynn has done something new.
We thought he was feeding us honey,
so treacherous.
Sticky goop and stiff paper will be the end of us all.
Nobody wants to admit follicles are second-class citizens to smooth skin."
Waxing prematurely takes the lives of several million follicles annually.

"A rebel group of follicles known as the 'In-Growns' are up to no good.
They scheme with the pimples, plotting when and where to strike next.
I worry about Wynn - wish he could know we aren't all so ill-intentioned."
Follicle culture is derived from parenting, not just biology or anatomical location.

"The last of my kind, I have been contaminated with chemicals.
My color changed to blue.
I've heard the ancient legends about follicles once turned blonde.
We need to appease the summer sun god.
The others have all shriveled up or been brutally betrayed by the locals.
In hiding, we worry the scissor insurgents will discover our locations.
All I wanted was the freedom to express myself,
to be seen for who I really am - not just some color."
Follicles experience discrimination for numerous reasons.

"Drugs.
I can feeeel them in my DNA.
Something about me has changed and I like it.
Living life on the wild side these days.
I don't shower and don't care if I am greasy.
Every other follicle’s fears are irrational.
I'm gonna spread the word and grow out a bit.
Because that's what they expect of me, isn't it?
I mean, what good could come out of a drugged up follicle,
other than more waste of scalp space?"
Follicles who use drugs recreationally receive negative labels and harsh stigma.

"The wavy goodness from a gel rub,
is the highlight of the week.
We are fine, fresh, and fierce, ready to set the standard for follicle fashion.
If you are one of those lower class follicles,
who can't afford gel.
No worries - some might trickle down...
Just kidding!
Spray supports our monopoly on hair care products."
Fashionable follicles are extra sassy and have socio-economic privilege.

The relapse ends.
My head suddenly feels heavy,
swarmed with the hair follicle chronicles.
And the hands running through my head of hair become inspired.
They begin to tell their tales of times passed in Wynn's life.

Perspective means everything.
Martin Narrod Dec 2020
Dearest Britni,

I was warmed by your thermal tub, the belly of your indiscretions and the way you held those mule-hearts
in plastic jars beneath the cupboard where your favorite cups and coins were kept.  The magic beat of your fingertips made my skin jump crazy out of my shirt and pants.  I wonder if the turnover has always been this way for you, meaning to say, when the trips always ended did you take back the second pillow into the other room, where your ivory curtains opened, and did you feel the need to lock the door to your bedroom.

The word, 'house guest' implies less visitation privileges than actually took place.  I believe it was more of an involved visit.  There were certainly visitation privileges but there was also visitation writ.  I had to keep my jeans clean.  There were no shoes allowed in the bed.  And extracurricular activities were kept to their time tables-- that is to stay that spontaneity occurred only when it fit into the time table.  I was never much for making you lunch in the morning.  It has always been difficult for me to think of the meals before they happened, though I knew what was in every drawer, every closet, every cabinet.  The insides and outs of a decade of dreams.

In short time I became mesmerized with the perfect patterns in your arms and on your legs.  I could crook my head in a way to look at the sunset from under your arm or stand on a chair to look down at the top of your head.  And then one day you told me I was weird.

This time I wanted to be fulfilled.  I did not want to miss a thing.  I made sure to slide my fingers in between your toes, I squeezed the bottoms of your feet with the bottoms of my feet.  There are many recitals, many performances, and even more personal encounters that cannot be recalled to mind, but I am sure they happened.  If I had the opportunity I would attempt to pick your nose again.  Something I did every chance I had though you abhorred it.  To lick the side of your face, the bottom of your chin, the interior of your armpit, the lengths of your legs, and the rims of your lips-- I lived our life to the fullest.

All interactions were encouraged.  We played in sunlight, in nightlight, during day showers, and ate by the seaside.  We traveled to four states, two lakes, and two oceans.  We drove in excess of 20,000 miles, received fifty-seven parking tickets, five speeding tickets, thirty-five thousand two hundred eighty four compliments, fifty-two salutations, fifteen, "you're an adorable couple," three hundred complimentary access, two free tickets to a museum exhibition, took over one hundred fifty flights between the two of us, and received your father's permission.  We slept in showers, swam in baths, and drank from swimming pools.  We shared the bathroom, the bed, and the kitchen sink.  I memorized how many times you rolled over when sleeping, and you told me what I talked about in my sleep.  I knew the five places you lived at and the four places you wanted to.  We danced in nightclubs, in bars, in schoolyards, in back seats and bedrooms, and ballrooms.  There were fifteen black tie events, one wedding, and over two hundred concerts.  I wrote over fifty thousand poems made over three hundred paintings, and took somewhere around twenty-eight thousand pictures.  I once took you to breakfast every morning for a week and dinner every night.  I bought you one hundred twenty six cups of coffee, fifty-two cocktails, and one Shirley Temple.  I only had to help you change clothes thrice, but I helped you undress over a thousand.  I always remembered to lift up you hair if I helped you put on a jacket, and never made you walk on the street side.

There were over 2,000 bands and artists I introduced you too.  You taught me about fashion, about photography, about being a good person.  We sang in the shower, sang in the car, whispered before falling asleep.  I sent you dozens of flowers and you watered them all.

In my favorite yellow chair I do not have any regrets or any wants.  I fulfilled a life time in two years.  I was an upstanding gentleman, always.  And then out of the blue you didn't want me to touch you anymore.  One time in an airport in DC we ran 48 terminals to see each other again.  You taught me not to be afraid of flying, that it's important to be myself.  And when it ended the first time I wrote you two letters a day for three months.

Tomorrow when I wake up I will make the bed, put the music on, smoke a cigarette, then take a shower.  Afterwards I will get dressed, grab my belongings and go get four shots of espresso like I have been doing every day for the past five years.  Everything will be the same.  At the end of the day, after work, after listening to a plethora of music, talking to a plethora of people, I will not talk to you.  After two years two years and 2,163 phone calls, I will not talk to you for two days in a row.  I will lay in my bed and count the mews, but I miss the weight on the mattress, the heat of your whole, the temperature of your voice, and the redolence of your perfume, but I will have no regrets when I rollover thrice, to the right, to the left, and to the right.
A letter written to a love of my life, written 10 months after lasting seeing one another, but still speaking by phone, the thoughts and imaginations were running rampant.
Jodie-Elaine Mar 2019
We talk politics in the shower.
You shampoo your beard,
I condition my armpit hair.
Good morning coffee breath.
I love you like a palindrome.
Tragic comedy, our physical love stretched
thin
over distance.
Endings always differ.
Moon circles scream it’s raining on me.
Serotonin’s been locked up for years, I put her somewhere safe.
Check you’re alive with a finger *****, comedy of errors sings an ode in my left ear.
Here
beard bristles
brush hair
light back catch
sensitivity sits
less lower lip
fold
selves
in
scene end
stage right
pick up towel
EXIT.
Collection: PERFORMANCE ARTIST POETRY AND BRAIN FARTS FOR UNSOLICITED MICROWAVE HEADS
There’s a clumsiness
to the way I unbutton my shirt,
hoist it over my head
and let it snuffle to the floor.

I stand there, *******
and unkempt armpit hair on display
but you’ve already almost
totally disrobed,

the light from outside
licking your spine,
dribbling down a leg
like melted sunflower petals.

We catch each other’s eyes,
except you don’t catch eyes,
you see the other person
looking at you
and you know what’s next,

the standing ****,
dry skin and bellybuttons
viewed only by a fortunate few,
a bunch of names
like grapes squashed
into bed sheets
we won’t touch again.

I think this is supposed to be sexier,
my underwear flinging off,
boxer shorts champagne cork
towards the window,
your bra sunny side up
by the foot of the door.

Rather I watch you
peer at the skin I’m in
waiting for a shrill buzzer sound,
a number out of ten
and a spatter of applause
from a conjured-up crowd.

I think you look glorious.
I go to say this but my brain feels
as though it’s been whisked.
You walk over, slink your hands
towards my face,
put an icicle finger to my lips.
I’ve no idea what I’m doing
but you’ll show me the way.
Written: May 2017.
Explanation: A poem written in my own time - feedback welcome as always. A link to my Facebook writing page can be found on my HP home page.
NOTE: Many of my older pieces will be removed from HP at some point in the future.
Larry B Mar 2011
My wife said write a love poem
So that's what I will do
Someone said that roses are red
Or was it violets are blue?

Oh well, you understand my meaning
You know what I'm trying to say
Your eyes are like a pickled beet
So stop looking at me that way

Your kiss is like a bathroom plunger
Each time you **** my face
Your smile looks like a circus clown
That came from outer space

Your breath smells like an armpit
That brings me to my knees
Your hair is like a brillo pad
As stiff as a summer breeze

Your voice is like a banshee in heat
My wife say's, "That's Enough!!!"
I tried to tell her I don't know how
To write this mushy stuff
vircapio gale Feb 2013
swimming under lightning,
lighting our submergence flash allure:
smooth bodies, bright to glimpse and shadow-grin intent
collide and mingle folds of pleasure, firmly
bent to tangle, clasp and spurn the world above,
rely on one another's breath, stored for loving
long in bubbles gasping sweet melodics free
as with imagined merfolk passion-songs of lore, prescient
lapping dance of tidal fruits you loved before they came,
moonray columns stage us in our seashift wombs--again--
within a womb--like instant chrysalises blinking luminescent bursts
i am interred within the waves you ripple into me, blind
carnal pressures built from ancient shores become the sea again
the magnitude entrances on its own, that acrophobic thrill
celestial in our interthreaded eyes, open
to a color deeply in the dark of octopodal ink
a curtain phosphorescent armpit pulse,
caressing thumb and lip, billows, sways the dance anew,
to sonar drumbeat, pulmonary height
the spinal scream a surface ripple for the sky,
symphonic deep to barely whisper into air
Profitis Ilias

Zefian brought the Toxota and Pezhetairoi arrows; they were sovereign moldy points of the Bronze tips of the Taxota Archers and the Falangists. That in turn from the high sky formed a great pinwheel when the great dimension shone from the flat equinoctial sky, bumping the chins of Kaitelka, the dealer of the Parthenon lost, which rang the great bronze pine, and kilometers in length forming the makro koelum of Patmos; with vertices of the Pythagorean canon of Polykleitos. A large horizontal "V" was seen from Aorion's falling acrotera, projected in a bronze mega bolt coming from Betelgeuse's armpit, and forming a sidereal Vee, launched by the hunter Aorion from his constellation. This would be architectural form and Pythagorean canon-mathematical for purposes proportional to the Mandragoron. They fell from the four arrows that Zefian launched, from Crete that approached the contravening of Apollo, and Artemis towards an olive tree, originating in the arrows of Zefian, to mark the new cardinal points. Thus they began with two first sagites that are placed in the arc string, each one belonging north-south trajectories and the other two that were again violated with the eastern arc, to shoot the east-west arrows with southern magnetism limits. Three bolts are deposited in the canon of Polykleitos, and in the reticulum of the Pleiades that Aurion pursued.

The first two were Taxotas:

- North: Vóreios (Zefian Boreal)
- South: Nótos (Austral de Borker)

The last two were from Pezhetairoi:

- West: Dyticá (Sunset of Leiak)
- East: Aftó (Equinoctial of Kaitelka)

A - Zefian Vóreios

In the intertestamental of these egregious Pythagorean calculations, they stood out in the Vernacentricus, or extra automatism of foundation of the points to refer geodesics for the lifting of the Ultramundis Vernacentricus. From the Vóreios the Zefian canons are inter-testamented, which uses Horcondising forces, following the northern one of the Nothofagus Obliqua, essentially in the fungi of their trunks that paraded along the paths of the iterated populations of the Ezpatkul Forest; who was a servant who had remained from the last diaspora of the horcondising transmigrant by Joshua de Piedra, patriarch of the Orthodox mountains, and from the cordons of the Ambrosiella Ceratocystidaceae fungi, with a large proportion of the Ambrosia Mercurial, and of great influence from the fungal fungi, provided from the Legacy of Vernarth in Zefian to demarcate the northern boreal or Vóreios for the purpose that this Ezpatku, with its prominent Augrun or Gold teeth turned all the borer beetles demarcating the Vee of the Vóreios throughout the Horcondising region, bilocusing it in the borers of the Encinas de Patmos, with such frenzy... !, that from there they would extract the force of the Mapuche north winds from the Meli Witran Mapu, starting with the Pikún-kürüf North wind, first two arrows of the Taxotas, and South Waiwén, of the Pezhetairoi, of the quantum of transmigration of the sub-mythology of the Horcondising – Panhellenic. Then the Puelche that drags the borer beetles with more force to lift the uprising fungi of the Mandragoron by the East vertical, to culminate with the Lafkén-kürüf.

Zefian had enough time to mediate the ratio of Polykleitos to Ezpatkul. This Kanon or Canon will be of great relevance for the topography and survey of the temple, knowing that we must emphasize the perfection of the basal measurements, and the acrotera that will be suspended in the sensorial iconography of its forms, and in the star Betelgeuse giant with red blood cells, for the morphology of their own three-dimensional bodies, towards a comparatively human paradigm of Gaugamela anatomy bled in his pectoral, from here the Templar base of Megaron or Mandragoron began. Its size will be colossal but more ergonomic; it will be to redirect visuals of the Orion Belt, from where the fourth and last Zefian arrow was already on its way, to join the other three remaining from the Cretan *****, for the entire front of the façade Principal. The chromaticity will be sulfur yellow and red blood cells, both dependent on complementation with Cinnabar, and on the raised bodies of Court V of the Helleniká Necropolis in Kímolos. Under vileness or absence of light among the darkness, or of the apocryphal light of Evil, in contrast to the robust equanimity of light, and partisan shadow of Saint John the Apostle, for the hegemonic good and the incorruptible vision of him.

The naturalness made the world apologetic, and the immune defenses of the polish textures, invoiced proportional mathematical measures ibidem of the Hommo Novis, and of the Geometric Pythagoreanism for a body seven and a half times, starting from the base of the feet as the base of the plinth or frieze, until reaching near the capital that exemplifies the chin, before reaching the cornice, highlighting the figure of the capital with the front of the proportional ligament between the trunk, and the columns duly. Here the seven-headed Kanon of a David will declaim the measures of the psalms, counts in degrees, and sighing dimensions. The kinetics was earth towed by towing carts in tetra bronze arrows, which balanced the unbalanced balance and harmony of the created whole. The symmetry of the transverse poles was muscled to make kinetic centripetal in the inertia of the bolts as the faint glow of the canon rays struck. The stone of the mound was made of the sustentacular, and Vernarth's counterpose when the Himathion was tried, appearing disguised and in composing. In this way the movement and position of the muscles and of the figure in general of the human temple are portrayed, when pressing the third arrow of Zefian it adorned the consecutive cardinal points; in this position of the myriad, and their forces widened the line of sight of the Vernacentricus, dispersing the oblique line in forty-five degrees that would join with its right counterpart, in the middle of the radius that joined the central point destined where the fourth arrow would fall.

Zefian falling from the Belt of Aorion, destined to embed itself at the intersection of the next full moon. The volume of naturalism resembled the directive of Polykleitos, but it was far from his figurative geometric conception, being conceptualized by an intertestamental tendency of sub-mythology, and the Duoverse, which in turn was condescending of morphology by reestablishing a prehistoric figurative, which tended to be reflected in the similarity of an anachronistic contrast of the original morphism of the aesthetic universe, being retransformed into a sub-mythological Duoverso.
Vernacentricu

— The End —