to the young privateer.
the captain kidd & his bought n’ taut gang of holy bluffs.
they bribe and imbibe and swoon on the dock-way looking for a quest or two or three
to dream and bury their doubloons in island guts like little mysteries. little sundowns
over a rixdollar indian ocean.
let them take a turn.
destined to mutate from private to pirate, the kidd, like blackened rotten wood.
******* frigates.

the ship:
with her bob and sway. she is, the adventure.
& her song is calling out for a rapturous few,
for men ready to die on the highwater mark by glory or fire or dead glorious sun.
so they put her brass and bough to seafaring days,
the sweet galleon, barely wet, yet
completely riffed to voyage.
she is
from the shores of london. built. designed to kick 14 knots under a full sail blast.
& she will bite.

she’s in calm waters.
the kidd savvy toothed and butterscotched, he awaits the big show,
engorged to set forth the play like wily ocean dervish &
they do.
they do proceed with benefactors coined and crunched on postulations of pirate death &
pirate gold. reclaimed honor as they say. the hunt for pirate teeth.

& with official pass and parchment, high-throne approved,
king ***** III stamp & sealed,
this voyage is.
this voyage is and forever was, hereby charted, to recover said stolen goods.
to reclaim thy warrior vanity &/or vengeance.
to noble this **** with pinched loaf, like now.
set sail. now.
1696.

“**** them navy yachts at greenwich, the thames be ours, boys.”
slap *** and flick thumb toward those armada sons,
& as tribute
smoke balsam herbs on the starboard side for the mother she and the father be.
but for this slight,
this dishonorable silly ****,
one third of adventure’s men are pressed into service of the crown.

[continue.]

the adventuresome few, petty crew and crows.
steal the heart and mother-meat of a french ship. steal everything onboard.
steal the ship itself.
& on her way to new york, new boon, pure and entered into the new world.  
there are new men bought in the american port,
good men and odd men of long criminal legacy.
a small black vicious quartermaster. he’ll do.
a murderous preacher gripped by stars and celestial patterns. he speaks spanish. he’ll do.
another type of holy man and a wild drinker too, embattled by demons on the port side. sure.
plus the dock-boys destined to **** for fruits of exploration.
this is the way of the son of a gun.

the boatmen jockeyed. she is
the adventure
prancing the vertebrae of atlantic and beyond. cape of good hope, she
breathes easy out here on the wide tide and float.
out here on the vast blue this. she
evolves
out here. loves out here.

pirates.
the hunt for pirates or the lack thereof. she leaks.
she rasps into the years on. and on.
the kaleidoscope hallucinations of sun and moon, sun and moon, and moon and sun
forever.
the strait of bab-el-mandeb.
& there
she plunges into darkness, into the stars seen from and through a periscope formed
by ancient hominid lineage.
seen but untouched,
in dreams. the kidd, reluctantly lime, admits to his madness.
madagascar.

malaria and cholera and hell break the boat by the throat.
& thrash.
to be organic is to be ruled by a shadow, or entropy.
the mouth of a red sea.
one third of the men will die here.
simply as insects crushed and brushed off deck and into to her great spate of agua,
the mother gush.
her earth.
body.
father,
hear his whispers in the mirage.
the ancient mariner, the ancient holy ghost riming down there.

in destitution.
in a rough and soggy life squeezed and making men weird or violent or both be ******.
the kidd goes cold to hot sweating noxious.
turns pirate himself
out of sheer hunger.
out of sheer need to eat.
sets the boys like dogs upon a frigate of east india company men,
or french *****. either/or/or/either/or.
he & the boys are in a madness swirl of sun and heavy guts.
cuts to spill blood
or gold. this tender bit.
lip bit
& tested.

captain kidd fractures the skull of a deckhand named moore,
for bad attitude and giggles. moore gets death.
chisel on the deck.
& to think we are all troubled by some primal trauma.
some dumb thing called death, that is.
men starving, men dying, men falling in the vast black that is that eternal void.
dream of women and riches in the meantime.
fortunes.
1698.

savage kidd, cool kidd, cool spit
off the edge. to think of the once soulful idea of these paradise days
& trip.
savage to cool.
the two divine modes of a survived man.
a ghoul man, or aging man.
& to keep control of his crew kidd sets them upon the quedagh merchant;
a 400 ton armenian hulk chalk full of gold, silver, satins, and muslin. ‘tis *****.
renames her: the adventure prize.

madness quenched for now.
charmed for now
& on the horizon are fragrant times. blissful distance.
but robert culliford,
with his mocha frigate. this man, this suave pirate lord, his vengeance act.
he had stolen kidd’s ship years back, &
the captain opts to cut his throat.
take the mocha.
keep calm & carry on.
to paradise.
to dream of her cool warm beaches and fruit forever, peacefully thinking.
so that night they two drink together in good health, and in the morning
most of the men defect to this other man, this other ship, culliford.
other dream,
other captain of true buccaneer effect.
act 3:

13 remain in the galley firm.
this is the house adventure.
& she is burnt alive three days later for rot and ill repair.
but she was fun,
& a *****.
a stitch of old woodwork given-in
& crackling with the eyes of her crew seen in fire.

kidd steps the pond to caribbean times with the adventure prize, toad toxins
& high on the jungled shore.
he trades that colossus, flips her for a sloop and seven little chests of gold.
little bellies.
the island-gut doubloons to bury.
dream, remember?

but the men-of-war are after him now. the privateers & hunters & devil’s dogs.
the men he once was.
men of marked death.
& he is now some pirate, some forthright bandit
settled to **** or be killed.
some sad kid.

first: buries that treasure up the coast of america.
oak island rig.
cherry rocks of the maine bank and *****-trapped pit.
the hunted.
they catch him on an inlet ****, and sail back
to london to be tried for crimes against the crown.
the high court of admirality.
1701.

they hoist and gibbet his body with worn chains above the river.
not for piracy, but for ******.
the ****** of that strange deckhand moore and his giggle.
kidd’s bones
suspended there for three or more years at the mouth of the thames,
as warning
to the perverse travails of a criminal lifestyle on the highwater pond.

1622

A Sloop of Amber slips away
Upon an Ether Sea,
And wrecks in Peace a Purple Tar,
The Son of Ecstasy—

I will tell you what he told me
in the years just after the war
as we then called
the second world war

don't lose your arrogance yet he said
you can do that when you're older
lose it too soon and you may
merely replace it with vanity

just one time he suggested
changing the usual order
of the same words in a line of verse
why point out a thing twice

he suggested I pray to the Muse
get down on my knees and pray
right there in the corner and he
said he meant it literally

it was in the days before the beard
and the drink but he was deep
in tides of his own through which he sailed
chin sideways and head tilted like a tacking sloop

he was far older than the dates allowed for
much older than I was he was in his thirties
he snapped down his nose with an accent
I think he had affected in England

as for publishing he advised me
to paper my wall with rejection slips
his lips and the bones of his long fingers trembled
with the vehemence of his views about poetry

he said the great presence
that permitted everything and transmuted it
in poetry was passion
passion was genius and he praised movement and invention

I had hardly begun to read
I asked how can you ever be sure
that what you write is really
any good at all and he said you can't

you can't you can never be sure
you die without knowing
whether anything you wrote was any good
if you have to be sure don't write

Down the deer path, thick with ****,
to every hard to find
creek bank in the world,
there's a busted dinghy,
a forgotten sloop dream,
with a mudstuck sprung transom,
a sky beckoning bow,
tied to a cattail or some other
tenuous stem.

Down the deer path, thick with ****,
the willows, reefed in a gale,
cringe in the rising crest,
and a busted dinghy
lifts on a swell and bellows
against the cleat to slide clean
to the sea, to a young boy's
landlocked dream of spray,
hard weathers and anywhere
but here night-watches.

All the colors of elsewhere,
the splendid regatta of the never-seen,
the gleaming spice and bent strange
tongues of the could have been - mold,
dip and sigh, lift and strain,
again and again,
upon a cleat,
upon a rope,
upon a cattail
or some other
tenuous
stem.

Now moored in the dark bays
My ship in the dark days
Sailed light in the wild seas.

The fresh winds that blew in
off the keys
paid no fees nor no duties
those beauties were wild.

We.
In the child that is time
got drunk on cheap whiskey
and drank even more wine.
And sailed on.

We.
were the gone in 'begone with you'
a Devils brew of a troupe
on a sloop with no flag.

Dragging my heels a bit
in a suit of the age
that cannot fit.
It's not cut for this jib
Which is even more of a fib
that is scratched in the journal with ink and with nib.

Here I tie up and stay in the bay of my birth
My final berth and it's fitting
that in this bay where I sit on the sloop
that the loop of my life keeps on playing,
relaying those wild crazy times in 'the Carolines'
or on the 'Main'
Standing, 'man on the wheel'
life is just one big reel
Always one more destination
Just one more salutation
then I go.

I still feel you
in my heart.
what wrath visited on me,
perhaps I see in your eyes sorrow
the green sea swells with life
the lone seagull cuts
the air,
scanning the waves
which belch and break
on the gray shore.
a fisherman thinks
drowned by the white noise
his rod cast aimlessly
he considers tossing off his
anchor and crashing headlong
into the rocks,
****** underneath
legs shattered as hes dragged
along the bottom,
his thick blood like oil
curls in clouds around him
his lungs burn
he screams and isn't heard
hurt but not forgotten
he drags his sloop ashore,
snaps his rod in half and casts it into
the foam.
fishing makes for terrible metaphors,
he thinks.
the seagull screams in reply.

A storm is raging on the frothy sea
Mountainous waves toss the vessel all around
The ravaging gales impale with a deafening blow
Raucous sheets of salty spray
soak and pelter             to and fro

A bucket bails the raged sloop
She moans and groans as she’s flung about
A sailor sails ― A sailor endlessly bails
Engulfed alone in the perfect storm

Two oars are manned on the stormy seas
The halyard torn and ripped from mast
To row and bail is an impossible feat
It’s hard to tell when you've sprung a fateful leak

The captain mans the forlorn skiff
There'll be No white flag of surrender flown ;
   " I will go down with my ship! "
  A furious soul             laments life’s toil
As violent waves crash the gunnels hold

He screamed out loud,    
         " My time has come ! "
                  " My ship is sinking!!! "
" Her broken pieces ne'er to be found ..."

The rampart boat, well fortified yet built to fail
Plummets from hills of oceans pitifully tall

Cracks are leaking where the lurid light gets in
But so does the briny water, will drowning soon begin?
Lost hope floats the helpless, fearless one man crew
His soul now guides the ether voyage ―


A vessel drifts lifeless on the empty calming sea
Nothing but it can be seen for miles of skies
The free board is deep the salty water high
Two apathetic oars lay silent, is a lost soul inside?


                     ©  Harlon Rivers

Fly by night,
Or the seat of your pants
Hang on tight,
May I have the next dance?
Take a deep breath,
Or a load off your feet,
Hey pretty mama,
May I sit in this seat?

Snoopy and Sloopy and Sloop John B too
Don’t you know
I think I love you?
All night long,
Nothing else can compare
Mickey Mouse, Elvis, Frankie, Annette
Down on the corner, cool
Cigarette.

All grown up
With no where to go
I left it to ******
But he didn’t know
Wally and Eddie
Were out selling drugs
Popeye and Brutus
Were two vicious thugs.

In the Fifities and Sixties:
It was hard to keep up
“They” fed us the Kool Aid
We drank from the cup.
Kent State and Woodstock
And a man on the moon,
Kaleidoscope childhood,
Ended too soon.
Phil Lindsey 9/16/15

Like a sloop in mid ocean toss
To and fro by a wind boisterous,
Whose fortune is past help and hope, seems he
Among the flotilla of his game--supposedly.

Remember i about two seasons or years
Agone, when it was bruited to my ears
By some analysts and commentators alike,
That the player probably might not strike
Home a Grand Slam at all in his career.
The critics, howbeit, this day wrong were
Proven for his fate changed, when the hand
Of heaven which, as it wills, doth command
The affairs of man, causes at once to cease
The waves, turning a seeming failure to success.
For there in that distant land of America did
That ever presistent and optimistic, avid
For, focusing on a title Andy Murray of Britain,
At last his first Open Tennis Trophy obtain.

No theory new doth his crown prescribe;
Only that a man should likewise subscribe
To those ancient proven principles: believe
In God and thyself, and sincerely give
To every pursuit of life thine very strength and
Power; and whether the occasion be a Grand
Prix or Slam, allow nay no rollicking pundit
Thy faith to cast down. For like a bandit
Are negative words; they do rob the heart
Of its courage and confidence for the most part.

Yea, at 25, the British boy berthed eventually,
Despite the storms, at the harbour of victory.

At anchor in Hampton Roads we lay,
      On board of the Cumberland, sloop-of-war;
And at times from the fortress across the bay
    The alarum of drums swept past,
    Or a bugle blast
      From the camp on the shore.

Then far away to the south uprose
      A little feather of snow-white smoke,
And we knew that the iron ship of our foes
    Was steadily steering its course
    To try the force
      Of our ribs of oak.

Down upon us heavily runs,
      Silent and sullen, the floating fort;
Then comes a puff of smoke from her guns,
    And leaps the terrible death,
    With fiery breath,
      From each open port.

We are not idle, but send her straight
      Defiance back in a full broadside!
As hail rebounds from a roof of slate,
    Rebounds our heavier hail
    From each iron scale
      Of the monster’s hide.

“Strike your flag!” the rebel cries,
      In his arrogant old plantation strain.
“Never!” our gallant Morris replies;
    “It is better to sink than to yield!”
    And the whole air pealed
      With the cheers of our men.

Then, like a kraken huge and black,
      She crushed our ribs in her iron grasp!
Down went the Cumberland all a wrack,
    With a sudden shudder of death,
    And the cannon’s breath
      For her dying gasp.

Next morn, as the sun rose over the bay,
      Still floated our flag at the mainmast head.
Lord, how beautiful was Thy day!
    Every waft of the air
    Was a whisper of prayer,
      Or a dirge for the dead.

**! brave hearts that went down in the seas
      Ye are at peace in the troubled stream;
**! brave land! with hearts like these,
    Thy flag, that is rent in twain,
    Shall be one again,
      And without a seam!

I was part of the crew of a Sloop-of-War
That had sailed in the Caribbean,
We were caught asleep in the port one night
By the crew of a Brigantine.
They loosed a broadside, seven guns
As the Skull and the Bones flew high,
And I was dragged to the pirate ship
Where they said, ‘You’ll serve, or die!’

There wasn’t a choice to be had back then,
So I climbed aloft on the mast,
Setting the rig of the fore topsail
And making the halyards fast,
They made me stay in the Crows Nest then
To be swept by the wind and rain,
With only a couple of tots of ***
To deal with my aches, and pain.

I kept lookout on the pirate brig
For His Majesty’s ships, and land,
They knew we wouldn’t stand much of a chance
As a Privateer Brigand,
We sought to shelter within a cove
In an island, not on a chart,
And rowed ashore in a longboat there
With the bosun, Jacob Harte.

Captain Keague had stayed on the ship
With the bloodiest of his crew,
The rest of us had been pressed to sea
To do what we had to do.
We filled our barrels with water from
A rill that flowed from the hill,
And gathered fruit that we’d never seen
From trees with an earthy feel.

The trees had tendrils that waved about,
And trunks that were black and charred,
Just like a fire had raged there once
And left them, battle-scarred.
A voice rang out in a clearing there,
‘Hey mates, head back to the sea,
Don’t let the tendrils fasten on you
Or you’ll all end up like me.’

And deep in the trunk was a human face
With its skin all burnt and black,
The pain was etched on his weathered skin,
‘Look out, these trees attack!
We tried to burn them away, but they
Caught every one of the crew,
That fruit you carry is poison, mates,
They’ll be the end of you!’

The tendrils whipped and the tendrils slashed
And they wrapped round Jacob Harte,
He hadn’t much time to scream before
They seemed to tear him apart,
And each of the crew was tangled there,
Was absorbed into a tree,
I made it back to the beach that day
Though I’m anything but free.

The roots of the trees had reached on out
To the Brigantine in the bay,
Curled like manacles round its decks
And torn its masts away,
They dragged it up on the sandy beach
And they crushed it to a shell,
Caught the crew in their tendrils too
And Captain Keague as well.

I’ll put this note in a bottle, send it
Floating off in the sea,
Hoping that someone picks it up,
It’s the last you’ll hear from me.
Don’t let them seed in the world out there
These tendril trees are cursed,
And keep this Island from off the map,
If not, I fear the worst!

David Lewis Paget

Inhale to create light
Exhale to pollute
Black lungs
Stained fingers

Mixed with breeze
Smoke and thoughts
Waves and ripples
Leaves they crackle

Higher levitation
Hearts wish
Fate wins
My mind fly

Trees are sloop
Branches raise
Unfolded buds
Wilted flowers

Everyone.
S.O.A.R
Many
Flights

A ketch or a sloop to drop me out of the loop and I will sail far away, it may be day, but it's night and the wind wraps me tight, there's no light and the tunnel can't be found.
The only sound that I hear is the creep creeping of fear and the rustling of things in the dark.
I could be, but I'm not the white spot on the Sun or the unspendable cartridge in the barrel of a gun,
so scoop me up, loop me out, scout out a space where the day's in a place where I know it will stay, in this challenge I face where the case is unsolved I resolve to uncover the truth and yet the lies fly in flocks which block the sight in my eyes and prise the light from my day, a ketch or a sloop, drop me out of the loop and let me sail off to sea.
I could be, but I'm not the distant spot that you scratch on the charts that you keep in the cupboard by your bed or the lead that's unspent, the bullet never sent,
I could be, but never went there, only walked planks on building sites where dreams are built from days to nights and the promises of a completion are deleted in the draft.

‘Be waiting up at the window,’ said
The note he sent by hand,
‘I’ll come and collect you at midnight,’
Said the note, ‘the way we planned.’
She heard the clatter of hoofbeats in
The courtyard down below,
And waved to him from the window
As she seized her portmanteau.

She quickly skipped down the staircase
Holding both her shoes in hand,
Trying to avoid the clatter as
She raced down to her man,
It only took but a moment then
To seat her on his horse,
And gallop out of the courtyard on
Their way to the watercourse.

A light appeared in an upper room
And they heard her father roar,
‘By God, you’ll pay for your insolence,
I told you once before.’
He’d promised her to a Banker’s clerk
Who had paid him for her hand,
Though she had said that it wouldn’t work,
She had bowed to his command.

But then the couple had plotted,
He was sworn to break her free,
‘If anyone is to marry, it
Will just be you to me.’
They headed down to the water where
The sloop, ‘The Esperance’,
Was waiting for their arrival
Before sailing off to France.

It took an hour to set the sails
And wait for the tide to turn,
They hid themselves below the deck
In a cabin at the stern,
But soon the thunder of hoofbeats said
They must have been found out,
For then they heard her father’s call,
‘It’s best that you come out,’

He ventured slowly out on the deck
To reason with the man,
Then saw the flash of the powder that
Was loaded in the pan,
The ball cut straight through his windpipe,
Left him sprawling on the deck,
While she was dragged from below, and screamed
‘All curses on your neck.’

He locked her into an attic room
And he wouldn’t let her out,
Though she would wail, and would scream at him,
And curse and yell, and shout,
She waited up till the early hours
Then she set her room alight,
The fire spread till they all were dead
From that single candlelight.

It sits as a blackened ruin now
With soot on the standing walls,
A testament to a daughter who
Refused to be overruled,
And still some nights when the moon is bright
There’s a whisper, close at hand,
‘I’ll come and collect you at midnight,
And we’ll leave, the way we planned.’

David Lewis Paget

turn the swell round both ears
past the field you once left tears

drift the coast round the sloop
hold fast stand the stoop

dream past the sheets
defend the deep

remain the meek
light and sleek

limits left broken
leave past unspoken

live life on the edge
just mind the ledge

They do not, like their more esteemed Californian cousins,
Sweep into town over sloop-festooned, canvas-checkered waters,
Passing over the remnants of missions
Packed with the ghosts of Christian guilt and romantic swashbucklers;
They labor at their workaday altitude just above the treetops
Still budding in the newness of May,
Pausing to rest on the jagged orange chain-link
Which surrounds the dormant mills,
Or perhaps a sill fronting a boarded window at the old school
Before taking to their summer quarters at the abandoned quarry
A couple of miles up the Klondike Road,
and invariably one of the old-timers will say
Little birds hain't much too look at,
But at least they come back every year,
And then not giving the simple brown creatures another thought,
As they find no particular interest in the notion of flight.

alternate title – A bona er fide dog day afternoon delight.

A mere half dozen vowels
constitute the English language
Ta-ra-ra Boom-de-ay
Consonants comprise the majority
(sans remaining twenty) Ta Deum,
whereby both in tandem allow, enable
and provide avast combination donning brooks at bay
ample lettered permutations

offer opportunities, where methinks
mother tongue avails allows, enables
and provides thyself
tubby spell as sigh arrange passions linkedin to create, evoke
and generate plenti of romantic expressions to convey
an amorous, bedazzling conception

describing ******, graphic, and iconic ****** propensities
this cobbler, dabbler, and fiddler
(no, not on the roof) doth display
his penchant, lament and bent infatuation
with these twenty-six symbols
that **** hen ewe to evolve,
and breed vernacular words to reflect from an eBay
definitions apropos to the present, which
Uber state farm quixotic oeuvre,

and matchless kindling ******* serves as foreplay
for this heterosexual ma reed male caressing,
finessing, and integrating
expressions of speech oft times spurs
(what might seem as noun sense),
I ponder the peccadilloes of being gay
yet quickly reroute ****** predilections
albeit rolling in the hay,

whence this dis straw t fellow
conjures affinity, comity and excitability
latent within the consanguinity
of bossy verbs assaying boisterously
an interjection tubby top dog capstone amidst kennel
of barking canines couching with another similar subject
each with their body electric

nestled upon a davenport faux pas inlay
in conjunction with another
four legged friend, the direct object
particularly eyed iz a ***** in heat, who **** okay
to buffer end an un pro noun
sub bull underdog species, who feels passé
with ****** faw paw play

though averse to insult shaggy scoobie doo,
whose bark a role overture willingly
doth goad her to doggy paddle
while she woofs down remnants of  
picnic tourists left littered
while Lady and the ***** head toward the quay
Pier ring for private sloop to **** per ****,
then ******* hoo ray
afore slyly cagily approaching bag of tricks
see ****** exploits today.

My stream of consciousness is in full flow,
Tumbling down the page.
A cascade of words
Bouncing and foaming
Towards unknown seas.

No planning here.
No structure
Or direction.
Just meanderings
And oxbow lakes.

Free verse unfettered
By Draconian Rules
Or dogma.
Odd rhymes thrown in
Perhaps:
Casual confetti.

So what should I type about,
Sitting here in my armchair
In the silence of my lounge?

The sky is full of clouds
A blanket over this
September afternoon.
Perfect conditions
For composing this poem.

Should I put the world to rights?
(How long have you got?)
Or just indulge
In some uplifting visions?

I don’t do emotions very much.
The cork is firmly closed
On those.
Recall my early loves:
All unrequited.
Crushes
That crushed my very soul.
Memories of crying inside,
Unable to eat
Or think of anything except
That longing for love
Which never came.

So no
I don’t do emotions.
And seldom reveal myself
As I just did.
I’d rather let my imagination soar,
My eagle eye -
A soaring cliché –
Taking in the sweep of space
And everything below.

I see trees
And animals,
Mountains, coasts and oceans.
People milling about.
A scream of seagulls soars above the sea.
Waves crash:
A thundering tsunami
Against the brittle cliffs.

I have many voices.
From soft soothing lullabies
To grand orations
Full of pomp and splendour.

Music plays in my head:
A crescendo of orchestras
And songs.
Freddie, Elvis, Bassey
Clapton, Hendrix and Satriani.
Ginger Baker, Phil Collins.

Reciting poetry
Within my brain
Is easy
After Bohemian Rhapsody.

So once more to the beach dear friends
With Brian Wilson
And his crew.
Let Sloop John B be launched
Again
Heading for oceans new.

At last a rhyme
As attention spans begin to
Wane.
Enough for now
My loyal friends.
I’d best bid you
Adieu.

Paul Butters

© PB 4\9\2020. First 3 lines Written 16\8\20 in my big paper diary.

I heard about the sloop John B.
When I was fourteen.
I had learned to sail in a storm
And the story gave me daring,
Although I had lost control,
Tightening the sail
Instead of letting it out
In a sudden gale.
And just in time, a boat passed
With a man who shouted,
“Loosen the main sheet!”
As the boat heeled to starboard,
And I nearly capsized.
But discovered a fair wind
And the ease of a beam reach.
So my first time was the worst,
And best…
But adrenaline fueled desire,
To do this again and again!

When I'm good and ready
when my mind is clear and
my hands are steady
I can chart a course,
until then
the doldrums become the page
and there is calmness in the pen

and it's all very well saying that
praying could help me, won't
somebody save me from
the seventh day
Adventists?

when you're yawning away like a good un
and the North star flies past like a pigeon
any excuse that you make sounds quite wooden
it's time to go to bed.

He sat in the Bell & Lantern with
His pipe and with his beer,
The streets were wet on a misty night
With the pub, the only cheer,
He’d only married the month before
To a girl, not half his age,
And laid it out like a written law,
‘You must make a living wage.’

He said that he’d been disabled by
A burst of cannon shot,
Unleashed by one of the Frenchmen
On his sloop, ‘The Camelot’
He said that he’d done his duty by
His country and the King,
So she would have to support them both
By doing anything.

She wondered what he had meant at first
But soon was disabused,
When he ripped open her bodice, saying
‘What you’ve got, you’ll use.
There’s sailors down at the docks each night
Who’ve been at sea too long,
They’ll pay for a bit of comfort, girl,
I want you to be strong.’

He chose the most of her wardrobe and
He threw away her drawers,
He said, ‘Whenever you greet one, you say,
‘What is mine, is yours.’
He chose a long cotton dress, he said
Was much more like a shift,
‘You have to be more than available,
It’s easier to lift.’

He wouldn’t be moved by the tears she shed,
How much she would implore,
His eyes were hard as her feelings bled,
His word would be the law,
He sent her out as the moon rose up
With its faint reflected light,
‘Make sure you bring all the money back
When you’re finished for the night.’

She wandered along dark alleyways
And she saw their shadow shapes,
Standing by darkened buildings, some
With caps and some with capes,
Their eyes would follow her down the lanes
Until just one would shout,
‘Now there’s the prettiest dolly bird,
What are you doing out?’

She’d soon get used to the smell of them,
Tobacco, gin and beer,
They’d come in close for a feel of her,
She’d try to hide her fear,
They’d ask how much for a little touch
She would say a shilling down,
If they were more of a gentleman
She would ask for half a crown.

Most of them took her standing up
With her dress up to her waist,
Or bent her over a barrel, it
Depended all on taste,
She’d work right through to the midnight hour
It depended on the trade,
He’d ask in the Bell & Lantern just
How often she’d been laid.

A good night, often she’d bring a pound
That he’d put down on the bar,
And pay for a round of drinks for mates
And for her, a *** or jar,
She’d blush and sit in the corner while
They’d leer and peer and joke,
The bolder ones would approach him, ask
‘How much for a friendly poke?’

He’d say, ‘She’s my little money box,
It will cost you half a quid,
But you must be nice, she’s sugar and spice
And she’ll tell me what you did.’
Then one might lay his money down, say
I’m feeling like a ride,
While he would laugh at his other half,
‘You can take the girl outside.’

One night when out on the dockyard she
Looked bleakly up at the stars,
And saw the Moon through the mist and gloom
Sitting right next to Mars,
So back at the Bell & Lantern she
Picked up and shattered a glass,
Lunged up, and ****** it into his face,
With Mars in her eyes, at last.

David Lewis Paget

Trolley cases on the quay, tourists
are part of it when you live here
And Thin John, sitting straight on his bike
every morning three times around the block
in the afternoon on foot the other way around
Mario the Sidewalk Speaker also
is part of it with his dog

Children jumping cannonballs
next to party people in their sloop
Anyone going on vacation
Every two minutes an air-plane
against the wind, low over the houses
Cyclists with their priority face
and the people who live here

The Americans in front of their café
on the corner, where believers sat
when the church with the tower was still there
Red Mia shuffling around
the litter bins, and neighbours
arguing again
They all belong

Here and everywhere the world
is maladjusted, we know
about ourselves and we address
each other: Hello! Good morning
good day here where we are at home
and can only wish that
everything remains different

I'm all right,  yeh?
Fulcrum point...  the four-way teeter-totter...
Circus balance act...

I am that center pivot-point
locked on the beams.
I bear the weight of those around,  it seems.

Bipedal tripod,
my cracks reduced to splinters...
Unending war
and I am at the center...
but I'm all right,  yeh?

Sloop the shoulders;
crack the back again...
Lesson learned:
to **** it up-  and in.

Muted life
will not offend a friend...

I'm all right.
Yeh...

I drove back out to Yellow Springs
Because I didn't want to go home
And in the darkness I sat alone on a wet bench
Then a black cat crossed my path
And in that moment I felt more blessed than I have in months
The cat came over to sit with me
And quietly we sat there for a half hour or more

There are some days where I truly wake up
In those few moments I feel completely aware
I can feel my self fill every inch of my weary skin and bones
Everything I hear is finally clear
Everything I see is truly real and alive and once again beautiful
But most days feel like I'm half asleep
And everything is a dream
And if it's all a dream then I mourn the loss of all my creativity and curse myself for making this dream reality feel so dull
I am a house
The lights are on but no one's home
Nothing but four walls a roof and echoes of laughter and tears
Echoes that have been bouncing off walls for years
I am an abandoned ship
A sloop floating far far far from the coast
The old man is long gone and I'm lost in the waves
Maybe tomorrow I'll wake up again for a few fleeting moments in the sun
Maybe I'll continue this dreary dream walk
And then I'll dream of a wet bench in the quiet dark
With a black cat on my lap
And tomorrow an eternity away

An addendum to 2013 HP poem
"The Road to One Chicken"
with 37,000 "Public" reads.

She was there again, a vision.
Slow walking with assured purpose
and grace not seen in most women
of any age, barefoot or in sandals.
Mainland restrictive shoes unknown,
and not required by her. A free spirit
exhibiting nary a hint of artifice,
a natural unaffected beauty.

Wind fluttering her long dark hair
like a flag atop the mast of a sleet
schooner upon a gentle rolling sea.
A Tahitian girl barely 20 walking
beside me, on a dirt road, by the
vibrant blue Ocean, holding my
hand and smiling.

Not having a common language
our eyes, some pidgin talk and
gestures conveyed all that was
needed. We loved one another
for a few days and nights, and
then too soon I departed as crew
on a sloop bound for Bora Bora,
while she remained happily
behind on her beautiful island.

Both this girl and her island
tenderly vividly remembered,
for over 50 years.

Some impressions last forever.
Unlike myself, she remains young
and vibrant evermore, a benevolent
ghost memory dream only appearing
at night and always assuredly welcome.