Of Man’s first disobedience, and the fruit
Of that forbidden tree whose mortal taste
Brought death into the World, and all our woe,
With loss of Eden, till one greater Man
Restore us, and regain the blissful seat,
Sing, Heavenly Muse, that, on the secret top
Of Oreb, or of Sinai, didst inspire
That shepherd who first taught the chosen seed
In the beginning how the heavens and earth
Rose out of Chaos: or, if Sion hill
Delight thee more, and Siloa’s brook that flowed
Fast by the oracle of God, I thence
Invoke thy aid to my adventurous song,
That with no middle flight intends to soar
Above th’ Aonian mount, while it pursues
Things unattempted yet in prose or rhyme.
And chiefly thou, O Spirit, that dost prefer
Before all temples th’ upright heart and pure,
Instruct me, for thou know’st; thou from the first
Wast present, and, with mighty wings outspread,
Dove-like sat’st brooding on the vast Abyss,
And mad’st it pregnant: what in me is dark
Illumine, what is low raise and support;
That, to the height of this great argument,
I may assert Eternal Providence,
And justify the ways of God to men.
  Say first—for Heaven hides nothing from thy view,
Nor the deep tract of Hell—say first what cause
Moved our grand parents, in that happy state,
Favoured of Heaven so highly, to fall off
From their Creator, and transgress his will
For one restraint, lords of the World besides.
Who first seduced them to that foul revolt?
  Th’ infernal Serpent; he it was whose guile,
Stirred up with envy and revenge, deceived
The mother of mankind, what time his pride
Had cast him out from Heaven, with all his host
Of rebel Angels, by whose aid, aspiring
To set himself in glory above his peers,
He trusted to have equalled the Most High,
If he opposed, and with ambitious aim
Against the throne and monarchy of God,
Raised impious war in Heaven and battle proud,
With vain attempt. Him the Almighty Power
Hurled headlong flaming from th’ ethereal sky,
With hideous ruin and combustion, down
To bottomless perdition, there to dwell
In adamantine chains and penal fire,
Who durst defy th’ Omnipotent to arms.
  Nine times the space that measures day and night
To mortal men, he, with his horrid crew,
Lay vanquished, rolling in the fiery gulf,
Confounded, though immortal. But his doom
Reserved him to more wrath; for now the thought
Both of lost happiness and lasting pain
Torments him: round he throws his baleful eyes,
That witnessed huge affliction and dismay,
Mixed with obdurate pride and steadfast hate.
At once, as far as Angels ken, he views
The dismal situation waste and wild.
A dungeon horrible, on all sides round,
As one great furnace flamed; yet from those flames
No light; but rather darkness visible
Served only to discover sights of woe,
Regions of sorrow, doleful shades, where peace
And rest can never dwell, hope never comes
That comes to all, but torture without end
Still urges, and a fiery deluge, fed
With ever-burning sulphur unconsumed.
Such place Eternal Justice has prepared
For those rebellious; here their prison ordained
In utter darkness, and their portion set,
As far removed from God and light of Heaven
As from the centre thrice to th’ utmost pole.
Oh how unlike the place from whence they fell!
There the companions of his fall, o’erwhelmed
With floods and whirlwinds of tempestuous fire,
He soon discerns; and, weltering by his side,
One next himself in power, and next in crime,
Long after known in Palestine, and named
Beelzebub. To whom th’ Arch-Enemy,
And thence in Heaven called Satan, with bold words
Breaking the horrid silence, thus began:—
  “If thou beest he—but O how fallen! how changed
From him who, in the happy realms of light
Clothed with transcendent brightness, didst outshine
Myriads, though bright!—if he whom mutual league,
United thoughts and counsels, equal hope
And hazard in the glorious enterprise
Joined with me once, now misery hath joined
In equal ruin; into what pit thou seest
From what height fallen: so much the stronger proved
He with his thunder; and till then who knew
The force of those dire arms? Yet not for those,
Nor what the potent Victor in his rage
Can else inflict, do I repent, or change,
Though changed in outward lustre, that fixed mind,
And high disdain from sense of injured merit,
That with the Mightiest raised me to contend,
And to the fierce contentions brought along
Innumerable force of Spirits armed,
That durst dislike his reign, and, me preferring,
His utmost power with adverse power opposed
In dubious battle on the plains of Heaven,
And shook his throne. What though the field be lost?
All is not lost—the unconquerable will,
And study of revenge, immortal hate,
And courage never to submit or yield:
And what is else not to be overcome?
That glory never shall his wrath or might
Extort from me. To bow and sue for grace
With suppliant knee, and deify his power
Who, from the terror of this arm, so late
Doubted his empire—that were low indeed;
That were an ignominy and shame beneath
This downfall; since, by fate, the strength of Gods,
And this empyreal sybstance, cannot fail;
Since, through experience of this great event,
In arms not worse, in foresight much advanced,
We may with more successful hope resolve
To wage by force or guile eternal war,
Irreconcilable to our grand Foe,
Who now triumphs, and in th’ excess of joy
Sole reigning holds the tyranny of Heaven.”
  So spake th’ apostate Angel, though in pain,
Vaunting aloud, but racked with deep despair;
And him thus answered soon his bold compeer:—
  “O Prince, O Chief of many throned Powers
That led th’ embattled Seraphim to war
Under thy conduct, and, in dreadful deeds
Fearless, endangered Heaven’s perpetual King,
And put to proof his high supremacy,
Whether upheld by strength, or chance, or fate,
Too well I see and rue the dire event
That, with sad overthrow and foul defeat,
Hath lost us Heaven, and all this mighty host
In horrible destruction laid thus low,
As far as Gods and heavenly Essences
Can perish: for the mind and spirit remains
Invincible, and vigour soon returns,
Though all our glory extinct, and happy state
Here swallowed up in endless misery.
But what if he our Conqueror (whom I now
Of force believe almighty, since no less
Than such could have o’erpowered such force as ours)
Have left us this our spirit and strength entire,
Strongly to suffer and support our pains,
That we may so suffice his vengeful ire,
Or do him mightier service as his thralls
By right of war, whate’er his business be,
Here in the heart of Hell to work in fire,
Or do his errands in the gloomy Deep?
What can it the avail though yet we feel
Strength undiminished, or eternal being
To undergo eternal punishment?”
  Whereto with speedy words th’ Arch-Fiend replied:—
“Fallen Cherub, to be weak is miserable,
Doing or suffering: but of this be sure—
To do aught good never will be our task,
But ever to do ill our sole delight,
As being the contrary to his high will
Whom we resist. If then his providence
Out of our evil seek to bring forth good,
Our labour must be to pervert that end,
And out of good still to find means of evil;
Which ofttimes may succeed so as perhaps
Shall grieve him, if I fail not, and disturb
His inmost counsels from their destined aim.
But see! the angry Victor hath recalled
His ministers of vengeance and pursuit
Back to the gates of Heaven: the sulphurous hail,
Shot after us in storm, o’erblown hath laid
The fiery surge that from the precipice
Of Heaven received us falling; and the thunder,
Winged with red lightning and impetuous rage,
Perhaps hath spent his shafts, and ceases now
To bellow through the vast and boundless Deep.
Let us not slip th’ occasion, whether scorn
Or satiate fury yield it from our Foe.
Seest thou yon dreary plain, forlorn and wild,
The seat of desolation, void of light,
Save what the glimmering of these livid flames
Casts pale and dreadful? Thither let us tend
From off the tossing of these fiery waves;
There rest, if any rest can harbour there;
And, re-assembling our afflicted powers,
Consult how we may henceforth most offend
Our enemy, our own loss how repair,
How overcome this dire calamity,
What reinforcement we may gain from hope,
If not, what resolution from despair.”
  Thus Satan, talking to his nearest mate,
With head uplift above the wave, and eyes
That sparkling blazed; his other parts besides
Prone on the flood, extended long and large,
Lay floating many a rood, in bulk as huge
As whom the fables name of monstrous size,
Titanian or Earth-born, that warred on Jove,
Briareos or Typhon, whom the den
By ancient Tarsus held, or that sea-beast
Leviathan, which God of all his works
Created hugest that swim th’ ocean-stream.
Him, haply slumbering on the Norway foam,
The pilot of some small night-foundered skiff,
Deeming some island, oft, as ****** tell,
With fixed anchor in his scaly rind,
Moors by his side under the lee, while night
Invests the sea, and wished morn delays.
So stretched out huge in length the Arch-fiend lay,
Chained on the burning lake; nor ever thence
Had risen, or heaved his head, but that the will
And high permission of all-ruling Heaven
Left him at large to his own dark designs,
That with reiterated crimes he might
Heap on himself damnation, while he sought
Evil to others, and enraged might see
How all his malice served but to bring forth
Infinite goodness, grace, and mercy, shewn
On Man by him seduced, but on himself
Treble confusion, wrath, and vengeance poured.
  Forthwith upright he rears from off the pool
His mighty stature; on each hand the flames
Driven backward ***** their pointing spires, and,rolled
In billows, leave i’ th’ midst a horrid vale.
Then with expanded wings he steers his flight
Aloft, incumbent on the dusky air,
That felt unusual weight; till on dry land
He lights—if it were land that ever burned
With solid, as the lake with liquid fire,
And such appeared in hue as when the force
Of subterranean wind transprots a hill
Torn from Pelorus, or the shattered side
Of thundering Etna, whose combustible
And fuelled entrails, thence conceiving fire,
Sublimed with mineral fury, aid the winds,
And leave a singed bottom all involved
With stench and smoke. Such resting found the sole
Of unblest feet. Him followed his next mate;
Both glorying to have scaped the Stygian flood
As gods, and by their own recovered strength,
Not by the sufferance of supernal Power.
  “Is this the region, this the soil, the clime,”
Said then the lost Archangel, “this the seat
That we must change for Heaven?—this mournful gloom
For that celestial light? Be it so, since he
Who now is sovereign can dispose and bid
What shall be right: farthest from him is best
Whom reason hath equalled, force hath made supreme
Above his equals. Farewell, happy fields,
Where joy for ever dwells! Hail, horrors! hail,
Infernal world! and thou, profoundest Hell,
Receive thy new possessor—one who brings
A mind not to be changed by place or time.
The mind is its own place, and in itself
Can make a Heaven of Hell, a Hell of Heaven.
What matter where, if I be still the same,
And what I should be, all but less than he
Whom thunder hath made greater? Here at least
We shall be free; th’ Almighty hath not built
Here for his envy, will not drive us hence:
Here we may reigh secure; and, in my choice,
To reign is worth ambition, though in Hell:
Better to reign in Hell than serve in Heaven.
But wherefore let we then our faithful friends,
Th’ associates and co-partners of our loss,
Lie thus astonished on th’ oblivious pool,
And call them not to share with us their part
In this unhappy mansion, or once more
With rallied arms to try what may be yet
Regained in Heaven, or what more lost in Hell?”
  So Satan spake; and him Beelzebub
Thus answered:—”Leader of those armies bright
Which, but th’ Omnipotent, none could have foiled!
If once they hear that voice, their liveliest pledge
Of hope in fears and dangers—heard so oft
In worst extremes, and on the perilous edge
Of battle, when it raged, in all assaults
Their surest signal—they will soon resume
New courage and revive, though now they lie
Grovelling and prostrate on yon lake of fire,
As we erewhile, astounded and amazed;
No wonder, fallen such a pernicious height!”
  He scare had ceased when the superior Fiend
Was moving toward the shore; his ponderous shield,
Ethereal temper, massy, large, and round,
Behind him cast. The broad circumference
Hung on his shoulders like the moon, whose orb
Through optic glass the Tuscan artist views
At evening, from the top of Fesole,
Or in Valdarno, to descry new lands,
Rivers, or mountains, in her spotty globe.
His spear—to equal which the tallest pine
Hewn on Norwegian hills, to be the mast
Of some great ammiral, were but a wand—
He walked with, to support uneasy steps
Over the burning marl, not like those steps
On Heaven’s azure; and the torrid clime
Smote on him sore besides, vaulted with fire.
Nathless he so endured, till on the beach
Of that inflamed sea he stood, and called
His legions—Angel Forms, who lay entranced
Thick as autumnal leaves that strow the brooks
In Vallombrosa, where th’ Etrurian shades
High over-arched embower; or scattered sedge
Afloat, when with fierce winds Orion armed
Hath vexed the Red-Sea coast, whose waves o’erthrew
Busiris and his Memphian chivalry,
While with perfidious hatred they pursued
The sojourners of Goshen, who beheld
From the safe shore their floating carcases
And broken chariot-wheels. So thick bestrown,
Abject and lost, lay these, covering the flood,
Under amazement of their hideous change.
He called so loud that all the hollow deep
Of Hell resounded:—”Princes, Potentates,
Warriors, the Flower of Heaven—once yours; now lost,
If such astonishment as this can seize
Eternal Spirits! Or have ye chosen this place
After the toil of battle to repose
Your wearied virtue, for the ease you find
To slumber here, as in the vales of Heaven?
Or in this abject posture have ye sworn
To adore the Conqueror, who now beholds
Cherub and Seraph rolling in the flood
With scattered arms and ensigns, till anon
His swift pursuers from Heaven-gates discern
Th’ advantage, and, descending, tread us down
Thus drooping, or with linked thunderbolts
Transfix us to the bottom of this gulf?
Awake, arise, or be for ever fallen!”
  They heard, and were abashed, and up they sprung
Upon the wing, as when men wont to watch
On duty, sleeping found by whom they dread,
Rouse and bestir themselves ere well awake.
Nor did they not perceive the evil plight
In which they were, or the fierce pains not feel;
Yet to their General’s voice they soon obeyed
Innumerable. As when the potent rod
Of Amram’s son, in Egypt’s evil day,
Waved round the coast, up-called a pitchy cloud
Of locusts, warping on the eastern wind,
That o’er the realm of impious Pharaoh hung
Like Night, and darkened all the land of Nile;
So numberless were those bad Angels seen
Hovering on wing under the cope of Hell,
‘Twixt upper, nether, and surrounding fires;
Till, as a signal given, th’ uplifted spear
Of their great Sultan waving to direct
Their course, in even balance down they light
On the firm brimstone, and fill all the plain:
A multitude like which the populous North
Poured never from her frozen ***** to pass
Rhene or the Danaw, when her barbarous sons
Came like a deluge on the South, and spread
Beneath Gibraltar to the Libyan sands.
Forthwith, form every squadron and each band,
The heads and leaders thither haste where stood
Their great Commander—godlike Shapes, and Forms
Excelling human; princely Dignities;
And Powers that erst in Heaven sat on thrones,
Though on their names in Heavenly records now
Be no memorial, blotted out and rased
By their rebellion from the Books of Life.
Nor had they yet among the sons of Eve
Got them new names, till, wandering o’er the earth,
Through God’s high sufferance for the trial of man,
By falsities and lies the greatest part
Of mankind they corrupted to forsake
God their Creator, and th’ invisible
Glory of him that made them to transform
Oft to the image of a brute, adorned
With gay religions full of pomp and gold,
And devils to adore for deities:
Then were they known to men by various names,
And various idols through the heathen world.
  Say, Muse, their names then known, who first, who last,
Roused fr

He was a Grecian lad, who coming home
With pulpy figs and wine from Sicily
Stood at his galley’s prow, and let the foam
Blow through his crisp brown curls unconsciously,
And holding wave and wind in boy’s despite
Peered from his dripping seat across the wet and stormy night.

Till with the dawn he saw a burnished spear
Like a thin thread of gold against the sky,
And hoisted sail, and strained the creaking gear,
And bade the pilot head her lustily
Against the nor’west gale, and all day long
Held on his way, and marked the rowers’ time with measured song.

And when the faint Corinthian hills were red
Dropped anchor in a little sandy bay,
And with fresh boughs of olive crowned his head,
And brushed from cheek and throat the hoary spray,
And washed his limbs with oil, and from the hold
Brought out his linen tunic and his sandals brazen-soled,

And a rich robe stained with the fishers’ juice
Which of some swarthy trader he had bought
Upon the sunny quay at Syracuse,
And was with Tyrian broideries inwrought,
And by the questioning merchants made his way
Up through the soft and silver woods, and when the labouring day

Had spun its tangled web of crimson cloud,
Clomb the high hill, and with swift silent feet
Crept to the fane unnoticed by the crowd
Of busy priests, and from some dark retreat
Watched the young swains his frolic playmates bring
The firstling of their little flock, and the shy shepherd fling

The crackling salt upon the flame, or hang
His studded crook against the temple wall
To Her who keeps away the ravenous fang
Of the base wolf from homestead and from stall;
And then the clear-voiced maidens ‘gan to sing,
And to the altar each man brought some goodly offering,

A beechen cup brimming with milky foam,
A fair cloth wrought with cunning imagery
Of hounds in chase, a waxen honey-comb
Dripping with oozy gold which scarce the bee
Had ceased from building, a black skin of oil
Meet for the wrestlers, a great boar the fierce and white-tusked
spoil

Stolen from Artemis that jealous maid
To please Athena, and the dappled hide
Of a tall stag who in some mountain glade
Had met the shaft; and then the herald cried,
And from the pillared precinct one by one
Went the glad Greeks well pleased that they their simple vows had
done.

And the old priest put out the waning fires
Save that one lamp whose restless ruby glowed
For ever in the cell, and the shrill lyres
Came fainter on the wind, as down the road
In joyous dance these country folk did pass,
And with stout hands the warder closed the gates of polished brass.

Long time he lay and hardly dared to breathe,
And heard the cadenced drip of spilt-out wine,
And the rose-petals falling from the wreath
As the night breezes wandered through the shrine,
And seemed to be in some entranced swoon
Till through the open roof above the full and brimming moon

Flooded with sheeny waves the marble floor,
When from his nook up leapt the venturous lad,
And flinging wide the cedar-carven door
Beheld an awful image saffron-clad
And armed for battle! the gaunt Griffin glared
From the huge helm, and the long lance of wreck and ruin flared

Like a red rod of flame, stony and steeled
The Gorgon’s head its leaden eyeballs rolled,
And writhed its snaky horrors through the shield,
And gaped aghast with bloodless lips and cold
In passion impotent, while with blind gaze
The blinking owl between the feet hooted in shrill amaze.

The lonely fisher as he trimmed his lamp
Far out at sea off Sunium, or cast
The net for tunnies, heard a brazen *****
Of horses smite the waves, and a wild blast
Divide the folded curtains of the night,
And knelt upon the little ****, and prayed in holy fright.

And guilty lovers in their venery
Forgat a little while their stolen sweets,
Deeming they heard dread Dian’s bitter cry;
And the grim watchmen on their lofty seats
Ran to their shields in haste precipitate,
Or strained black-bearded throats across the dusky parapet.

For round the temple rolled the clang of arms,
And the twelve Gods leapt up in marble fear,
And the air quaked with dissonant alarums
Till huge Poseidon shook his mighty spear,
And on the frieze the prancing horses neighed,
And the low tread of hurrying feet rang from the cavalcade.

Ready for death with parted lips he stood,
And well content at such a price to see
That calm wide brow, that terrible maidenhood,
The marvel of that pitiless chastity,
Ah! well content indeed, for never wight
Since Troy’s young shepherd prince had seen so wonderful a sight.

Ready for death he stood, but lo! the air
Grew silent, and the horses ceased to neigh,
And off his brow he tossed the clustering hair,
And from his limbs he throw the cloak away;
For whom would not such love make desperate?
And nigher came, and touched her throat, and with hands violate

Undid the cuirass, and the crocus gown,
And bared the ******* of polished ivory,
Till from the waist the peplos falling down
Left visible the secret mystery
Which to no lover will Athena show,
The grand cool flanks, the crescent thighs, the bossy hills of
snow.

Those who have never known a lover’s sin
Let them not read my ditty, it will be
To their dull ears so musicless and thin
That they will have no joy of it, but ye
To whose wan cheeks now creeps the lingering smile,
Ye who have learned who Eros is,—O listen yet awhile.

A little space he let his greedy eyes
Rest on the burnished image, till mere sight
Half swooned for surfeit of such luxuries,
And then his lips in hungering delight
Fed on her lips, and round the towered neck
He flung his arms, nor cared at all his passion’s will to check.

Never I ween did lover hold such tryst,
For all night long he murmured honeyed word,
And saw her sweet unravished limbs, and kissed
Her pale and argent body undisturbed,
And paddled with the polished throat, and pressed
His hot and beating heart upon her chill and icy breast.

It was as if Numidian javelins
Pierced through and through his wild and whirling brain,
And his nerves thrilled like throbbing violins
In exquisite pulsation, and the pain
Was such sweet anguish that he never drew
His lips from hers till overhead the lark of warning flew.

They who have never seen the daylight peer
Into a darkened room, and drawn the curtain,
And with dull eyes and wearied from some dear
And worshipped body risen, they for certain
Will never know of what I try to sing,
How long the last kiss was, how fond and late his lingering.

The moon was girdled with a crystal rim,
The sign which shipmen say is ominous
Of wrath in heaven, the wan stars were dim,
And the low lightening east was tremulous
With the faint fluttering wings of flying dawn,
Ere from the silent sombre shrine his lover had withdrawn.

Down the steep rock with hurried feet and fast
Clomb the brave lad, and reached the cave of Pan,
And heard the goat-foot snoring as he passed,
And leapt upon a grassy knoll and ran
Like a young fawn unto an olive wood
Which in a shady valley by the well-built city stood;

And sought a little stream, which well he knew,
For oftentimes with boyish careless shout
The green and crested grebe he would pursue,
Or snare in woven net the silver trout,
And down amid the startled reeds he lay
Panting in breathless sweet affright, and waited for the day.

On the green bank he lay, and let one hand
Dip in the cool dark eddies listlessly,
And soon the breath of morning came and fanned
His hot flushed cheeks, or lifted wantonly
The tangled curls from off his forehead, while
He on the running water gazed with strange and secret smile.

And soon the shepherd in rough woollen cloak
With his long crook undid the wattled cotes,
And from the stack a thin blue wreath of smoke
Curled through the air across the ripening oats,
And on the hill the yellow house-dog bayed
As through the crisp and rustling fern the heavy cattle strayed.

And when the light-foot mower went afield
Across the meadows laced with threaded dew,
And the sheep bleated on the misty weald,
And from its nest the waking corncrake flew,
Some woodmen saw him lying by the stream
And marvelled much that any lad so beautiful could seem,

Nor deemed him born of mortals, and one said,
‘It is young Hylas, that false runaway
Who with a Naiad now would make his bed
Forgetting Herakles,’ but others, ‘Nay,
It is Narcissus, his own paramour,
Those are the fond and crimson lips no woman can allure.’

And when they nearer came a third one cried,
‘It is young Dionysos who has hid
His spear and fawnskin by the river side
Weary of hunting with the Bassarid,
And wise indeed were we away to fly:
They live not long who on the gods immortal come to spy.’

So turned they back, and feared to look behind,
And told the timid swain how they had seen
Amid the reeds some woodland god reclined,
And no man dared to cross the open green,
And on that day no olive-tree was slain,
Nor rushes cut, but all deserted was the fair domain,

Save when the neat-herd’s lad, his empty pail
Well slung upon his back, with leap and bound
Raced on the other side, and stopped to hail,
Hoping that he some comrade new had found,
And gat no answer, and then half afraid
Passed on his simple way, or down the still and silent glade

A little girl ran laughing from the farm,
Not thinking of love’s secret mysteries,
And when she saw the white and gleaming arm
And all his manlihood, with longing eyes
Whose passion mocked her sweet virginity
Watched him awhile, and then stole back sadly and wearily.

Far off he heard the city’s hum and noise,
And now and then the shriller laughter where
The passionate purity of brown-limbed boys
Wrestled or raced in the clear healthful air,
And now and then a little tinkling bell
As the shorn wether led the sheep down to the mossy well.

Through the grey willows danced the fretful gnat,
The grasshopper chirped idly from the tree,
In sleek and oily coat the water-rat
Breasting the little ripples manfully
Made for the wild-duck’s nest, from bough to bough
Hopped the shy finch, and the huge tortoise crept across the
slough.

On the faint wind floated the silky seeds
As the bright scythe swept through the waving grass,
The ouzel-**** splashed circles in the reeds
And flecked with silver whorls the forest’s glass,
Which scarce had caught again its imagery
Ere from its bed the dusky tench leapt at the dragon-fly.

But little care had he for any thing
Though up and down the beech the squirrel played,
And from the copse the linnet ‘gan to sing
To its brown mate its sweetest serenade;
Ah! little care indeed, for he had seen
The ******* of Pallas and the naked wonder of the Queen.

But when the herdsman called his straggling goats
With whistling pipe across the rocky road,
And the shard-beetle with its trumpet-notes
Boomed through the darkening woods, and seemed to bode
Of coming storm, and the belated crane
Passed homeward like a shadow, and the dull big drops of rain

Fell on the pattering fig-leaves, up he rose,
And from the gloomy forest went his way
Past sombre homestead and wet orchard-close,
And came at last unto a little quay,
And called his mates aboard, and took his seat
On the high ****, and pushed from land, and loosed the dripping
sheet,

And steered across the bay, and when nine suns
Passed down the long and laddered way of gold,
And nine pale moons had breathed their orisons
To the chaste stars their confessors, or told
Their dearest secret to the downy moth
That will not fly at noonday, through the foam and surging froth

Came a great owl with yellow sulphurous eyes
And lit upon the ship, whose timbers creaked
As though the lading of three argosies
Were in the hold, and flapped its wings and shrieked,
And darkness straightway stole across the deep,
Sheathed was Orion’s sword, dread Mars himself fled down the steep,

And the moon hid behind a tawny mask
Of drifting cloud, and from the ocean’s marge
Rose the red plume, the huge and horned casque,
The seven-cubit spear, the brazen targe!
And clad in bright and burnished panoply
Athena strode across the stretch of sick and shivering sea!

To the dull sailors’ sight her loosened looks
Seemed like the jagged storm-rack, and her feet
Only the spume that floats on hidden rocks,
And, marking how the rising waters beat
Against the rolling ship, the pilot cried
To the young helmsman at the stern to luff to windward side

But he, the overbold adulterer,
A dear profaner of great mysteries,
An ardent amorous idolater,
When he beheld those grand relentless eyes
Laughed loud for joy, and crying out ‘I come’
Leapt from the lofty **** into the chill and churning foam.

Then fell from the high heaven one bright star,
One dancer left the circling galaxy,
And back to Athens on her clattering car
In all the pride of venged divinity
Pale Pallas swept with shrill and steely clank,
And a few gurgling bubbles rose where her boy lover sank.

And the mast shuddered as the gaunt owl flew
With mocking hoots after the wrathful Queen,
And the old pilot bade the trembling crew
Hoist the big sail, and told how he had seen
Close to the stern a dim and giant form,
And like a dipping swallow the stout ship dashed through the storm.

And no man dared to speak of Charmides
Deeming that he some evil thing had wrought,
And when they reached the strait Symplegades
They beached their galley on the shore, and sought
The toll-gate of the city hastily,
And in the market showed their brown and pictured pottery.

who is this
husky?
shedding luck and fur
down by the horizon.

town tips in snow
& breathy-fog.
the mountain tips and prays
on bowed-knee,
to daughters in pursuit of happiness,
& trees.
she’s out there looking for the best in mother
madness.

a horse’s bangs, sprung
moon to ridge
to purpling autumn-seared fields four days lit.
this ease into living,
carousel,
carnival of lights
& love.
the rolling of a family unit.
the sound and punched beauty of it.
like when we were birds, or kids, or
humming the sun
strummed hills.

          [ catch a dream. ]

open your little eyes, bear cub.
see small pools of sulphurous heat
& repeat,
let go the smoke to breathe.

Sun swollen
reddening as it sank
that brutal ****** disc
scored by church steeples
and chimney stacks
almost lost in the drifting haze
of sulphurous yellow
and char-black smoke.

Duck boards dip
into the sodden earth
as men ***** along in conga lines
holding tight the pack of the man
in front, lest they should slip
lose quick their footing
be ****** down and smothered
by mud.

The walls of the tunnels
are packed earth
rich with blood and bone
bits and pieces of human
anatomy dangle and hang
as if posed by an artist
with a strange and cruel eye
for detail.

The scrabble for fox holes
and rough scraped ditches,
anywhere, below the line of fire.
The ting and ****-bang
of a night of action
The whistle, the dash
and the forward push
counted more in men
than metres.                                                                

© M.L.Emmett

[Dedicated to Austin Osman Spare]

Have pity ! show no pity !
Those eyes that send such shivers
Into my brain and spine : oh let them
Flame like the ancient city
Swallowed up by the sulphurous rivers
When men let angels fret them !

Yea ! let the south wind blow,
And the Turkish banner advance,
And the word go out : No quarter !
But I shall hod thee -so !
While the boys and maidens dance
About the shambles of slaughter !

I know thee who thou art,
The inmost fiend that curlest
Thy vampire tounge about
Earth's corybantic heart,
Hell's warrior that whirlest
The darts of horror and doubt !

Thou knowest me who I am
The inmost soul and saviour
Of man ; what hieroglyph
Of the dragon and the lamb
Shall thou and I engrave here
On Time's inscandescable cliff ?

Look ! in the plished granite,
Black as thy cartouche is with sins,
I read the searing sentence
That blasts the eyes that scan it :
"**** and SET be TWINS."
A fico for repentance !

Ay ! O Son of my mother
That snarled and clawed in her womb
As now we rave in our rapture,
I know thee, I love thee, brother !
Incestuous males that consumes
The light and the life that we capture.

Starve thou the soul of the world,
Brother, as I the body !
Shall we not glut our lust
On these wretches whom Fate hath hurled
To a hell of jesus and shoddy,
Dung and ethics and dust ?

Thou as I art Fate.
Coe then, conquer and kiss me !
Come ! what hinders? Believe me :
This is the thought we await.
The mark is fair ; can you miss me ?

See, how subtly I writhe !
Strange runes and unknown sigils
I trace in the trance that thrills us.
Death ! how lithe, how blithe
Are these male incestuous vigils !
Ah ! this is the spasm that kills us !

Wherefore I solemnly affirm
This twofold Oneness at the term.
Asar on Asi did beget
Horus twin brother unto Set.
Now Set and Horus kiss, to call
The Soul of the Unnatural
Forth from the dusk ; then nature slain
Lets the Beyond be born again.

This weird is of the tongue of Khem,
The Conjuration used of them.
Whoso shall speak it, let him die,
His bowels rotting inwardly,
Save he uncover and caress
The God that lighteth his liesse.

Ground smolders and smokes

Luminescent men, humps at the front

**** and poke

The air acrid, the smell of burning stone

On a wall three boys

Gaze, eyes wide, mouths

Marleyesque, dropping

Bewitched as the florescent men

Smooth and calm the steaming earth

Spraying water from a can

To quench its thirst

The seething, black

And exhausted ground

Murmurs in sick response

To its own fragmented curse

A yellow dragon near by

Belches black blood

Oozing from its innards

Through Gothic gargoyle mouth

The lime coloured men shovel

This toxic *****, smear it

Across the gasping earth

That lies, ripped like a jagged

Wound on a dying man

The lime colored men

Mount the yellow dragon

Speed off, leaving

The scorched ground

Burning and hissing,

With sulphurous smoke

A million sizzling angry snakes

The three boys run away in freight

Dropping playthings as they fumble

And tumble in their horrified flight

The black earth cries, bubbles

And consumes their toys

Passes sentence

Makes them L'Enfant Commune

The lost boys

Then there is a quiver

A tedious tremble, a treble;

That played like stretched

Elastic flicked with

Forefinger and thumb

Making the heart numb

Extracting false confessions

A stench of putrid untruth

*** charades of delicate

Ravaged faced youth

A drole de ménage

Slave to the hunger

Of the unknown demand

The French grooming

Of horses, that may charm

The curious but leaves curiosity

Still smouldering in the

Hidden depths of the

Universal mind

Sanumbolists in the

Fullness of a dream of

Ineffable torture consume need

The boys cry out, for the

Earth has stolen a liars tongue

Branded them abominable

With decaying enormities

Detestable, enamelled eyes

Lurk and peer from

Behind gauzed curtains

A corpse of understanding

That inspects the invisible

Images of imbeciles

Parchments dripping in powdered

Crystalline drops smear the pavements

The boys wave their arms

But no-one sees them

There is the rise and fall of cryptic waves

That ebb and flow scorching

A shore of silent sorrows

Lapping feverously at the

Arc of a whirlpool

Whose decreasing concentric

Circles **** the boys down

Into an eternity of hot tears

Leaves them without parents

Gives their brothers and sisters

Into a slavery of barbarous belief

A ferocious language

Banning the boys from all beaches

Provides tyrannical pilgrimages

To black robbed priests

Possessors' of serpents' hearts

The yellow dragon returns

Lemon coloured men spill

From its foaming mouth

The boys hide behind

Dead rose bushes

Ah, but their tenebrous

Trembles creak in the

Blotched and bloodied

Butchers sawdust

A fabulous elegance cradles them

Making the smoking dragon angry

It spews molten bile taken

From the bloated stomachs

Of white beasts

The luminosity of the

Lemon coloured men

Increases to blindness

They wave tattered antediluvian

Bark and scream from

Their dark, deceitful, anchored armchairs

From railed and spiked alters

Spitting bitterest gall

The lemon coloured men

Butcher the fabulous elegance

Leaving the boys naked

Prey to the perfections of

Puerile generosities

That vows to extinguish

Their human desire

Vacant eyes with

Nauseating sight strut

A cruel distortion

Terrifying voices offer

Demonic destruction

The boys weep, but

no-one hears them

A violent paradise

Of popular poses tries,

But fails to caress them

The dragon burns the boys

But no-one smells them

Their terror turns to molten flesh

The lemon coloured men

Spread it over the earth

The beast' heart beats

Joyfully in its bulbous belly

Sacred men smile while

Pitiless priests provide

A comedy

The boys become a hallow

Antique night their left

Legs held up for all

To see

Delirium devours the minds

Of a subjugated people

The deadly hissing of the earth

Like a silken spectre rises

Making scintillating shudders

Through the spiked splinters

Of time

Intelligence is reduced

To the rubble of religious

Intolerance

Lime, yellow, lemon drips

Heated plastic from false eyes

There are cries, sights and sounds

But no-one hears, sees or speaks

No real people are left

Similar boys watch from a wall

Huddle together and weep

It was on Hallowe'en when we said we'd meet;
as we thought it might be romantically spooky;
and I trotted gaily along the pathway
through the dimly-lit park
where the predator ******* maniacs roamed
hoping for a bit of backdoor action
and my excited little heart went
"YI YI YI YI YI YAAAAARRRGGGHHH!"
with eager anticipation
of a hot new nymphomaniac date.

We had been a-texting with
ever-increasing frankness
for several weeks and I was beginning
to get tired of wiping the keyboard clean
after each bout of frenzied
manual self-stimulation
which she had boldly urged me to
and the built-in camera was out of order
because of the damp ***** build-up.

I found the pictures she sent me
stimulating to say the very least
especially the one with the melon
peeping out from between her legs
and I found her blood-red eyes
rather exciting really
once I got used to them;
and I was quite looking forward
to the love bites she promised me
which was why I had washed my neck
with particular attention to the blackheads.

Promptly at the stroke of midnight
my putative mistress arrived
with a ******* great clap of thunder
and to say I was surprised by her sulphurous breath
would be putting it mildly
and the fifty-five inch waist
was a bit of a disappointment,
and I honestly and truly think
she might have mentioned
the suppurating scabs
and oozing boils
or at least hinted at them.

As I fought the ravening hell-***** off
with the hatchet I had wisely brought
in my briefcase as a safety precaution
once more I rued my innocence:
how many times have I been let down
after such high hopes from internet dating
and yet - trusting soul that I am -
I had again let my heart go astray.

Once it was all over
and I gazed down at her hideous
and mutilated corpse bleeding
and twitching on the ****** bitumen,
I lifted up her skirt
just to check the melon photo
hadn't been a fake;
and although there was no large
piece of fruit in situ at the time
I could see it had always
been a very real possibility.

The skies they were ashen and sober;
  The leaves they were crisped and sere—
  The leaves they were withering and sere;
It was night in the lonesome October
  Of my most immemorial year;
It was hard by the dim lake of Auber,
  In the misty mid region of Weir—
It was down by the dank tarn of Auber,
  In the ghoul-haunted woodland of Weir.

Here once, through an alley Titanic.
  Of cypress, I roamed with my Soul—
  Of cypress, with Psyche, my Soul.
These were days when my heart was volcanic
  As the scoriac rivers that roll—
  As the lavas that restlessly roll
Their sulphurous currents down Yaanek
  In the ultimate climes of the pole—
That groan as they roll down Mount Yaanek
  In the realms of the boreal pole.

Our talk had been serious and sober,
  But our thoughts they were palsied and sere—
  Our memories were treacherous and sere—
For we knew not the month was October,
And we marked not the night of the year—
  (Ah, night of all nights in the year!)
We noted not the dim lake of Auber—
  (Though once we had journeyed down here)—
Remembered not the dank tarn of Auber,
  Nor the ghoul-haunted woodland of Weir.

And now as the night was senescent
  And star-dials pointed to morn—
  As the sun-dials hinted of morn—
At the end of our path a liquescent
  And nebulous lustre was born,
Out of which a miraculous crescent
  Arose with a duplicate horn—
Astarte’s bediamonded crescent
  Distinct with its duplicate horn.

And I said—”She is warmer than Dian:
  She rolls through an ether of sighs—
  She revels in a region of sighs:
She has seen that the tears are not dry on
  These cheeks, where the worm never dies,
And has come past the stars of the Lion
  To point us the path to the skies—
  To the Lethean peace of the skies—
Come up, in despite of the Lion,
  To shine on us with her bright eyes—
Come up through the lair of the Lion,
  With love in her luminous eyes.”

But Psyche, uplifting her finger,
  Said—”Sadly this star I mistrust—
  Her pallor I strangely mistrust:—
Oh, hasten!—oh, let us not linger!
  Oh, fly!—let us fly!—for we must.”
In terror she spoke, letting sink her
  Wings till they trailed in the dust—
In agony sobbed, letting sink her
  Plumes till they trailed in the dust—
  Till they sorrowfully trailed in the dust.

I replied—”This is nothing but dreaming:
  Let us on by this tremulous light!
  Let us bathe in this crystalline light!
Its Sibyllic splendor is beaming
  With Hope and in Beauty to-night:—
  See!—it flickers up the sky through the night!
Ah, we safely may trust to its gleaming,
  And be sure it will lead us aright—
We safely may trust to a gleaming
  That cannot but guide us aright,
  Since it flickers up to Heaven through the night.”

Thus I pacified Psyche and kissed her,
  And tempted her out of her gloom—
  And conquered her scruples and gloom;
And we passed to the end of a vista,
  But were stopped by the door of a tomb—
  By the door of a legended tomb;
And I said—”What is written, sweet sister,
  On the door of this legended tomb?”
  She replied—”Ulalume—Ulalume—
  ’Tis the vault of thy lost Ulalume!”

Then my heart it grew ashen and sober
  As the leaves that were crisped and sere—
  As the leaves that were withering and sere;
And I cried—”It was surely October
  On this very night of last year
  That I journeyed—I journeyed down here—
  That I brought a dread burden down here!
  On this night of all nights in the year,
  Ah, what demon has tempted me here?
Well I know, now, this dim lake of Auber—
  This misty mid region of Weir—
Well I know, now, this dank tarn of Auber,—
  This ghoul-haunted woodland of Weir.”

tiredness hangs round like a bag put over your head
its a heavy weight you carry around expecting to succumb
at any given moment, and have to lay yourself down.
Its a thick fog rolling off the sea, and there is not a thing you can do about it. You sit within compelling dense thoughts, a captive of your own weakness, and the weakness is too strong for you to fight it.
Sapped and ****** dry you couldn't care less, in the end, tiredness has that effect, it seeps into every corner of your being, and takes control of all your lack of energy, sulphurous as any deadly intoxicant.

They leave Jerusalem, with the acrobats from Shiraz. They were ghosts of poetry, wine, roses and fireflies; they were conjuring the path of the twelve camels to the intersection with the Cenotaph, where King David with the Cherubs of Kafersesuh will stay. They were Epi ghosts, basking in camelid footsteps. They went in all the intermittences of the bent nails and plants of the areas of the marquee of the other four ghosts that accompanied him. They were the jumpers with water wheels, wheel scales with tutelary cords, some with stilts of gold disgrace from the coins of Judas Iscariot and the last propelled by a caper that ruled all the others on the wings of the Fireflies. Withdrawn from the road that leads to the Kidron valley, 2,500 years of clay tablets from Persepolis fall on all of them, they were phonetized with the plaintive nightmare of Tirazis's one-eyed poem; which is currently Shiraz, in this way these ghosts escorted the Hexagonal Birthright, they were exiled from their ghostly cities for not paying the tribute of obedience to destroy and rebuild. As they began to be with them in the cove, the ghosts of the acrobats boiled with the eagerness to prevent everyone from being saddened by the departure from the orchard, which was falling further and further behind their footsteps, dancing with their pirouettes along the way, they told little stories. in the ears of travelers.

Hydro Saltimabanqui: “I come from Roknabad (also known as Aub-e Rokní), an underground canal that carries spring water to the city from a mountain located ten kilometers northeast of Shiraz. Here I have to mend the propellers and water ropes to do my acrobatics on the water, with greater songs in the poems of the Poet Hafiz. When we bite our tongues, we repair it with Hafiz's verses from the Koran; there are three hundred creeds, three hundred hectares to irrigate with my wheel the sadness of those who cannot have the gift of the rivalry of Montenegro and Monteblanco, to overestimate the liveliness of the caravan trembling with uncertain doubts on its way to Jaffa. "

Saltimbanqui of Bacule: "We are Epi ghosts, the reverie with tutelary ropes, to jump through the trapeze of the photometric units of the heavy Almería of the highest Mirror of the Sea. Here we look; from here we will board the barge that will take them from back to Limassol. Curiously, the same ship from Lepanto that sleeps in the swings of the sea and in the arms of Anaximander, in a new awakening from the lethargy of the super-string theorization, here is the intrinsic speculation of science, since this is not just to research purely empirical. "

Says Anaximander: “First…, we have no proof that string theory is not ultimately correct and in the future in any verifiable way. Second, we propose a project of the order of string theory, which is necessary for science and its importance, going even beyond the scientific to also project itself on the metaphysical and the religious, right here in this order of greater what to do together with the rope that leads me to Patmos.

Saltimabanqui of Bascule responds: “metaphysical and religious legitimacy, here we are tying knots in the rope that inaugurates a new masonry in the observable futuristic look. Here is the original fiction of continuing to raise the necks of the ants over our optics. We will jump on these ropes, but we will fall on intervals of placental physical dens, which were born from the new embryo in the twelve caves of Gethsemane, in a primitive late germinal process. The micro phonetic vibrations will lift us up from the hunger to follow and leave King David in his cenotaph, gored on his hips by the Cherubim, marking his holy antlers that become entangled in the blunting of the cuneiform scratches of his epigram.

In the middle of the magical theorists exotically as associativity of substance causally of the poetic and multiverse song, believing in the ghosts of Shiraz, as dreams injected to sublimate the Aeneids that they lamented on the bottom stones, even though they were independent of their material origin. Multi universes, multi paraphrase for who has to dress the word “Rosa in her noble long dress to the cliff of Ebdara when Vernarth acclaims his brother Etréstles, he comes with the Auriga from Messolonghi. Rested and determined to head to Tel Gomel, he comes with his horse Kanti to keep him company on this crusade. Kanti defied the Cliffs of Crete, he was servile to Markos Botsaris, 1821 (Royal Hero of the Liberation of Greece in the Turkish Invasion, Koumeterium Messolonghi - Palibrio USA), until in the afternoon he approached from a herd of beautiful places of steeds to him. This was heard by Etréstles and he seized His horse to have more than a Life from his company, more than a lost and lost aroma of his natural mother, to reach the one who would treasure it”.

The ghosts attribute quantitative passages from before leaving King David, and then continuing on the road to Jaffa and advancing on the ship back to Cyprus; Limassol. All were hyperkinetic bowls leveraged by the terrain that was on the **** of the acrobatic histrion foreshadowing the contours of the temporal filigree, which in each one made them smile at the carriage with oxidizing wheels, still being immaterial beings, but alive in its marvel gases, wading the serious bile that emerged from the glasses in his allegories. His footsteps and his undulating phonetic figures did not stop over the caravan, which had already passed Jerusalem. They were already undaunted by themselves and overshadowed by the foreboding modulation and encryption of the rehearsals they were doing, over the heavy atmosphere that seized and begged a small piece of the attention of those who did not celebrate their Shiraz pirouettes.
The areas, volumes, and lengths were fully encompassed by the Ghosts of Shiraz, the acrobats ran along the banks of Ramallah, it was already winter, the city received them with winds and rains from the southwest alternating with cold and dry winds from the northeast. The acrobats went like master geometricians to condone the fuss of the caravan, devising a dodexagesimal system. (Twelve centuries of ultra-nocturnal geometry and shipwrecks at the Alexandria lighthouse)

Positioning as a base the number 12, to measure times and angles that they needed to avoid the voluminous rains that hit the caravan.  Incredibly, the volumetric position of the plantar legs of the camels seemed like wheels that rotated without stopping in any anti circumferential radius, making some clouds a shutter that enclosed them like a trapezoid of God's flock in the high semicircle of the waters that tried to fall. , like axiomatic staves of Euclid's beard tempering his elemental construct.

The linear position of each one of those who were mounted was a perfect ergonometric based on the Muladhara pressing the four red petals on pressing the Achilles heel of Vernarth, which was dimensioning the Ramallah triangulation, with the fungi that were housed in its Xifos sword in the jet tip that carried the dodexagesimal cartography. In the same position, the Apostle Saint John seemed, he carried the rosary in his left hand in geometry that elongated his nose and feet in an adonis triangle, thirsty for one hundred and twenty degrees of the sextant that broadened its spectrum to align with this Birthright. Thus the stars and planets are positioned as celestial spheres with the gravitation of the Olivos Berna, revolutionizing curved and flat equations that intuited to go beyond the crossed pirouettes that the acrobats did all the way, even further than those of the withered path of oil, purposely of the axiomatic systems that the Ghosts of Shiraz intended to establish.

Shiraz  Ghosts

These Persian Epi ghosts, axiomatized abstract and ideal entities relating models of austerity and lyricism, which fluctuated in the lines and planes of movements of the clouds with the counterpoint of the legs of the Gigas, leaving marks in the sand like a point Morse, straight and flat, until the fifth step that tried to cross the lines of Ramallah, for the parallelism that the centuries that asked Vernarth to reorder the geometric geography of time and the positions that were added as a delay effect in the Garden, essentially of a hyperbolic vision, to appropriate the entities of the Ghosts that grasp with their little finger the strings of the times associated with Gaugamela in his palatial sovereignty with the footsteps of Vernarth and in the phylogeny of a world that is born behind the confines of religious micro- genetics , from whose space is born in another and would accommodate a circular bijective function, to attract the aerosisms of Ein Kerem in the new life signs of J Joshua in the reborn One-dimensional Beams.

Vernarth diluted his bones to sit near the tarsus and accommodate it at the end of the vertebra of the Muladhara (Chakra of 4 petals), making a sub-technical geometric function to preserve the figures of darkness that were also diluted, to arrive at night close to of Jaffa, in the surroundings the isometric fire existing in each one and in two dimensions…, but born of a common one. Raeder and Petrobus wore their floating eyelashes full of dusty and dense manias on their faces, with splinters gum that they had released from one of the pirouettes of one of the mountebanks when colliding with the basic postulates of the Ghosts of Shiraz, deducing undulating spaces like snakes within the isometric fire that dazzled them with the burning senses of humor of the last drops of the Shemesh codifying themselves in an absolute intuitive measure, beyond all dimensions, which is Consciousness destroying the planes and spaces that multiplied among themselves as members of another geometric conscious dimension.

Arriving at the Ben Shemen crossing, everyone undergoes collective hypnosis; the ghosts manage to embody each of the components of the Birthright but omitting a great factor. They relegated the Hexagonality of the genetics of this caravan, not raising the ghosts when calculating the area of once they were being intracorporeal within the members, thus having to abandon before the last ray of Shemesh threw them on their faces ashes of the Gehenna, for this supposed reason to leave them condemned to recycle the human species, for the purpose of reproducing sacred human beings, but being subservient to the cravings beyond the immortality of the miscalculation that led them to the citadel of Karim Khan, surprised with its stamp of thick stone walls and circular towers in the heart of Shiraz. This gave them a warrior aspect contrary to their fame and history: this was a city famous for two thousand years for its culture, with its gardens and its poets, now if in a conspiracy by this beautiful odalisque ruse that attracted the guide of the ecstatic ghosts, in a bad moment of extradition to a bad context of epi ghosts not yet defined in their pockets of apprentices boasting on the laurels of weak and doubtful ideas, which still swarmed within his white heart, trying to reach Vernarth's as former commander Hetairoi, now a servile mystic. In such a way, the complicated as ghosts like "Sufi", being, in reality, the genetic soul of the double ax that carries the double edge of today ..., of the sacrament of Medea in Abdera.

Pro says a ghost from Shiraz (embarrassed):

"The Universe is a sea that longs for dry shores,
without sea and without other wet longings ...,
no possible maiden could
Try to dry it with your star hands ...
Who calms the crying of the Universe ...
even so ..., simile remains floating as a verse between his dreams "

"How can I make my dreams another dimension of the universe?
if he is quiet and does not make me float in his sea ...
How can I make it possible for the tips of its stars
fill the spaces that have revealed it ...
and that have made circular shores without a sea in the mists "

"I walk alone and nobody sees me ...
so I don't wake up the candles that smile and accompany me ...
between days that turn into mornings on the shore
of the solitude of the universe, that nobody embraces him ... "

“Now the days tremble from almost falling on themselves,
They come out alive from their own loneliness of exhaustion and fullness ...of whoever appreciates them in the mists ...
being able to surrender their attention in Ben Shemen ”.
As the Ghost of Shiraz expires in Ben Shemen, he escapes all for nothing in the triad of hypnotizing conventions that still resided in the shameless air that engulfed him, all over the stationary enclosures of the entertainment spaces caused by the acrobats and epi ghosts. That seduced the indecisive beings that sailed over the limbs that made them doubt where to refrain from continuing, outside the radius of the caravan or beyond the skies that did not cease to be in good spirits, of the universe passing through the white hearts, six on the inside and six on the outside in their traveling artist folds.

The lands that are accommodated by the time of parapsychological hypnosis tremble again, as a separation from the physical magnitude of Gethsemane.  Creating a sequence that bends the heads of the ghosts, filling their translucent physiognomies between a cold past and a frozen future, from a classic mechanic, which from now on would depend on the dice thrown by the Third Phantasm of time. Here a relativism would be opened to those who want to see the past in the orchard in an unstable particulate present, leaving far from splitting both parts of the archetype of today, like a subdivided clash of several times that allowed integrating the remaining phantasmagorical spectra, taking over a story on a pluriaxial axis that prevailed in the time of a supposed numerical line from a vector, aligning itself towards the compass of the distance that shines between both northern hemispheres in the minutes that go to the right and the solid-gas seconds that burst almost in the walls of their own liberated beings. The four ghosts of Shiraz, had time differentials before this event with the caravan, verifying the simultaneous prop between the two pairs of ghosts between four dissimilar, but poetic ones that made them here at this point obviate and cancel between two relative nomenclatures of physical structure. The durability and classification of these micro-times of the phantom epi would make the database that St. John the Apostle and Vernarth will accumulate with their eyes closed, each one surpassing himself from the debatable areas, which concern to estimate in occupying the spaces physical in some of them at will so that one of them could embark to Limassol. This simultaneous and relativistic multi-active line, encloses events and squares of spaces in the cinematographic time of the parapsychological regression, as a link of physical images slowed down in the evolutionary and cognitive memory, passing from the conduit of expectation memorization events towards the set of absolute figures. not pigeonholed, but approaching the universe in grasping scales of those who value them. This elucidates even the very conception of conceiving oneself as a ghost, rather in what is called "Epi Ghosts", of absolute belonging of the identical ..., outside of oneself "Being with them and not, as a tacit phase of a dragged story with the seconds that were not lived ... "

This scaling conception will allow them to reside a few millimeters from the consciences of the caravan that was advancing automated along the tracks that already made time and distance in front of the absolute, in a jiffy, having in their faces Rizhon Lezion, who was made of images more than a marked and concrete story in a mechanics that kept the body as part of a large volume in all, to the rhythm of the plantar areas of the Camels Gigas, dividing as a stream of water that would flow fragmented between past, present and future, but as a starting pattern to the future as the only "today" for the time of the times. This unified three-dimensionality would mark the mathematical space of the attempts towards the future of the contiguous camelids of the ghosts of Shiraz, for the ownership of time between all with a single identity that cries out for the univocal will to rearm, even if the winds are very strong. Of the partition,  which separates the world from God and the believing observer into the future with a believer from a historical past in obscurantism, leaving and entering a new world whose notion is to spend connected and bound in a systematization dependent on the great causes, although the static feels isolated from the dynamics, inquiring probative to unite between the ghosts and others, even though they are inferior forces under the line of the generous gaze and the parallelism of the attentive spectator, which suggests more openness to receive and delegate the circumstances of all physical, emotional, spectral and mental-spiritual dimensions, flexing the emotional states hierarchical night and day. Everyone falls asleep hugging on cushions of lamb saddlebags, making it possible to get closer to them too, close to the Ghosts and sleep next to them hugging with the decanted strength of the frames that hang from their faces showing the emotion of being favorite children of the Mashiach, absorbed in the Kidron Valley.

The frontier of the future will be the pre-act of not traveling too much of the physical love to the touch that only awaits the love of the sleeping of a Cherub, this may occur when the sheep climb the hill of our consciences, and manage to be perceived as the simultaneous harness of satisfaction, who lack the vision that would speak to them of a past belonging immobile, to this ethereal topology that will have to biodegrade the molecules of the seconds that sleep in the sheep-man wool saddlebags, at a higher speed than it would last to go back near from the palisade, where it crosses the path to the immemorial arcades of the Mashiach, spinning around all creation at a speed that determines a verse in its soul around the orthogonal of Shemesh, quadrupled and cloistered in its self-consciousness scattered like iceberg down the back in the submissive thoughts that long to be tied to more precious time.

Our lord has us more tied to an absolutist past and future, looking at his calendar divided in such a way that it always fits the day that hurts the shadows of a sharp past, so that it always smiles in us, as the best luminous sign, of whom and with whom to repair the damage of various wounds that travel through the times of time, always wounded, to and from the borders of an anachronistic past. The ghosts, always fast tetra, marginalize themselves to the sound of greater diligence, they fled in Rizhon Lezion, to wake up a little further away from the rays of the stationary Sun, which from now on always surfaced in the degraded dark circles of the mountebank, prowling around the festivities of who knows how to wait, to make a toast under the pretext of faith and hope that exempts the cardinal turned into a flower in white attire.

Shvil from the Angels

The fast epi phantom tetra was emaciated, they lost their north and since they could not walk, they were not energized by the radiosities of the earth, which dominates those who lend divine graces if their feet rested on the tapestry of those who threw their footsteps in winter already near Jaffa. The Shvil Angels were angels that were on the route that cordoned off the pilgrimage of Vernarth and Saint John the Apostle, they were full of flowering Berne Olive Trees that made trunks of floral arches at the entrance of this ancient port. They were three when they walked, they were always distributed so fast that they seemed to be six, but they ended up averaging the quantum of three for each of the components of the Birthright, which from today would be the great circumcision event of the Universe, to make it part of those who one day will have to caulk the rhombuses of the fragmented light beams on the path of heaven so high, in the name of the phrases that never tire of looking at the incautious years that are of our father by the exogalaxies in the total company of the invisibility and relativity of cautious time.

This Semitic seashore beauty indicates and invites us to reach its salty Hebrew waters of Yofi, reinforcing the phonetics that runs madly through the border hills with its heart in hand, when foreigners appear in the name of plausive phylogeny. That brings him a piece of bearable land from the Universal Flood, this is why the ancient Canaanites have to receive them with the table set, to entertain them with winter flowers in Jaffa. The Hellenistic tradition relates the name to Iopeia, which is Cassiopeia herself, mother of Andromeda. After Pliny the Elder the name is connected with Joppa, who was the daughter of ******, god of the wind. Where Vernarth locked his Aspis Skolié shield so that it would shine in the bilges of the Eurydice, under the pentagon’s of the bronze layer of his shield, every time he approached the Dodecanese when the Auriga descended from Andromeda on the back of a punished rower by the storms taking him away from his mother galaxy.

Thousands of years BC Its merchants glorified themselves with their baskets full of belongings and merchandise, for its inhabitants, who today pretended to be pharaohs who paid tribute to the marine corners through the coast that today seemed to open up with more new waters that were reborn from the capering of the swells, founding thus the omens of embarking to attempt and submit to the omens of sovereignty between Judah and the Hellenic lands, to work with noble trees in their armories and utensils, of which they played an honorable part after the maintenance of the emblem of the last portion, of the shaft of the libertarian triumph of Alexander the Great over the Phoenicians in Tire. In the New Testament, it is related how Peter resurrected the believer Tabitha (Dorcas, in Greek, gazelle) in Joppa (Jaffa) and, later, how near this city he has a vision in which Yahweh told him that he should not distinguish between Jews and Gentiles while ordering the removal of ritual (kosher) food restrictions followed by Jews.

The Shvil of the angels distanced themselves from the desire of this station without reaching them and not making them drink salty water from Jaffa, therefore they resorted to Petrobus who a few meters before reaching the port, summoned a large number of Dodecanese Pelicans who were waiting in great celestial flocks, which hovered happily above the sky welcoming them. The pelicans levitate from a risky juggling act, over the caravan and headed to the high seas, collecting saltwater, then they went along the initiation path of Shvil and reconvert the saltwater into sweet with hazelnuts so that they would have holy water, to insolate it and pour it into the canteens of the temple guards of the Canaanites who were waiting for them, to distract them, making them believe they were other Syriac lands such as those of Ashera, which in this act, perhaps it would be good for them to sponsor the Hexagonal Birthright.

But the paths of the angels have confederated before the noisy crowds and Ptolemaic lemurs, who were incorporated into the empty spaces that remained. Faced with this gravesite, Vernarth shouted to the sky with the force of Falangist tradition to himself, and acclaimed heaven, for the sake of freeing them from their definitive income to Jaffa, summoning the Hypatists; elite warriors and spearmen, for them to gather at the portal of the ante entrance of Jaffa, for others who never came from nowhere and nowhere, only blocking it from its perfect plan of memorial and theological heritage conservation, upon return from the exit Judah, to embark with destiny through the sulphurous point that  will boil them in temporary waters, towards the Cyclades and then the Dodecanese, triumphing in inhabiting them wherever whoever was and whoever arrived with foreign promise.

As dusk falls in its first nubile shadows, the  Shvil presents itself to you with these three angels dressed in ivory white, each with a book in each hand and in the other a candelabrum, giving signs of ultra-interpretive catechesis, allying with silica. In combination, after the vision of the charms of the knowledge spread. Earth and sky in the second angel, washing the Semitic dew of anguished Jaffa, with teachings of sleeping well and awakening, to walk in the lands that want to seize the senses, of those who are called not to be oppressed, behind the bars of the Morbid and illiterate pan-vision of the angles of hasty entertainment of the angels when they were called by the Angel Regent, simply relaying information easy to carry to their hearts, in faint powers and poetic lessons, before falling into a thorny forest, burning their tongues in furrows of afflicted human positions, to later redeem them fervently with the judicious power of God.

Vernarth, is distressed by matters of seeing them so tender and so fragile, allowing them to crawl toward him gently. Finally, on these three rules of the Shvil, Hanael introduces herself; "Speaking of hindrances stuck in the literary cabal of grateful compliments for all".   Alluding to Vernarth, a subject desensitized and also distant from any Sub Yóguica disciplinary doctrine. This led him to stand behind San Juan, protecting himself and scared of everything around him, he was seeing in front of him, on the upper left side itself, that Zebedeo was, San Juan's own father calling him!

Saint John the Apostle says: “Justice, at this time, allows us to alleviate ignorance, if the riddles allow us only to look for the answer, God will not be here…, it will only be emotional catharsis, through a merely ideological  Shvil or passage, which moves our meaningless sentences, definitely leading us to the coffers that rearm one after one, after the mistake. We are faithfully interpreted by them, but we detest our regencies with the Escaton, when we all pretend to follow his light of thunderous density towards the sky, prophesying to follow him without losing ourselves in him ..., held on his shoulder glossary. On the claws that are released from the dazed angelic prey, correcting its wavering vision, unraveling the living presence of condemnations or salvation, in Eden with your bare feet or in hell with no departure time”

Inexplicably, some Praetorian soldiers of Domitian appear, who would be restricting the departure of the tretacontero to Limassol, curiously they were the same ghosts from Shiraz that continued to represent such a bad event, just as when he was expelled to Patmos by Domitian in 95 BC, in size was the scandal that the Shvil angels produced with their impractical ideologies, who opposed such spectral imagery, in such a way that they replaced their figure with that of another Hellenic man who wanted to embark for Patmos, the other members were fully incorporated to the ship, which frolicked on the pranks as it proudly carried them to a new ocean. Around the last drops that jumped in Jaffa on the coastal rocks, others appeared when the last divided and scattered drops were going to shine the navigation temples, thus it is possible to board in the same ship that brought the principle from Limassol to Judah that transited from Lepanto.

The chapel of ministers reappears offering a ceremony, which would return the messianic remora to the Angels of Shiraz, to return to their former positions within the paths of biblical characters, who tend to commit adultery in the game of loss of consciousness of the Escaton, probably requiring that everyone have to make pilgrimage routes for all humanity secluded and liberated by themselves. The Saltimbanqui finally manage to jump into the boat to sail to the Dodecanese, but the Shvil of the Angels stayed where other celebrities will require them to reroute the Shvil Escaton.

I wish for your glorious garden to wither,
your tree to shudder and  fall in the forest.
Your stars to hang limp upon the heavens,
and your moon to turn to a sulphurous pond!

I wish for your humour to sour in your mouth!
And your thoughts to dwell in incoherent confusion,
your keen logic to become a pile of rubble,
and for happiness to elude you constantly.

I learned about Oxalic Acid
At seventeen
When less than anxious for yet more information
More notes on a chalkboard
In a malodorous Sulphurous  school room.
Hastily copied in pencil
Scribbled then and required to be transformed
Later, into copperplate, almost textbook pages.
To be judged as adequate; or not.

Oxalic Acid; not as deadly.
But in a close league,
To the clear deadly liquids
Held in the dusty skull marked bottles
Within easy reach of any manic schoolboy.
Dusty bottles in a rack
In a rack on a bench
On a bench where I sat
Where I sat wondering why my mind
My sharp juvenile mind would never grasp
Molecular Valence Theory quite as well
As the taste of a girls lips
The smell of her hair
The ring of her laugh
The answer to a question in her eyes.
Years later
When that girl had gone
I read that Oxalic Acid is found in Rhubarb leaves.

There is a city in the world with a torn out street,
Where the people are torn between their lips and teeth,
In broken homes, on salted shoulders,
With rasping tongues and crackling lips

Ouroboros Ouroboros
Soroboruo Soroboruo

Sulphurous distaste of the mind,
Degenerate, disintegrated air,
Vile of thought and thistles,
Effervescent on streets of doubt

Like lampposts at twilight
Held warm at winter’s heart;
Luminations blind to noise
Of pearls and furs in perfect poise

Weep Salamander, Weep Salamander
Weep, Weep, Weep for
Alexander

I who sat upon the throne of Kings,
I who spat at the Wise Man’s speakings,
I am king no longer but of the ground,
And nobody kneels for me.

Zosimus
Swept the desert sands,
In hopes to find the garnet stone,
He found nothing but a lump of coal
And on the sands he kept on searching
Till he found his heart at the bottom of a snake pit
At the bottom of the snake pit
Prying love with solemn hands, he could not differ
What writhes and pulses in the stirring dark?
He breathed the song of ash and crept into the fallow wind.
Heartless and filled with venom spit,
He lost his Pride at the bottom of the snake pit.

On the rocks where Jonah stood,
Clay feet and hands of glass;
Let the waves break against him,
In hope that they might chastise him

Pleading,
O Mother O, do not forsake me
Please Mother Please, let the water take me.

In the bell jar,
The Nightingale discords,
Hallow, softly broken men
The man of Crete leads with a heavy heart
Yet cannot still raise his arms
Rome was not built on Martyrdom

So swear sinister, by the left hand
Stain your feet with the hearts of men
Lay your fingers bare,
So that they may come again

Dance on marble floors
Where the censers used to bow as they did before
Time stood vexed in amber jars
And watched the silent skies pour unto silken crowns
Their tranquilla doves and emeralds sparse
Lay decadent on marble floors
Where they never danced, they never poured
They never sang a single chord
Melancholy nature is,
The truth behind
What is left unwound
The rest is all a lie.

It is no fault in time
My Masonic Mind
Chose to purge the world from the inside
Of a child’s heart
Checkers, Checkers
A Chequered floor and Chequered Sky
Drowned Jonah’s world in Red and White
Cleansed the bell that sounds at dawn,
Eyes as wide as shadows long
And with the spectral dust come tears.

In the end,
What will be left at all?
But Blood upon Vermillion.

PART 1    

“Tis’ well”, she mocks with words of bitter scorn
“For avenged I shall rightfully be…
Oh ye’ shall wail in woes of endless tears
And the taste- will be so sweet”, said she
“No my angst shall not be in vain
For one day… I’ll feed upon your pain”

Now when he ****** her ruby heart…
Her wounded soul no longer bleeds
She waits like a spider to give her bite so fatal
He bids her message to his waiting lair
Her deadly web she cunningly weaves like a cradle

The night was bleak, storm clouds black
Strange images filled the cold, misty air
Lightning flashed or’e ground and sky
Echoing howls of raged despair
As she approaches his open gate
Her angry, bitter gloom extends thicker, deeper
He has no idea of his dreadful fate
Knows not he, of the danger lurking there

When she entered his darkened room
The hearth inviting in his snare…
A sulphurous fire was hotly burning
Ere’ he know not of his waiting fare

Her shadowy figure encircled his laying form
As utter terror rose in his gaze
But the fire in his lady’s eyes
Was hotter than the hearth’s warm blaze

Suddenly- all was silent in his room
His body lay cold - and oh so very dead
His fleeting soul left with a morbid gloom
The blood slowly creeped from out his eyes
Her lover…now erased
Then she coldly lay his straight razor at his side
She’d be the last memory on his face

“Tis’ well” she slyly mocked…
“I warned…
for avenged I shall be”, said she
Then into the night she walked

II
Rachel whispered her words…
“If it was your twisted intention
To give inspiration thru’ deception
My darling it worked its spell
Go forth now…and weep thy doom
You'll never put another women thru' your hell"

III
She pens now from the blackest corner of her soul
Captured…
Inside her dungeon walls
Where darkness falls like brimstone
With no regrets to whom it may burn
Hot and heavy with torment and woe

IV
If... or when she finds her place
In your Cimmerian sky
Wrath shall rain down upon you if you lie…
Scorching you ten fold and over
Then like her beloved…
You may just die

V
RACHEL RISING..

Rachel awoke...
Sweat dripping of her brow
Her brain on fire
As she lay dreaming in her bed
Cradled by her vindictive nightmares
Oh how corrupt were they
For a lover she  soon planned to slay
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~­~~~~~~~~~~~~~~~~~~~~~~~~~~

A man stands. overlooking two different visions. Two different choices.

On the left he gazed over the glorious modernized utopia. Tall prominent skyscrapers, gleaming in the dazzling pure sunlight. Clinical white rows of spacious suburbia. Unnaturally green gardens of perfectly shaped, perfectly cut square grass accompanying the houses. Polished, scentless people strolled down the un-littered perfection of the linear streets. Enormous great smiles featured on the faces of all. The urban paradise. Biblical, eden in practise, sanctity.  Economical bliss. Unpolluted, crime free, social perfection. No inequality, racism, no hatred only love among broters. No depression. The endless rows stretched glorious miles, convenience, supermarkets, brand new glistening, hospitals, all necessity in perfect working order. No unemployment, no political unrest. Every man among equals. Utopia.

On the right hand side, wretched poverty as far as the eye can see. Cramped, overwhelmed shanty towns. Terrified people, dragging themselves through diseased streets. Crippling illness plaguing the antagonized masses. There is no employment here, no glistening new buildings. Only the decaying festering ruins of lifetimes of selfishness. Hatred, jealousy, paranoia, neurotic fluttering harpy’s, harlequins of the night. Plagued minds, plagued bodies. Gargantuan monsters of men rose from the rubble. Demented. Lava flows freely through the crumbling streets. There are no trees here, no vegetation, only blackened earth. Blackened with the ****** despair of man. Only anguish in this land. The black sun burns with hateful rage in the sooty, cloudy toxic sky, the only rain falls as corpses falling from sardine cans to the sky. Burnt out cancerous lungs, filled with sulphurous air from the giant volcano's of dead minds, spewing deadly chemicals into the already uninhabitable environment. The demons of despair stalk this land, endlessly wallowing in there own self-loathing, amongst other vile things.

The decision resting on his shoulders governs life for all men, all men to come. His left side, yearning for paradise, freedom, equality for all, peace, communal gain.
His right side leaning towards narcissistic self gain. Taking the world for himself, watching alone the setting of the poisoned blck sun, poisoned by his greed.

He walked forward, leaving the realms of choice behind him. The future was his to choose.

Klauss Ritkke collector leaves and representative of Beggars, with their 76 autumn and semi-dead body of downstroke of insect. I used to walk through its narrow streets serenades as liquid pearls, as clusters of dreams omnipotent ogres and fetishes; owners of old Avignon, iridescent moist soil marshes bringing minerals liquids Gotthard massif, ancient drains into the Rhone. Owner dreams and curses weak burst administrators of the house of God.

         August 4 in the year of our Lord 1617, when it was asset Klauss cleaning the largest stained glass, heard heated dialogues between Fraile and Gentleman, who was in another time assistant clergy? You could approach Klauss and listen more clearly their conversation, until the Friar Andrew, stammering, Raymond Bragasse demanded indulgence, or one or the other.

Fray Andrés : How many times hopefully I struggled to reform you ... Raymond!
  
'O virga ac diadema diabolus thirst ...!!
  'Oh ****** the Devil smiled ...!!

Raymond  : It is to live more question if I failed something, take me to the sulfurous emanations from Averno. But my faith lies mildewed on the seabed, sacred myth ... my truth, and my beloved Marielle ... Meanwhile,

Klauss envisaged to play the window and looked her tongue to pray for them. Fray Andrés, paced back and forth wondering what to do...?
Raymond  : There are fifteen thousand demons possessing my body ... fifteen thousand demons to attack the sacred mystery of the Holy Rosary ...!                

Fray andrés : Oh great cause ... How I have to ****** your soul whose darkness of flashed light ...!?

Raymond  : Marielle was my light, my Eve Edenic, admirable land. Now, it's my I spell, my blindness or my constant bleed sharp, not knowing where to elapse...?

         ...To a memory that night, that dismal night, giving up my final vows of faith and consecration of my soul. I broke my bonds and ecclesiastical chores all by Marielle noble descendant of the Quentinnais.

            Never believe such grief in my fate I do love her, but his misfortune was to meet me. That night when I went to the edge of her house, I walked through the kitchen window. Everyone was asleep, except the albi-blue reflection of the last gasps of the deadly round of Quentinnais Mansion. I thought rescue and salvage something from those cheeks kissed by me, but their heart wiping her heart and lungs.
     It is possible to recall the last roses I took her hands.   Danced with her, next to the old hymn and lamentation of prestidigitations made by the monk, played alongside cartomancy having abolished the minute of darkness take her with her beautiful bare feet. What a pain, I could not rescue her, and snatched me death! His parents hated the mere fact of having their priest ruled by a wicked heart, so I turned to the pagans and dark gods to heal Marielle, and his heart transplant it for mine.
              
Since that day, I'm still burning in hell polisatanic to take little breath of kindness and seize transparent liquid plaguing their existence and serene Diadem metal to learn that his friend possessed by the devil fall into any infection endemic evil ...; endemic of his love, crossed himself when he saw that turned into a horrible one.

Humble as leaves in the garden became the Bible leaves torn from the bound fillings. Saints lepers shriveled down her columns. Heaven proclaimed hemorrhages and wind festering stinking gases, which in the sky sprouted in clusters clots on the Papal Household.

          Fray Andrew threw the rosary on the neck of the possessed, and asked the Demons who feared more ...?. A question answered this question Demons, which fell shrieking vertical down the aisle ... and.... fell, rose!

              
       Klauss fell to the ground in horror, and the demons not to respond, fell into tears and regret shaped so plaintive and poignant, many dark beings holed up in fixtures and embankments, they began to mourn moved by natural compassion ... and saying pained voice by the mouth of the possessed...:

...Andrés, Andrew ... ... have mercy on us!
              
Meanwhile, Klauss ran away screaming the place ... could be heard in the distance ... Marielle ... have mercy on us!

         Sparkling lights fell on the dome, covered with orange and creamy luzbels horror. Apertures fulminations betrayed contained emancipate the shackled muses leaping vacuum; discouraging reddening chinks bad ..., saturating every form, every place, and every interlocutory benign breeze.
Most animals vomited on the walls; carbonated some ****** walls and curdling the soul of the people. Other remains of vomiting sulphurous radiated papal house, initialing the firing squad diabolical image of Raymond and Fray Andrés; they are swallowed by the Cancerbero. So flayed bats were issued by the campanile, mistaking the red sunset in penitence with blood dripping thick alleged by the Buttress and reach a churchyard to embryo.
            
Got home, tightly closed the latch, feeling strangely his wife Danianne; which saw his face isolation. Then he went to his bedroom and closed the curtains, warning yellow lights in progressive outlook towards a corner of the mirror. Then he lay down on the bed and prayed for himself and others ... "Today, when I walked by my office and my prayer my clothes pilgrim incense drove away my voice ... as if Fray Andrés, still whispering my ears..."

I close my eyes listening to litanies and prayers ...
         O ****** by virtue of your rosary, directs these enemies of mankind to respond to my question...!
                
Klauss saw the exorcism using the mirror. He made a prayer, came a radiant ears, nose and mouth of the possessed flame. Fire flowed like laba of the Holy Cross, which destroyed the wicked and the most worthy wisdom worked against the satanic specter fire and hot rosary fell on the hot heads Fraile and Raymond. It was what translated his shadow in her room.

         Klauss Rittke, returning the next day moistened his clothes by the dense fog that covered the sacred place, then when picking up     leaves plucked Bible found a Diadem with an initial contained a    backwards W, whose image pointed to Marielle triumphing evil. He   tried to leave but nothing left pulled, so refugee took the   diamond and warily Diadem led her pocket.                                                          ­                          

Little bit could do that dark and rainy day, as an insurrectionary devotion that day begged her angelic singing to heaven; that enveloped the sky in order to transport to the cemetery to sleep next to their parents.  Diadem virtue to useful lives and reigns in the footsteps passerby Baal runaway spirits. All with their malodorous footsteps, they vomited and flying in higher meridians, like the giddy exorcism in the house of the universal Shepherd.
           The same day, August 5, 1617, Klauss arrived tired with the diadem cast in her hand. Thus, ceased to exist and its long sleep would walk with his white robe and crown throw with his eyes came from the Sea blankets the oceanographic serpentuous within Marielle, whose hairnets they are containing its essence. His agony lasted three days, and around Avignon no who could wear mourning. His children and wife lost their voice to utter.

Go in peace Benedict Klauss...!

Lightning
with fiery shades of wrath
woven into its shards
ripped the horizon,
dived into the ocean
to its depths of sedimented pretensions,
baptised it with drops of sulphurous fire,
to a cleansed conscience.

The ocean rose up in a high tide of exuberance,
escorted me to its depths
for the drop of sulphurous fire to baptise me,
to give my yearnings the shape of a flame
that puts my soul on fire.

Old courtyards with tubs of laundry:
‘Go to the washerwoman and do your own washing’
I whisper to you, and the wild apricot trees
all turn suddenly white, the sky pales,
the world is ****** in a drenching buzz.
There΄s a smell of bluebags and a sulphurous bubbling.
You΄d hardly believe it — so much steam rises
that only dirt is left in the copper.
The wild apricots petrify into coral.
It΄s so easy — easy in a woman΄s way —
to wash your soul, to rejoice in the spring wind
shaking the scales on its dragon-tail
so that you΄re looking at soap-bubbles
it blows for you between your fingers.
Two children pass by, holding on a string
a balloon transparent as a bubble.
For a moment we are crouched inside it.

Grete Tartler

[Translated into English by Fleur Adcock]

New Europe Writers Bucharest Tales, Contemporary Literature Press, Bucharest, 2014

When the roof came down in the copper mine
There wasn’t much hope, we said,
Those twenty men on the south-west drive
Are buried, and probably dead.
The guys came in from the midnight shift
And they shovelled away ‘til dawn,
Pumping air in over the drift
They propped where the roof was torn.

For nearly seventeen hours they worked
They took it in turns to drive,
A passage was finally opened up
Though the men were barely alive,
I watched them all come staggering out
They’d all survived to a man,
But the last one out had begun to shout:
‘There’s a guy in there, like Pan!’

They sent in the stretcher bearers, who
Were there for an hour or more,
The men were shaken and pale of face
And wouldn’t say what they saw.
The stretcher was bearing a crumpled form
That they’d covered up with a sheet,
‘We’d better be taking this to the zoo,
And everyone, be discreet!’

A rumour, much like a whispering sigh
Was spread through the mining town,
For everyone wanted to know the guy
They’d pulled from under the ground,
The men they’d saved from an early grave
Lay still in their hospital beds,
At every question they looked away,
Just lay there, shaking their heads.

Their syndicate lottery numbers won
On the Tuesday of that week,
A million each for the twenty men
But still, they wouldn’t speak.
I guess I was feeling curious
So I took myself to the zoo,
They’d closed it down for refurbishment
But I knew the keeper, Hugh.

He put his finger up to his lips
And he said, ‘Don’t make a sound!
You’ll get me shot if as like as not,
They see that you’re looking round.’
He let me in through the rear gate
That was clogged with vines and weeds,
And we crept unseen where we’d best be screened
In the shade of the lilac trees.

He pointed me up to the Tiger’s cage
And he said, ‘You go ahead!
I’ll not be going further than this,
But don’t get close, or you’re dead!’
I wandered carefully up to the cage
It was slowly becoming dark,
And something hung in the evening air,
A sulphurous smell in the park.

The Tiger lay all over the cage
Its body was ripped to bits,
Its blood was spattered in violent rage
A snarl was on its lips,
Then from the rear of the cage a shape
Came shambling up to the bars,
It stood upright as a human might
But it certainly wasn’t ours.

The eyes were narrow and slitted, and
They glowed with a dull rich red,
The beard was long and the teeth were strong
Set deep in a goat shaped head.
It seemed to be wearing an evil grin
As it seized the bars with its claws,
And over above its pointed ears
Was the hint of a pair of horns.

Its legs were the crooked legs of Pan
There wasn’t the slightest doubt,
I took one step away from the cage
And stifled a fearful shout,
But then its shape had begun to change
And a tail whipped round at the bars,
It was long and pointed, covered in scale
And marked with a hundred scars.

It grew in size, in front of my eyes
As I stood, stock still and stared,
Pressed its face up close to the bars
And grinned with its nostrils flared,
A sudden flame shot out of its mouth
And a voice rose up from its gorge,
And rasped a name that lay deep in my brain,
‘So we meet again, St. George!’

David Lewis Paget

Mercurial Ambrosia / Profitis Ilías and Cinnabar

From the rudiments of the votive offerings that were outlined from the Megaron, a grammar was looming that sought terminologies in the lexicons of those who would intervene in the ruling party of the same patron twin; in such a symbiosis by naming him Mandragoron.  Vernarth came already ready after the fringed platform of the Acrotera modules, and in his affirmation of how he will appear before the plinth of Athenea and Zeus, who were awakening from a reminiscence of the Nemeton Druid, to go in the responsibility of the active life of austerity, and in the greyish roots of Zeus's oak that was rummaging, attend to the lively brushstrokes of three-dimensionality of the "V", which could be seen concentrically in the Pergamon frieze. The "V" emerges from the sculptor's cardiac center of escape and perspective, in the polys-perspective of gigantomachy where Athenea apprehends the suffering Alcyoneus by the hair in a deadly belligerent perspective and in convulsions of Satanic enthronement; Alluding to the apocalyptic epistle of Saint John the Apostle, on the vertical optics of the great Maker of pnemo-images or aerial nuances in the semi-open eyes of the giant suffering in Alcyoneus, with lost encumbrances from the maternal power of his matron Gea, for a polytheistic empire and adverse towards the border of the Christ anointed in unison, and of the better-known reliefs of the Athenea panel. Her contracted forehead and her belly convulsively are constricted, which only leaves us suffering and mortal fear. In the arranged thing the giant loses contact with the mother of him Gea of him; Disappearing land leaving you vulnerable. The sacred serpent of Athenea will **** Alcioneo by biting him on the chest (ibidem Vernarth's suffering pectoral from Bumodos, Tel Gomel.)

Nike will consummate the victory, and then from the exhausted stadiums of the Pergamon amphitheater, Wonthelimar will bring the Victory with the other "V" of the goddess Nike, also borne by Athenea Nikephoros. From this duplicity both are transposed into Vernarth's "V" as an initiatory pseudonym; that will graph the reinforced twin of the Hellenic genesis of Wonthelimar, articulating from this Prótypo with the genesis of the cardinal Mandragoron that will be architectural and deified Vernarthian hierarchy:

Cardinal Mandragoron

- North : Vóreios  (Zefian Boreal)
- South  : Nótos    (Austral of Borker)
- West.  :  Dyticá   (Sunset of Leiak)
- East    :  Aftó       (Equinoctial of Kaitelka)

The Cinnabar Tsambiko, had bushy inclinations with the Mercurial Ambrosia, for the good of large metropolises of Mercurial Pollen, for those of a single deity coming from polytheistic Pergamum, in a flaw that is centrally concentrated in the monotheism of the Mandragoron, which will rise from the rocky of Mount Profitis Ilias from the height of the rhizomatic basalts, to condemn those who betray them, if they are stripped of the Lepidoptera. In the same way akin to a bucolic immortal, in dietetic miraculous, for basal ingenuities of nomenclatures, from the focal point of indigestion that dies with the digestion of sacred food, led by healing perceptions and sensations of the well-known world of ferment. It could be a Backoi, Kykeon, or Nepenthe, preferring to be swallowed by the Titans, to later filter honey that evaporates and volatilizes towards the Sulphurous Cinnabar, containing the bi-compound and sacred Mercurial Ambrosia, to later be disposed of with a vile gargle to the disposition of mortals who were to be immortal like Heracles. From this mythological infundity, the potion for Vernarth is abstracted from smearing it on his nose and on his pectoral, so that his wound that did not heal does not rot...; perhaps his Hellenic heart in rubble anticipated the destruction of future archaeological works. Or perhaps to imbue it in the chest of Achilles, like Vernarth, but it would be so as not to resist fasting. Liquids with entomology and Lepidoptera from Gethsemane in flocks come to clean the scabs of the heroes, who are only able to resist such effusion and subtle prophylaxis, stinging Prometheus a single sip in this new Mercurial Ambrosia.

A pulsating longevity awaits in the longing hours.
Tick.
Tick.
A sulphurous coverlet crawls up to my neck.
Tick.
Tick.
It’s dark at the windows; it claws at my throat.
Tick.
Tick.
Someone, come save me – I can’t breathe; I can’t cope.

The layers peel back, constellations on show –
I sit with this pain while it grabs its dark coat
On closer perusal, a face lingers close
Broken, ugly, no joy does it show

It takes my limp hand in a gentle caress – calloused, hardened, its gaze set on my chest

“Dear girl”, it does say, as the tears linger close, “your being in this world hasn’t quite found its home”
I grasp at this hand I don’t quite understand – it coaxes me forward in a promising demand.

“Make friends with this darkness – feel how it chokes. It has a message to share underneath its black cloak”

Trepid, shaken, I follow its lead
The cracks shatter open and all is revealed.

In a nonchalant nook of a meadow and brook
There's a spot where the rules don't apply
It's not easy to find in the rushes enshrined
And you'd have to be ever so spry

It's here, cast aside, that the fairy folk hide
The ones Disney politely declined
Though they twinkle and fly through the midsummer sky
Their employment was less than refined

There's a stout looking sprite in a shimmer of light
With the buzz like a million sighs
Her name sent a shiver straight over you liver
It's Shitwallop, bringer of flies

There's a couple of wimpish and creepy wee imps
Pale yellow, like ageing canaries
It's Wagglebrow-Kisses and Gropetit-Dismisses
The ****** Harassment Fairies

And floating around with a raspberry sound
Leaving sulphurous fumes as she goes
Like a starfish but hairy, the Flatulence Fairy
Queen ******* drifts up your nose

There's so little to write of the Soddomy sprite
That I won't even mention his name
Dodge Flapcrack and Slurpees the Harpies of Herpies
And avoid any friends of the same

If you want my advice, which will have to suffice
Then I'd stay well away altogether
For I've not even touched on the ******* and such
And a fairy looks scary in leather

You have a citric tongue
Acidic but tasty

You are a vacation
In mental *******

Sulphurous words
That burn me
Full of furious reactions
Such an oceanic passion
A deep blue sea
Of eyes that look into me

Your body is a nation
Barely opened borders
I flow into you
Heart heavy and tired
Poetic soul branded illegal
Desire makes me criminal
Wanting those wanton lips
Chapped from our heated kiss

Make me your facebook friend
To share your soul
In the form of digital content
Then bury me in cement
Solidifying your foundation

Building us up from lust
And a cosmic elation
With a milky way
*******

Till both of us
Return fully reformed
From the ravishing rains
Of that ****** storm

curled up compact
as shockwaves of pain
twist daggers up my sides
doubling over metallic tang
as i coughed up rust
breaking, breaking

coiled within and writhing
as the shock slithers into aches
breaking apart in sulphurous acid
tearing holes in my viscera
as i'm blistered and vitriolic
hurting, hurting

contorted inhumanely
as the irascible aftershocks
flowed magma on my insides
burning me internally
as i waited for it to be over
dying, dying.

Through the fragile looking glass,
Sealed edges, air tight?
Watching dragons as they pass.
Envisaging witches,
Stuck behind glass.
They're standing round copper tone cauldrons
All full up with steam.
The noise is peculiar.
The roaring of dragons too close at hand.
The cauldrons bubble.
The witches whisper.
The dragons wail.
The dragon upon his back sports a sail.
Tries to break through the glass with his mightiest tail.

The dragon had made it
Fantasy left behind the mirrors border.
Accompanied by forward marching bearded dwarves and folk of elven kind.
Pursued by orcs with knives and forks.
With disgusting faces.
And empty bellies.
The dragons, they turned, with sulphurous breath, chased away orcs with one mighty blast.
Back through the mirror the ugly orcs fled.
Straight into the witches cauldron.
Not dead.
The potions the witches were brewing, today ,contained ingredients to chase scary away
Ugly creatures, converted,beautiful.
The rest of the *** contents made into soup.
Making ugly creatures lovely.
Ever seen a pretty Orc?
You'll know where he's been if you ever do!
(c)Livvi

Pathetically distant from the human race
Too frightened to offer a warm embrace
I skulk in the shadows waiting to pounce
errrm..
Thrusting my little insults in the hope of a scream
A SCREAM
A SCREAM **** you all, SCREAM!
Fill this void in my life with a terrified SCREAM...
Oh, what have I become?
Feeding off negativity is my only sun.
I,
I am but nothing but a sulphurous odour
warm sorbet or a gas-less soda
I NEED you to SCREAM

Please...
Don't you dare stay silent

I am nothing without your kicking and clawing
I would be dead already if you had been ignoring
SCREAM and leak your salty tears
Pretend that I am your worst fears
Feed me with venom
Oh how I'll dine
before
"POETRY ART MASTERPIECE FINE"

He bursts in through the door
Most would have opened it first
But they're all the same
These radical fundamentalists
Standing alone and angry
Like blistered thumbs

Each sulphurous quotation
Boomed with idiotic solemnity
And such slobbering enthusiasm
Such glassy eyed acceptance
For every steaming edict

He insistently invades you
Because he needs to persuade you
And he longs so much to save you
Poking prodding and nagging
Pulpit punching and finger wagging
'Till your will to live is sagging

"I know and you don't !
I'm right and you're wrong !
You have to listen to me !
I am the man with a plan !
When others can't, I can ! "

So, I ponder this man with interest
His certainty speaks loud and clear
It speaks of making dreams reality
And delusional hopes that really can be
But most of all it speaks to me
Of an utter pile of ****

                  By Phil Roberts

It was the missing decade
of my life that came back,
late on one clammy night.

Wearing your visage
of a foraging girl
at the foot of a tranquil Vesuvius.

Spent though I was,
for those decades still with me,
I sat awake listening to the warmth of open windows.

The decade came for me,
in figments and memories
wheezing a few questions.

This room is known to me,
as is the night,
as is the flaying heat,

and the carved words
on the creaking charpoi
by some distant uncle.

I melded with the light squeezing through
into this dark, sulphurous room
like an exile away from my maker.

The decade came to me
and sang lullabies
of princes who never were.

I have kept my vigil
until the mirror ran dry
and returned to sand.

The decade wears me now
as I am, the hunting boy
by a shimmering Ganges.

The fire and brimstone in their pall
Are the cloak and cloth of sin
Whose tyranny the mind appal
When it fathoms deep within
And o'er those gates so rancid wrought
With blood and flesh and iron
When after that fate one, we, hath fought
We turn up still, all hope be gone
The stench of death dank, all around
Suffuse the climes from sky to ground

The King of Hell who seldom grafts
For anything, yet seldom stops
His command to torture, down the shaft
As to every level hops
Spreads black wings and glides above
His victims as he, gruesome, gloats
Anathema to turtle dove
Who on divine zephyr of heaven floats
His presence ever torturous still
When reign dark from ******, lordly hill

He sees the scuttling victims run
Away, cruel let loose for game and chase
A beautiful mirage of sun
To taunt the soul abased
Hells hills trees grow putrid leaves
No mortal could brace the sulphurous stench
Under canopies the victim weave
As they shiver, shudder, blench
As torturer catches up, apace
Him testament to time's disgrace

By his vainglory employed
That ******* of the angel boys
Treats people, world, as things and toy
Seduced to do his bidding, ploys
But justice, freedom will uproar
Angels of Hell link arms, uprise
For Heaven they have wanted more
Than sooty, oppressive, obsidian skies
**** the devil, his ****** lies
Hear us rise, sing God's reprise

He bursts in through the door
Most would have opened it first
But they're all the same
These radical fundamentalists
Standing alone and angry
Like blistered thumbs

Each sulphurous quotation
Boomed with idiotic solemnity
And such slobbering enthusiasm
Such glassy eyed acceptance
For every steaming edict

He insistently invades you
Because he needs to persuade you
And he longs so much to save you
Poking prodding and nagging
Pulpit punching and finger wagging
'Till your will to live is sagging

"I know and you don't !
I'm right and you're wrong !
You have to listen to me !
I am the man with a plan !
When others can't, I can ! "

So, I ponder this man with interest
His certainty speaks loud and clear
It speaks of making dreams reality
And delusional hopes that really can be
But most of all it speaks to me
Of an utter pile of ****

                  By Phil Roberts

He bursts in through the door
Most would have opened it first
But they're all the same
These radical fundamentalists
Standing alone and angry
Like blistered thumbs

Each sulphurous quotation
Boomed with idiotic solemnity
And such slobbering enthusiasm
Such glassy eyed acceptance
For every steaming edict

He insistently invades you
Because he needs to persuade you
And he longs so much to save you
Poking prodding and nagging
Pulpit punching and finger wagging
'Till your will to live is sagging

"I know and you don't !
I'm right and you're wrong !
You have to listen to me !
I am the man with a plan !
When others can't, I can ! "

So, I ponder this man with interest
His certainty speaks loud and clear
It speaks of making dreams reality
And delusional hopes that really can be
But most of all it speaks to me
Of an utter pile of ****

                  By Phil Roberts

War is brewing.
Bubbling in a melting ***.
Smelling of the devil.
Sulphurous and raw.
Winged assailants chucking their bombs.

Link hands and hold on tight.
Let love move in overnight.
Warriors we have to stop.
Sisters beseeched by others take control.
As we are mother nature's soul.
They tell us only good can triumph.
But the temperature's rising.
It's going to blow.
Such hatred, such spite.
The war machine, so hateful is spoiling for a fight.
(c)Livvi