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Jim Davis Jun 2019
Scrounging local garage sales... near ten years past... I had found a flat, welded iron, rusty seahorse... 3 feet high... with a good seahorse shape and poise... edges welded and cut... after the haggle... twenty-five dollars..... perfectly added to my estate... covered rust in gold sheen... mounted upon a tree... to greet all comers... with a seahorse kiss!    
     Seller said it was made by the same artist... of the turtle lady statue... to be found in Corpus Christi!  Asked if I had seen it... my reply... No, but I liked the seahorse piece! He expounded... the artist... only had one leg... but was a surfer... well known for this trait... in Corpus Christi!  
     After I had mounted the seahorse... upon it's tree...I did an internet search... looking for anything about the one-legged surfer artist of Corpus Christi!  Found... nothing!  
     End of May, 2019... visiting my sister, Donna... we were wandering Corpus Christi!  She guided us to the surf museum... not knowing the story... of the one-legged surfer artist... creator of my mounted seahorse!  
     Girl at the front desk... Kyla... real nice and friendly... told her about the seahorse and questioned her... she didn’t know... she never heard of a surfer with one leg or the turtle lady statue!  Looking at us just a bit strangely... one legged surfer???
      Donna and I... started our stroll through the small museum!  Along the right side... stood a long row of surfboards... I’ve never surfed... but I was imagining trying it with just one leg!  
      Anyhow... I didn’t really stop to read or look in any detail at any of the exhibits until I reached the back... there was a glass case... which had a piece of simple letter paper...  8.5x11... taped to the front of the glass cabinet!  I started in reading the last paragraph...

     “Welch, 53, and his wife, Chelsea Louise, 23, died September 15, 2001, when their car plunged off the edge of South Padre Island’s Queen Isabella Causeway, which partially collapsed after a string of barges crashed into the bridge’s support pilings!

     Thought to myself... Wow... Who is this guy???  I jumped up to the middle paragraph...

     “Welch lost one of his lower legs in an auto accident in the 1970s, but he kept surfing with a prosthesis.  He wore a peg-like prosthesis at first, then got one with a foot.  He won the prosthesis division of the United States Surfing Championships on South Padre Island in 1998.”

     In the glass case was a welded metal sculpture of a beach scene... with waves, palm trees, and all!  The piece did have some resemblance in style to my seahorse sculpture!  Also, there was a picture on top of the case... of Harpoon Barry... striking a muscular, no shirt pose... in his tattoo shop... his torso covered in tattoos!  
    
     “It is said... he was on the verge of suicide after losing his leg. In one interview with the San Antonio Express News in 1992 he said;  "I may not make it to heaven, but you can be sure I made no deals with the devil to get where I'm at now, "  Looking down at his false leg stretched out in front of him, Welch said quietly: "It is a real empty feeling when you put one of these on for the first time, especially if you are an adult on your own. And your mama'a not there and your daddy's not there, and the people in the hospital tell you, 'This is the best it's going to get.  I made my first leg myself, out of Hi-C cans. I couldn't wait for my leg to get finished. I wanted to walk. I guess I got the idea from the Tin Woodsman in 'The Wizard of Oz.' That leg actually worked pretty well!”

     I had found my one-legged surfer artist!  I walked towards Donna... who was already half-way leaving the museum...  I hollered to her... she just had to come see this ... “I think I found the one-legged surfer!”  She had recently had partial knee replacement... and was hobbling!  She said if I was fooling her... she better not walk back all that way for nothing!! She came back to the glass case... we read through the letter in it’s entirety!  
     Then we went... and told Kyla at the front desk... she again looked at us again a bit strange... but then reluctantly left her post to go with us to take a look... she was then astounded!  Said she never knew about the one-legged surfer... although she had worked at the museum for several years!  Said there were also a couple metal sculptures... at the front of the museum... she thought were also done... by Harpoon Barry!  We took pictures of those also!  

In the letter we also read...

     “Welch had numerous tattoos and body piercings.  He wore a tiny 14 carrot gold harpoon through one ******.  That is how he got his nick name according to a friend, Scott Gangel.”  

     "I am a unique, self-made sensation!” he said matter-of-factly... in the interview with the Express News!  
    
     It's been 18 years since eight people died when South Padre Island's Queen Isabella Memorial Causeway collapsed... sending 11 people into the water below... four days after the 9/11 attacks!  A string of tow barges had struck the supporting pilings!  A section of the roadway had collapsed...
     I promised Kyla... I would donate my seahorse piece to the museum upon my death!  I only hope my death... is as grand as Harpoon Barry’s plunge into the Gulf of Mexico with his young wife!  Wonder what they were doing during the plunge... what was Barry doing... yelling Yippee Ki Yay... or Surf’s up... Dude!!!... maybe???  
    
Surfed waves on one leg
Young wife... crazy life... grand death
Harpooned by Barry

©  2019 Jim Davis
I doubt I could ever match his life!  !  Though...  someday... I might get a tattoo... or two... or a harpoon piercing... perhaps in a ******! Also... still looking for the turtle lady statue!
RAJ NANDY Mar 2016
Dear Poet Friends, and all true lovers of Jazz!  Being a lover of Classical and Smooth Jazz, I had composed first two parts in Verse on the History and Evolution of Jazz Music. Seeing the poor response of the Readers to my Part One here, I was hesitant to post my Second Part. I would request the Readers to kindly read Part One of this True Story also for complete information. Please do read the Foot Notes. With best wishes, - from Raj Nandy of New Delhi.


THE STORY OF JAZZ MUSIC : PART-II
               BY RAJ NANDY

        NEW ORLEANS : THE CRADLE OF JAZZ
BACKGROUND :
Straddling the mighty bend of the River Mississippi,
Which nicknames it as the ‘Crescent City’;
(Founded in 1718 as a part of French Louisiana
Colony),  -
Stands the city of New Orleans.
New Orleans* gets its name from Phillippe II,
Duc d’ Orleans , the Regent of France ;
A city well known for its music, and fondness
for dance.
The city remained as a French Colony until 1763,
When it got transferred to Spain as a Spanish
Colony.
But in the year 1800, the Spanish through a
secret pact, -
To France had once again ceded the Colony back!
Finally in 1803 the historic ‘Louisiana Purchase’
took place ,
When Napoleon the First sold New Orleans and  
the entire Louisiana State, -
To President Thomas Jefferson of the United
States!     * (See notes below)

THE CONGO SQUARE :
The French New Orleans was a rather liberal
place,
Where slaves were permitted to congregate,
For worship and trading in a market place,
But only on Sabbath Days, - their day of rest!
They had chosen a grassy place at the edge of
the old city,
Where they danced and sang to tom-tom beats,
Located north of the French Quarters across the
Rampart Street,
Which came to be known as the Congo Square,
Where one could hear clapping of hands and
stomping of feet!
There through folk songs, music, and varying
dance forms,
The slaves maintained their native African musical
traditions all along!
African music which remained suppressed in the
Protestant Colonies of the British,
Had found a freedom of expression in the Congo
Square by the natives; -
Through their Bamboula , Calanda, and Congo dance!
The Wolof and Bambara people from Senegal River
area of West Africa,
With their melodious singing and stringed instruments,
Became the forerunners of ‘Blues’ and the Banjo.
And during the Spanish Era, slaves from the Central
African Forest Culture of Congo,
Who with their hand-drummed polyrhythmic beats ,
Made people from Havana to Harlem  to rise and
dance on their feet!      
(see notes below)

CULTURAL MIX :
After the Louisiana Purchase , English-speaking
Anglo and African-Americans flooded that State.
Due to cultural friction with the Creoles, the new-
comers settled ‘uptown’,
Creating an American Sector, separate from older
Creole ‘down-town’ !
This black American influx in the uptown had
ushered in,
The elements of the Blues, Spirituals, and rural
dances into New Orleans’ musical scene.
Now these African cultural expressions gradually
diversified, -
Into Mardi Indian traditions, and the Second Line.^^
And eventually into New Orleans’ Jazz and Blues;
As New Orleans became a cauldron of a rich
cultural milieu!

THE CREOLES :
The Creoles were not immigrants but were home-
bred;
They were the bi-racial children of their French
Masters and their African women slaves!
Creole subculture was centred in New Orleans.
But after the Louisiana Purchase of 1803,  -
The Creoles rose to the highest rung of Society! @
They lived on the east of Canal Street in the
French Sector of the city.
Many Creole musicians were formally trained in
Paris,
Had played in Opera Houses there, and later led
Brass Bands in New Orleans.
Jelly Roll Morton, Kid Oliver, and Sidney Bechet
were all famous Creoles;
About whom I now write as this true Jazz Story
gradually unfolds.
In sharp contrast on the west of Canal Street lived
the ***** musicians,
Who lacked the economic advantages the Creoles
possessed and had!
The Negroes were schooled in the Blues, Work Songs ,
and Gospel Music;
And played by the ear with improvisation as their
unique characteristic !
But in 1894 when Jim Crow’s racial segregation
laws came into force,     # (see notes below)
The Creoles were forced to move West of Canal
Street to live with the Negroes.
This mingling lighted a ‘musical spark’ creating
a lightening musical flash;
Igniting the flames of a ‘new music’ which was
later called ‘Jazz’ !

INFLUENCE OF THE EARLY BRASS BANDS:
Those Brass Bands of the Civil War which played the
‘marching tunes’ ,
Became the precursors of New Orleans’ Brass Bands,
which later played at funeral marches, dance halls,
and saloons !
After the end of the Civil War those string and wind
instruments and drums, -
Were available in the second-hand stores and pawn
shops within reach of the poor, for a small tidy sum!
Many small bands mushroomed, and each town had
its own band stand and gazebos;
Entertained the town folks putting up a grand show!
Early roots of Jazz can be traced to these Bands and
their leaders like Buddy Bolden, King Oliver, Bunk
Johnson, and Kid Orley;
Not forgetting Jack 'Pappa' Laine’s Brass Band
leading the way of our Jazz Story !
The Original Dixieland Band of the cornet player
'Nick' La Rocca,
Was the first ever Jazz Band to entertain US Service
Men in World War-I and also to play in European
theatre, came later.     (In 1916)
I plan to mention the Harlem Renaissance in my
Part Three,
Till then dear Readers kindly bear with me!

CONTRIBUTION OF STORYVILLE :
In the waning years of the 19th Century,
When Las Vegas was just a farming community,
The actual ‘sin city’ lay 1700 miles East, in the
heart of New Orleans!
By Alderman Story’s Ordinance of 1897,
A 20-block area got legalized and confined,  
To the French Quarters on the North Eastern side
called ‘Storyville’, a name acquired after him!
This 'red light' area resounded with a new
seductive music ‘jassing up’ one and all;
Which played in its Bordello, Saloons, and the
Dance Halls !         (refer  my Part One)
Now the best of Bordellos hired a House Pianist,
who also greeted guests, and was a musical
organizer;
Whom the girls addressed respectfully as -
‘The Professor’!
Jelly Roll Morton, Tony Jackson author of
‘Pretty Baby’, and Frank ‘Dude’ Amacher, -
Were all well-known Storyville’s ‘Professors’.
Early jazz men who played in Storyville’s Orchestra
and Bands are now all musical legends;
Like ‘King’ Oliver, Buddy Bolden, Kid Orley, Bunk
Johnson, and Sydney Bechet.      ++ (see notes below)
Louis Armstrong who was born in New Orleans,
As a boy had supplied coal to the ‘cribs’ of
Storyville !          ^ (see notes below)
Louis had also played in the bar for $1.25 a night;
Surely the contribution of Storyville to Jazz Music
can never be denied!
But when America joined the First World War in
1917,
A Naval Order was issued to close down Storyville;
Since waging war was more important than making
love the Order had said !
And from the port of New Orleans US Warships
had subsequently set sail.
Here I now pause my friends to take a break.
Part Three of this story is yet to be composed,
Will depend on my Reader’s response !
Please do read below the handy Foot Notes.
Thanks from Raj Nandy of New Delhi.

FOOT NOTES:-
New Orleans one of the oldest of cosmopolitan city of Louisiana, also the 18th State of US, & a major port.
Louisiana was sold by France for $15 Million, & was later realized to be a great achievement of Thomas Jefferson!
Many African Strands of Folk Music & Dance forms had merged at the Congo Square.
^^ ’Second Line Music’= Bands playing during funerals & marches, evoked voluntary crowd participation, with songs and dances as appropriate forming a ''Second Line'' from behind.
@ Those liberal French Masters offered the Creoles the best of Education with access to their White Society!
# ’Jim Crow'= Between 1892 & 1895, 'Blacks' gained political prominence in Southern States. In 1896 land-rich whites disenfranchised the Blacks completely! A 25 year's long hatred
& racial segregation began. Tennessee led by passing the ‘Jim Crow’ Law ! In 1896, Supreme Court upheld this Law with -  ‘’Separate But Equal’’ status for the Blacks. Thus segregation became a National Institution! This segregation divided the Black & White Musicians too!
+ Birth of Jazz was a slow and an evolving process, with Blues and Ragtime as its precursor!    “Jazz Is Quintessence of  Afro-American Music born on European Instruments.”
++ Jelly ‘Roll’ Morton (1885-1941) at 17 years played piano in the brothels, – applying swinging syncopation to a variety of music; a great 'transitional figure' between Ragtime & Jazz Piano-style.
++ BUDDY BOLDEN (1877-1931) = his cornet improvised by adding ‘Blues’ to Ragtime in Orleans  during 1900-1907, which later became Jazz! BUNK JOHNSON (1879-1849 ) = was a pioneering jazz trumpeter who inspired Louis Armstrong.  KID OLIVER (1885-1938) =Cornet player and & a Band-leader, mentor & teacher of Louis Armstrong; pioneered use of ‘mute’ in music! ‘Mute’ is a device fitted to instruments to alter the timber or tonal quality, reducing the sound, or both.
KID ORLEY (1886-1973) : a pioneering Trombonist, developed the '‘tailgate style’' playing rhythmic lines underneath the trumpet & cornet, propagating Early Jazz.  SYDNEY BECHET (1897-1959) = pioneered the use of Saxophone; a composer & a soloist, inspired Armstrong. His pioneering style got his name in the ‘Down Beat Jazz Hall of Fame’! LOUIS ARMSTRONG (1890-1971) = Trumpeter, singer, & great improviser. First international soloist, who took New Orleans Jazz Music to the World!  
% = After America joined WW-I in 1917, a Naval Order was issued to shut-down  Storyville, to check the spread of VD amongst sailors!
^^ ”Cribs”= cheap residential buildings where prostitutes rented rooms. Louis Armstrong as a boy supplied coal in those ‘Cribs’.
During the 1940 s  Storyville was raised to the ground to make way for Iberville Federal Housing Project.
ALL COPYRIGHTS RESERVED BY THE AUTHOR : RAJ NANDY **
E-Mail : rajnandy21@yahoo.in
My love for Jazz Music made me to dig-up its past History and share it with few interested Readers of this Site! Thanks, -Raj
Mimi Jan 2012
I wonder how I got here, secluded in a grimy apartment filled with smoke. We drink gin and tonics with mint like it’s the ‘20s; we sit and talk pop culture because we know. Taj has somehow become the effective authority on all of these things, paid to social network and connected to Hollywood; he’s very skilled at playing to people’s wants. My Cadillac sits intent next to me markering in a recent drawing for his newest class. He’s already famous for his graffiti, one day I’ll bet you this extra credit project will be worth money. He drew me a fox for Christmas. Valentines day is coming up. He never tells me he loves me. Jack is watching me watch him out of the corner of his eye while putting on a new remix of an old song. He leans over and asks if I like it and I nod. I feel bubbled up with *** smoke, frozen in time and vaguely uncomfortable. I’d guess this is what it’s like to be “too high.” I want Caddy to notice, but it’s Jack that’s pushing my hair back and telling me to drink more water. It’s sweet. Despite his need to be seen as a womanizer, Jack respects Caddy too much to even try with me, he looks but he doesn’t put on any faces for me. Everyone thinks so hard about how they’re seen.
Jack says his New Year’s resolution is to do less *******, even though no one asked. Everyone hears but no one reacts. I try to keep moving my toes and stop shivering. Across from me Ky and Nate are reading the encyclopedia in open-mouthed awe. In a room full of intellectual up and comers I feel like Hemmingway did when he was my age, how all the minds gravitate to each other and sit in a ***** room by the beach and let the creativity go. Like Mary Shelly and the whole gang writing Frankenstein and Dracula in the same trip.  After a while I think Taj is going to make it, Jack will be a politician and Caddy will be lost and with another woman. Ky and Nate will still be smoking and reading the encyclopedia, all the way down to ‘z’. I am like my mother: attracting the company of smart successful men who pay her selective attention.
The door burst open and the cold air stayed in my pores after it was closed. Rodger invited himself over. It would have been all right but when Rodger is wasted he forgets his manners. In his animated state he managed to kick over Caddy’s favorite smoking piece, insult Jack and look at me a little too hard. His girlfriend had immediately passed out on the couch, but she never smiled or spoke to me anyway. Her head was cradled in the lap of a girl I hadn’t noticed. Her hair was perfect and her eyes shadowed, the liner and mascara smudging its way slowly onto her high cheekbones. She stared at me but didn’t speak. I tried to smile, but didn’t want to give away the champagne sensation covering my skin, still too up to speak. She had already formed her opinion of me, some young ******* the arm of an older boy. She was once in my position, I’m sure of it, we are the same kind of beautiful and empty eyed. That doesn’t stop her from judging, in the total of 15 seconds she looked at me. Her self is tamed and mine is wild still. Unintroduced and unnoticed by the men in the room, we have an understanding and a mutual dislike of each other, only to defend ourselves.
The room takes time to settle, a bowl has been packed for an entitled Rodger, and now that everyone is calm, Cad sits back down and puts his arm around me again. I lean into him, protected and anchored, whereas I had been floating or about to puke a minute ago. I don’t know what I said but Caddy seemed annoyed when he said “Just let it happen, embrace the feeling,” and so I kept quiet for ten minutes or so. The high was infected with guilt. Next time he looked at me-- it could have been an hour—I whispered, “I can’t” and finally he heard me, and stood up.
Cad came back into my vision with a glass of water and turned on Drive, prompting Rodger, Mrs. Rodger and my pretty enemy to leave. Ky and Nate had gone long before I could focus on noticing. Taj left for trivia night down at the bar and no doubt some girl; wrapped up in a cashmere scarf and cardigan he kissed my cheek before he went. Jack also took his graceful leave with the Rodger group to woo some girl who knew exactly what she was doing to herself. He did have a straight nosed charm, Jack. I could not blame this girl, one of many (I am embarrassed for her; I have been like this ******* many occasions).  
Taj had been sent the advanced copy of Drive in blu-ray, so we snuck it from his room and watched it that way (the only way Taj would see movies now, it is the future (for now)). Kavinsky came through Cad’s new speakers the boys had spent half an hour trying to wire earlier in the night. “They’re taking about you boy/but you’re still the same” crooned Lovefoxxx as Ryan Gosling cruised down a street, ****** intense in driving gloves. Gears shifting and motors growling are very ****, I tell Cadillac so into his ear, as he pulls me into his arms and covers me up with a blanket.
The movie was perfect, maybe because it made me feel less dizzy and sickguilty (Cad knew it would) and maybe because Ryan Gosling can wear a white satin jacket. I loved it, hardly noticing when the absent roommate Travis strolled in with Taj and tacos somewhere around 2am.  Colder as Caddy got up for a burrito, left me alone on the couch for the kitchen table. Registering Taj taking his place, playing with my curls and talking Hollywood to me. I’m staring over at Cad in his chair, he makes eye contact once or twice and I blow him a kiss before Taj repositions my head toward the television and my ear back where he can speak into it.
Eventually Cadillac taps Taj on the shoulder and motions for him to get up. With Cad back I can relax and I fall into sleep just as the movie ends. Taj and Trav have gone to their own beds and Cad leans over me, picks me up and takes me to bed knocking my elbow on the doorframe along the way. He apologizes and kisses my head but I am too tired to care. He lays me down on the bed with crimson sheets and takes off my boots but then sternly says, “Mimi, you are not a child.” and so I must get up and undress myself. He wraps me in a duvet missing its cover and his arms. I trust him long enough to fall asleep.

-

Standing in front of the stove it was hot, but I am easily overheated. He came up behind me and said in my ear, “you’re lovely” watching me put the last piece of French toast on the large stack, getting ready to scramble eggs. He kissed my cheek. Then my neck and then my lips, taking me away from my cooking to be pulled against him, for a sweet short minute and went back to the living room with his friends. Jack had mysteriously reappeared in the night; he said he locked himself out of his apartment after leaving to see one of his girls. Taj just sat and blasted Radiohead over the new speakers, shouting something relevant at me. I scramble the eggs and make up plates, two pieces of toast each and a nice healthy pile of eggs. It is gone very quickly and no one says thank you, except for a smile from Caddy and a kiss on the forehead. It’s usually enough for me, knowing he likes to show me off to his friends. I sit down with my cup of coffee and plate, within a few minutes Cad suggests he takes me home. I resentfully take time to finish my coffee. But we are both busy and he is right, so I say goodbye to the boys and gather my things. We drive with the “best MC on the game these days” (so I am told) over the weak speakers of the car. Cad drives with his arm around me always. Cruising into my building’s parking lot I lean over for a kiss on my forehead, nose, lips. He says go, but his hand still sits on my shoulder so I stay for a little longer. “You’ll probably have to let go of me if it’s time for me to go Cad,” I say quietly, with a tentative smile on my face. He grins back and lifts his arm. I slide out of the suicide seat and smile at him, but he’s looking at the radio dials. Then my face. His eyes give him away, softened around the edges with affection. Maybe love, but he’d never say it and I refuse to say it until he does. I try not to think about it much as he drives away to smoke up again with his friends. I wonder if this is how it will always be, but then I realize our kind of “always” is only the next few months. I turned unsteadily and walked up the stairs to my empty room—dark and overheated smelling heavily of sugar and spice candles-- with the geese outside my window for company. I haven’t slept here for days.
Nat Lipstadt Jan 2014
Dreams of a Child
Created: Jan 23, 2011 5:44 AM
Finished: Jan 30, 2011 4:23 AM
Posted here  Jan 2014
Warning:
a very, very long poem, but within , I promise,
there is a precise stanza about, for you.  
Take it as my gift.
Let me know which you took home to play.

~~~~~~~


Some poets care not
for the
discipline of rules,
laws of punctuation.

Why bother brother,
with putting poems
in antiquated jailhouses,
prisons of vertical bars,
or afford the reader,
the courtesy of horizontal lines?

Question and quotations marks
these day refuted,
as a Catcher In The Rye
conspiracy symbology of big lies,,
political interventionism,
to the creative, most natural
right to be crude.  

Inconvenient impositions,
symbolic flailings, of an
over regulated civilization
in the throes of declination

Punkuation is but a
societal annoyance to
today's creative geniuses,
periods, commas,
nothing more than
a pause to think -
who needs 'em?
when we want to stink
up the atmosphere with vitriols
of half truths and inhuman
but oh so gleeful,
concentrated disparagement
of any person worthy of
nationwide late night mocking merriment.

Such free spirits, vivid animations,
within me do not reign,
though upon occasion,
boy got permission slips  
for breaking bad by invention
of an occasional new word.

New words, white truffles
vocabulic incantations,
my own cupcake creations,
meant to burr, or purr,
their tasty meanings, always,
were readily apparent.

Sometimes we rhyme,
sometimes  we can't;
doth not a reading of a
poetic periodic table
of rants, chants
love poems, and paeans
to a shhhh! pretend,
overarching, poesy ego
require some minimalist format?

How I envy you,
kind observer,
possessor of literary powers
untoward and untold,
delicate touches of a fingertip
rule and rue
poetic invention.

You can zoom away or in
for a closer examination
of unscripted revelations,
incinerate them like an
yesterday's newspaper,
thus demonstrate contempt for
less-than-historic ruminations,
as time has done before.

Witness the crumbled ruins of Ozymandias,
king of kings,
and how the critic's machinations
with a dash of tabasco time,
his works, now museum pieces,
in the Tate Modern's room of
Laughable Human Aspirations.

Don't panic, sigh or groan,
kind observer,
infection inflictions,
content of discontentment,  
ancient whinings that the publisher
long ago listed as discontinued,
will not herein unfold.

What has all these mumbled asides
to do with the Dreams of a Child?

Apologies prolific I distribute
for this long winded profligate prologue;
and even for prior invasions
of your contemplative fantasias,
but my intention certain:
**** out the weak chaff eaters,
feigners of faux interest,
who stanzas ago deserted us,
this confessional lore.

These prior lines conceived
to mislead and deceive,
to refer and deter
send away, the hangers-on
who litter our lives,
with whimpered falsehoods.


So, we begin anew:

Today's lecture entitled
Dreams of a Child
were formatted on a silver disc;
this communication's originations,
seedlings of block
roman black letters
on background of cleansing white,
re things that jar me in the night.

Easy slights that waken
from a fitful, pitted rest,
mental paintings
natured in gem colors,
tourmaline auras,
and vibratto hues
of blue zircons.  .  

I have never lain upon the couch,
in the inner holy of holies,
where one whispers
to the Father Confessor
an original composition,
subject, title and inspiration
of said unique origination,
decidedly of one's own choosing,
roots of the essay's telling,
harvested in the root garden
of one's dreams,
where grow herbs,
spicy ones,
flavors of childhood.

The lush and wooded smells
of a forest of childhood scars,
and it's concomitant
putrefying, fruited rot,
awoke and brokered
a stilted, tremulous sleep.

Went to bed a a man
of modest success,
of modest scenes,
a bond trader, who trades
exactly that:
his word, his bond,
his blessing to his
deal constructions,
all of which, ended with an
irrevocable cri of "Done!"

Yet like you,
I am oft undone.

Dreams.

In truth, not dreams, but
spectral moments of
our lives relived,
a melange of ancient lyrics,
taunts of childhood abusers and
peer humilators
who could
teach the CIA
torture techniques
of WORD boarding, par excellent.

Angelic faces of human ****
that birthed in me a holy duality,
anger and a,
love of words,
my vaccination serum.

Granted a love of
human kindness
from teachers who cherished their
high and mighty tight
to publicly humiliate,
knowing full well
that human laws could not
attempt to have them
justly incarcerated.

Where, where were
the supervisors
who let me be spit upon
in the back seat of a
Fifty's station wagon,
by the brothers of
a sainted dead shepherd?

I am still eight,
sitting on a stoop in the
modest side of town,
towel in hand, so handy,
to wipe the tears shed
for cause,
for the car-pool of suburban boys
who "forgot" to pick me up for
Sunday swim night.  

In high school,
in the back row,
I silently ******
the juice of a Sarte lemon and
essayed a term paper,
upon multiple mirrored
reflections of a man
called Camus.

As another self styled, only living
teenage expert
on "alien nations"
received with pride and trepidation,
a sentence of Ninety Eight,
on my term paper,
but the pedantic predators
deemed it an accident
for I, was  inscribed in their
Upper East Side
Coda of Prejudice,
as merely,
"just" a
man of USDA,
B grade quality intellect.  

Hand me downs
I did not get
as I was the
younger, sole brother,
but worn lint lines
of humiliation
when and where my pants
were "let down"
to accommodate growth spurts
were my growing marks of Cain.

Those growth lines
were economic reality signs,
and were rich fodder for
childhood monsters,
Scions of Income Superiority
who lived in ranch homes in
two car, color tv garage slums,
wearing band new Levis.

In the Sixties,
time of my unsilent spring
wore a cross of
teenage hood,
my hair,
worn long,
Jesus style

Worn with labor pride,
for it was
Made in the USA,
I was a most conventional
revolutionary.

In the parochial jail
of educated guesses,
where society's lesson plans
of all that was bad
were O so well taught,
I was apart, ahead,
of Our Crowd,
but not too, radically.  

But a spiteful
Principal of No Principle,
deemed my locks a
disruptive influence,
so to exorcise my rebel streak,
so to crucify his "Jesus Freak,"
so to exercise his diminutive spirit
a pompous uber man,
he had me shorn
like a sheep,
thrice
in just one day,

He loved his full employment
of his pharoic entitlement,
The Educator's Power of Abuse,

I was so denuded
of human strength,
the Italian barbers of the
East 86th Street subway station,
wept for me,
their cri du coeur,
Angels in Heaven did hear
and from God
did dare demand
an explanation!

He roared in manner celestial,
"Is he not my child too,
and if he be treated
in style *******,
it is purposed and willful."

Pornographic compilations of
slaps across a child's face,
I've got plenty
of and in My Space,
should you care to
add your own,
down under,
got plenty of room
for all comers    

In a Facebook world,
I pride, not pretend,
that having fewer "friends"  
is my honest and true
reflection of who I am, and,
life lessons learned -
quality, not quantity.  

Victims of discrimination
can be most discriminating
in matters of
human games, associations.  
****** or word,
lack of taking care
is not heart healthy.

Tried to forgive
the despotic progenitors,
of some of that which
is good within me
that, irony of ironies,
they can claim the title,
creator;

Tried to give them
what I had gotten -
from the happy malcontented  
evil spreaders,

That grace, grace is
the only methodology,
an inestimable but
valuable lost leader,
the only way
to survive on
this planet of
hardtack and
caste striation.  

Though still quick to anger
at the cutters and denigrators
I am quick still to
confess my own failings, and forgive those
of plain and honest folk.

Unfortunately, kind observer,
you had to share my brunt,
syllabic Iwo Jima battles
of a decaying verbal moonscape
to reach the denouement,
for now we have,
mostly arrived

Most likely you too
have long ago
deserted me like
so many others,
no matter,
this modulated breath
was born and released
from my heaving chest and
as I knew it,
know this:

My Absaloms
where ever you be,
presumably and hopefully in hell,
I give you thanks
and a mini bar drink
of absolution.
a tin medal of appreciation,
for the
Marked Improvement
you inadvertently nurtured
in this restless,
voyagered soul.

My ancient enemies
till now, be advised,
forgive and forget
was and has not  
fully formed
in my penitential template,

Unlike your natural capacity
for cruelty and mean
birthed unto you
in your third rate
genetic melange,
forgiveness is taught
in a Master Class
at a famous school of Ethical Drama,
that I did not attend

Though resident in
a better place,
my root garden,
the bitter herbs you planted
still grow but,
are welcome in sweet brotherhood,
until the selah days
of just one flavor.

Though the universe's expansion
is of a pace such that
time and space definitions
will stretch and warp
and need be
refined, replaced,
the governing principle here.
need not be rephrased.  

For goodness
from evil
doth come
and should your
evil spectres
once more try
for resurrection
in my benighted
dream world.
you will find the doors
locked and barred,
upon them a sign
not verbose,

**Done.
Whew.
Sunday night and the park policemen tell each other it
     is dark as a stack of black cats on Lake Michigan.
A big picnic boat comes home to Chicago from the peach
     farms of Saugatuck.
Hundreds of electric bulbs break the night's darkness, a
     flock of red and yellow birds with wings at a standstill.
Running along the deck railings are festoons and leaping
     in curves are loops of light from prow and stern
     to the tall smokestacks.
Over the hoarse crunch of waves at my pier comes a
     hoarse answer in the rhythmic oompa of the brasses
     playing a Polish folk-song for the home-comers.
Chris D Vaughn Oct 2012
We are embodied and entrusted with the word
To keep preaching until every voice is heard
To not keep it in but let the world know
About the lamp at our feet which continues to glow
Help all the needy and make there day bright
Lead them out of the darkness and into the light
Show them a way that is supposed to be bold
That a soul is to be treasured and not to be sold
We cast out demons and rebuke evil spirits
In the name of Jesus we are not gonna fear it
Walking tall carrying a double edged sword
Bringing all into unity and on one accord
We will make over comers out of underachievers
And to all the doubters we will make them believers
It starts with a vision and a plan to succeed
And into mans heart we shall sow our creed
In the name of Jesus is all that we ask
Just give us the strength to carry out this task
RAJ NANDY May 2017
Dear Poet Friends, I had posted Part One of the Story of Jazz Music in Verse few months back on this Site. Today I am posting Part Two of this Story in continuation. Even if you had not read part one of this true story, this one will still be an interesting portion to read especially for all lovers of music, and for knowing about America's rich cultural heritage. I love smooth & cool jazz mainly, not the hard & acid kind! Kindly do read the ‘Foot Notes’ at the end to know how the word ‘Jass’ became ‘Jazz’ way back in History. Hope to bring out a book later with photographs. Thanks, - Raj Nandy, New Delhi.


STORY OF JAZZ MUSIC  IN VERSE PART – II

    NEW ORLEANS : THE CRADLE OF JAZZ
BACKGROUND:
Straddling the mighty bend of the River Mississippi,
Which nicknames it as the ‘Crescent City’;
Founded in the year 1718, as a part of French Louisiana
colony.
New Orleans* gets its name from Phillippe II, Duc d’ Orleans,
the Regent of France;
A city well known for its music, and fondness for dance!
The city remained as a French Colony until 1763,
When it got transferred to Spain as a Spanish Colony.
But in 1800, those Spanish through a secret pact,
To France had once again ceded the colony back!
Finally in the year 1803, the historic ‘Louisiana Purchase’
had taken place, -
When Napoleon First of France sold New Orleans and the
entire Louisiana State,
To President Thomas Jefferson of the United States!
(See Notes below)

THE CONGO SQUARE:
The French New Orleans was a rather liberal place,
Where slaves were permitted to congregate,
To worship and for trading in a market place, on
Sabbath Days, their day of rest.
They had chosen a grassy place at the edge of the
old city ,
Where they danced and sang to tom-tom beats,
Located north of the French Quarters across the
Rampart Street;
Which came to be known as the Congo Square,
Where you could hear clapping of hands and
stomping of feet!
There through folk songs, music, and varying dance
forms, -
The slaves maintained their native African musical
traditions all along!
African music which remained suppressed in the
Protestant colonies of the British,
Had found a freedom of expression in the Congo Square
by the natives, -
Through their Bamboula, Calanda, and Congo dance forms
to the drum beats of their native music.
The Wolof and Bambara people from Senegal River of West
Africa, -
With their melodious singing and stringed instruments,
Became the forerunners of ‘Blues’ and the string banjo.
And during the Spanish Era slaves from the Central African
forest culture of Congo, -
Who with their hand-drummed poly-rhythmic beats,  
Made people from Havana to Harlem to rise up and dance
on their feet!   * (see notes below)

CULTURAL MIX:
After the Louisiana Purchase, English-speaking Anglo and
African-Americans flooded that State.
Due to cultural friction with the Creoles, the new-comers
settled ‘Uptown’,
Creating an American sector separate from older Creole
‘Downtown’.
This black American influx ‘Uptown’ brought in the elements
of the blues, spirituals, and rural dances into New Orleans’
musical scene.
These African cultural expressions had gradually diversified,
into Mardi Gras tradition and the ‘Second Line’. ^^ (notes below)
And finally blossomed into New Orleans’ jazz and blues;
As New Orleans became a cauldron of a rich cultural milieu!

THE CREOLES:
The Creoles were not immigrants but were home-bred.
They were the bi-racial children of their French masters
and their African women slaves!
Creole subculture was centred in New Orleans after the
Louisiana Purchase of 1803,
When the Creoles rose to the highest rung of society!
They lived on the east of Canal Street in the French
Sector of the city.   @ (see notes below)
Many Creole musicians were formally trained in Paris.
Played in opera houses there, and later led Brass Bands
in New Orleans.
Jelly Roll Morton, Kid Oliver, and Sidney Bechet were
famous Creoles,
About whom I shall write as this Story unfolds.
In sharp contrast on the west of Canal Street lived the
***** musicians;
But they lacked the economic advantages the Creoles
already had!
They were schooled in the Blues, Work songs, and Gospel
music .
And played by the ear with improvisation as their unique
characteristic,
As most of them were uneducated and could not read.
Now in 1894, when Jim Crow’s racial segregation laws
came into force,       # (see notes below)
The Creoles were forced to move west of Canal Street to
live with the Negroes!
This racial mingling lighted a ‘musical spark’ creating a
lightening flash, -
Igniting the flames of a ‘new music’ which was later came
to be known as JAZZ !

CONTRIBUTION OF STORYVILLE :
In the waning years of the 19th Century, when Las Vegas
was just a farming community,
The actual ‘sin city’ lay 1,700 miles East, in the heart of
New Orleans!
By Alderman Story’s Ordinance of 1897,  a 20-block area
had got legalised and confined, -
To the French Quarters on the North Eastern side called
‘Storyville’,   - a name which was acquired after him.
This red light area resounded with a new seductive music
‘jassing up’ one and all;
Which played in its bordellos, saloons, and dance halls!
The best of bordellos hired a House Pianist who greeted
guests and was also a musical organizer;
Whom the girls addressed respectfully as ‘The Professor’!
Jelly Roll Morton++, Tony Jackson author of  ‘Pretty Baby’,
and Frank ‘Dude’ Amacher, -
Were all well known Storyville’s  ‘Professors’!
Early jazz men who played in Storyville’s Orchestras and Bands
now form a part of Jazz Legend;
Like ‘King’ Oliver, Buddy Bolden, Kid Orley, Bunk Johnson,
and Sydney Bechet.    ++ (see notes below)
Louis Armstrong who was born in New Orleans, as a boy had
supplied coal to the ‘cribs’ of Storyville!   ^ (see notes)
He had also played in the bar for $1.25 a night,
Surely the contribution of Storyville to Jazz cannot be denied!
But when America joined the First World War in 1917,
A Naval Order was issued to close down Storyville!   % (notes)
Since waging war was more important than making love,
this Order had said;
And from the port of New Orleans the US Warships had
set sail!
Here I pause my friends to take a break, will continue
the Story of Jazz in part three, at a later date.
                                               -Raj Nandy, New Delhi
FOOT NOTES :-
NEW ORLEANS one of the oldest cosmopolitan city of Louisiana,
the 18th State of US , & a  major port city.
LOUISIANA was sold by France for $15 million, which was later
realised to be a great achievement of President Jefferson.
*Many African strands of Folk music and dance had merged at the
Congo Square!
^^ ‘SECOND LINE MUSIC’ = Bands playing during Funerals & Marches evoked voluntary crowd participation, with songs & dances as appropriate forming a ‘Second Line’ from behind.
@ =THOSE LIBERAL FRENCH MASTERS OFFERED THE CREOLES THE BEST OF EDUCATION WITH ACCESS TO WHITE SOCIETY!
#’JIM CROW’= between 1892&1895, blacks gained political prominence in Southern States. In 1896 LAND-RICH WHITES DISENFRANCHISED THE BLACK COMPLETELY! A 25 YRS LONG HATRED &RACIAL SEGREGATION BEGAN. TENNESSEE LED BY PASSING ‘JIM CROW LAW’. IN 1896, THE SUPREME COURT UPHELD THIS LAW WITH ITS ‘’SEPARATE BUT EQUAL’’ STATUS FOR THE BLACKS ! THUS SEGREGATION BECAME A NATIONAL INSTITUTION. THIS SEGREGATION DIVIDED THE BLACK & WHITE MUSICIANS ALSO.
+ BIRTH OF JAZZ WAS A SLOW AND EVOLVING PROCESS, WITH BLUES AND RAGTIME AS ITS PRECURSORS . “JAZZ WAS QUINTESSENCE OF AFRO-AMERICAN MUSIC BORN ON EUROPEAN INSTRUMENTS.”  See my ‘Part One’ for definitions.
++ JELLY ‘Roll’ Morton (1885-1941): At 17 yrs played piano in the brothels, applying swinging syncopation to a variety of music; a great Transitional Figure- between Ragtime & Jazz Piano-style.  ++ BUDDY BOLDEN (1877-1931): His cornet improvised by adding ‘Blues’ to Ragtime in Orleans; which between the years 1900 & 1907 transformed into  Jazz! BUNK JOHNSON (1879-1849): pioneering jazz trumpeter, inspired Louis Armstrong; lost all teeth & played with his dentures! KING OLIVER(1885-1938): Cornet player & bandleader, mentor& teacher of Louis Armstrong; pioneered use of ‘mute’ in music. KID ORY(1886-1973): a pioneering Trombonist, he developed the ‘tailgate style’ playing rhythmic lines underneath the trumpet & the cornet, propagating early Jazz !
SYDNEY BECHET (1897-1959): pioneered the use of SAX; a composer & a soloist, he inspired Louis Armstrong. His pioneering style got his name in the Down Beat Jazz Hall of Fame!
Louis Armstrong(1890-1971): was a trumpeter, singer and a great
improviser. Also as the First International Soloist took New Orleans music to the World!
% = After  America joined WW-I in 1917,  a Naval Order was issued to shutdown Storyville in order to check the spread of VD amongst sailors.
^ ’cribs”= cheap residential buildings where prostitutes rented rooms.
# "JASS" = originally an Africa-American slang meaning ‘***’ ! Born in the brothels of Storyville (New Orleans)  & the Jasmine perfumes used by the girls there; one visiting them was  said to be 'jassed-up' . Mischievous boys rubbed out the letter ‘J’ from posters outside announcing  "Live Jass Shows'', making it to read as ‘'Live *** Shows'’! So finally ‘ss’ of ‘jass’ got replaced by 'zz' of JAZZ .
DURING THE 1940s  STORYVILLE  WAS RAISED TO THE GROUND TO MAKE WAY FOR ‘IBERVILLE FEDERAL HOUSING PROJECT’ .
  *
ALL COPYRIGHTS RESERVED BY THE AUTHOR : RAJ NANDY
Why do I always feel overwhelm, and struggling.
Yes Christ is in control of every single situation.
Yes when we look back on each situation here.
We see so much that with his aid, we have succeeded.
In overcoming so much hardship in this here life.
But while it was happening, it felt very painful.
But after the fact, we realize with renewal strength.
That through Christ , we have become much stronger.
We have become through Christ great over comers.
Thus people praying does the same thing right here.
He uses other prayers to build us up through protection.
I'm clever almost never
That's untrue, I am quite daft
I once came close to dying,
I got stuck under a raft
Sarcasm is my strong suit,
I use it when I can
This fact became a nuisance,
When I worked for Uncle Sam

In class I played the clown,
I was often tightly wound
Always acting out
The court jester to the crown
I know how this must sound
A rotten apple on the ground
Just don't beat me while I'm down
I might shock you with the knowledge
I still have parents who are proud

See, Im verbally proficient
Surprisingly efficient
I'd cast you out like bait
Cause I’d much rather be fishing
I'd cut you down with such precision
If this was my decision
Without any permission
I'd stitch up your incision
That seeps down in your torso
And turn it into a tradition

My verbiage is unrelenting
Savage and outstanding
There's thought behind my speak
I'm a primed linguistic freak
Destroying all on-comers
Feasting on the weak
Tiptoeing like a sneak
Subdued and quite discrete
Let's hope we never meet
If we do you should retreat
Along with your whole fleet
Like the shepherd to his sheep
Go on head back to momma
Continue ******* on her tete

You can't handle what I'm dishing out
It only adds to my mystique
I'm steadily reminiscing
Back to when Caesar led the Greeks
Conquering all his enemies  
Well established as elite

Your eyes were shaded by a vision
When stricken with a nasty condition
Embarking on failed missions
Should I even bother dissing?
All while leaving a lasting impression
On the mouth you never were kissing
To only end up missing
The target you were *******
Without help or assisting

From beginning to the end
I'm burning bridges I can't mend
Breaking all the rules no one would think to bend
Born to live until we're dead
No more all this wishing
That you were dead instead
Using the brains inside our head
And coming to a conclusion
Your brains' been underfed
Relying on the masses
To muster up intent
Resolving every problem
With a bandaid made of lead
Surviving on a crumb of bread
Its only temporary
A fazed out forgotten trend
Like disco and bellbottoms
Or mohawks and shaved heads

It's time we payed back our debt
Make sure the homeless are all fed
Put these issues to rest
Tucked away in bed
It's not time for story telling
The fairytales of past regret
Back before our needs were met
Finding solutions to our problems
We mustn't ever forget
More a rap than a poem. Had fun writing this
Craig Irving May 2017
Classroom, you have gone through much
witness of devotion and inspiration,
of boredom and slumber;
partner to the late learner and early comers;
have experienced a stream of personalities;

Classroom, you have gone through much
unliving witness to adult's birth, growt and depraving;
lifeless room filled with feelings:
that of the boy, thinking he loves,
that of the girl, who shares not that love,
that of the two, hoping it will last,
those of the students, who leave with hope;

Classroom, you sure have gone through much
victim of time, witness of fights;
have observed chaos and intense silence;
your walls reveal our will to be remembered;
Classroom, realm of memories and shadows of the past.
Matthew Sanchez Sep 2019
Think of it as a Vacation (For the New Comers to Treatment)
                    Written by: Matthew J. Sanchez Age:(23)
                                            August 10, 2019

For the empty souls who think their life is at a loss,
I've got a letter folded up, that's as simple as a coin toss
But here's the thing it's not always easy
It leaves you sad, mad, isolated, constantly feeling uneasy
It's a disease we have to fight with every single day
A war within a substance that only traps us in a haze
Lost in a dark room; a dark minded struggling maze.. wasting away
the years with each passing day.
You have to know when enough is enough,..
Or it'll only tear you apart ending in death, institutions or handcuffs
Therefor the choice is yours!
No more excuses to avoid opening an unlocked door,
Make the big decision or you'll be nevermore
It's time for you to open your mind ,discover new places you've never
explored
The choice is yours for the taking, cause the withdrawals will only leave
you nauseous and shaking
Or even worst it can lead you to a hollow grave, an eternal rest in
which you can never escape
So take the time we're granted as an advantage for yourself
Find who you truly are and travel far to escape that internal Hell
Because if you really think about it, this is like a Grand Vacation
To ease your pain, and find a way to be saved through Rehabilitation
The choice is yours, to spread your wings and soar
Smash this disease into nothing, and finally walk through the door.
To the addicts still struggling out there, just know that it's not over for you. Everyday is a new day to start over with a better life, just gotta make that first step, and you gotta really want to overcome the disease of addiction. God Bless to the ones in recovery and to the addicts still out there struggling.
Steve Page Oct 2020
Kindness is not nice.
‘Nice’ is soft and inoffensive
‘Nice’ is careful and non-assertive
‘Nice’ is easy and effects no change
she’s cotton wool trying to soften the pain
but not stuffed tight, just resting on the surface
ready to be blown away or pressed
under a muddy boot of disinterest

‘Nice’ is a damp whisper
a mouse cowering in the corner
hoping you will blink and miss her
lest she attract your notice
lest she presume too much
and cause a whisker of offence

Kindness is not like that –

Kindness pushes in, quick and nimble
a hero with no mask, unasked
unexpected, dodging the turmoil
leaving nothing unsaid and little undone
in her pursuit of creating a counter-disruption

Kindness defies convention

Kindness carefully aims her weapons of choice
and advances relentless and regardless
of any and all obstacles in her way
Kindness perseveres all the love-long day

Kindness doesn’t delay

Kindness is gleeful for the chance of invasion
ready to disarm with expert compassion
with her regiments of patience
armed to the teeth with gracious
placing tanks of good faith on all fronts

Kindness confronts

Courage is her currency, boldness her language,
trust and hope are her passports to lands long unexplored
happily wearing all-weather clothing
for any and all unexpected storms

Kindness transforms

Kindness weakens all defenses
and challenges all camouflaged pretenses
Kindness pours itself out to fill unhealed wounds
and on shrapnel-seeded battlefields
she - blooms

Kindness is not 'nice'  
Kindness isn’t in this for the likes
Kindness bites
She’s a take-on-all-comers, undefeated delight
Kindness never bails from the fight
never fails, never takes flight

Kindness is nothing casual,
nothing incidental
This Kindness is elemental
She is Avengers-Assemble,
End-Game-level
monumental

Kindness is not 'nice'.

Kindness is loving awe-ful.
see also https://www.mentalhealth.org.uk/campaigns/mental-health-awareness-week/kindness-research
Paul M Chafer Apr 2015
The non-planet, poor Pluto,
Circling far out and forgotten,
I cast my thoughts around you,
Knowing you are like many here,
Too insignificant to be noticed,
And yet, still worthwhile, for sure.

I caress the cold of Neptune,
Her super speed winds whip by,
She has no thought for me, too busy,
As is her sister, Uranus, circling,
Unaware that I, or others, even exist,
Yet, we are made of the same stuff,
Stardust, so exotic, so varied; so us.

My thoughts come leaping back,
Arcing around the rings of Saturn,
Slipping between sparkling icy dust,
Navigating the dark reaching fingers,
Stretching impassively from their host,
Guiding my eye to the little moons,
Knowing that life might thrive there.

I somersault away to King Jupiter,
He used to wander, he battled hard,
Casting out the rogue gas giant,
Clearing the way for the rocky worlds,
Giving life to us all, before drifting back,
Cajoled by Saturn, his anger still rages,
The red spot storm churning, his moons,
Observing, as Jupiter takes on all comers.

And we, the rocky four, so grateful,
As Jupiter snaffles the debris, holds it,
Or hurls it away, so we live, we learn,
Our inner sisters too hot, brother Mars,
Too cold, for now, but one day, yes,
As we begin to bake, Mars awaits,
To welcome us for a million years, or so,
A blink of an eye, universally speaking,
But home has hope, hope offers life,
Unlike our unwanted distant cousin,
The non-planet, poor Pluto.

©Paul M Chafer 2015
Inspired by the poem Parallel Universe by Samantha W and dedicated to Samantha W for providing me with the inspiration.
Scot Powers May 2013
I can't stay here tonight
gotta keep runnin'
but there's nowhere to hide
keep gettin' dragged under
urges build deep inside
control is the problem

Wasted all my yesterdays
fortunes lost never regained
took a while for me to see
Sobriety, brought victory

I can't stay here tonight
temptations weaken me
when we unite
the demons take over
lose track of time
nothing else matters

Wasted all my yesterdays
fortunes lost never regained
took awhile for me to see
sobriety brought victory

Well I stayed here tonight
took on all comers
stood tall for the fight
attacked from all corners
beat back the night
standing tall on my own now

Wasted all my yesterdays
fortunes lost never regained
took awhile for me to see
sobriety brought victory
I wrote this a few years back while reflecting upon the lost years to my addiction and recovery from crack *******. that is the sobriety, I speak of..
Don Bouchard Nov 2012
I imagine a fighting arena
Huge and closed.

In one cornered space
Tower Hegemonic Forces
Champions of dominant culture.

In other corners,
Trending,
Waxing,
Waning,
Anxious for their turn
To test their powers
Crouch the Up and Comers,
Ever-hungry crowds of Up and Comers.

Traction is slippery
On this tenuous battlefield;
Spittle and catarrh;
Blood, sweat, tears;
**** and *****:
Fluid proof of bodies
Denied a single humanity,
Mingle to confound
Desperate din of strugglers,
Seeking clear divisions to conquer.

On-lookers, deafened in cacophony,
Cannot see the uselessness.
Careful observers
Can but surmise what the prize
Desired might be,
But always there is the struggle.
Marshall Gass Apr 2014
the church bells peeled a rhythmic ringing
tinnitus
sending us listeners racing back
into a guilty crime like daze.
the mass begins in twenty painful moments

better rush in the rustle of sunday wear
bible bolstered underarm
front pew glances at the priest
who had a back view glare at late comers.

Mama said the sins of your fathers
will visit if you
miss a mass
canned hellfire will get you
and st peter will tick mark your presence
after communion.

I listened

when I stopped
God became god
and the church bells peeled
the same way

only the new pizzas came
with canned chilli peppers!
© Marshall Gass. All rights reserved.
I

If seasons all were summers,
And leaves would never fall,
And hopping casement-comers
Were foodless not at all,
And fragile folk might be here
That white winds bid depart;
Then one I used to see here
Would warm my wasted heart!

II

One frail, who, bravely tilling
Long hours in gripping gusts,
Was mastered by their chilling,
And now his ploughshare rusts.
So savage winter catches
The breath of limber things,
And what I love he snatches,
And what I love not, brings.
Wk kortas Aug 2018
The attendees are told, in a manner befitting a high mass
You have been finally set free,
(Although, in truth, free is a very large and entirely vague word),
And the message is sent forth from all comers in all corners:
Vendor and visionary alike,
German socialists who left university to ride boats for Greenpeace,
First lieutenants doing their level best
To appear at ease in civilian polos and khakis,
But no matter the vessel,
The message is still the same.  
The tyranny of cables and storage space is dead,
It is all but shouted from the lecterns,
(Although it is noted, in small print and sotto voce
That there are certain requirements
In terms of hardware and licensing)
And it is stated by Those Who Know
In tones which neither brook nor invite contradiction,
That they have surmounted, all Hadrian-like,
The alpine divide separating mere data and magic.

Two or three blocks down the street from the convention center,
In a narrow storefront housing an exhibition of ether-only comics
Which have broken the nettling constraints
Of editors and syndication,
There sits, under a somewhat opaque
And slightly scratched piece of plexiglass,
A yellowing comic strip of uncertain vintage,
In which a frowzy cat,
Free of the constraints of panels, gender, and standard grammar,
Is the recipient of a mouse-tossed brick
Whose flight, unfettered by physics, probablility, indeed time itself
Ends striking its mark right between the x’s of the eyes
The projectile itself an inexplicable alchemy
Of confusion, mirth, frustration
And the impossibility of an undeniably pure love.
A governor it was proclaimed this time,
When all who would come seeking in New Hampshire
Ancestral memories might come together.
And those of the name Stark gathered in Bow,
A rock-strewn town where farming has fallen off,
And sprout-lands flourish where the axe has gone.
Someone had literally run to earth
In an old cellar hole in a by-road
The origin of all the family there.
Thence they were sprung, so numerous a tribe
That now not all the houses left in town
Made shift to shelter them without the help
Of here and there a tent in grove and orchard.
They were at Bow, but that was not enough:
Nothing would do but they must fix a day
To stand together on the crater’s verge
That turned them on the world, and try to fathom
The past and get some strangeness out of it.
But rain spoiled all. The day began uncertain,
With clouds low trailing and moments of rain that misted.
The young folk held some hope out to each other
Till well toward noon when the storm settled down
With a swish in the grass. “What if the others
Are there,” they said. “It isn’t going to rain.”
Only one from a farm not far away
Strolled thither, not expecting he would find
Anyone else, but out of idleness.
One, and one other, yes, for there were two.
The second round the curving hillside road
Was a girl; and she halted some way off
To reconnoitre, and then made up her mind
At least to pass by and see who he was,
And perhaps hear some word about the weather.
This was some Stark she didn’t know. He nodded.
“No fête to-day,” he said.

“It looks that way.”
She swept the heavens, turning on her heel.
“I only idled down.”

“I idled down.”

Provision there had been for just such meeting
Of stranger cousins, in a family tree
Drawn on a sort of passport with the branch
Of the one bearing it done in detail—
Some zealous one’s laborious device.
She made a sudden movement toward her bodice,
As one who clasps her heart. They laughed together.
“Stark?” he inquired. “No matter for the proof.”

“Yes, Stark. And you?”

“I’m Stark.” He drew his passport.

“You know we might not be and still be cousins:
The town is full of Chases, Lowes, and Baileys,
All claiming some priority in Starkness.
My mother was a Lane, yet might have married
Anyone upon earth and still her children
Would have been Starks, and doubtless here to-day.”

“You riddle with your genealogy
Like a Viola. I don’t follow you.”

“I only mean my mother was a Stark
Several times over, and by marrying father
No more than brought us back into the name.”

“One ought not to be thrown into confusion
By a plain statement of relationship,
But I own what you say makes my head spin.
You take my card—you seem so good at such things—
And see if you can reckon our cousinship.
Why not take seats here on the cellar wall
And dangle feet among the raspberry vines?”

“Under the shelter of the family tree.”

“Just so—that ought to be enough protection.”

“Not from the rain. I think it’s going to rain.”

“It’s raining.”

“No, it’s misting; let’s be fair.
Does the rain seem to you to cool the eyes?”

The situation was like this: the road
Bowed outward on the mountain half-way up,
And disappeared and ended not far off.
No one went home that way. The only house
Beyond where they were was a shattered seedpod.
And below roared a brook hidden in trees,
The sound of which was silence for the place.
This he sat listening to till she gave judgment.

“On father’s side, it seems, we’re—let me see——”

“Don’t be too technical.—You have three cards.”

“Four cards, one yours, three mine, one for each branch
Of the Stark family I’m a member of.”

“D’you know a person so related to herself
Is supposed to be mad.”

“I may be mad.”

“You look so, sitting out here in the rain
Studying genealogy with me
You never saw before. What will we come to
With all this pride of ancestry, we Yankees?
I think we’re all mad. Tell me why we’re here
Drawn into town about this cellar hole
Like wild geese on a lake before a storm?
What do we see in such a hole, I wonder.”

“The Indians had a myth of Chicamoztoc,
Which means The Seven Caves that We Came out of.
This is the pit from which we Starks were digged.”

“You must be learned. That’s what you see in it?”

“And what do you see?”

“Yes, what do I see?
First let me look. I see raspberry vines——”

“Oh, if you’re going to use your eyes, just hear
What I see. It’s a little, little boy,
As pale and dim as a match flame in the sun;
He’s groping in the cellar after jam,
He thinks it’s dark and it’s flooded with daylight.”

“He’s nothing. Listen. When I lean like this
I can make out old Grandsir Stark distinctly,—
With his pipe in his mouth and his brown jug—
Bless you, it isn’t Grandsir Stark, it’s Granny,
But the pipe’s there and smoking and the jug.
She’s after cider, the old girl, she’s thirsty;
Here’s hoping she gets her drink and gets out safely.”

“Tell me about her. Does she look like me?”

“She should, shouldn’t she, you’re so many times
Over descended from her. I believe
She does look like you. Stay the way you are.
The nose is just the same, and so’s the chin—
Making allowance, making due allowance.”

“You poor, dear, great, great, great, great Granny!”

“See that you get her greatness right. Don’t stint her.”

“Yes, it’s important, though you think it isn’t.
I won’t be teased. But see how wet I am.”

“Yes, you must go; we can’t stay here for ever.
But wait until I give you a hand up.
A bead of silver water more or less
Strung on your hair won’t hurt your summer looks.
I wanted to try something with the noise
That the brook raises in the empty valley.
We have seen visions—now consult the voices.
Something I must have learned riding in trains
When I was young. I used the roar
To set the voices speaking out of it,
Speaking or singing, and the band-music playing.
Perhaps you have the art of what I mean.
I’ve never listened in among the sounds
That a brook makes in such a wild descent.
It ought to give a purer oracle.”

“It’s as you throw a picture on a screen:
The meaning of it all is out of you;
The voices give you what you wish to hear.”

“Strangely, it’s anything they wish to give.”

“Then I don’t know. It must be strange enough.
I wonder if it’s not your make-believe.
What do you think you’re like to hear to-day?”

“From the sense of our having been together—
But why take time for what I’m like to hear?
I’ll tell you what the voices really say.
You will do very well right where you are
A little longer. I mustn’t feel too hurried,
Or I can’t give myself to hear the voices.”

“Is this some trance you are withdrawing into?”

“You must be very still; you mustn’t talk.”

“I’ll hardly breathe.”

“The voices seem to say——”

“I’m waiting.”

“Don’t! The voices seem to say:
Call her Nausicaa, the unafraid
Of an acquaintance made adventurously.”

“I let you say that—on consideration.”

“I don’t see very well how you can help it.
You want the truth. I speak but by the voices.
You see they know I haven’t had your name,
Though what a name should matter between us——”

“I shall suspect——”

“Be good. The voices say:
Call her Nausicaa, and take a timber
That you shall find lies in the cellar charred
Among the raspberries, and hew and shape it
For a door-sill or other corner piece
In a new cottage on the ancient spot.
The life is not yet all gone out of it.
And come and make your summer dwelling here,
And perhaps she will come, still unafraid,
And sit before you in the open door
With flowers in her lap until they fade,
But not come in across the sacred sill——”

“I wonder where your oracle is tending.
You can see that there’s something wrong with it,
Or it would speak in dialect. Whose voice
Does it purport to speak in? Not old Grandsir’s
Nor Granny’s, surely. Call up one of them.
They have best right to be heard in this place.”

“You seem so partial to our great-grandmother
(Nine times removed. Correct me if I err.)
You will be likely to regard as sacred
Anything she may say. But let me warn you,
Folks in her day were given to plain speaking.
You think you’d best tempt her at such a time?”

“It rests with us always to cut her off.”

“Well then, it’s Granny speaking: ‘I dunnow!
Mebbe I’m wrong to take it as I do.
There ain’t no names quite like the old ones though,
Nor never will be to my way of thinking.
One mustn’t bear too ******* the new comers,
But there’s a dite too many of them for comfort.
I should feel easier if I could see
More of the salt wherewith they’re to be salted.
Son, you do as you’re told! You take the timber—
It’s as sound as the day when it was cut—
And begin over——’ There, she’d better stop.
You can see what is troubling Granny, though.
But don’t you think we sometimes make too much
Of the old stock? What counts is the ideals,
And those will bear some keeping still about.”

“I can see we are going to be good friends.”

“I like your ‘going to be.’ You said just now
It’s going to rain.”

“I know, and it was raining.
I let you say all that. But I must go now.”

“You let me say it? on consideration?
How shall we say good-bye in such a case?”

“How shall we?”

“Will you leave the way to me?”

“No, I don’t trust your eyes. You’ve said enough.
Now give me your hand up.—Pick me that flower.”

“Where shall we meet again?”

“Nowhere but here
Once more before we meet elsewhere.”

“In rain?”

“It ought to be in rain. Sometime in rain.
In rain to-morrow, shall we, if it rains?
But if we must, in sunshine.” So she went.
Christmass is come and every hearth
Makes room to give him welcome now
Een want will dry its tears in mirth
And crown him wi a holly bough
Tho tramping neath a winters sky
Oer snow track paths and ryhmey stiles
The huswife sets her spining bye
And bids him welcome wi her smiles
Each house is swept the day before
And windows stuck wi evergreens
The snow is beesomd from the door
And comfort crowns the cottage scenes
Gilt holly wi its thorny ******
And yew and box wi berrys small
These deck the unusd candlesticks
And pictures hanging by the wall

Neighbours resume their anual cheer
Wishing wi smiles and spirits high
Clad christmass and a happy year
To every morning passer bye
Milk maids their christmass journeys go
Accompanyd wi favourd swain
And childern pace the crumping snow
To taste their grannys cake again

Hung wi the ivys veining bough
The ash trees round the cottage farm
Are often stript of branches now
The cotters christmass hearth to warm
He swings and twists his hazel band
And lops them off wi sharpend hook
And oft brings ivy in his hand
To decorate the chimney nook

Old winter whipes his ides bye
And warms his fingers till he smiles
Where cottage hearths are blazing high
And labour resteth from his toils
Wi merry mirth beguiling care
Old customs keeping wi the day
Friends meet their christmass cheer to share
And pass it in a harmless way

Old customs O I love the sound
However simple they may be
What ere wi time has sanction found
Is welcome and is dear to me
Pride grows above simplicity
And spurns it from her haughty mind
And soon the poets song will be
The only refuge they can find

The shepherd now no more afraid
Since custom doth the chance bestow
Starts up to kiss the giggling maid
Beneath the branch of mizzletoe
That neath each cottage beam is seen
Wi pearl-like-berrys shining gay
The shadow still of what hath been
Which fashion yearly fades away

And singers too a merry throng
At early morn wi simple skill
Yet imitate the angels song
And chant their christmass ditty still
And mid the storm that dies and swells
By fits-in humings softly steals
The music of the village bells
Ringing round their merry peals

And when its past a merry crew
Bedeckt in masks and ribbons gay
The ‘Morrice danse’ their sports renew
And act their winter evening play
The clown-turnd-kings for penny praise
Storm wi the actors strut and swell
And harlequin a laugh to raise
Wears his **** back and tinkling bell

And oft for pence and spicy ale
Wi winter nosgays pind before
The wassail singer tells her tale
And drawls her christmass carrols oer
The prentice boy wi ruddy face
And ryhme bepowderd dancing locks
From door to door wi happy pace
Runs round to claim his ‘christmass box’

The block behind the fire is put
To sanction customs old desires
And many a ******* bands are cut
For the old farmers christmass fires
Where loud tongd gladness joins the throng
And winter meets the warmth of may
Feeling by times the heat too strong
And rubs his shins and draws away

While snows the window panes bedim
The fire curls up a sunny charm
Where creaming oer the pitchers rim
The flowering ale is set to warm
Mirth full of joy as summer bees
Sits there its pleasures to impart
While childern tween their parents knees
Sing scraps of carrols oer by heart

And some to view the winter weathers
Climb up the window seat wi glee
Likening the snow to falling feathers
In fancys infant ******
Laughing wi superstitious love
Oer visions wild that youth supplyes
Of people pulling geese above
And keeping christmass in the skyes

As tho the homstead trees were drest
In lieu of snow wi dancing leaves
As. tho the sundryd martins nest
Instead of ides hung the eaves
The childern hail the happy day
As if the snow was april grass
And pleasd as neath the warmth of may
Sport oer the water froze to glass

Thou day of happy sound and mirth
That long wi childish memory stays
How blest around the cottage hearth
I met thee in my boyish days
Harping wi raptures dreaming joys
On presents that thy coming found
The welcome sight of little toys
The christmass gifts of comers round

‘The wooden horse wi arching head
Drawn upon wheels around the room
The gilded coach of ginger bread
And many colord sugar plumb
Gilt coverd books for pictures sought
Or storys childhood loves to tell
Wi many a urgent promise bought
To get tomorrows lesson well

And many a thing a minutes sport
Left broken on the sanded floor
When we woud leave our play and court
Our parents promises for more
Tho manhood bids such raptures dye
And throws such toys away as vain
Yet memory loves to turn her eye
And talk such pleasures oer again

Around the glowing hearth at night
The harmless laugh and winter tale
Goes round-while parting friends delight
To toast each other oer their ale
The cotter oft wi quiet zeal
Will musing oer his bible lean
While in the dark the lovers steal
To kiss and toy behind the screen

The yule cake dotted thick wi plumbs
Is on each supper table found
And cats look up for falling crumbs
Which greedy childern litter round
And huswifes sage stuffd seasond chine
Long hung in chimney nook to drye
And boiling eldern berry wine
To drink the christmass eves ‘good bye’
Zach Gomes Dec 2010
It was a weird hour when the sun towered
To be slick with moonshine
Cozied shirtless in a rope hammock

Belly-down like my six drunk buddies
Living loose and talking sweet
To bottles now empty of *****

So what is there to do?
Nothing, and that’s a cold fact for high noon
In summer, season of mumbly toasting

But when the humble glug-glug-glugging
Is done with, I’ll tell you, you
Have not licked liquor, not done your part

It’s us who got the moonshine start
Today, you turned your back on white whiskey, yes
We did the work and if it should hurt

I apologize we didn’t want to offend
If it’s the alcohol or if it’s the heat I can’t tell
But who knows why blood boils?

I can see that good-natured drinking
Is the drunk man’s toil
But we’re workers at heart, aren’t we?

And not many are better than us
Except for maybe the rice
Slumped over its stalks, fat on moonshine

Cure-all for the sick mind
Friend to all comers on a humid day
The clear sticky juice that burns all the way down
Sa Sa Ra Feb 2013
We are hittin' hard in Oakland
Word!
We are hittin' hard in L.A.
Word!
Cleveland, Chicago & Yo-town is on fire
Word, word, word!
Atlanta's proper
Word!
And in Miami, we are mooovin' somethin'
Hmmmmm.

Turn this ***** out
Oaktown posse they will
Turn this ***** out
Yeah boy, they will
Turn this ***** out
M.C. Hammer he will
(chorus ends early)

Hammer, you ain't hittin' in New York
What?
So what you gon' do about that, Hammer?
I'm gon' turn this ***** out.

Hammer, he is...

Strong like a lion, no denyin'
I'm in effect and you suckas are tryin'
To get with me, you can't hang
Doin' it like this, I'm in with a bang
Goin' boom like thunda, and you wonder,
How in the world can the Hammer be underneath me?
He's gonna beat me, say yes to the master and I will teach thee

(chorus)
Turn this ***** out
Turn this ***** out
Turn this ***** out
Turn this ***** out

Hammer, tell 'em how you came up babeeee!

I was a student, now I'm the teacher,
I was a member, now I'm the preacher,
I was a worker, and you were the boss,
Now I'm gettin' paid and you're takin' the loss
Once says stop, the other says flee
No, don't perpetrate M.C. Hammer is the feature
Step off, you punk, no fear, I'm M.C. Hammer and I came here to...

(chorus)

I'm improvin', better start schoolin
Headed to the top where I'll be rulin'
On top, of hip-hop, I'm in effect and you're not
Your records aren't cool, your shows are weak
Duel with the Hammer and meet defeat
Every night, every week,
I'm comin' correct, you don't want none of me.

(chorus)
X2
I keep hearin' what you sayin'
"Yo Hammer, we knowin' New York's on the wayin'"
I don't care where you from,
I make most look silly, and others look dumb
Yeah suckas, you should, run,
I am, def on the stage, pumpin' at the club
Hammer is an eagle, and you a dove

(chorus)

(funky beats & breaks)


(chorus)
I'm from Oaktown, B-boy straight down
Takin all comers, whoever want to get some
I'm original, you're digital
You want somethin' to say, you're show is pitiful
Don't worry, I'm in tact
Whatever I say, the Hammer will back
Twice as strong, It's goin' on
And I willll...

(chorus)*


http://www.youtube.com/watch?v=1q2TA2zPtac
Truth be it me and my boy Jesse Jon, the first born he one gig DBA Stock City sound production PA company pumped the sound three flights of stairs down 3/4 ton worth PA equipment out of his new/used 3/4 ton extend GMC Cargo Van!!
Ripped three DJ's on one table all together spinning real 33 rpm Vinyl stole the show from the main room upstairs in this Jewish Temple!!!!
Yup, nope ain't slept yet somehow, plans NY the World gonna Turn This MOTHA OUT!!!!
Ya Uha!!!! Ya boogie bodies spun yahoo!!!!
Ra Ra!!!
Michael P Smith Jul 2012
With the intelligence &
stamina of the wolf,
My willpower & endurance
excels beyond most,
With the stealth &
craftiness of the fox,
I take much from my
opposition & vanish in
the night like a ghost..


With the massiveness &
memory of the elephant,
My mind runs deep & retains
emotions for the better of my clan,
With the camouflage &
ingenuity of the octopus,
I escape the pursuing demons
& continue with my life long plan..


With the patience &
strength of the crocodile,
I ambush & clamp down on
my oppressors treading unnoticed,
With the devastating roar &
isolation tactics of the tiger,
I accomplish amazingly by my
lonesome while dominating
my foes with unmatched focus..


With the power, speed, &
belligerence of the mantis shrimp,
I hold the fastest punch in the
world & my power equals that of
a rifle bullet which allows me to
take on all comers on earth,
With the majesty &
grace of the argali,
I climb the highest mountains
with the greatest of ease
staying clear of my enemies
& watching over the scenes
til the next generation is birthed..


True originality...
Shows through my personality..
This is my animality..


What animals do you compare to???


Whats your animality???
Every morning while it was dark
He'd wake and pack his boards
With plastic men, his soldiers
To do battle with no swords

He'd put them in his basket
Load them all into the cart
He'd have a tea and bagel
And then, his day would start

He would walk from his apartment
To the park, before the sun
Two miles and a quarter
Just past highway eighty one

There, inside the complex
In the middle of the park
He'd play chess, against all comers
And he'd stay 'till after dark


A prodigy at ten years old
He would beat men three times his age
He would sit there in stunned silence
As they stormed around in rage

A master by his eighteenth year
He hadn't lost on his home ground
He would play and play and nothing else
To the chess board he was bound

Although he had his title
He couldn't leave to play
If he left the country
Then, back home is where'd he stay

He played some competitions
Made his points to climb the list
But, still he kept on thinking
Of the games that he had missed

I saw him in Toronto
Playing for a buck a game
He played against  all comers
The result, always the same

His accent was a harsh one
His beard was slightly rough
With some he'd be a softie
With others, he was gruff

Each day he'd make the journey
Pull his boards down and set off
He'd joke about while playing
And at bad moves he would scoff

"In Russia, they would shoot you"
"If you made a move like that"
Was he lying in the bushes
Should you move or just stand pat?

He moved on down to Yonge Street
When the park land all was sold
No one knew just why it happened
He went there, and it was closed

On a small street down by Eatons
He moved his boards so he could play
He didn't need to walk there now
He could now go by subway

There was more room here for players
To learn at this man's feet
They would line up with their dollars
Knowing full well, they'd be beat

The crowd that came from Yonge street
To see this rock star of the board
Were much different from the park folk
But to this street they poured

College players, bankers
Strippers from the Zanzibar
would come and drop their dollar
Then lose and find a bar

As time went on, his game it changed
He'd take more time for his moves
He would talk more as distraction
And once I saw him lose

His brain was getting fuzzy
Age was now taking a toll
Time, it owned his body
But the board still owned his soul

He'd flirt with the young maidens
Showing cleavage in the sun
One girl even flashed him
Because she thought she'd won

He joked about her actions
Told the crowd that it was nice
He joked that if she showed some more
He'd let her come close twice

As time went on the master
Didn't come downtown each day
He'd stay at home in silence
Downtown was far away

He dreamed of heading home again
But, he knew that couldn't be
Then we saw him on the news one night
On the local CBC

He played downtown for seven years
He last played in 85
He took sick and nearly passed on
Thankfully, the master did survive

His name was Josef Smolij
He was Polish, but we thought
He was Russian from his comments
Made when our bad moves were caught

His absence still is felt there
Gould street it was his space
The area he used to play
Is now called Hacksell Place

He left and went to Europe
Germany became his home
But still down there off Yonge street
The old chess ghosts still roam

I remember playing Smolij
I remember it was hot
I lost and then he told me
"Back in Russia...you'd be shot"

He was 60 when I played him
He'd be 99 or so
I'm glad I got to meet him
The Master known as Joe
based on Josef Smolij, chess player extraordinaire who played first at Allan Park then Gould street in Toronto. He played from 1978 to 1985 downtown. He was a fixture in downtown Toronto. I played him three times, and got beat like a drum each time. The first part is fictional based on fact, then fact at the end.
TR Saucier Nov 2012
So much on my mind
What will happen?
Hopes of it going in my favor
Fear runs through my body
Marijuana in the system
Treated like a murderer
They prescribe **** to children
Why are they not in jail?
Head pounding
Cant sleep
I dont want to go there
To the place where I have nothing
No freedom
No health
No friends
You cant make friends there
Some say they have
I must not get it
I cant go there
Spent a night there once
Started boxing a wall out of boredom
My life would be hell
Maybe thats where they should send me
Hell
I cant imagine day upon day in a cell
Thats where they might send me
A cell
You dont have to read me my rights?
******* commonwealths
I truly did nothing wrong
But still, im treated like a murderer
I smoke a little grass
So what?
My tail lights out?
Sorry officer, I didnt know
My headlights insufficient?
I can see in front of me
On-comers can see me
I need insurance?
Thanks for telling me when I filed an accident report months before
They treat me like a murderer
I did nothing wrong
Wheres the **** makers?
The crack dealers?
The abusive husbands?
Still out there
Harming others
I did nothing wrong
Especially compared to them
Dont ruin a young mans life over these petty things
Hope is lacking these days
The system just wants the money
Id rather wipe my *** with a hundred
Flush it
And never see it again
Than to pay for your ******* charges
So, let me be
Set me free
Cuz judge,
I truly did nothing wrong
Brandon Jul 2014
Waste-of-skin misogynists
Eagerly-angry feminists
Trust-fund kids
Disposable friends
Reusable partners
Confused 20-something's
Mid-life crisis lifers
Got-it-all-figured-out liars
Early comers and late arrivals*
The world's too full of them
the
A
list
log
usually
features
the
A
list
mob
but
the
A
list
log
isn't featuring the mob as much
a few up
and comers
have taken the place
of
the
A
list
mob
the
A
list
log
was due
for a shake up
viewing familiar artists
day in day out
is akin to catching
the same kettle of trout
Dorothy A Mar 2015
I was volunteering in our church thrift closet yesterday. It is a time to change over the winter clothes to the spring clothes. This is a great benefit to the community to be able to shop there.

I talked and worked next to another church volunteer, and we got into a really good conversation.  I will not share her name, but will share some of what she said to me. I have no problem opening up to strangers, for I find that I have that gift in the ability to share my humanity. A very sensitive person, I like to be able to relate to people who have a story to tell. We all have stories to tell, do we not?  

We talked about our faith. We talked about the problems that we had in our family of origins. She shared about her divorce and ability to get back on her feet and start a daycare center when she was used to being a housewife.

The indomitable human spirit. Well, clearly many succumb to the hardships they face. I've seen plenty of things on the TV. I've witnessed this tragedy in some people's lives that I personally knew. In addition, I heard about some unhappy stories from what other people told me they experienced or heard about.

Absolutely, the news is supposed to report what is actually going on in the world, and much of that is grim reality. We all grow weary of it.  Yet the entertainment value of television can often provide nothing better than the unpleasant side of life to get ratings. Often it is fictional violence and crime. That's odd, because I observe that we Americans shy away from death. It still seems like a taboo topic.  Yet at the same time, we are so intrigued as if to peak at it from a distance like wondrous children hoping not to get caught.    

Back to my discussion with this woman, I shared that I am an amateur  writer. I shared about my first encounter with tragedy, as I just wrote about two children close to my age that I knew of who were murdered by their mother. I was just a child. It was a very, very scary reality for my young psyche.

This fellow volunteer related back to my story that her paternal grandmother and her aunt were both victims of suicide. The grandmother turned on the oven and letting the gas fumes overtake the house. "They both did it together?" I questioned.  

It ends up the aunt was only three years old. I said, "No, it was a ******/suicide."  The mother was in a forced marriage and desperate to get out.  This is the kind of stuff that is far more shocking when in your own life than when on the news.

This woman also told me that her father was the one who found his mother and sister. He was only seven-years-old! I truly felt for her and for that man! Well, she had shared prior to this story that her father had a mental breakdown in his early twenties and wasn't able to work after that.

"No wonder", I replied, understanding what he went through. How could he be unscathed by such a tragedy?  I'm sure there was more to what was wrong with him, but I could see how this could be so damaging to a seven-year-old soul.

Later in life, he spent a lot of times in mental institutions. I had shared that my paternal grandmother had to be committed, too. The woman also shared that though her parents were separated and eventually divorced. Her mother and father still loved each other very much, so that wasn't the reason. She loved her father very much, too, and looked after him when she was an adult. Her father just couldn't cope with his family or be the provider that he was supposed to be. Times were hard, and the mother had to scrounge around for any menial work that she could acquire to support the family, sometimes not having enough to eat so the children could have enough. It is similar to my dad having to support himself, his mother and his brothers when he was still a boy, living in terrible poverty.    

This kind of story swapping gives me great insight and is helpful for when I lose my proper perspective or get angry at the world.  I cannot deny that I have been bitter, yet this woman never felt this way. It wasn't on her radar. She made that quite clear that she was able to avoid those pitfalls. Undoubtedly,  her faith helped her to move forward, was and is the wind in her sails.

Bitterness is a choice. Both of us go to church in spite of the ugly stuff we witnessed or knew of, the things that often become the easy chance to question the existence or fairness of God or the meaningfulness of life.

I have struggled--and still have struggles--with becoming better by my trials. I'm not always there, but I realize that to give up on the battle is not an option.  The world is full of over-comers. The news doesn't always report that. It isn't the sensational stuff of headlines, but it is up to each of us who struggled with life to make our own, personal news stories. A triumphant headline, indeed, is the one I want to publish. To dismiss that experience is to miss out on any growth, and I find that more tragic than the hardship itself.

For when we overcome, we are more willing to relate our humanity, reaching out and helping those who also desperately need a helping hand, as well.
Better is when the "i" is taken out of bitter
Ken Pepiton Aug 2023
The grand canyon runs between
the part of Mohave County blessed
with coverage
after the fallout
from the fifties,
and the lower part, south of the river,
east of the bend, there at Topock swamp.

Cancers above the line made by the river,
were rewarded, cash in some cases,
class actions and such, after the bloom
in GI Bill Law School Degrees…

leukemia in babies,
Downwinders in Mojave County,
just ended, dead, of northern afflictions.

Things like that and Julia Roberts,
got the voters to agree,
Lawyers should advertise,
- leading to what we have today
free speech, facing a true Kuhnian shift,
Directly presented, plain
for all
to see,
What freedom of the press was
to the owners of all means of exploitation,
freedom of speech, after internet, aight, is to any.
Any who, even you.
Who,
should any ask what Marshall McLuhan
continues to do, through 'is link to all you know,
text in context, denoting informed consent, you
think, as you read, and so
doing you do the deed, done so. We read,
thinking back
only one long mortal lifetime ago, we mostly did not.
On the whole,
have you never imagined
how many more of us know,
what was against the law for beings of the baser sort,
to learn, long
a tradition among the power elites, owners,
of all the national resources,
in a global syndicate,
entities, interests, trusts 'n'such, which
follow the pattern of the jewel merchants,
control the sources.
Restrict library cards immediately,
Carnegie is laughing from his grave… his will
- he did appreciate his Kipling
written in Indian Ink, under the Raj, If inspires yet,
as does Gunga Deen.
Film. Yes. Won't last. that medium,
too much trouble to watch it again, when
one can read a play, or a novel, or a poem per
haps forever, if the terminii are all out of sight.
As a lad, I was allowed to watch all the television,
I wished, and I wished I had a thousand channels,
in 1955, when Wyatt Earp got his life and legend
projected

into the worth cube at the core of mankind…
for all American boys, pun is there, naturally, all
of us American boys, no matter what our mommas were,
we, 1955, had been pledging five days a week, aliegiance,
we were sons of soldiers who had won the last war,
the one in all the inspirational Hays code cleared war movies.

Realist mind game art, in context, humbled,
by the giants tuned into, before the contest began, Truth
who dares, all comers. Common mental trope, all comers
come on, oppose my point and fall across my edge.

Little children, keep your selves from idols, such as
hold I role in all active avatars at any given point
in time, in tyranny over your bit in the mind of man,
taken to play mind games that are crafted for enjoying
the peace of selective reality powers we all can attain.

Write your self a tower to watch from, and watch,
Carnegie reading Kipling
by kerosene Rockefeller sold… meld into if

if you wish, imagine lampblack ink, or better,
squid ink, infused with carbon so pure, it seems
invisible, finest dust of diamond waste, used once
to shine a patterned steel san-mai blade.

Imagine the very smartest, not Einstein, person
alive when decisions were being discussed, crossing
swords with science use and useless social controls,
e.g. you know,
gra-acious example, interesting times, sifting selectors
goodness gracious, we have, in point of fact, too much
to filter with no reason,
why should one care to know why secrets are de rigueur,
poor soul asked what is going on, replys,
regular stuff, I suppose… ah, ag me on, suppose,

I invited Ben, Voltaire, and Nieztsche to cheese,
as I morphed into the Disneyified U.S. Certified myth.
The mouse in Ben and me, was the voice of the NPC.
- we had Verne's spinning disc libraries since
- drop a name from the hagiosphere of AI and IT
- Grace Murray Hopper… she's a memory.

Such books, we hold, as factual data, they hold words,
we, the current people, the fluid factor through which
CG NPCs pass in movies and games and entertainment,
- each pass think
who notices other people?
All the time, I mean, who cares, most of the time?

Crazy edgies, mad folk, filled with insights some time
passing left as artifacts, if you can believe this,
your world view shall encompass all one need know
about
why
we speak of the fall, and of original sin, we allow
priests and politicians and attention pimps, to lie.

Today, own self, and whole self,
declare adaptive lettering tech, publishing far and wide
art insisting, dare do,

think it through, couple thousand words,
what if you learn one cool new way
to think unthinkable things good
to know… post hoc.
We live as loudly as we must... life is simple, not too simple, more is sublime,
not empty of all hope that any thing you believed was a little bit true. Hard to think, but after all easy to get past... life, as a whole.
Sam Temple Apr 2015
Uh sitting at this desk
waiting for the bell
see I
work 9 to 5 well
7 to 3 thirty
I’m *****
A little flirty
Tuck in my shirty
Be helpful
And curtious
Don’t make a fuss
Or ride the bus
I’m a driver
Got my **** tight like MacGyver
Or Minnie Driver
Don’t wanna be a miser
So I share, dog
Give it all away
Make a play
For Mr. Oregon day
Maybe I’m cray cray
But I still don’t say
Nuthin that just may
Hurt feelings in a bad way
And I’m not gay
……just raised this way.
And that’s o.k.
This America, dog
And I am free
White and over 20
You prolly wanna be me
Cause I’m tall
And oh so ****
It’s a blessing
So quit messing
Have I got ya guessing?
This is me confessing
I’m a nice guy

Uh
And its like that
I’m a nice guy
And I just wont quit

See I hold the door
For all comers
Winter or summer
Even wore rubbers
Till I got married then things varied
I still carry
The bottles from the dairy
Cause we live organic
Try to avoid the panic
We don’t act manic
Sweeter that Alan Thicke
I stack bricks
But only for later use
I don’t abuse
Or make the rules
I’m a nice guy.
Dave Davis May 2013
Horton’s Bend
Dave Davis-2013
Treat the earth well,
It was not given to you by your parents.
It was loaned to you by your children.”
Native American Proverb

Chapter 1
During the early part of the 16th century, the Spanish began their expeditions into the New World in their quest for riches in the form of gold and silver. It was a time of great competition between explorers attempting to be the first to expand the Spanish Empire. Famously Ponce de Leon discovered La Florida in 1533 which allowed geographers and map makers to better outline the coast which de Leon hugged during his travels. His perception that it was an island misled geographers for a number of years. Historic documents do describe a quest for a body of water which was known for a restoration of vigor but the Fountain of Youth was not a focus of de Leon’s. Upon learning of La Florida, further expeditions were made ready. Hernando de Soto’s exploration, which began in the vicinity of present day Tampa Florida in 1539, was a four year journey which provided more information about the strange new continent.
Other expeditions filtered their way into the southeastern United States. Expeditions such Tristan de Luna de Arellano traveled into the interior southeast from 1559 to 1561 including the chiefdom of Coosa in Northwest Georgia and Juan Pardo who led two expeditions into the present day Carolinas are also chronicled.

What a strange world it must have been having stepping into what they must have considered an undeveloped and tangled landscape having been at sea for months prior to their arrival. These new comers were warriors riding into a land of what they considered savages ruled by mighty chiefs. The chiefdoms were purposely distanced apart in order to ensure a semi peaceful relationship with nearby chiefdoms. Each principal chief or cacique lived in areas surrounded by earthen mounds and fortified walls with hand dug moats. These rulers were presented with gifts of corn, exotic materials from foreign lands, and other tributes by their subjects. During the past seventy five years, archaeologists have reconstructed the past life ways of these people through their excavations of village sites and burials. Coupled with the work of dedicated historians, we now have a better understanding of how these native peoples lived and died. We will never fully understand their world.
Theirs was a hermetic world which was provided all that was needed. Respectful of the land and its gift of life giving resources, the native peoples were dependant on the land which figured prominently into their spiritual being. Their needs were meager as they did not desire wealth or the need to satisfy a gluttonous royalty. The principal chief’s rulings were simple and they obeyed without question. He and the other leaders asked only what the earth would provide. Their only loyalty was to the ethereal gods and to the cacique who communicated the will of the Creator. In times of famine or strife, theirs was a community that continued to be self sustained as it had always been from birth to death. They must have considered that dark times had arrived with the new strangers. These interlopers were not here to commune but rather to bring greed and lust to their land.

Native American groups surely were frightened by the sight of an entourage of the bearded new comers. Dressed in quilted shirts with bright colored sashes with tall hip boots, their appearance had to be most curious to the natives. The presence of never before seen animals such as the horses bearing the soldiers were cause enough for the Indians to scatter from their villages. The horsemen wore the heaviest armor consisting of chain mail or if preferred a breastplate of sorts. Their weapons were a long lance in conjunction with a small shield. The foot soldiers wore peaked steel helmets along with quilted shirts armored with small steel plates and were equipped with sharpened steel weapons such as short double edged swords, halberds, and crossbows. Matchlock guns were also a weapon employed by the Spanish explorers. They were close combat weapons which would have to suffice since heavy artillery could not be used in the thick and tangled environment.
The Spanish found the New World to be a land of hardships when they depleted their supplies of foodstuffs between chiefdoms. This land proved not to be a place of abundant riches but rather difficult terrain for pedestrian journey. In order to supplement the Spanish took the stored food supplies that Indians had readied for winter. As Old World warriors, they had no hesitancy to threaten or harm when supplies were needed. Word of their arrival brought both fear and awe to native groups who were duped by the rich lies and gifts of the metal objects that was so foreign to them.
While the devastation of Spanish contact impacted native lives, it should not over shadow the rich history of these people. Prior to contact, they were thought to be involved in the construction of a society emerging from the chiefdom level. Their capability to understand astronomical constants, their ability to sustain an agricultural culture, and the art produced attest to a vibrant society that was merely unfortunate to be caught up in a dynamic European expansion that was inevitable.  
Their story is more than that of European contact as they dealt with pestilence, political instability, drought, and dwindling resources in large communal sites. It comprises a much larger picture from a story long forgotten in a language that will forever remain unknown. History is filled with the tragedies of conquest but this story does not end with the Spanish invasion of peaceful natives. It does not end at all because their spirit was stronger than any intrusion by the strangers. While much suffering has occurred from this contact, there was one group who managed to avoid conflict and quietly retain their heritage. Unfortunately time has left a ragged history with gaps that are not fully understood by those who seek wisdom from the past. No matter. Their intentions regarding history were never as strong as their passion for the land.

On an unknown date during the 16th Century in Northwest Georgia, a group of Spanish invaders made contact with a group of Native Americans who believe in the sacred ground they call home.



Chapter 2
Ronnie King sat on the tailgate of his 4x4 pickup and drained the last of an ice cold Budweiser that had been waiting on him all day. Ronnie kept a cooler full of cold ones for quitting time although he usually just drank the one beer before leaving for home. Working as a foreman on a timber crew, he was soaked in sweat and enjoyed just taking a moment to reflect on a day’s work. He always felt like a man who could tote a chainsaw for eight hours and deal with the elements was a man by God. The sun would be setting soon and he would talk to a few of the boys before they headed to the house. It also gave him time to unwind a little bit and to pick off the ticks that seemed to always be attracted to him. He sure hadn’t forgotten that bout of Rocky Mountain Spotted Fever that had contracted a few years back. He remembered well how dizzy he was that hot afternoon. Some of the boys had chuckled but nobody scoffed at his 107 degree temperature when he was checked into the hospital. Anyways this was the best part of the day and he always got to thinking about his life.

Ronnie loved his job and wondered how others could ever work inside all day. Hell, even if he was paid more he couldn’t really see the benefits of extra cash compared to working out in the woods. More than once he had paid attention to deer signs and had bagged some bucks that were the envy of his fellow workers. It was just a great deal to be outside. Sure he ached pretty good by the end of the week and knew arthritis was in his future but it gave him a great opportunity to do what he really loved: look for Indian sites. Ronnie had been just a boy when he found his first arrowhead down on the floodplain of the Coosa River which ran through his grandfather’s farm. That thrill was one that never got old for the young man. Those who are observant and willing to risk the mud never knew what they would find after a good thunderstorm on a freshly plowed field. As Ronnie grew to be a teenager he already had a collection of artifacts that the local museum drooled over. Other kids that were Ronnie’s age were busy playing football or were involved in some school activity. Ronnie was different and had little interest in neither scholastic nor collegiate pastimes. Once he finished his chores at home,  he headed for the river.

When Ronnie graduated from high school he got a full time job working at Patterson’s Logging. At 18, Ronnie was a tall man with a full beard and was often mistaken for someone much older. He never was a big talker or one to boast. Many at school thought him slow but that was where he fooled them and the teachers too. No reason to give your all since they would expect more anyway. Besides what would he do with trigonometry? He loved the outdoors and spent quiet evenings along the river banks staring at the ground in search of the history that he loved. Teachers didn’t spend much time on how Indians lived during the time that the mounds were being built. He enjoyed books at the library much better than any of the school books. In particular, he loved the book Sun Circles and Human Hands which had wonderful pictures of burials dug up during the WPA days. He did take the time to learn how the Works Progress Administration had been created in the 40’s and created jobs to work on the large dam projects that brought on some of the earliest organized archaeological projects in the United States. At night he would look at Sun Circles and gaze at the pictures of the excavated burials and all the exotic grave goods that had been buried with the interred over 500 years before. The well made pottery vessels had always been one of his favorite artifacts but he had never found a whole ***. Having spent time with different books loaned from the library, Ronnie know the difference between pottery sherds dating to the earlier Woodland Period and those that dated to the later Mound builders or what the archaeologists called the Mississippian Period. He also enjoyed the ornaments and jewelry found in the burials. The designs in the shape of woodpeckers, rattlesnakes, and strange squatting men with eagle claws were carved into shell gorgets that were found around the necks of the nobles of the village. He realized that not all graves contained abundant artifacts as some simply were just a prone or flexed body that must have been a common person. Ronnie knew that there had to be some schools here in the south where you could learn to be a paid archaeologist but who had money to go to college? Besides, they might want him to give up what he found. What right did a museum have to something he had found? No, that didn’t seem right at all.
Patterson’s Logging worked all over a tri-county area and allowed Ronnie access to private property that he could never get permission to walk over. There were a dozen men who worked for Patterson not including Patterson’s boy, Ricky, who had helped Ronnie get hired. Ricky and Ronnie used to do a little cat fishing on weekends. Kicked back with a six pack on a boat ramp, the boys used to fight off the bugs attracted to the lantern glowing bright in the middle of the night. They talked about girls they’d like to get a hold of and wishing they had money for a nice pickup. Ricky’s daddy made pretty good money but most of it was ******* in chainsaws and equipment for keeping the logs steadily flowing to the saw mill. Ronnie never told Ricky but he was **** grateful to be working on a crew at Patterson’s.

A couple of the men who worked for logging outfit were from Cedartown which was located south of Rome. They didn’t speak to anybody very often and pretty much kept to themselves. Ronnie didn’t know them but had heard them called Jarvis and Ladge. The crews had finished logging a section near Armuchee Creek where some county workers had been using bulldozers to prep the area for a bridge project. It was time for lunch so everybody got out their lunchboxes and sack lunches. Jarvis and Ladge ate quickly and headed out to the disturbed area to walk it over. Ronnie had already figured on going out there too but they had beat him to it. He just went ahead and watched them looking for a few minutes. Finally Ronnie headed out and walked around a little distance from them. They glared at him at first but didn’t make a ******* contest out of this patch of dirt. Having walked around staring at the fresh soil for a good ten minutes the three were somewhat close to each other so they stopped and everybody wanted to inspect what the others had found.
Ladge had found a few good sized flint chips and a broken tip of a point. Jarvis looked at him and said “Buddy you ain’t found **** look at this piece of pottery!” He held up a large thick rim sherd which had pinched marks all around the curved rim. “Nice one Jarvis” whistled Ladge. “That’s a Mississippian sherd, Jarvis” offered Ronnie. The others stared at him until Ladge said “Boy this ain’t Mississippi! You in Georgia.” Ronnie didn’t want to be a smart *** to the older men so he said “I been reading in some books on ancient Indians and the pictures showed pottery that looked just like that one that was near 500 years old.” “Huh” Jarvis mumbled “Well what do you think about this bird point?” It was a small triangular point no bigger than a thumbnail made of black flint. Ronnie hesitated a moment and told them “That’s a nice one but you know they didn’t hunt birds with those don’t you?” The men just shrugged and Jarvis said “That’s what I always heard them called……that the Indians used a blow gun and blew them through it”. Ronnie was a little more confident but with a little caution said “That point was used on a bow and arrow…..you know how most points you find have a stem on the bottom end?” Both men nodded with interest. “Well those were used on spears but this type was used on a bow….bout the same time as that sherd you found”

Ronnie thought he might be scoffed at but both men just shrugged and one mumbled “Well I’ll be ******”. Ronnie then realized that Jarvis and Ladge’s interest was just in one upping each other and it was something to do besides talking to the other loggers. “I’d like to look at one of them books you been reading…..I got something I found and want to know more about it.” Ronnie’s interest was peaked and asked “What does it look like?” Jarvis tilted his head a little while looking over at Ladge and said “Just bring that book of yourn’s when you can.” Ronnie took the hint and all three realized it was time to start on the next parcel of the project.
As the work week continued, the three usually sat together and formed a group of their own talking about artifacts away from the others. Ronnie brought one book in but it was from some work over in Alabama and didn’t have what Jarvis was looking for. One Friday after work, Ronnie was about to head home when Jarvis and Ladge asked him to take a ride down to Cedartown and look at their collection. The two had a little cabin out off of Chubb Road with a rusted 49 Ford sitting out front. A metal trash barrel smoldered in the front yard. Ronnie walked in the cabin and had to choke back holding his nose as it reeked of sourness. These two ol’ boys were true bachelors who were not ones to throw out clothes until they fell apart. It was just sometimes they didn’t feel like picking up anything from a pile that had lain in a corner for a couple of weeks. Jarvis walked to a chest of drawers and opened it and asked Ronnie to come take a look. Ronnie looked in the drawer and saw a collection of artifacts typically found in the area. The material ranged from large Savannah River points dating back some 5,000 years to more of what the boys had termed “bird points”. Ronnie picked up a partial *** with check marked stamping and smiled. “This is a nice one….I’ve seen fragments like this on the Oostanaula.” He added “It’s from what is they call the Woodland Period”. Ladge smiled a big toothless smile and proudly proclaimed he had f
A novella to share with my friends.
Dave Robertson May 2022
loose moral blossom
flaunting for all comers
throbbingly defying
pigeon-holes
to let life thrum
J Jan 2012
The doors shut, cold echoes
No more warm bed, and no longer home

To journey through groves and streams and beaches
Now not to be alone

Test, a test, a test
Here to find rest for
all the comers, leavers, stayers, goers
For the ****** and the divine

A warm fire, a sip of wine
This all, it shines so bright
Warm light in a dark world...
Dawn of Lighten Nov 2015
Note: this isn't my work, but a work of one of the poet named Haron River ( currently go by H A Rivers) in this site who is currently MIA! Time to time I would scour poet's work, and allow them to teach me with their wisdom with their penmanship.  This was a poem Haron River gave me as a memento, but all his work is golden, and should be shared!  Hopefully new comers would check his work out! Without any further ado, here it is!

Untitled

Refreshed perspective gathered words
Like the ocean riptide gather
The rivers' flow at the confluence
Repurposing back-eddies,
Rejuvenation of stagnant brackish waters
Inherent soul-shine purging
From ancient core of earth mother

Light arising from the depth of inner stillness
As if a refilling wellspring burst forth,
Reawaking sighs too deep for words
Forming poetic constellation
To lighten the nebulous darkness,
Like sea of ink transformed into poetry

A sage opus renewed
By the muse of a migrating flock
Striving to discover new sacred grounds
Yet there is an undeniable song sung
In the howling wind of change
An incitement from a higher dialect
That empowers a restoration of the spirit
Oeuvre uplifted by rogue waves of wind
Arousing that which time erases

A renaissance manifest
Among the rousing nuances
Of poetic continuum,
Provoking a verve revival
Judicious to discovery
The enthralling vastitude
Of every breaking wave
In a vast sea of poesy

Where prevailing currents
Stir oceans of verse eternal;
Provoking verve revival,
The magnitude of an unbroken circle,
Oceans swells merging oneness
With the omnipresent of color
Of uncharted depth

As if thoughts assuage
By the Union of distant touching souls,
Spark nuances spanning poetic realms,
Transcending barriers of unexplored lexicon
To manifest the immensity,
Enkindling rhapsody of hearts and minds

Deeply rooted soul replenishment
Harvested from the tree of humankind,
Willingly sharing without regret
Enabling a metamorphosis
Of the human journey
Once again not my work! This was given to me by Harlon River, and seeing as I haven't seen his work for sometime, it must be posted!  Currently he goes by H A Rivers, and if you want to be inspired, read his stuff! I know I do, and makes me want to be a better writer!
Tania Crocker Jul 2015
"I always make a living so, that I can make movies. I never make movies to try to make a living. I think that's a big mistake that new comers do. They always focus on how can my passion, pay me. And I think that's a terrible place to start. If the reason why you're doing anything creative is to make a living then I think you're doing it wrong. You get into it because it's a true passion , it's something you really believe in  or don't get into it at all."
Muyiwa Oyinloye Jul 2012
Wild and uncontrollable,
We start off our life's journey,
Sweet and totally lovable,
We stick to the legs of mommy,
Five years down we're wild again
Impetuous, rambunctious, we're total pains
All the adults taken in,
By our impish grins.



We're ten years old we're big and bold
We'll take on all comers, young and old,
We totally love life, it's one big game
All forms of reponsibility, totally lame
Five years on we're fifteen
Big things popping in our early teens
All of a sudden we're girls and we're boys
New experiences on us like toys.



We're adults now, we're twenty
Things to do on our list aplenty
Impish grins don't work no more
We've got to work our fingers till they're sore
We laugh a lot through our dull eyes
We've mastered deception like its basic math
The slightest pokes incur our wrath
Twenty five finds us cold as ice.



I'm just nineteen I couldn't tell you,
Of all the years after Two and Five
One thing I know that is true
Live everyday like it's your last alive
If it's a hundred years of breath you get,
Or if you had to kick the 'ket 'fore you got your feet wet
The moral story contained in my longest poem yet
Make life pay through it's nose like it owes you a debt.
jjcsm Feb 2012
COME with me O, Seekers
and we shall find a Champion

You need not even speak the truth
for we shall know no truths

Seekers we shall become
forever, desire our companion

Loyalty our only friend
that we may pass together

Our Champion shall fight all
comers, they shall be known as

Hypocrisy, greed, dishonor
look about you now, need we

Seek very far
Regal Pinion Apr 2014
Do you know what you are, Michael?
You are cruel, callous
You claim you are creative
But clearly you cannot be
For you are just cringe-worthy and crass
Worst of all
You are cold
You are so cold that your heart is frozen to its core
You are so cold that your crisp soul chills the world around you

You are cold
So cold
You cannot deny it

You're right
I am cold
Let me tell you how cold I am

I am as cold as the frost on your window
You would gaze at it wondering what it was
When really it was nothing but a simple pattern of fractals
You added the mystery not I

I am as cold as snow
In a young boy's hand
Clumped into a ball as he throws it to his companion
Whom reciprocates the gesture
As it unfolds into a great battle of primal urges
But of course they see it as nothing more than fun and games

I am as cold as a cliche milkshake completely filled to brim
With two straws for two lovers who care too much

I am as cold as a Winter's lake ice
I may be thick but it is in this that I casually protect on-comers from the chaotic abyss below
As they teach their children how to skate and smile
Yes for now they will fall but in due time they will be able to glide
And for that moment they are filled with joy and rapture
And perhaps their care free smiles
Could conjure concepts for people to create a world in which we can gladly call home

I am so cold that when you cry and express hurt feelings
I am the one who places my hand on your injury and relieve your pain

You're right I am cold
So cold

And I will never deny it
Are your eyes open to what is going on
our country is being brought to it's knees
as housing shortfalls and higher taxes
and the influx of emigrants and refugees

Oh this politically inept government
are now overcrowding the streets of London
pushing people out of their long term homes
we have no choice now, something must be done

So we will do what we do best and incite rebellion
we need to turn our country upside down
bring all to account that have put us where we are today
those insipid ****** who wear the usurpers crown

We need to take our beloved country back
no more hiding in dark comers, it's time for us to attack
we must get the backing of our armies and more
there is no longer a choice left, but a new civil war

The war will be bitter and ******
yet there is no gain without pain
our hands will be blooded and cold
as all in this alliance do make heads roll


By Christos Andreas Kourtis aka NeonSolaris
By NeonSolaris
© 2013 NeonSolaris (All rights reserved)

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