the only things I remember about
New York City
in the summer
are the fire escapes
and how the people go
out on the fire escapes
in the evening
when the sun is setting
on the other side
of the buildings
and some stretch out
and sleep there
while others sit quietly
where it's cool.

and on many
of the window sills
sit pots of geraniums or
planters filled with red
geraniums
and the half-dressed people
rest there
on the fire escapes
and there are
red geraniums
everywhere.

this is really
something to see rather
than to talk about.

it's like a great colorful
and surprising painting
not hanging anywhere
else.

You are going to ask: and where are the lilacs?
and the poppy-petalled metaphysics?
and the rain repeatedly spattering
its words and drilling them full
of apertures and birds?
I'll tell you all the news.

I lived in a suburb,
a suburb of Madrid, with bells,
and clocks, and trees.

From there you could look out
over Castille's dry face:
a leather ocean.
My house was called
the house of flowers, because in every cranny
geraniums burst: it was
a good-looking house
with its dogs and children.
Remember, Raul?
Eh, Rafel?         Federico, do you remember
from under the ground
my balconies on which
the light of June drowned flowers in your mouth?
Brother, my brother!
Everything
loud with big voices, the salt of merchandises,
pile-ups of palpitating bread,
the stalls of my suburb of Arguelles with its statue
like a drained inkwell in a swirl of hake:
oil flowed into spoons,
a deep baying
of feet and hands swelled in the streets,
metres, litres, the sharp
measure of life,
stacked-up fish,
the texture of roofs with a cold sun in which
the weather vane falters,
the fine, frenzied ivory of potatoes,
wave on wave of tomatoes rolling down the sea.

And one morning all that was burning,
one morning the bonfires
leapt out of the earth
devouring human beings --
and from then on fire,
gunpowder from then on,
and from then on blood.
Bandits with planes and Moors,
bandits with finger-rings and duchesses,
bandits with black friars spattering blessings
came through the sky to **** children
and the blood of children ran through the streets
without fuss, like children's blood.

Jackals that the jackals would despise,
stones that the dry thistle would bite on and spit out,
vipers that the vipers would abominate!

Face to face with you I have seen the blood
of Spain tower like a tide
to drown you in one wave
of pride and knives!

Treacherous
generals:
see my dead house,
look at broken Spain :
from every house burning metal flows
instead of flowers,
from every socket of Spain
Spain emerges
and from every dead child a rifle with eyes,
and from every crime bullets are born
which will one day find
the bull's eye of your hearts.

And you'll ask: why doesn't his poetry
speak of dreams and leaves
and the great volcanoes of his native land?

Come and see the blood in the streets.
Come and see
The blood in the streets.
Come and see the blood
In the streets!

we have everything and we have nothing
and some men do it in churches
and some men do it by tearing butterflies
in half
and some men do it in Palm Springs
laying it into butterblondes
with Cadillac souls
Cadillacs and butterflies
nothing and everything,
the face melting down to the last puff
in a cellar in Corpus Christi.
there's something for the touts, the nuns,
the grocery clerks and you . . .
something at 8 a.m., something in the library
something in the river,
everything and nothing.
in the slaughterhouse it comes running along
the ceiling on a hook, and you swing it --
one
two
three
and then you've got it, $200 worth of dead
meat, its bones against your bones
something and nothing.
it's always early enough to die and
it's always too late,
and the drill of blood in the basin white
it tells you nothing at all
and the gravediggers playing poker over
5 a.m. coffee, waiting for the grass
to dismiss the frost . . .
they tell you nothing at all.

we have everything and we have nothing --
days with glass edges and the impossible stink
of river moss -- worse than ****;
checkerboard days of moves and countermoves,
****** interest, with as much sense in defeat as
in victory; slow days like mules
******* it slagged and sullen and sun-glazed
up a road where a madman sits waiting among
bluejays and wrens netted in and ****** a flakey
grey.
good days too of wine and shouting, fights
in alleys, fat legs of women striving around
your bowels buried in moans,
the signs in bullrings like diamonds hollering
Mother Capri, violets coming out of the ground
telling you to forget the dead armies and the loves
that robbed you.
days when children say funny and brilliant things
like savages trying to send you a message through
their bodies while their bodies are still
alive enough to transmit and feel and run up
and down without locks and paychecks and
ideals and possessions and beetle-like
opinions.
days when you can cry all day long in
a green room with the door locked, days
when you can laugh at the breadman
because his legs are too long, days
of looking at hedges . . .

and nothing, and nothing, the days of
the bosses, yellow men
with bad breath and big feet, men
who look like frogs, hyenas, men who walk
as if melody had never been invented, men
who think it is intelligent to hire and fire and
profit, men with expensive wives they possess
like 60 acres of ground to be drilled
or shown-off or to be walled away from
the incompetent, men who'd **** you
because they're crazy and justify it because
it's the law, men who stand in front of
windows 30 feet wide and see nothing,
men with luxury yachts who can sail around
the world and yet never get out of their vest
pockets, men like snails, men like eels, men
like slugs, and not as good . . .
and nothing, getting your last paycheck
at a harbor, at a factory, at a hospital, at an
aircraft plant, at a penny arcade, at a
barbershop, at a job you didn't want
anyway.
income tax, sickness, servility, broken
arms, broken heads -- all the stuffing
come out like an old pillow.

we have everything and we have nothing.
some do it well enough for a while and
then give way. fame gets them or disgust
or age or lack of proper diet or ink
across the eyes or children in college
or new cars or broken backs while skiing
in Switzerland or new politics or new wives
or just natural change and decay --
the man you knew yesterday hooking
for ten rounds or drinking for three days and
three nights by the Sawtooth mountains now
just something under a sheet or a cross
or a stone or under an easy delusion,
or packing a bible or a golf bag or a
briefcase: how they go, how they go! -- all
the ones you thought would never go.

days like this. like your day today.
maybe the rain on the window trying to
get through to you. what do you see today?
what is it? where are you? the best
days are sometimes the first, sometimes
the middle and even sometimes the last.
the vacant lots are not bad, churches in
Europe on postcards are not bad. people in
wax museums frozen into their best sterility
are not bad, horrible but not bad. the
cannon, think of the cannon, and toast for
breakfast the coffee hot enough you
know your tongue is still there, three
geraniums outside a window, trying to be
red and trying to be pink and trying to be
geraniums, no wonder sometimes the women
cry, no wonder the mules don't want
to go up the hill. are you in a hotel room
in Detroit looking for a cigarette? one more
good day. a little bit of it. and as
the nurses come out of the building after
their shift, having had enough, eight nurses
with different names and different places
to go -- walking across the lawn, some of them
want cocoa and a paper, some of them want a
hot bath, some of them want a man, some
of them are hardly thinking at all. enough
and not enough. arcs and pilgrims, oranges
gutters, ferns, antibodies, boxes of
tissue paper.

in the most decent sometimes sun
there is the softsmoke feeling from urns
and the canned sound of old battleplanes
and if you go inside and run your finger
along the window ledge you'll find
dirt, maybe even earth.
and if you look out the window
there will be the day, and as you
get older you'll keep looking
keep looking
******* your ******* little
ah ah   no no   maybe

some do it naturally
some obscenely
everywhere.

Lady, your room is lousy with flowers.
When you kick me out, that's what I'll remember,
Me, sitting here bored as a loepard
In your jungle of wine-bottle lamps,
Velvet pillows the color of blood pudding
And the white china flying fish from Italy.
I forget you, hearing the cut flowers
Sipping their liquids from assorted pots,
Pitchers and Coronation goblets
Like Monday drunkards. The milky berries
Bow down, a local constellation,
Toward their admirers in the tabletop:
Mobs of eyeballs looking up.
Are those petals of leaves you've paried with them ---
Those green-striped ovals of silver tissue?
The red geraniums I know.
Friends, friends. They stink of armpits
And the invovled maladies of autumn,
Musky as a lovebed the morning after.
My nostrils prickle with nostalgia.
Henna hags:cloth of your cloth.
They tow old water thick as fog.

The roses in the Toby jug
Gave up the ghost last night. High time.
Their yellow corsets were ready to split.
You snored, and I heard the petals unlatch,
Tapping and ticking like nervous fingers.
You should have junked them before they died.
Daybreak discovered the bureau lid
Littered with Chinese hands. Now I'm stared at
By chrysanthemums the size
Of Holofernes' head, dipped in the same
Magenta as this fubsy sofa.
In the mirror their doubles back them up.
Listen: your tenant mice
Are rattling the ******* packets. Fine flour
Muffles their bird feet: they whistle for joy.
And you doze on, nose to the wall.
This mizzle fits me like a sad jacket.
How did we make it up to your attic?
You handed me gin in a glass bud vase.
We slept like stones. Lady, what am I doing
With a lung full of dust and a tongue of wood,
Knee-deep in the cold swamped by flowers?

Through an open window, I hear
      the Big Thompson's steady music
drifting up from the valley below.

May breezes and gentle rains
     coax the snow-capped peaks
to surrender their alabaster cloaks
      downslope into gathering streams.

Silhouetted by light from the waxing moon,
      a cinnamon bear lopes along water’s edge,
pauses for a draught and meanders on.

A bull elk newly coifed with velvet antlers
        folds his legs beneath its belly
and kneels into grasses beside a tranquil pond.
        while the Big Thompson rushes on.

Spring beauties, calypso orchids and geraniums  
       shake off their winter's sleep and
dot every vagabond trail and verdant hill
        while fresh new leaves adorn the aspen boughs.

The Big Thompson inexorably presses on
        bound for rendezvous with time and space
and tumbles into the always patient sea.

© 2017 by Robert Charles Howard

"THE TROUBLE WITH GERANIUMS IS THAT...."

She did not know
how it had come to be

but she was having toast
and tea with Titus Groan!

Mervyn Peake appeared
to have drawn himself

with pen and ink
the very essence of his creation

as if he had stepped forth
from his book.

The man himself
in flesh and blood.

A living caricature.

Mervyn said nothing.
Just stared into  the depths

of who he was
lost  in himself.

Her boyfriend said nothing
depressed beyond belief.

She said nothing.
Too young and too naive.

Sitting with Steerpike
as it were or

in a candle flicker
now with Mr Pye.

She picked up a slice of toast.
Bit into his words.

"The trouble with my toast is that
it’s far too full of bread."

The echo of his voice
lost inside her head.

Inside him, she
could hear him say

"The trouble with my looking-glass
is that it shows me, me."

"Must you..?" he seemed to say
"Keep up an intimate conversation...

by quoting
myself to me."

The silence stretched and
stretched until it snapped

back into a tiny sound
the ****** of a spoon on china

bringing time
to an end.

The moment going on
forever despite what

time had to say.
We all silent now

the 77th Earl of Groan
...fallen asleep.

339

I tend my flowers for thee—
Bright Absentee!
My Fuchsia’s Coral Seams
Rip—while the Sower—dreams—

Geraniums—tint—and spot—
Low Daisies—dot—
My Cactus—splits her Beard
To show her throat—

Carnations—tip their spice—
And Bees—pick up—
A Hyacinth—I hid—
Puts out a Ruffled Head—
And odors fall
From flasks—so small—
You marvel how they held—

Globe Roses—break their satin glake—
Upon my Garden floor—
Yet—thou—not there—
I had as lief they bore
No Crimson—more—

Thy flower—be gay—
Her Lord—away!
It ill becometh me—
I’ll dwell in Calyx—Gray—
How modestly—alway—
Thy Daisy—
Draped for thee!

My mother grew up in a small town
and she married in a small town
and she lived in a small town
and she passed away here.
And our neighbours came with their casseroles
And the florist gave my family her best violets
And there was a discount on the casket.

My sister grew up in a small town
and she married in a small town
and she lived in a small town
And she works at the high school as an English teacher.
And she takes her kids to the park every Saturday,
And her car never uses more than a liter a month
And there is always a booth for her family at Sal's Diner.

My brother grew up in a small town
and he never did marry
but he never did leave.
So now he lives in this small town.
And he only ever takes his job as a deputy seriously
And every Sunday he tends to his geraniums,
And there is never any mail in his mailbox
And his coffee order has always been the same.

I grew up in a small town
and nothing ever changed
and so I left.
And I will never manage to travel to all the bus stops
And my barista never ever remembers my face
And the librarian is stern, always, instead of friendly
And there is never ever a dull moment
In this little world I've created in my big town.

Twelve o’clock.
Along the reaches of the street
Held in a lunar synthesis,
Whispering lunar incantations
Dissolve the floors of memory
And all its clear relations,
Its divisions and precisions,
Every street lamp that I pass
Beats like a fatalistic drum,
And through the spaces of the dark
Midnight shakes the memory
As a madman shakes a dead geranium.

Half-past one,
The street lamp sputtered,
The street lamp muttered,
The street lamp said, ‘Regard that woman
Who hesitates towards you in the light of the door
Which opens on her like a grin.
You see the border of her dress
Is torn and stained with sand,
And you see the corner of her eye
Twists like a crooked pin.’

The memory throws up high and dry
A crowd of twisted things;
A twisted branch upon the beach
Eaten smooth, and polished
As if the world gave up
The secret of its skeleton,
Stiff and white.
A broken spring in a factory yard,
Rust that clings to the form that the strength has left
Hard and curled and ready to snap.

Half-past two,
The street lamp said,
‘Remark the cat which flattens itself in the gutter,
Slips out its tongue
And devours a morsel of rancid butter.’
So the hand of a child, automatic,
Slipped out and pocketed a toy that was running along the quay.
I could see nothing behind that child’s eye.
I have seen eyes in the street
Trying to peer through lighted shutters,
And a crab one afternoon in a pool,
An old crab with barnacles on his back,
Gripped the end of a stick which I held him.

Half-past three,
The lamp sputtered,
The lamp muttered in the dark.

The lamp hummed:
‘Regard the moon,
La lune ne garde aucune rancune,
She winks a feeble eye,
She smiles into corners.
She smoothes the hair of the grass.
The moon has lost her memory.
A washed-out smallpox cracks her face,
Her hand twists a paper rose,
That smells of dust and old Cologne,
She is alone
With all the old nocturnal smells
That cross and cross across her brain.’
The reminiscence comes
Of sunless dry geraniums
And dust in crevices,
Smells of chestnuts in the streets,
And female smells in shuttered rooms,
And cigarettes in corridors
And cocktail smells in bars.’

The lamp said,
‘Four o’clock,
Here is the number on the door.
Memory!
You have the key,
The little lamp spreads a ring on the stair,
Mount.
The bed is open; the tooth-brush hangs on the wall,
Put your shoes at the door, sleep, prepare for life.’

The last twist of the knife.

They set off from white rocks,
red geraniums, blue tile,
and let the green sea
lift and drop their ships far above the white foam waves.

The stony islands that were home
were swallowed in minutes by the hungry Atlantic
but they hunted the big fish,
the giant whales  with human eyes
who rolled and sang and swam
in oceans a continent away.

They came from Sao Jorge, Sao Miguel
Faial, Pico, Terceira, Horta -
Nine island emeralds set in a black volcanic chain,
neither of the old country nor the new:
Halfway there and halfway gone -
secret jewels of the Portuguese sailors.

They sailed into unknown waters,
south around tropical shores
where dragons smoked and writhed on the rocks
and birds with brilliant red and yellow plumage
rose in clouds around their heads.

Then north, and north, north again
to colder waters
where sea lions barked and lunged
at the strange massive wooden beast
that coursed the waters,
strung with brown bodies swaying
on the lines and cursing the sails.

North still they swept
casting contemptuous eyes on
the cheap turquoise waters and monstrous slow turtles
of the Sea of Cortez.
Coming up from the desert, past the palms and the yucca,
the Joshua tree and Spanish daggers,
they chased their smooth grey prey,
riding the vast Pacific on their wooden island,
herding the leviathans onto their spears,
adventurers with an audience of only
gulls and sky and seal.

Until they sailed too close one day
to a rock-strewn shoreline
and saw the golden hills.
Gnarled oaks like grandmothers from home
with orange poppy jewels at their feet,
missions strung like beads in a ruby marked rosary.

The boats slowed, ****** in by a Scylla of soil
rich and brown and loamy
waiting to be seeded with grapes and apricots
peaches, avocados, lettuce, alfalfa,
fertile and heavy with sweet promise.
And the whales sang and the lions barked and the gulls cried
but the sailors were entranced, encharmed, ensorcelled.
The treacherous sea, the mysterious deep, the stony jewels of home,
called and wept
and waited in vain for the sailors 
 - beached and grounded -
cutting not waves but earth,
tracking seasons not whales,

seduced by dirt.

Sometimes I mine for echoes
Ghosts of sounds within me still
Cicadas and the clash of boules
Soft voices from the hill

Two young boys tongue-tied in the sun
Barefoot on summer's shore
Soft feet licked clean by freedom's whim
With oceans to explore

My mother nurtured flowers
Drowning shadows out with paint
The brightness of geraniums
The patience of a saint

My father cut the grass too much
And ran to clear his mind
Until the echoes of the Angelus
Beseeched him to unwind

My brother lined his time with books
He tore through Willard Price
And towed me just behind him
Through the fronds of paradise

Marauding hornets launched their raids
From castles in the attic
While Stanley mined for longwave gold
From seams deep in the static

And all the while
My granny kept her patience in the shade
Her deck of cards adorned with birds
Their feathers slightly frayed

The swallows scythed through open skies
Back home where they belonged
And like Narcissus, swooped from height
To kiss the surface of the pond

The wasps built paper palaces
The geckos froze on sight
And midwife toads woke from their doze
To tune up for the night

As daytime took its leave
We sought out satellites and stars
Then lay in quiet contemplation
Watching Venus waltz with Mars

I remember cowboys’ breakfasts
With my father by the lake
Freewheeling with the moon roof open
For freewheeling's sake

We wore our bike tyres paper thin
Climbed castle walls unseen
Dived into lakes to race for ducks
And ruled the world at just thirteen

We fashioned bows and arrows
From the saplings in the wood
Sprung ambushes from chestnut shade
And fell dead where we stood

We roamed the dust-filled houses
On the back streets off the square
An ageless band of soldiers
Feigning death without a care

We raced around the wood yard
Sometimes scuffled in the dust
We traded glances with the neighbours' girls
And felt the nascent tug of lust

We sought out mischief in the hills
Stole naughtily from shelves
Smoked roll-ups in a Dutch girl's car
Unclipped our wings and helped ourselves

Butterfly, the wind blows sea-ward,
     strong beyond the garden-wall!
Butterfly, why do you settle on my
     shoe, and sip the dirt on my shoe,
Lifting your veined wings, lifting them?
     big white butterfly!

Already it is October, and the wind
     blows strong to the sea
from the hills where snow must have
     fallen, the wind is polished with
          snow.
Here in the garden, with red
     geraniums, it is warm, it is warm
but the wind blows strong to sea-ward,
     white butterfly, content on my shoe!

Will you go, will you go from my warm
     house?
Will you climb on your big soft wings,
     black-dotted,
as up an invisible rainbow, an arch
till the wind slides you sheer from the
     arch-crest
and in a strange level fluttering you go
     out to sea-ward, white speck!

The frost is still there,
Throttling the rhododendron leaf,
And ice stalls the dissolve
Of the stone-like snow,
Yet I am happy.

The sun-rays are almost Etruscan,
Filtered low through lace and blind,
Like that ***** of sunset on Irene’s hair
Sad “couleur de feuille-morte”.
Yet it is sultry.

I can open a window
And breathe the warming air
Finches flock close, careless,
Now desperate for food
And pluck menescent fruit
Off an ice-bound branch.
In the distance, a cardinal sings.

Thick drapes are drawn aside
And geraniums strain toward the light.
In a nook outside the door,
An old cat basks on a corner of sun.
He yawns, seeing me, and strolls across the snow.

All nature seems to wait, but poised,
For the final unfettered token.
Will it be a sudden, favonian breeze?
Or the robin’s unrelenting noise?
Telling us, “Winter is broken”?

I water geraniums by the morning light
in order not to leave any slight
drop of water on the leaves
that would form a stain if it does not dry
in the sun

I shed tears at night
after everyone is out of sight
even if no one ever believes
that you bid bye
under the moon

the red geraniums are all crystal, ruby bright
and I promise I will be all right

stars hang out at night
linen left to dry

red geraniums along the balconies
nodding, nodding
willing to agree to anything
just to keep their color

a gang of kids running through the streets
faceless pranksters
the moon a plate held before each face
who am i? saying who am i
running through the streets saying who am i

the shadows of the buildings
becoming cats that move away
the trees immobilized
left to stand alone in the dark
rubbing their bark from regret
like cicadas

oranges have more delicacy
softly falling, falling
in the groves
on the hills
softly eaten, eaten
by the earth
swallowed whole
as if by a snake
not earth
as if by millions
slithering in the groves at night
millions
stalking the oranges that fall softly
softly to the earth

hunting there in the groves
that form a ring around each town

I take an early morning walk
and watch the bluest sky
the impatiens and the dark
pink trees
the silence of the birds who
hum in tune with time

I watch the flower boxes
in front of every house
geraniums in red and white
the energy of bees amidst

I string it all together
inside my crowded mind
and **** out all the clutter
to bring in the quiet message

I stop and breathe within
Alone inside my thoughts
I see the day begin

Salvation at it's highest...

Back to my land of verdant green
To feel the bite of winter chill
To know that while all this is so
That far off land enthralls me still.

That far off land of granite peaks
Of crystalline white massif high,
Of conifer which scale the *****
Of rocky outcrop to the sky.
The baking heat of desert mesa
Spread as far as eye can see
Sage bush in its fragrant aura
Tumble **** soon rolling free.
Squirrel dart on shale cascade
Of green grey slate on alpine flank
Bright blue birds in curious hover
...For this, my reeling senses thank.

Fishing boats in bright array
Adorn the West coast sheltered lee,
Crab and mackerel brim the bin
Of bearded fishermen with glee.
Pounding surf of North Pacific
Carves the rock of bastioned coast
Embryonic currents cold
Do modify the climate most.
Redwoods huge clad coastal ranges,
Bright geraniums do sing
From earthen pots outside the cafe
Hot coffee fragrant from within.

Hilarity as laughing people gather
Watch as yelling Serbs do sling
Huge silver fish across the stall
Amid Seattle's Pike's Place din.
Colour paints this market place
Flowers stacked in every hue
Noisy vendors bawl their product
Creamy ice cream cone for you.

Streaming dust in streaming hair
Scree slopes avalanche past for thrill
Mountain crevasse yawns aloof
As ATV's roar up the hill.
Wild terrain of wilderness
On mountaintop of forest fir,
Cougar, grizzly bear and wolf
In pack are found herein astir.
Atop the very precipice
We view the everlasting peaks
Magnificent in summer sun
Embalmed in snow when Winter speaks.

Freeways snake from coast to mountain
Clover leaf in junctions pile,
Forty ton trucks pull big trailers
Endless day for endless mile.
Barrel straight these concrete tarmacs
Stretching far as eye can see,
Headlong surge huge pickup trucks
But cautious eye for Sheriff be.
Roadside diners loud and raucous
Selling burgers, selling beer
Neon flashing through the night
Old ***** waitress' toothless cheer.

The years have clad our friendships well
Familiarity's warming hand
Allows resumption of our words
Despite the 40 year gap spanned.
Houseboat floats in crowded wharfage
Swimming through a clear cool lake,
Californian wine with friends
Hot chilli food and fresh bread bake.
Eye fillets grill on barbecue
See the distant mountain peaks
Summer snow endures aloft
Glows indigo as sunset speaks.

Endless skies of cobalt blue
Cloudless in the summer sun
Gracious denizens do offer
Generosity unsung.
Graciousness across the land
Across these people so diverse,
The wondrous gift of ready smile
Friendly hand and open purse.

History tells these people spoke
Electing leaders for their time
When sanity's quiet need arose
It was promulgated on the line.
With Washington and Lincoln
Through FDR to JFK,
The Presidents who bed-rocked
This Foundation for the nation's day.
Astounding, that exceptional men
Have carved this face from stone,
Have caste the global presence
That Americans call home.

I understand the feeling now,
Of pride and patriotic stance.
I understand the inner strength
Of America's great, true romance.

This poem bequeathed to our good friends who inhabit this land... Big Rich, Suzie and Mike, Our mate Stevo and Ian, Heidi, Wyatt and Cooper, Dear old Greg and his elegant lady, Holly.
But most of all, with gratitude and love, to our marvelous son Boaz and his lovely lady, Angela.

Marshalg & Janet
At "Foxglove", Taranaki... In the Southern hemisphere's mid winter.
2 August 2013

--To Elizabeth Robins Pennell


'O mes cheres Mille et Une Nuits!'--Fantasio.

Once on a time
There was a little boy:  a master-mage
By virtue of a Book
Of magic--O, so magical it filled
His life with visionary pomps
Processional!  And Powers
Passed with him where he passed.  And Thrones
And Dominations, glaived and plumed and mailed,
Thronged in the criss-cross streets,
The palaces pell-mell with playing-fields,
Domes, cloisters, dungeons, caverns, tents, arcades,
Of the unseen, silent City, in his soul
Pavilioned jealously, and hid
As in the dusk, profound,
Green stillnesses of some enchanted mere.--

I shut mine eyes . . . And lo!
A flickering ****** of memory that floats
Upon the face of a pool of darkness five
And thirty dead years deep,
Antic in girlish broideries
And skirts and silly shoes with straps
And a broad-ribanded leghorn, he walks
Plain in the shadow of a church
(St. Michael's:  in whose brazen call
To curfew his first wails of wrath were whelmed),
Sedate for all his haste
To be at home; and, nestled in his arm,
Inciting still to quiet and solitude,
Boarded in sober drab,
With small, square, agitating cuts
Let in a-top of the double-columned, close,
Quakerlike print, a Book! . . .
What but that blessed brief
Of what is gallantest and best
In all the full-shelved Libraries of Romance?
The Book of rocs,
Sandalwood, ivory, turbans, ambergris,
Cream-tarts, and lettered apes, and calendars,
And ghouls, and genies--O, so huge
They might have overed the tall Minster Tower
Hands down, as schoolboys take a post!
In truth, the Book of Camaralzaman,
Schemselnihar and Sindbad, Scheherezade
The peerless, Bedreddin, Badroulbadour,
Cairo and Serendib and Candahar,
And Caspian, and the dim, terrific bulk--
Ice-ribbed, fiend-visited, isled in spells and storms--
Of Kaf! . . . That centre of miracles,
The sole, unparalleled Arabian Nights!

Old friends I had a-many--kindly and grim
Familiars, cronies quaint
And goblin!  Never a Wood but housed
Some morrice of dainty dapperlings.  No Brook
But had his nunnery
Of green-haired, silvry-curving sprites,
To cabin in his grots, and pace
His lilied margents.  Every lone Hillside
Might open upon Elf-Land.  Every Stalk
That curled about a Bean-stick was of the breed
Of that live ladder by whose delicate rungs
You climbed beyond the clouds, and found
The Farm-House where the Ogre, gorged
And drowsy, from his great oak chair,
Among the flitches and pewters at the fire,
Called for his Faery Harp.  And in it flew,
And, perching on the kitchen table, sang
Jocund and jubilant, with a sound
Of those gay, golden-vowered madrigals
The shy thrush at mid-May
Flutes from wet orchards flushed with the triumphing dawn;
Or blackbirds rioting as they listened still,
In old-world woodlands rapt with an old-world spring,
For Pan's own whistle, savage and rich and lewd,
And mocked him call for call!

I could not pass
The half-door where the cobbler sat in view
Nor figure me the wizen Leprechaun,
In square-cut, faded reds and buckle-shoes,
Bent at his work in the hedge-side, and know
Just how he tapped his brogue, and twitched
His wax-end this and that way, both with wrists
And elbows.  In the rich June fields,
Where the ripe clover drew the bees,
And the tall quakers trembled, and the West Wind
Lolled his half-holiday away
Beside me lolling and lounging through my own,
'Twas good to follow the Miller's Youngest Son
On his white horse along the leafy lanes;
For at his stirrup linked and ran,
Not cynical and trapesing, as he loped
From wall to wall above the espaliers,
But in the bravest tops
That market-town, a town of tops, could show:
Bold, subtle, adventurous, his tail
A banner flaunted in disdain
Of human stratagems and shifts:
King over All the Catlands, present and past
And future, that moustached
Artificer of fortunes, ****-in-Boots!
Or Bluebeard's Closet, with its plenishing
Of meat-hooks, sawdust, blood,
And wives that hung like fresh-dressed carcases--
Odd-fangled, most a butcher's, part
A faery chamber hazily seen
And hazily figured--on dark afternoons
And windy nights was visiting of the best.
Then, too, the pelt of hoofs
Out in the roaring darkness told
Of Herne the Hunter in his antlered helm
Galloping, as with despatches from the Pit,
Between his hell-born Hounds.
And Rip Van Winkle . . . often I lurked to hear,
Outside the long, low timbered, tarry wall,
The mutter and rumble of the trolling bowls
Down the lean plank, before they fluttered the pins;
For, listening, I could help him play
His wonderful game,
In those blue, booming hills, with Mariners
Refreshed from kegs not coopered in this our world.

But what were these so near,
So neighbourly fancies to the spell that brought
The run of Ali Baba's Cave
Just for the saying 'Open Sesame,'
With gold to measure, peck by peck,
In round, brown wooden stoups
You borrowed at the chandler's? . . . Or one time
Made you Aladdin's friend at school,
Free of his Garden of Jewels, Ring and Lamp
In perfect trim? . . . Or Ladies, fair
For all the embrowning scars in their white *******
Went labouring under some dread ordinance,
Which made them whip, and bitterly cry the while,
Strange Curs that cried as they,
Till there was never a Black ***** of all
Your consorting but might have gone
Spell-driven miserably for crimes
Done in the pride of womanhood and desire . . .
Or at the ghostliest altitudes of night,
While you lay wondering and acold,
Your sense was fearfully purged; and soon
Queen Labe, abominable and dear,
Rose from your side, opened the Box of Doom,
Scattered the yellow powder (which I saw
Like sulphur at the Docks in bulk),
And muttered certain words you could not hear;
And there! a living stream,
The brook you bathed in, with its weeds and flags
And cresses, glittered and sang
Out of the hearthrug over the nakedness,
Fair-scrubbed and decent, of your bedroom floor! . . .

I was--how many a time!--
That Second Calendar, Son of a King,
On whom 'twas vehemently enjoined,
Pausing at one mysterious door,
To pry no closer, but content his soul
With his kind Forty.  Yet I could not rest
For idleness and ungovernable Fate.
And the Black Horse, which fed on sesame
(That wonder-working word!),
Vouchsafed his back to me, and spread his vans,
And soaring, soaring on
From air to air, came charging to the ground
Sheer, like a lark from the midsummer clouds,
And, shaking me out of the saddle, where I sprawled
Flicked at me with his tail,
And left me blinded, miserable, distraught
(Even as I was in deed,
When doctors came, and odious things were done
On my poor tortured eyes
With lancets; or some evil acid stung
And wrung them like hot sand,
And desperately from room to room
Fumble I must my dark, disconsolate way),
To get to Bagdad how I might.  But there
I met with Merry Ladies.  O you three--
Safie, Amine, Zobeide--when my heart
Forgets you all shall be forgot!
And so we supped, we and the rest,
On wine and roasted lamb, rose-water, dates,
Almonds, pistachios, citrons.  And Haroun
Laughed out of his lordly beard
On Giaffar and Mesrour (I knew the Three
For all their Mossoul habits).  And outside
The Tigris, flowing swift
Like Severn bend for bend, twinkled and gleamed
With broken and wavering shapes of stranger stars;
The vast, blue night
Was murmurous with peris' plumes
And the leathern wings of genies; words of power
Were whispering; and old fishermen,
Casting their nets with prayer, might draw to shore
Dead loveliness:  or a prodigy in scales
Worth in the Caliph's Kitchen pieces of gold:
Or copper vessels, stopped with lead,
Wherein some Squire of Eblis watched and railed,
In durance under potent charactry
Graven by the seal of Solomon the King . . .

Then, as the Book was glassed
In Life as in some olden mirror's quaint,
Bewildering angles, so would Life
Flash light on light back on the Book; and both
Were changed.  Once in a house decayed
From better days, harbouring an errant show
(For all its stories of dry-rot
Were filled with gruesome visitants in wax,
Inhuman, hushed, ghastly with Painted Eyes),
I wandered; and no living soul
Was nearer than the pay-box; and I stared
Upon them staring--staring.  Till at last,
Three sets of rafters from the streets,
I strayed upon a mildewed, rat-run room,
With the two Dancers, horrible and obscene,
Guarding the door:  and there, in a bedroom-set,
Behind a fence of faded crimson cords,
With an aspect of frills
And dimities and dishonoured privacy
That made you hanker and hesitate to look,
A Woman with her litter of Babes--all slain,
All in their nightgowns, all with Painted Eyes
Staring--still staring; so that I turned and ran
As for my neck, but in the street
Took breath.  The same, it seemed,
And yet not all the same, I was to find,
As I went up!  For afterwards,
Whenas I went my round alone--
All day alone--in long, stern, silent streets,
Where I might stretch my hand and take
Whatever I would:  still there were Shapes of Stone,
Motionless, lifelike, frightening--for the Wrath
Had smitten them; but they watched,
This by her melons and figs, that by his rings
And chains and watches, with the hideous gaze,
The Painted Eyes insufferable,
Now, of those grisly images; and I
Pursued my best-beloved quest,
Thrilled with a novel and delicious fear.
So the night fell--with never a lamplighter;
And through the Palace of the King
I groped among the echoes, and I felt
That they were there,
Dreadfully there, the Painted staring Eyes,
Hall after hall . . . Till lo! from far
A Voice!  And in a little while
Two tapers burning!  And the Voice,
Heard in the wondrous Word of God, was--whose?
Whose but Zobeide's,
The lady of my heart, like me
A True Believer, and like me
An outcast thousands of leagues beyond the pale! . . .

Or, sailing to the Isles
Of Khaledan, I spied one evenfall
A black blotch in the sunset; and it grew
Swiftly . . . and grew.  Tearing their beards,
The sailors wept and prayed; but the grave ship,
Deep laden with spiceries and pearls, went mad,
Wrenched the long tiller out of the steersman's hand,
And, turning broadside on,
As the most iron would, was haled and ******
Nearer, and nearer yet;
And, all awash, with horrible lurching leaps
Rushed at that Portent, casting a shadow now
That swallowed sea and sky; and then,
Anchors and nails and bolts
Flew screaming out of her, and with clang on clang,
A noise of fifty stithies, caught at the sides
Of the Magnetic Mountain; and she lay,
A broken bundle of firewood, strown piecemeal
About the waters; and her crew
Passed shrieking, one by one; and I was left
To drown.  All the long night I swam;
But in the morning, O, the smiling coast
Tufted with date-trees, meadowlike,
Skirted with shelving sands!  And a great wave
Cast me ashore; and I was saved alive.
So, giving thanks to God, I dried my clothes,
And, faring inland, in a desert place
I stumbled on an iron ring--
The fellow of fifty built into the Quays:
When, scenting a trap-door,
I dug, and dug; until my biggest blade
Stuck into wood.  And then,
The flight of smooth-hewn, easy-falling stairs,
Sunk in the naked rock!  The cool, clean vault,
So neat with niche on niche it might have been
Our beer-cellar but for the rows
Of brazen urns (like monstrous chemist's jars)
Full to the wide, squat throats
With gold-dust, but a-top
A layer of pickled-walnut-looking things
I knew for olives!  And far, O, far away,
The Princess of China languished!  Far away
Was marriage, with a Vizier and a Chief
Of Eunuchs and the privilege
Of going out at night
To play--unkenned, majestical, secure--
Where the old, brown, friendly river shaped
Like Tigris shore for shore!  Haply a Ghoul
Sat in the churchyard under a frightened moon,
A thighbone in his fist, and glared
At supper with a Lady:  she who took
Her rice with tweezers grain by grain.
Or you might stumble--there by the iron gates
Of the Pump Room--underneath the limes--
Upon Bedreddin in his shirt and drawers,
Just as the civil Genie laid him down.
Or those red-curtained panes,
Whence a tame cornet tenored it throatily
Of beer-pots and spittoons and new long pipes,
Might turn a caravansery's, wherein
You found Noureddin Ali, loftily drunk,
And that fair Persian, bathed in tears,
You'd not have given away
For all the diamonds in the Vale Perilous
You had that dark and disleaved afternoon
Escaped on a roc's claw,
Disguised like Sindbad--but in Christmas beef!
And all the blissful while
The schoolboy satchel at your hip
Was such a bulse of gems as should amaze
Grey-whiskered chapmen drawn
From over Caspian:  yea, the Chief Jewellers
Of Tartary and the bazaars,
Seething with traffic, of enormous Ind.--

Thus cried, thus called aloud, to the child heart
The magian East:  thus the child eyes
Spelled out the wizard message by the light
Of the sober, workaday hours
They saw, week in week out, pass, and still pass
In the sleepy Minster City, folded kind
In ancient Severn's arm,
Amongst her water-meadows and her docks,
Whose floating populace of ships--
Galliots and luggers, light-heeled brigantines,
Bluff barques and rake-hell fore-and-afters--brought
To her very doorsteps and geraniums
The scents of the World's End; the calls
That may not be gainsaid to rise and ride
Like fire on some high errand of the race;
The irresistible appeals
For comradeship that sound
Steadily from the irresistible sea.
Thus the East laughed and whispered, and the tale,
Telling itself anew
In terms of living, labouring life,
Took on the colours, busked it in the wear
Of life that lived and laboured; and Romance,
The Angel-Playmate, raining down
His golden influences
On all I saw, and all I dreamed and did,
Walked with me arm in arm,
Or left me, as one bediademed with straws
And bits of glass, to gladden at my heart
Who had the gift to seek and feel and find
His fiery-hearted presence everywhere.
Even so dear Hesper, bringer of all good things,
Sends the same silver dews
Of happiness down her dim, delighted skies
On some poor collier-hamlet--(mound on mound
Of sifted squalor; here a soot-throated stalk
Sullenly smoking over a row
Of flat-faced hovels; black in the gritty air
A web of rails and wheels and beams; with strings
Of hurtling, tipping trams)--
As on the amorous nightingales
And roses of Shiraz, or the walls and towers
Of Samarcand--the Ineffable--whence you espy
The splendour of Ginnistan's embattled spears,
Like listed lightnings.
Samarcand!
That name of names!  That star-vaned belvedere
Builded against the Chambers of the South!
That outpost on the Infinite!
And behold!
Questing therefrom, you knew not what wild tide
Might overtake you:  for one fringe,
One suburb, is stablished on firm earth; but one
Floats founded vague
In lubberlands delectable--isles of palm
And lotus, fortunate mains, far-shimmering seas,
The promise of wistful hills--
The shining, shifting Sovranties of Dream.

Diaspora
From the Greek

When I heard the word I felt it
And I looked it up
In my old red dictionary

I could have used the Internet,
I suppose

But I like to run my forefinger down pages
Of words

I read the definition
And I felt it
Oh

Oh
We are diaspora.

Am I using it correctly?

We are a diaspora.

Diaspora
From the Greek

From the green valley of Ottawa
From Scotland
From Ireland on wooden boats

From the French village thirteen children
From the mines in the North
From Poland and from Germany

From the churches and
From the Blueberry patches
From the Island Manitoulin

From the dark lake Kagawong
From Kinburn and Arnprior
From Markstay and from Sudbury

From Waterloo
From Kitchener, Michener
From the Suburbs

Oh

From the Suburbs
From the red bricks, red currants
And geraniums
From green island cabins

From the desert

Oh

From the desert
From the potholes and pipes
From the salty wind
Cracked Caspian Sea
From the middle of the east of nowhere.

From the mountains

Oh

From the mountains
From the crystal water fountains
From the tram bells
On the cobblestone streets
From the torrents of the Rhein

From the white cross

Oh

From the white cross
On the green hill
From the river Laurence
From the French and from the English
Plains of Abraham

We are diaspora
We are a diaspora

Diaspora
From the Greek

How did it end up here on my tongue?

It is diaspora.
It is a diaspora
Diaspora is a diaspora

And I wonder if it misses its other pieces
The way that I miss mine

Ours

There is no
Roping us back together now

There is no
Home to go back to

There is no
Point of meeting
Of reunion

No
White steeple in our old town

No
Yellow slide in our backyard

No
Old folks on an old farm

No
Walled house on a hill

No
Luzernerring 93

No
Familiar riverwater

There is no
Ancient Greek anymore
Diaspora

Only fragments of fragments
Of roots of stems of words
In different dialects

There is no
Place for you to belong,
Diaspora

You’ve been sliced to pieces
And scattered
Into the wind

But
When people ask you
Where you are from

You say simply
From the Greek

Oh

From the Greek

And
When people ask me
Where I am from

I say simply
From the diaspora.

First Girl
When this yokel comes maundering,
Whetting his hacker,
I shall run before him,
Diffusing the civilest odors
Out of geraniums and unsmelled flowers.
It will check him.

Second Girl
I shall run before him,
Arching cloths besprinkled with colors
As small as fish-eggs.
The threads
Will abash him.

Third Girl
Oh, la...le pauvre!
I shall run before him,
With a curious puffing.
He will bend his ear then.
I shall whisper
Heavenly labials in a world of gutturals.
It will undo him.

the vagrant, a pretense
letting light in tiniest cracks
on the pavement, again
wherever did i pass out
seizing the Ssseferoth sufferer syndrome
sinking in this suffragette
i am almost a cough away from zeitgeist

the world complained
the gods , sure they listened
but only with a nuisances negation  
does the noose hang higher
nonsense st of patient anger

plagiarize my past lives
seal my fate with cement
pavement, how do i feel you
when my ashes scatter

how do i fill you with children,
cracks seeping sin and sensation
eradicated slowly by noiseless geraniums

Buy me chrysanthemums
Not lavandula or geraniums
Or phalangium with their low hanging bulbs
Why don’t you know I love chrysanthemums!

Chrysanthemums, Dahlia…Hera…Willow?
Lillian! Lillian,
How could I take chrysanthemums from Lillian?

You should know. I shouldn’t have to say anything! You should know.

Buy me Viognier
Not Muscat or Chardonnay
Or Furmint with its corky taste
Why don’t you know I love Viognier!

Viognier, Vionnier…Vienne…Vienna?
Dalmatia! Dalmatia,
How could I take Viognier from Dalmatia?

You should know. I shouldn’t have to say anything! You should know.

Dalmatia, near Sibenik
From where I dine on scallops,
Or do you not know that I love scallops?
If not then you should know that I love fickle, false and fair
It’s my nature and you are my nurture
If you did not know then know this, love’s a hapless farce

Thinking of rain clouds that rose over the city
on the first day of the year

in the same month
I consider that I have lived daily and with

eyes open and ears to hear
these years across from St Vincent's Hospital
above whose roof those clouds rose

its bricks by day a French red under
cross facing south
blown-up neo-classic facades the tall
dark openings between columns at
the dawn of. history
exploded into many windows
in a mortised face

inside it the ambulances have unloaded
after sirens' howling nearer through traffic on
Seventh Avenue long
ago I learned not to hear them
even when the sirens stop

they turn to back in
few passers-by stay to look
and neither do I

at night two long blue
windows and one short one on the top floor
burn all night
many nights when most of the others are out
on what floor do they have
anything

I have seen the building drift moonlit through geraniums
late at night when trucks were few
moon just past the full
upper windows parts of the sky
as long as I looked
I watched it at Christmas and New Year
early in the morning I have seen the nurses ray out through
arterial streets
in the evening have noticed internes blocks away
on doorsteps one foot in the door

I have come upon the men in gloves taking out
the garbage at all hours
plastic bags white strata with green intermingled and
black
I have seen one pile
catch fire and studied the cloud
at the ends of the jets of the hoses
the fire engines as near as that
red beacons and
machine-throb heard by the whole body
I have noticed molded containers stacked outside
a delivery entrance on Twelfth Street
whether meals from a meal factory made up with those
mummified for long journeys by plane
or specimens for laboratory
examination sealed at the prescribed temperatures
either way closed delivery

and approached faces staring from above
crutches or tubular clamps
out for tentative walks
have paused for turtling wheel-chairs
heard visitors talking in wind on each corner
while the lights changed and
hot dogs were handed over at the curb
in the middle of afternoon
mustard ketchup onions and relish
and police smelling of ether and laundry
were going back

and I have known them all less than the papers of our days
smoke rises from the chimneys do they have an incinerator
what for
how warm do they believe they have to maintain the air
in there
several of the windows appear
to be made of tin
but it may be the light reflected

I have imagined bees coming and going
on those sills though I have never seen them

who was St Vincent

Writing poems amid the potted geraniums
and diving sparrows, their nest
above me in the rafters.

The oak tree just beyond is lush
in the slanted summer light,
and I feel a hush fall through me,

a deep, green, pooling quiet
I’ve never known before.
It is the unfamiliarity of the house,

I imagine, this place along with
the late-August heat that lulls me
to sleep like a cat in a patch of sun.

Every wall has been hand-painted,
white-washed, scrubbed-clean.
I know every imperfection intimately.

There is peace to be found
in making the old new again.
Work is required

to call someplace home.
Each evening, as the coolness of the oak
seeps into the patio,

I write poems, exhausted, processing
the beauty we have found and created here.
The sparrows sing their advice to us:

Breathe deeply and rest now.
Joy is where we look and find it.

Wild geraniums collected
in pocket, red painted petal stains
my feet squish, squash in this forest
the earthy mud a mossy sponge
with fern and lichen the trees are hung
upon the ground greening with maidenhair fern
my satchel filled with dainty floral sprigs
in spring the sparrows gathering vine and twig
June's an efflorescent carpeting, soft with lady slippers
in summer the wildflowers and grasses wed
when celebrates all the flying things
wooded bees and butterflies in the sun
sparkling with faceted, glistening wings.

"THE TROUBLE WITH GERANIUMS IS THAT...."

She did not know
how it had come to be

but she was having toast
and tea with Titus Groan!

Mervyn Peake appeared
to have drawn himself

with pen and ink
the very essence of his creation

as if he had stepped forth
from his book.

The man himself
in flesh and blood.

A living caricature.

Mervyn said nothing.
Just stared into  the depths

of who he was
lost  in himself.

Her boyfriend said nothing
depressed beyond belief.

She said nothing.
Too young and too naive.

Sitting with Steerpike
as it were or

in a candle flicker
now with Mr Pye.

She picked up a slice of toast.
Bit into his words.

"The trouble with my toast is that
it’s far too full of bread."

The echo of his voice
lost inside her head.

Inside him, she
could hear him say

"The trouble with my looking-glass
is that it shows me, me."

"Must you..?" he seemed to say
"Keep up an intimate conversation...

by quoting
myself to me."

The silence stretched and
stretched until it snapped

back into a tiny sound
the ****** of a spoon on china

bringing time
to an end.

The moment going on
forever despite what

time had to say.
We all silent now

the 77th Earl of Groan
...fallen asleep.


*


My wife Janice as a young art student went to tea with Mr. Peake who was very very ill at the time.

how do i even begin to describe this color,
because it is so
******* versatile.

firstly it is the color of royalty and magic--

stuff of fairy tales that leap from the page
and into your mind's eye.
richly-hued gowns reach the polished floor;
crowns and scepters shine with amethyst,
with jasper,
with tanzanite.
this color shines in the stardust of a wizard's cloak,
shimmering in the candlelight as he pours over texts and trinkets
with a glowy-eyed owl brooding on his shoulder.
it billows from the smoke of a witch's potion--
eye of newt and
wing of bat and
toe of frog
combine into a roiling haze that will make the princess
fall in love and then kiss death.

"double, double, toil and trouble...
your dreams and despair await."

this color is also one of spring.

it dots on the hills in delicate petals of
heather and lavender,
and the slightly darker
pansies and geraniums.
it scatters on the wind and leaves its perfume for
butterflies and
bumblebees and
girls in love.

before the sun rises and paints the sky in its warmth,
the world stands still in a state that is
neither dark nor light.
the stars have gone but
morning has not quite arrived to take its place;
birds are not yet chirping and
bugs and not yet buzzing--
in fact the only sound is your own mumbling
as you press your face into the pillow as though
trying to push away the responsibilities that
loom in the daytime.

it is here that this color is perhaps at its softest.

now, there is one more place this color shows itself,
though I'd rather it not be the case.

it is the shade of hurt and fear,
the shade of loneliness.
this color blooms on her back and shoulders and over her eye--
in bruises dark enough for her to seek cover-up
and a restraining order.
this color outlines the handprint of his attacker,
when he was wrenched into an alley and
stripped of his sense of security.

this color looms over the dispossessed
no matter how brightly the sun is shining.
instead of hugs and kisses,
these lost souls are met with remarks like
"loser" and
"*****" and
"****-up."
solitude is sanctuary as invisible hands
attempt to choke the life out of the outcasts.

do you see what i meant when i said
that this color is versatile?
it is a color of kingship and witchcraft,
of nature and pain.

it is not the color of singular definition.

the robin came down as he cleared the ground,
all red chest, pretty eyes.

we discussed the earth, rich now, without
the stones. we could grow potatoes as they
did here in the war. i have the photograph.

these are fortunate times, while have disliked
the tuber since the flu struck.

there has been a lot of it this year here.

we plan a pretty little greenhouse, all white
with embellishments, red geraniums.

the robin watched, i am told he will like mealworms.

sbm.

Awakened in a strangers bed
by a breeze through a skylight
dusting traces of rained-on geraniums
and newly cut grass across my face.

My lips taste like salt-rimmed margaritas
when I lick them and the flames
from giant candles that danced
and flung our mad leaping shadows against the walls
the night before have all blazed out,
cried themselves into waxy puddles
overflowing into a stolen hotel ashtray
full of half-smoked cigarettes.

The comforter slides off,
silk whispering as it pools on the floor
and I am naked beneath,
hips dotted with tiny bruises from fingertips,
hairy belly still sticky with release
and I wonder what possessed me hours earlier
to so savage the worm,
that ridiculous prize
lying at the bottom of a tequila bottle.

I could die of thirst.

I spy our spent casings on the night table and remember.
Thrown clothes, then skin.
Reloading during the battle.
The hot breath of secrets over a white-flag pillow
when the cease-fire came.
Then no sounds at all.
Adrift in a shamble of blankets,
sleepy kisses till dawn.

I hear the shower turn off
and remorse sets in
making me wish hard for mints,
a better memory than this,
the removal from my chest
of that hive of angry bees
grieving a dead queen,
and God only knows who’ll walk
through the door so I brace myself.

Wrapped in sheets, I wait.

Well my old Mate,
The sands of time have slipped between our fingers, you and I are not the spry young things we used to be. Gone are the expansive days of limitless horizons, gone are the great aspirations.
We live now in a time of quiet satisfaction. We have lived our lives as best we can. We have our achievements and our failures, our moments of despair and delight, the highs and the lows of a lifetime well spent.
What magnificent moments we have had... both of us! Moments of love and triumph, moments of roaring laughter, occasions where we have both felt... that our cup does indeed.. overfloweth.
We have watched our children grow from helpless little bubbles to striving creative people with urgencies and points of view and imperitives.
We have both found partners who have shared the pain and the hardship, the joys and the agonies. We are the lucky ones friend.. these women are the rock of our lives without them we would be substantially less.
Despite the fact that we have rarely seen each other since the ****** days, I want you to know that I have always regarded you as a brother.  Something quite indefinable there, but special.. you will always be my brother.

Speaking of brothers.. ****** old Johnson has married himself a young Chinese lady, they are living quite happily in southern China, used to be Changsha but I think now elsewhere..
He is coming back to New Zealand next year.. about March.. which is very timely because then we will be able to accommodate them in our new rural retreat in Taranaki.
Janet and I have built a lovely little donga atop a high hill overlooking the magnificent green, South Taranaki foothills and the wide blue Tasman sea.
The place is about 50% built right now. In a few days Janet & I will travel down with a truckload of stuff and spend the summer break and Christmas working our bums off on the property.
We camp out under a sky full of the most brilliant stars.. more than I have ever seen before. Every morning we awake to the glorious dawn chorus of the native birds in the forest around us.
We have two particularly curious, enormous wood pigeons who follow us around all day from job to job and a chorus of beautiful, irridescent tuis who entertain us with their song and antics flitting between the flowering tree fuschias.
This place is paradise.
We will have two guest bedrooms... so sometime, in the not too distant future, I want you and Suze to take a little break.

Boaz is returning from New Mexico for Christmas, Solomon is driving him down country on Christmas eve so we will all be together with Grandpa Bell, Janet’s dad, for the festivities. I can’t wait!
Have bought Janet a beautiful oil painting by a local artist.. Of geraniums in a rust red ***.. and a glorious light emanates from it. Will be just the thing for the wall in the new kitchen.
That’s it!

Love to you and Suzie and all the tribe.
Have one hellava good Christmas mate
Luv M

Hold your hand aloft in light
Feel the blood run through your veins,
Know that you have lived a life
Loved a love and held the reigns
Of something..so worthwhile and good
That friends will well have understood,
When you have long passed from this land,
...Your Cup hath Overfloweth.

MERRY CHRISTMAS

Marshalg
Mangere Bridge
18 December 2010

Here I am again
wading through straw hats and jazz-
hailing the bartender,
spilling.
I’ve got last call to catch.
That firecracker with geraniums in her hair
is thirsty and wearing symptoms
of dance fever.
I’m doing a dance of my own,
holding my watery scotch over my head,
dodging sweaty shoulders.
I’ve almost made it back to Flower Girl
when I see a sight
that nearly jars the J&B; from my hand-
I see you.
You’re waiting by the jukebox
for Baseball Coach to retrieve
dos tequilas
and you’re happy.

Kale greens. Beets grow fat and wine-dark.
Carrots spin sun into fibrous orange.
Someone carried soil up these stairs.

Onions open long fingers into the morning fog.
Small herbs and winter squash keep quiet company
here on the rooftop while sirens pass below.

In the afternoon one or two leave their e-mail
and ascend to this improbable place.
“Put your hands into the dirt,” a doctor advised,

and you’ll feel better.”  There is a time to plant
and a time to reap.  A time when nature, nearly
spent, needs tending in small places.

Boat-weary immigrants lay bok choy along
the sidewalk’s edge.  Geraniums bloom
in window boxes.  Here and there

insistent chilis dangle on a bush in a half-
barrel.  A rooftop is world enough for now.
You don’t need forty acres or a mule.

A few square yards, drip line, a couple
of spades and willing hands suffice.
The rest is blessing.

Geraniums wilt into the bedrock
behind a treehouse the canyon knew.
The lanterns have extinguished.
Crow in the ****** overhead sifts
downward. Below the trundled dune,
poppy after poppy -- hidden in mantling dust --
deafens in its own rustle. Where
is the moon today? Where
does the sky end and wrap
inside its craters?
A caw splits the wind in a palm,
drives it through a lantern's smoke.

We used to watch the lanterns wane
before calling it a night.

We used to put bees in jars
before pulling our blankets up.

We used to sing old gospel songs
before getting out of bed.

I feel older than an ancient discipline,
I swear I was like this before I was born,
I'm trying to discredit my happiness,
but I'm as aimless as ever...

Twenty-somethings, homeless,
but with perfect fashion,

in muted greys and translucent lilacs
sit outside Union Square.

They have the coolest tattoos
and the coolest carboard signs,

all more transcendental and valuable
than the sidewalk they sleep on.

Some are tweaking, some are sleep,
some lean and have spit dribbling

from their burned lips as they drift
into a coma, like war heroes.

I want to give them a bowl
of my homemade vegan chili.

They can have cheese and sour cream,
depending how righteous they are.

I want to speak sweetly with their mothers
while they prune geraniums
along the cracked and faded sidewalk.

I wont smoke in their parent's garage
like an outcast uncle,
or have more than one beer with dinner.

The next day I’ll go back to the storefront
to explain everything I've learned, over
instant coffee and Entenmanns.

This time it's their turn to share wisdom
as 13th Street muscles from slumber,
achy under the weight of lost bodegas
and barbershops.

I’ve been told every homeless person needs a sign,
no matter what variation or breed.

Some write a new message every day, some stick to one,
but only a few don’t write anything at all.

“Not even gonna lie:
need money for bud.”

The pulse behind the sign renders words irrelevant.

The 500 year old Chinese woman captures the room
like a drunk teenager.

The oily scarecrow with a leather hat dances,
rattling his tin can.

Only occasionally will an assertive hungry hobo be satisfied
with a granola bar in place of anything less than Jackson.

“This is what it sounds like,
when the doves cry.”

Southern church bells ringing through dive bars filled with sinners.

When Friday buried Thursday
at the cemetery
I was eating eggs and
bacon in my bathrobe.
The other days wore black
attire to the burial
and brought white geraniums.
I stood in silence for three minutes
after I finished my breakfast
then wrote a note for the weekend:

“My time will come,
don’t wait for me,”

and left.

Scarlet dancing poppies
ruffled skirts flung high
pansies and geraniums
nod to an August sky
foxglove mint and rosemary
move with the wind and sway
a summer garden party
and a fragrant cabaret