by Ramond Carver**

You don't know what love is Bukowski said
I'm 51 years old look at me
I'm in love with this young broad
I got it bad but she's hung up too
so it's all right man that's the way it should be
I get in their blood and they can't get me out
They try everything to get away from me
but they all come back in the end
They all came back to me except
the one I planted
I cried over that one
but I cried easy in those days
Don't let me get onto the hard stuff man
I get mean then
I could sit here and drink beer
with you hippies all night
I could drink ten quarts of this beer
and nothing it's like water
But let me get onto the hard stuff
and I'll start throwing people out windows
I'll throw anybody out the window
I've done it
But you don't know what love is
You don't know because you've never
been in love it's that simple
I got this young broad see she's beautiful
She calls me Bukowski
Bukowski she says in this little voice
and I say What
But you don't know what love is
I'm telling you what it is
but you aren't listening
There isn't one of you in this room
would recognize love if it stepped up
and buggered you in the ***
I used to think poetry readings were a copout
Look I'm 51 years old and I've been around
I know they're a copout
but I said to myself Bukowski
starving is even more of a copout
So there you are and nothing is like it should be
That fellow what's his name Galway Kinnell
I saw his picture in a magazine
He has a handsome mug on him
but he's a teacher
Christ can you imagine
But then you're teachers too
here I am insulting you already
No I haven't heard of him
or him either
They're all termites
Maybe it's ego I don't read much anymore
but these people w! ** build
reputations on five or six books
termites
Bukowski she says
Why do you listen to classical music all day
Can't you hear her saying that
Bukowski why do you listen to classical music all day
That surprises you doesn't it
You wouldn't think a crude ******* like me
could listen to classical music all day
Brahms Rachmaninoff Bartok Telemann
**** I couldn't write up here
Too quiet up here too many trees
I like the city that's the place for me
I put on my classical music each morning
and sit down in front of my typewriter
I light a cigar and I smoke it like this see
and I say Bukowski you're a lucky man
Bukowski you've gone through it all
and you're a lucky man
and the blue smoke drifts across the table
and I look out the window onto Delongpre Avenue
and I see people walking up and down the sidewalk
and I puff on the cigar like this
and then I lay the cigar in the ashtray like this and take a deep breath
and I begin to write
Bukowski this is the life I say
it's good to be poor it's good to have hemorrhoids
it's good to be in love
But you don't know what it's like
You don't know what it's like to be in love
If you could see her you'd know what I mean
She thought I'd come up here and get laid
She just knew it
She told me she knew it
**** I'm 51 years old and she's 25
and we're in love and she's jealous
Jesus it's beautiful
she said she'd claw my eyes out if I came up here
and got laid
Now that's love for you
What do any of you know about it
Let me tell you something
I've met men in jail who had more style
than the people who hang around colleges
and go to poetry readings
They're bloodsuckers who come to see
if the poet's socks are *****
or if he smells under the arms
Believe me I won't disappoint em
But I want you to remember this
there's only one poet in this room tonight
only one poet in this town tonight
maybe only one real poet in this country tonight
and that's me
What do any of you know about life
What do any of you know about anything
Which of you here has been fired from a job
or else has beaten up your broad
or else has been beaten up by your broad
I was fired from Sears and Roebuck five times
They'd fire me then hire me back again
I was a stockboy for them when I was 35
and then got canned for stealing cookies
I know what's it like I've been there
I'm 51 years old now and I'm in love
This little broad she says
Bukowski
and I say What and she says
I think you're full of ****
and I say baby you understand me
She's the only broad in the world
man or woman
I'd take that from
But you don't know what love is
They all came back to me in the end too
every one of em came back
except that one I told you about
the one I planted We were together seven years
We used to drink a lot
I see a couple of typers in this room but
I don't see any poets
I'm not surprised
You have to have been in love to write poetry
and you don't know what it is to be in love
that's your trouble
Give me some of that stuff
That's right no ice good
That's good that's just fine
So let's get this show on the road
I know what I said but I'll have just one
That tastes good
Okay then let's go let's get this over with
only afterwards don't anyone stand close
to an open window

I came, and I went there.
I went there and came.
I furnished my money, my loving and fame.
I drank and I piddled, I piddled and sang,
a song for Bukowski, for Bukowski I sang.

The low-lifes and hustlers,
the ****** and the cops.
The ***** in the bottle,
the dives and the flops.

The racers and wasters,
living on luck.
For all of the chasers,
I now raise a cup.

A song for Bukowski, for Bukowski a song.
A song for Bukowski, Bukowski so long.

I'm not Bukowski
I don't care what you say
I'm not Bukowski
You never said I was but I don't care
I'm still not Bukowski
No, it's not pretentious to compare myself to him
I can say I'm not Bukowski
I don't write poems about degrading women while I ****

I'm just brushing my teeth in a gas station bathroom
Thinking about this poem
Or whatever it is
Thinking about you
I miss you emotionally and sexually
And I'm drunk

But I'm still not Bukowski
**** I wish I was
He'd know how to end this
I have no idea how to end this
Poem
These feelings
I'm not ******* Bukowski

Mr. Bukowski,
Well, does that house next door still,
make you sad?
With the two kids and all, in bed by 9
And the absent mom and dad
I need to know
And Mr. Bukowski,
How fair the ice cream people?
Do they vote still,
For a cruel man?
You didn't vote,
Nor do most of we
The insane
But,
Do you carry a vote now?
I need to know
And Mr. Bukowski,
How the hell is Cass?
She's kept me awake
Many nights,
Is she still beautiful?
I bet so
And Mr. Bukowski,
What of the girlfriends,
You didn't wish to see?
Do you see them?
I need to know
And Mr. Bukowski,
I miss you.

On campus, warm sun bathing my shoulders
as I listen to two girls discuss poetry
(and the dreamy guy who teaches their class)
and I try not to laugh at them as they talk about
how romantic I would be to have poetry written about
them. I want to ask them if they are really that stupid.
Instead, I bite my tongue and enjoy the taste of pennies
that floods my mouth and keep my laughter gurgling inside of me.
I long to ask these simpering, silly girls
if they have ever read any poetry about life. Not about the
romantic notions of life, but about really-real life. Poetry about
blood and pain and ******* and dying and loving and art
and I want to force feed them great ****** bites of
Chaucer or Ginsberg or
Bukowski.
Yeah... Bukowski. Visceral, blunt, gory, beautiful Bukowski.
But I have a feeling that this action would go unappreciated.
Their poets don’t use language like “****” or “****”.
Their poets don’t talk about the world I know.
Their poets live in a world of rewrite and revise.
I want to scream at them how silly they are and how much
their views will change over the next few years. And I realize that I may
have been staring (glaring?) at them because they have fallen
silent and are now looking at me with the squeamish discomfort
of people who have just realized that they’re being observed.
And I think to myself, “**** it,” and I smile and tell them that
their handsome poetry professor is married, and their idea of poetry
is limited. “You should read some Bukowski,” I tell them, “Then,
you just might get it” and they gaze up at me slack-jawed, staring blankly
for a moment, and I want to make sure I have not sprouted another head.
Instead, I gather my things and walk away. And as I do, I revel in a fleeting
feeling of superiority because I know.
I understand.
I get it.
And I can almost feel special.

Charles Bukowski ate my girlfriend
He started with her head
Fiddled with her like finger food
Putty in his hands

Charles Bukowski took my girlfriend
Slapped her hard upside the face
Now she likes it *****
So this poets been replaced

I'd like to say so long Charlie
As far as I'm concerned
You can hit the literary highway
Never to return

Charles Bukowski took my girlfriend
And showed her a good time
As I'm watching from the shallow end
Of my kiddie pool of simple rhyme

Charles Bukowski ate my girlfriend
Chewed her up then spit her out
Now that good for nothing Charlie
Is all she talks about

Charles Bukowski ate my girlfriend
He started with her head
Fiddled with her like finger food
Putty in his hands

Charles Bukowski took my girlfriend
Slapped her hard upside the face
Now she likes it *****
So this poets been replaced

I'd like to say so long Charlie
As far as I'm concerned
You can hit the literary highway
Never to return

Charles Bukowski took my girlfriend
And showed her a good time
As I'm watching from the shallow end
Of my kiddie pool of simple rhyme

Charles Bukowski ate my girlfriend
Chewed her up then spit her out
Now that good for nothing Charlie
Is all she talks about

Bukowski would have written a poem now,
I think, at one am as I **** in the toilet
and the TV flickers quietly
in the other room.

he would write about how she sleeps alone
in his big, new bed and about how he’s not
comfortable in love
but loves anyways

and I think, I would write that poem too
but it would not be quite as beautiful, not
to mention its lack of passion

for Bukowski’s was a hot fire
and mine is a cold one

his was force
and
mine is a bond

that’s why when I read him,
that first time and to this day,
I feel that I can finally
write

because poetry is
a fire, a hot fire,
the hottest there
is

but my warmth is external
it comes from good poetry
and success and love,
all of which I have
but cannot
use

Bukowski would say **** it
and drink to the cold summer night
for being itself despite the odds

he would buy a lotto tickets
till his paycheck was gone
and smile when not a single
one cashed in

you’ll figure it all out when you accept
that you don’t understand

that’s where I’m at,
******* at one am while my love
sleeps soundly without me

at a loss for understanding
versus a world that owes me
no explaining

hopefully, things will get
easier

Bukowski

your
seductive
stinking
honesty
makes my sanitized life
a lie

(poem dedicated to the late Charles Bukowski)

I'm big
I suppose that's why my women always seem
small
but this 6 foot goddess
who deals in real estate
and art
and flies from Texas
to see me
and I fly to Texas
to see her--
well, there's plenty of her to
grab hold of
and I grab hold of it
of her,
I yank her head back by the hair,
I'm real macho,
I **** on her upper lip
her ****
her soul
I mount her and tell her,
"I'm going to shoot white hot
juice into you. I didn't fly all the way to
Galveston to play
chess."

later we lay locked like human vines
my left arm under her pillow
my right arm over her side
I grip both of her hands,
and my chest
belly
*****
****
tangle into her
and through us
in the dark
pass rays
back and forth
back and forth
until I fall away
and we sleep.

she's wild
but kind
my 6 foot goddess
makes me laugh
the laughter of the mutilated
who still need
love,
and her blessed eyes
run deep into her head
like mountain springs
far in
and
cool and good.

she has saved me
from everything that is
not here.

Words Heavy (Kiss Bukowski)

Drinking White Russians with Black Kenyans,
not joking you I was just in Ethiopia,
this it not a Haiku or a Love Poem,
this is gifted insanity like Jim Morrison,

no jealousy I’m already Seamus Heaney,
isn’t it ironic how we can be both depressed and happy,
like a ghost that won’t leave earth,
or a Self that’s over the hill but still tries to write ****,

oh that’s touching,
like John Updike meeting E.E. Cummings,
not gay no way,
but I’d still kiss Charles Bukowski,

no bukkaki though,
because I’m a Simple Man and rather than,
bukkaki I’d probably like to make Love One on One,
I guess I’m New School and Old Fashion,

flirting with Death like I’ve already got my chips cashed in,
Life a Trip and can be a ***** it depends on how you’re acting,
as an overwhelming sense of anxiety creeps into me,
like being Maya Angelou performing a show for the ****,

a Civil Rights Superhero,
that makes Her point without any lustful thoughts of revenge,
presence light as a snowflake,
words heavy as the weight of the world on her back as it bends,

words heavy as the weight of the world on my will as it bends,

all the white watching my own show from the front row,
drinking White Russians with Black Kenyans,

joking I’m not joking,
I was just in Ethiopia,
this it not a Haiku or a Love Poem,
this is gifted insanity like Jim Morrison…

∆ Aaron LA Lux ∆

As you sit down
Poised to write a
Poem on your

Sister’s old black
Typewriter, a
Ghostly Mr

Bukowski comes
And puts his hand
On your shoulder;

He’s puffing hard
On a phantom
Cigarette and

Leaning, scanning
The page and what
You’ve written so

Far. You’ve written
Nothing about
*****, broads or cats,

He says, dropping
Ghostly ash on
The new carpet,

Not a word here
About *** or
Bets or getting

Drunk, he adds, then
Inhaling deep,
Coughing, wheezing,

Squeezing your thin
Shoulder, letting
Off a puffy

Phantom ****. You
Need to tell the
Reader things to

Get them to turn
The page, get them
To want to drink

Or ****, he says.
It’s my poem,
Bukowski, you

Reply, but he
Has gone now, the
Room is chilly,

The carpet has
Ghostly ash and
Your glass of white

Wine is empty.
You sit there poised
Over the old

Typewriter, the
Poem half done,
Half waiting to

Be written, the
Fingers itching
To be done. If

Bukowski comes
Again, he can
Write the next new

Poem, he can
Write the next one.

.perhaps it's a good thing,
that i don't succumb to witty
rhyming poetry...
i hate rhyming poetry as much
as Bukowski hated disney...
Homer didn't rhyme...
  and all the better for it...
this rhyming fetish,
whereby, when you start
rhyming, succumbing to
some quasi orthodoxy?
   getting caged?
       better than rhyme...
   noticeable signs of impromptu,
and absolutely no, so
signs of editing...

      if god is dead in philosophical
discussions...
then rhyme is dead
in poetic composition...
    we, really don't need curriculum
poetics for GCSE students...
cages, entrapment,
   not bothering Stendhal from
the brink of a post-existentialist
despair sitting in
that other graveyard,
  the library shelf...
    and seriously?
    why Jane Austen on the 5 quid
banknote, and not Mary Shelley?

and there's a reason why i will
not make a single youtube video...
why?
       on a certain level of the popularity
stratum,
   it's become this,
  american nostalgia for high school,
the gossiping, the undermining,
the atypical Brutus confidant circle
of "content" creators...
   net-novellas -
   a bunch of people my age...
******* up to the tele-novella
       ergonomics that Polish grandmothers
watch, imported from Turkey...
or the English 1985 Eastenders
soap opera...
   ******* have to be different,
through and through,
drive on the "wrong" side of the road,
then they have to start calling
tele-novellas, soap-operas!

short attention span, sure sure...
no problem...
          do your ******* homework
during the week, watch the omnibus
on the weekend...

what's this one youtuber, who said
something about the advertisement blockers?
by the way...
   Samsung?
     all videos have been demonetized...
perhaps on the odd occasion
a vevo ad... but that's about it...

       advertisement blockers?
  seriously?
   are these people so ******* impatient
that they can't locate the mute button?!
i see an advert: MUTE...
   i think of something,
   to craft an anti-zombie
   pause, moment, anything...
    why block advertisement -
when you can merely mute it...
and listen to the vacuous sound
of celestial orbits?

        within a certain tier of content creators,
it's already the ****-smearing,
soap opera, back in a high school
playground "nostalgia"...
  sorry... not for me...
but thank you, for taking the effort,
to take a reed, dive into a lake,
and breath through it,
while remaining covert, hidden...

         again... numbers numbers numbers...
i'm still exercising a freedom of
"speech", but i rather prefer the
practice of writing, as the appropriate
res extensa of the vector origin
for this cascade, the res cogitans
as it were...

   and there really are only two forms
of nuanced language:
a study of philosophy,
   or the study of: law...
      but this youtube **** show...
   this: back in high school,
no revenge time...

                 i only tuned in for the music,
but then these youtubers started
propping up in the recommendation
list for the music i was listening to...

die krupps postscript suggestions
came up with x,
   wooden shjips came up with y...
lao che came up with z recommendations...

on a side note...
   ha ha!
    mark manson's book...
  the art of not giving a ****...
it mentions Bukowski...
  only read the sample...
        that he was a, loser...
and loser is specifically derogatory
term in American society...
to which i reply?
   and what the **** did
mark manson, actually win?
Bukowski at least won
a childhood where his father beat
him silly in the ******* bathroom...

you haven't exactly won anything,
mr. manson...
   if you didn't lose anything
to begin with;

and if you have?
   let's see the follow-up of
to your bestseller,
         of "not giving a ****";
but we won't, will we?
      - hardly brown-nosing,
the guy's dead,
1997... i have to keep
the integrity of the dead
on my bookshelf...
      
      who reads this
reverse masochism of the self-help
literature genre, anyway?
you can't even use these books
as a counter to a decent roll
of toilet paper!
   unless you want to scratch,
ahem, sorry, wipe your *** with
the pages, and start an **** bleeding!

the brevity of a singular breath,
one that is full of peace,
such a rare glimpse but
if you look at his face, at the right time,
you might just see him smile.

then, much like an old spruce cello,
descending in suspense,
that smile  -evaporates-, and the
quick "bliss" is no more.

oh how old and wise is this cello i play,
if only it was genuinely surprised by the
intensity of such
-hair raising horror-
it faces in its composure, daily.

"but it simply ain't",
as Bukowski would drunkenly say,
and his quivering cigarette would rightfully echo
through the halls of this unholy Cathedral.  

"put me the **** down already, Charles", it echoes.

"no,
i refuse
to let go of my
identity...

...why would i let go of all

-i feel-

is left?"

he (i) is either a man,
or on the road to understanding
what this even means really...

...maybe he's halfway there...

regardless, he now understands,
he must accept
"reasons" to smile won't come often,
and one is subject to the tug of war of life,
of society,
of women,
of his children,
of his forgetful mother,
of his vices,
his hair raising horrors,
the torment,
of his absent father.

to continue is to face those suspenseful

-crescendos-

of life, with
"a ******* smile on your face",
as Bukowski would say,

no matter
-what-
he's been through, or
-how-
-deeply-
he
-feels-

...

-melancholicreator

I think of You when I brush my teeth and comb my hair.
You used to dust off your boyfriends just as fast yet
Your hand still shakes less than mine.
The pact I made in eighth grade only destroyed one of us;
we were only trying to shake off the insults of elementary school.
My scars still laugh at me from under my slacks,
while You strut in bikinis during the summer months.
It all is based on what they say,
but not what I bother to tell them
I feel.
I will tell You;
             that my heart has been asleep for two centuries,
             my soul spends starless nights awake wishing for deeper meaning,
             my hands were caught replacing my Bible with my books of Byron and Bukowski
             the taste of pumpkin coffee rattles in my mouth
             and my voice has taken a vacation to the tropics
             while my skin sighs tears it does not possess.
            my heart is weeping for the one I cannot see
            and my chin trembles more than three times a week.
Yet when I chew on my rosemary leaves,
I will remember how You threw my things to the carpet.
I will remember how You meant it when you kissed me
and I will remember when You borrowed my romper,
two sizes too big,
and worked it harder than that psychology textbook You so despise.
And I will remember the moment
I knew I loved You.

I'm sure he'd approve,
but there is something endearing
about reading Bukowski on the toilet.
You even get to wash your hands afterwords.

If you’re expecting a poem, this isn’t it.

It might not even be prose… I don’t know.

as I write,

a combination of bourbon and rye

with a foamy Guinness finish

is lapping against the walls of my stomach;

I’m intoxicated, and I feel good…

but I digress.


I just want to share the experience.


Anyway, there I was in a Skid Row bar

enjoying my whiskey when I overheard

a conversation.


Bukowski was mentioned.


I happened to have a copy of

‘The People Look Like Flowers at Last’

in my bag, and I - already feeling light and fluffy- took it out and waved it around

as if it were the congressional medal of honor.


A man spoke up. He was a very old man;

wrinkled and hunched over,

and he wore a colorful fedora upon his

(likely) hairless head.


He claimed to have met Bukowski

in the very bar we were drinking in tonight.


I was intrigued; I bought him a drink

and he told me the whole tale.


As it goes, Bukowski was in the bar one night,

drunk and waving his name around and saying things like “oh, c’mon! I’m Charles Bukowski! The writer… the immortal poet.”

It sounded like Chinaski - and this guy

didn't look like much of a reader, so I decided

to give his story some credit.

Anyhow, the man I was speaking with was

there that night, and he had something to say.

He told Bukowski “you’re an *******!

You might be big with the colleges

and the fancy journals, but down here

you’re a drunken ***! Just drink your *****

and shut your ******* mouth!”

He seemed to become angry even as he spoke to me. I was in awe!

There I was - in Skid Row of all places -

sitting as close as I will ever sit

to my greatest influence.

I thought I would try
to write like Bukowski.
But then I thought,
I have no experience
when it comes to
horse races
or women.
So I gave up
and wrote
this ****** poem instead.
They're always ******,
unless you've got enough whiskey
to rid yourself of that
nagging voice,
the one that reminds you of your mother,
the one that always says
it's not good enough.
Oh hell, I guess even I can write
like Bukowski.

as I cling
to my section of reality,
the gutters are full
of ink,
thoughts, dreams, nightmares,
the degradation of humanity,
hides no more,
flows free,
as I sit here,
sipping iced tea,
laden with lemons and sorrow,
waiting for Bukowski to arrive,
the shitzu by my side,
guarding me,
from hordes of mosquitoes,
without fear,
waiting for a nibble,
of sweet butter pecan ****,
the world so alive,
as I write,
to regain my sanity,
freedom,
recovery,
i admire the lone tree,
in a meadow of pity,
rustling in the wind,
the birds singing,
the cat pretending to be part
of the tree,
the whole while,
me nursing the fable
of a broken heart,
pretentiously,
pretending,
to be a poet,
writing my sorrows away,
hiding from humanity,
i wonder,
Bukowski where are you?

I've handed you
every missed opportunity I have ever had with a beautiful,
intelligent man. You are now
the object of my affection, like
everyone who came before you wasn't real,
only practice, but the sting of their rejection
has lasted. It's still burned into my memory.
I am giving it all to you.
Please hold it, for a little while, don't let
my chaos burn your skin, juggle it
between fingers and let it wind around your arm
like a boa constrictor.
You have the weight of the world
on your shoulders, it's up to you to redeem
all mankind, in my mind.
Please, smoke out the bad memories
from the empty, needy cavern of my mind.
Please, replace them with good, with your
jokes, and smile, and kisses on the
small of my back.
******* Bukowski was right, you have
no knife, the knife is mine. But I gave
it to you. Sharp as hell.
Please, don't use it
yet.

I found you in the cracks of winter between puffing breaths of cold air like a dragon, on that cold Wednesday afternoon. I swore your eyes were the ocean, and I could see all the way to Europe. You held your books like a shield guarding your chest and you introduced yourself like a king.

We talked of Bukowski and Frost in between sips of lukewarm water. I fell in love with every pause you took and every time you blinked my heart beat increased. I was surprised you couldn't feel it from across the table.

You showed me the scars on your legs and arms you've gotten over the years. One from jumping off a roof into a pool. One randomly showing up when you woke up that morning. And one from that time you had a tumor removed from your chest. You told me don't feel sorry for you and don't feed you sympathy because you have been full for years.

We spent the next couple of months telling secrets. You told me I was the first person you have ever felt comfortable with in a long time. You kissed me so silently and slowly it was like breathing underwater. Forgive me if I sound selfish but I could not stay under the water any longer and I couldn't hold my breath for another second. I gave all my wishes and stars to you that night. I wrote poetry on your skin that we created when our hands touched.

We explored the mountains and ate picnics every Saturday afternoon. We ran from the rain as we saw the clouds roll in, we sat in the car and played truth or dare for an hour straight. I promised you I will love you until we're old and I'll have to feed you with a spoon until this action isn't anymore romantic but necessary instead.

It was a Tuesday at 2:35 in the morning when you were experiencing pain. I drove you to the hospital.

Our love was like a mother teaching a daughter how to slow dance for the first time; clumsy.
You didn't know how to hold me properly anymore because you were to busy holding medical bills in your hands. When I see these papers my mind loses focus and all those words form one big blur, and they become wet with warm teardrops smudging the news across the white crinkled paper. I turned off the tv that night and we actually looked at each other staring like we were both blank canvases and had painters block for the first time ever. That night you packed a suitcase and went away in a taxi. The hospital wasn't too far away but I couldn't bare to see you walk into that place again.

It was cold and it was Sunday. The doctors tried everything they could but it was already too big and eating you away. Old friends were always bitter when they weren't welcomed back but stormed in like a hurricane destroying everything the future has to hold. Your eyes were colorless and your hands were too fragile to hold anything. My heart was beating out of my chest and my palms were shaking. It felt like I was holding an earthquake.

You were only 21.

You had a warm heart and a beautiful brain. You were drained like rain-soaked up from the earth. I wished I could have taken you places and brought you flowers. But it was always too cold to go somewhere and all the flowers have disappeared away until next spring. For on now I'll just have to bring you back to life through words and hope not to cry. Another love is too far away to see and my vision is blurry but I don't want it to be clear. For I fear that I will once again become too selfish because I can't wait forever for you because death is miles away, and I'm not ready to see that side of my life. But when tomorrow starts without you I guess I'll just go home because, sweetheart, all the dust has disappeared.

Let us praise the time when we flew to Vegas one night because we were board. Praise the moment when we were so full of glee that time we won $20, and how we ignored that fact we lost $600. Praise the day our car broke down on the side of a mountain and so we finally got a chance to talk to each other and confess our problems. Praise that moment we meet on that frosty December. I hope your ghost waltzes at sunset with my shadow. I know it's only been a few years since we meet but for me, it was a lifetime of happiness.  Let it be known you are engraved into my brain and I'll always remember the time I saw you clutching books to your chest and puffing dragon breath.

I am not your Bukowski
I am not the Picasso of words
I am not the DaVinci of euphemisms
I will never be remembered
I am not beautiful
My insides are not pure
I am tainted blackened filth
Begging for attention or pity
Nothing goes my way
I am a failure
Bur I will do nothing to change
Nor tell another
I want to die
I know I say it a lot
But I don't feel that it's fine that some more grateful of their gift
Take their last breath tonight
While I, thoughts of suicide, running amok in my fragile mind
Take everything for granted and give back nothing
Nothing but whines and complaints and harshness
I am not Bukowski
I am not Jesus Christ
I am I

I'd like to be
Bukowski today,
I'd like
to get a good **** in
before
dusk,
and a good drink in
at some point,
I've wanted some Wild Turkey
more than anything.

A good ****
when done right
without
the spring-loaded
traps of love,
just *******
until your body swells,
can make you come
for days,
and a good drink
is good for washing out
sadness as it pukes dramamine
in your stomach,
and Bukowski for a day
would be a lemon.

This is pretentious
as ****. I am a
pretentious ****.

He told me he likes Bukowski.
That was the first sign.
You see, boys who like Bukowski and me
Don’t get along.
You see, Bukowski and me
Don’t get along.
I’m a Sylvia.
I’m an Anne.
A Maya and a Virginia.
You see, I am well versed
In death and silence.
You see, I have no interest in
Alcohol and misogyny.

He told me he likes The Smiths.
Now The Smiths
In and of themselves are great.
I’ve always been a fan of melancholy,
Of heartbreak.
Now The Smiths
Who have been morphed into this
Pseudo intellectual mirror are not my thing.
You see, boys pin me to a pedestal
For merely knowing who Morrissey is.
You see, I don’t care if
Dying by my side is such a heavenly way to die.
You see, I don’t plan on dying with him.

He told me he drinks his coffee black.
That would explain
Why when he kissed me
I tasted nothing but bitterness.
That should have been a warning.
You see, I need a little sweetness.

He told me he smokes cigarettes.
You see, cigarettes remind me of my father.

He told me I’m not like other girls.
As if other girls are a disease.
As if I am this magical creature.
This manic pixie dream girl with wings.
You see, there is nothing special about me.
I am me. Simple.

I told him he was a sad boy.
A boy who pretends like he’s wrapped in barbed wire
But is really a caged petting zoo animal.
A boy who will smile like he has a secret
But really has nothing to share.
You see, sad boys drink whiskey.
To me, whiskey tastes like listerine without the mint.
You see, he tasted like whiskey.
You see, he reads Bukowski.
You see, he listens to The Smiths.
You see, he drinks his coffee black every morning
And smokes a cigarette on his balcony
While reading the newspaper
And listening to a vinyl record.
You see he doesn’t love me.
He loves the idea of me.
He loves the idea of sad girl.
You see, there’s nothing romantic
About a boy who thinks romance is a Hemingway novel.
You see, I hate Hemingway.
You see, sad boys and me don’t get along.

“lets split this diner and have a beer”  
four coffees in an hour made the world
too awake for him  
we walked to the Pink Mule,
the first bar we saw  
he knew all of the bars--all bars knew him  
the bartender was Abraham
but looked like a Bob    
he had a bourbon poured before
Charles made it to the stool
and looked at me like I was a fool  
“a light beer”  
Bukowski didn’t bother to laugh
though I am sure the word “***”
was rolling around in his head  
looking for a place to get out  
he kept on about Selma,
sweet succulent Selma  
how anybody that hot
could rule the world  
dragging men around by their dongs  
without lifting a finger  
that is why the gods made wine, he said  
not for some sacrament for the holy humbled
but for men hunched over like balless beggars,
he said, when Abraham Bob  
filled his jigger a second, or fourth time  
men made that way by all the Selmas  
whose middle name had to be vexation  
a whiff of her could get you to take  
a **** job, where you spent the day
hunched over, hoping, she would be there
when you got home  
even if she was, you wouldn’t remember  
in the morning, when you would go back  
to the grinless grind, hunched over, hoping  
Selma would be your wine

I was sitting at the computer
trying to think of a way
to describe a woman's
*** as anything other
than a woman's ***
and there were
marlboro black
cigarettes on my
creaking desk
and I had a fifth
of whiskey on the
windowsill and
I rubbed my forehead
and thought of fruits--
apples and oranges--
no, no that's overdone
and I thought of animals--
elephants and horses--
but, again, no, I'd
come across as one of
those sick ******* that
go to the zoo in  
stained trench coats
and rub themselves against
the chain link
and Eve would walk in
beautiful girl with short
hair and a sharp mind
she'd ask what I was
writing about and
I'd say women
but the women were
never her, she pointed out
and I'd say I don't want to
jinx this, what we have,
you know? and she'd say okay,
okay

I'd get lit up every evening and
I'd text other women
I'd tell them about the shapes
of their ***** and the sizes
of their brains and they'd
usually say uh huh yeah
but I was fishing, always
fishing for that compliment
that sliver of hope, that
unsatisfied wife
when you're trying to be
Bukowski you'll throw
yourself under the bus
again
and
again
for what?
a story, trivial and base,
and that good woman,
that best woman, that Eve,
one day while making breakfast
she'll say to the eggs in the skillet
I can't take this **** anymore
and you'll say so don't
and she'll say fine
and she'll walk out the front door
wearing your t-shirt
you'll feel free for a week
and alone for two years.

I'm walking through a grey zone
everything a dull ache
everything a dull ache

you haven't texted me back yet
you're probably driving
everything a dull ache
everything a dull ache

searching Bukowski quotes for ways to cope
sent you a Bukowski quote that reminds me of us
everything a dull ache
everything a dull ache

We are two animals trapped inside a glass box
Nothing to say or do that isn't lost inside our thoughts
You hope to find an inkling inside the broken chatterbox
But mostly deny what's inside the two time Goldilocks
Is it too cold, too hot, or just right?
Hit me up on the flip side and I'll keep you lukewarm tonight.
Who's eyes light up your insides like a rotten Jack O'lantern?
Who's argyle style lies in all the wrong patterns?
I'm loose like a cannon or a bad set of tie rods.
You can hear the truth speak when you read it in my scrimshaws.
Bear claws
I'll Tear apart your life like the jaws of life.
Tear you apart like a knife like jaws did Richard Dreyfuss
What?
Say what?
This guy writes like Jackson ******* drinks
And paints like Charles Bukowski.
His life pours out in lines like the inside of a chocolate factory.
When asked where is his mind he pointed to his heart,
and said to them:  
"you shouldn't play with knives when you're dancing in the dark."

Crave the entire world.
Hedging bets is a disuse.
Leave nothing to chance.
Throw everything at the moon.
Burn among the fallen stars.

god I got the sad blue blues,
this woman sat there and she
said
are you really Charles
  
    
      
        Bukowski?
      
    
  

and I said
  
    forget that
  

I do not feel good
I've got the sad sads
all I want to do is
*******
and she laughed
she thought I was being
clever
and O I just looked up her long slim legs of heaven
I saw her liver and her quivering intestine
I saw Christ in there
jumping to a folk-rock
all the long lines of starvation within me
rose
and I walked over
and grabbed her on the couch
ripped her dress up around her face
and I didn't care
**** or the end of the earth
one more time
to be there
anywhere
real
yes
her ******* were on the
floor
and my **** went in
my **** my god my **** went in
I was Charles
Somebody.