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Dorothy A Jan 2015
Shane Page made a quick call to his daughter, LeAnn, as he waited in the hospital lounge. “Hey, Dad, what’s up? You sound kind of upset.”

“LeAnn, Grandpa had a heart attack…”

LeAnn’s dark brown eyes grew large. “Is Grandpa dead?”, she asked. She was fourteen years old, and a wise, sensitive girl who cared a lot about her grandpa.

“No, not that, hon. The doctor says he will recover, but he had some blockages and he needs some fixing up.  He’s resting right now, pretty comfortably. I just wanted you to know where I was and that I’m okay—so don’t you worry. Look out after your brother…” He sighed in exhaustion and ran his fingers through the top of his dark hair. “It’s going to be a while before I’m home.”

“Well, wait a minute!” she protested.  “Why can’t Trevor and I go with you? Maybe Mom can drive us up there.”

Shane started to raise his voice, “Leave your mom out of this!” Then he realized his tone was a bit harsh and said more calmly, “You two got school tomorrow and there’s no need for you to be here now. Anyway, I don’t want to involve Mom.”

Shane and his wife, Megan, have been separated for four months now. It would be more than likely that they would be getting divorced. LeAnn, and her brother, Trevor—who was eleven-years-old—were staying with their father. It worked out that they remain in their home.  

“Dad”, LeAnn insisted. “She’s still our mom…”

“Just look out for Trevor. Ok?”

Shane got off the phone, and just sat there staring at the television but having no real desire to even pay any attention. That was the farthest thing from his mind. Around him were a few other tired people, looking about as frustrated, tired or worried as he was.

It has been a trying year for him. Still struggling with his marriage issues and now he was dealing with his father’s health problems. At age thirty-six, Shane was a young father when he married Megan. He felt it was the right thing to do considering she was pregnant at the time. The odds were against them remaining married, but they made if farther than anyone would have expected.  He certainly remained married longer than his parents—who were married for seven years—but he blamed his parent’s divorce on his womanizing, cheating father, a man he did not want to follow in his footsteps.

Dr. Bakkal had spoken to Shane, earlier. “Your father’s fortunate he made it in when he did. He was in requirement of two stents, and he was resistant to having them put in. I told him if he wants to continue to live, he’d be wise to get them. Otherwise, he’ll be in the same boat, but now we can prolong his life.”

“So he’s refusing?” Shane asked. That was his father, alright, stubbornly pigheaded to the bitter end.

“Thankfully, he signed for consent and he’s allowing you to be included in conversation over his medical issues. But really it is a good idea for him to have a power of attorney. You are his only son? ”

“Right.—I’m it”, Shane responded. “Well, that’s my dad for you. He thinks he’s got it all under control. Anyway, I’d be okay with being power of attorney, but who knows if he’d even have me. I don’t need to tell you he’s a stubborn man. He’s a proud man—too proud.”

“That he is”, Dr Bakkal agreed. “He doesn’t have a wife who can step up to the plate?”

Shane laughed a little. “He’s had four wives. My mom was the first. The lady he has been seeing now I’m sure saved his life. She was the one who demanded he go to the hospital and she drove him here. But she called me up and says she’s done with him.” The strain was obvious, as it was written all over Shane’s face. “He’s a headache, Doctor. He drinks too much. He smokes. He has yet to meet a vegetable…”

The doctor stated, “But things don’t sink in until we are forced to face them, sometimes. And he thinks because he looks alright on the outside, he’s okay on the inside—a fairly handsome man—a ladies man—who is, one used to being his own boss.”  

Shane agreed, but his face was grimaced. “That he is, Doctor. That he is. Yeah, but when the ladies get wind that he ends up treating them pretty shabbily—well, I’m not going to fill in the details. Four wives should tell you the answer.”

Dr. Bakkal put his hand on Shane’s shoulder. “Ah, but you seem to have a good head on your shoulders. I’ve no doubt you have some sense.”

Shane nodded.

Nodding his head—drifting in and out of sleep—Shane continued to wait in the lounge. Soon, Shane’s dad, Carl, had been able to get into his own room. Shane was able to go in and see him. Like Carl had told one of the nurses, he was “all wires, tubes and coils” and he had “enough numbers lighting up on fancy gadgets to keep the place busy” as his vitals were constantly monitored. Soundly sleeping, he seemed much smaller in his hospital bed with his face half shielded by an oxygen mask. What a strange sight it was. He hadn’t seen his dad in the hospital since his gall bladder surgery several years ago.  It was a bit unsettling for Shane to see him this way.

He didn’t want to wake his dad, so Shane just grabbed up a chair and sat by the foot of the bed. Before long, he had fallen asleep, too. When his phone range, he was entirely confused as to the time, even to what day it was.

“Hey, Dad, how’s grandpa doing?”

Looking at his watch and then peering out into the darkness out the window, he answered, “What’s that I hear…in the background? LeAnn, is that your mother there?”

“Yeah, Dad, I told her. She felt like we needed her and she’s making dinner for us.” Megan could be heard in the background talking with Trevor.

Shane frowned. “Oh, great! Didn’t I tell you not to involve Mom? You are perfectly capable of cooking, LeAnn. You do a good job, and—“

LeAnn abruptly handed her mother the phone. “Shane”, Megan said. “You can shut me out from helping you, but you can’t shut me out from helping my kids. Don’t act like you couldn’t use a hand.”

“I’ll be home soon”, he insisted. “It’s really not necessary. I’m not trying to be a **** about it…”

“You stay there as long as you need to. I can call Uncle Sal and tell him you might not be into work tomorrow.”

Shane worked as a manager and mechanic in his maternal uncle’s car repair shop. “Megan, I am quite capable of doing this kind of stuff, you know!” He hesitated and gave in to what he saw as interference.  Perhaps, guilt compelled her to come over. After all, she was the one who walked away. She was the one who was unfaithful, the one who strayed.  He added, “You want to look after the kids—then fine. I’ll worry about me”.  

“Well, you got it! I won’t interfere too much in your life, Shane. You’re just a chip off the old block,” she remarked, referring to his stubborn father. “The kids and I are doing just fine. I got it covered! Okay?”

“Hi, Dad! Love you!” Trevor boomed out from the background.

Megan laughed. “You caught that, didn’t you? I think the whole neighborhood did”.

There was no use trying to resist Megan’s help. “Tell the kids that their grandpa is comfortable, sleeping like a log. They can see him soon enough.” He stopped as a nurse came into the room to check in on his father. They briefly smiled at each other.

“Give them each a kiss and a hug for me”, he said, lastly, almost choking up. He wished it was like it was before—the four of them under one roof. But that was not going to happen.    

Shane met Megan at a party. She was a college student learning to be a teacher. He was working for his uncle in his auto repair shop. The plans were set for Shane to take over that shop one day. Uncle Sal had three daughters, none of them the least bit interested in taking over the business. When he met Megan, he was doing well for himself.

It was love at first sight for him. He was attracted to her fun loving personality, as well as her beauty. Her blue-green eyes would light up the room. At first, Megan wasn’t feeling the same way. Shane did slowly grow on her, this “grease monkey” with his serious nature and beyond his years. They would talk about their future together, for they really did enjoy each other’s company. But then reality hit them in the face when Megan became pregnant with LeAnn, and they married very soon. He wanted to marry her anyway, but now it was a matter of integrity. Shane wanted his child to have parents who were married and for his kid to know him better than he knew his dad.  

Megan gave up on her schooling, not becoming the teacher that she dreamed of. Shane often wondered if she resented him for this—like it was entirely his fault—though Megan never expressed that to him. A few years later and Trevor came. Plans to go back to school were put on hold. That light in those eyes seemed to grow dim, but he didn’t really notice that she was unhappy. He seemed to lose focus.

Such thoughts were punishing at this time, and he tried to bury them deep down. It was amazing that he was able to have a sound sleep in the hospital, resting in the chair in his father’s room. Next time he opened his eyes, the sun was shining. He looked up, disoriented a bit, as he noticed his dad looking at him, a small smile on his face and no more oxygen masks.

“Hell, Son”, Carl said in a gruff voice.. “You look worse than I do”. Carl’s thick head of grey hair was disheveled, and his usually, neatly trimmed mustache was invaded by surrounding ****** stubble.  

Shane got up and stretched and said back, “Thanks, Dad. Good morning to you, too.”   He looked at his watch and added, “Glad you’re alive. You scared the hell out me. You got your grandkids worried.”

“Well…get me out of this ****** hospital and I’ll show you I can get around just fine”.

“Whoa! Whoa! Superman—you are not! Just lay back, relax a while, and do what the doctors tell you.”

“Like what?” Carl asked with a furrowed brow.

Shane was careful not to lose his temper. “Well, for one, you can quit smoking. Two, you can give up the *****. Three—take your cholesterol medicine…”

“Ok….ok….you sound like your mother now”.

Shane knew it would go in one ear and out the other. He stood by the window looking down in the parking lot. “Yeah, Dad, Maybe I do sound like Mom, but someone’s got to tell it to you straight. Put some sense into you. Stop just for once and think of someone else besides you. If no one else, think of LeAnn and Trevor.” He paused and added, “Think about me for once.”

Carl laughed and mocked him, “Poor, little Shane’s got it so bad. I’m not against you, Son, okay? You’re a big boy, so man up! I’m sixty-nine years old! My old man was gone by fifty.” He started having one of his coughing spells, his cough like an old smoker’s cough.

Shane shot him a sharp look. “I guess I’m a fool to expect any better. Can’t make a silk purse out of a sow’s ear—as mom always says. Obviously, just wasting my time here!” He went to grab his jacket to leave.

Carl boomed, cheerfully, “Well speak of the devil!”

“What?” Shane asked, unaware of what was going on. He turned around and there was his mother standing in the doorway. He smirked and said, “Mom, I’m surprised to see you! LeAnn, right? ”

Rosina smiled and nodded as she entered the room. With salt and pepper hair, and an olive complexion, she commanded the room with her presence. Carl always referred to her as “Queen Bee”, for she had that quality—regal like a Roman statue when he first laid eyes on her—though she was down-to-earth in reality.

Carl groaned at the thought of her coming. “Is it safe for a person to be in here?” she asked, in her grand entrance.   She whipped Carl a stern glance. I’m not here for you!” Then she gave a look of concern her son, and told him, “I’m here because I’m supporting you, my dear. And yes, LeAnn called me.” She gave him a kiss on the cheek, and a quick hug, and he returned the loving gesture.


“Mom, you didn’t need to drive over an hour to come up here. But since you are—have a seat.”

“You sure as hell didn’t, Rosie”, Carl echoed.

“Oh be quiet!” she ordered Carl, putting him in his place. She dismissed the offer of the seat, and told her ex- husband. “I’m worried about my only son, but I also am interested in how you’re doing…if my grandchildren will still have a grandfather. Take better care of yourself and maybe they will.”

Shane comments were sardonic. “Maybe miracles still happen…like quitting smoking, boozing, and maybe doing some walking and healthier eating…but since when has Dad ever listened to you or me?”

Carl attempted to sit up and get out of bed, but the effort was ridiculous. He groaned in pain. “Give a poor guy some rest, already! You two are just a couple of nags!”

Rosina sneered. “Old nag—old hag—*******—say what you want about me, but you know I’m right! Anyway, you are outnumbered. Or am I, Shane, and the nurses and doctors all talking out their rear ends?”

Carl made a face. If only he could just get out of here.

“Honey”, she said to Shane. I’ll be downstairs in the cafeteria. I’d like some coffee. You can join me down there if you’d like and we can talk.”

“In a little while, Mom, thanks”, he replied.

Rosina walked up closer to Carl and put her hand lovingly upon his chest. “I really do want you to get well, old man. I wouldn’t be here if I didn’t care.”

“I know you do”, Carl admitted. “That is one of your faults. You don’t stay ****** forever.”

Carl was more scared than he would let on. He hated hospitals. He would do anything to just be back home in his recliner, watching a football game and having a few beers. What he wouldn’t do for just one puff on a smoke, too. Anxious, he tried to hide his fear, but it was just a smoke screen. He didn’t want anyone to know how he truly felt, nor did he want anyone to feel sorry for him.

There was silence for several minutes. Shane had said all that he should say. After all, he knew his dad probably wouldn’t listen. “Hey, Dad”, he finally said. “LeAnn’s going to her school dance. There’s a boy that likes her, but I’m really not ready for that.”

Carl grinned. “She’s a pretty girl, alright. Takes after her grandma when she was something else—way back, you know. The girl looks more like your ma than you do, though always felt you took after her look instead of me”. Carl’s background was English, Scottish and Welsh, and Rosina was full Italian. To Carl’s side of the family, he looked like his dad. To his mother’s side, he resembled her. Trevor took very much after Megan, with light brown hair and those blue-green eyes.

“Yeah, she is growing into quite a beautiful young lady”, Shane agreed “I got to still go dress shopping with her…and, oh, let the fun begin!  Can’t think of anything more enjoyable than a day of running her all around the malls.”

“Well, let Megan take her, for God’s sake! Or let your mother do it.”

“Dad”, “It’s fine. It may not be my thing, but all the stuff I do with Trevor—going to his baseball games, soccer, to karate. Well LeAnn was more into that stuff but she’s getting more into girly things.”

Soon, a young woman came in with Carl’s lunch, and placed the tray in front of him on his table. “Cute, huh?” Carl remarked about her after she left. Shane did not say a word.

“You need to get back out there. Get out and meet a nice girl”, Carl said, picking over his food. Jell-O, apple sauce, broth, a roll and juice—he wanted a hamburger. But how could he get a good one here? There were too many “spies” as he called them watching over him.

At the moment, Shane seemed miles away from his dad. Whatever he was saying made no impact. He made it a point not to speak of his problems with Megan to his father, and he liked it that way.  By Shane’s expression, he felt his son was holding back on something. But the truth was, so was he hiding something.

“I got myself into this mess, I know”, Carl declared about his heart attack. “I came close to saying, ‘Sayonara—that’s all, folks!’” His remarks were typical—just blow everything off. He joked as if he wasn’t fazed by it all.

Shane had now closed his eyes, and kicked back a little, “Uh huh”, he agreed, though he was simply responding without thinking about what Carl really said.

Carl didn’t want to be tuned out. He had something to get off his chest. He said, “ Well, all that’s done and said, maybe this is the right time to tell you. Got plenty of time here with my own thoughts.” He hesitated, for it wasn’t easy for him to say it. “ It’s bout time you know”, he said. “I think with me almost bitin
1969 Hartford art school is magnet for exceedingly intelligent over-sensitive under-achievers alluring freaks congenital creeps and anyone who cannot cut it in straight world it is about loners dreamers stoners clowns cliques of posers competing to dress draw act most outrageous weird wonderful classrooms clash in diversity of needs some students get it right off while others require so much individual attention one girl constantly raises her hand calls for everything to be repeated explained creativity is treated as trouble and compliance to instruction rewarded most of faculty are of opinion kids are not capable of making original artwork teachers discourage students from dream of becoming well-known until they are older more experienced only practiced skilled artists are competent to create ‘real art’ defined by how much struggle or multiple meanings weave through the work Odysseus wants to make magic boxes without knowing or being informed of Joseph Cornell one teacher tells him you think you’re going to invent some new color the world has never seen? you’re just some rowdy brat from the midwest with a lot of crazy ideas and no evidence of authenticity another teacher warns you’re nothing more than a bricoleur! Odysseus questions what’s a bricoleur teacher informs a rogue handyman who haphazardly constructs from whatever is immediately available Odysseus questions what’s wrong with that? teacher answers it’s low-class folk junk  possessing no real intellectual value independently he reads Marshall McLuhan’s “The Medium Is The Message” and “The Notebooks of Leonardo da Vinci” he memorizes introductory remark of Leonardo’s “i must do like one who comes last to the fair and can find no other way of providing for himself than by taking all the things already seen by others and not taken by reason of their lesser value” Odysseus dreams of becoming accomplished important artist like Robert Rauschenberg Jasper Johns Andy Warhol he dreams of being in eye of hurricane New York art scene he works for university newspaper and is nicknamed crashkiss the newspaper editor is leader in student movement and folk singer who croons “45 caliber man, you’re so much more than our 22, but there’s so many more of us than you” Odysseus grows mustache wears flower printed pants vintage 1940’s leather jacket g.i. surplus clothes he makes many friends his gift for hooking up with girls is uncanny he is long haired drug-crazed hippie enjoying popularity previously unknown to him rock bands play at art openings everyone flirts dances gets ****** lots of activism on campus New York Times dubs university of Hartford “Berkeley of the east coast” holding up ******* in peace sign is subversive in 1969 symbol of rebellion youth solidarity gesture against war hawks rednecks corporate America acknowledgment of potential beyond materialistic self-righteous values of status quo sign of what could be in universe filled with incredible possibilities he moves in with  painting student one year advanced named Todd Whitman Todd has curly blond hair sturdy build wire rimmed glasses impish smile gemini superb draftsman amazing artist Todd emulates Francisco de Goya and Albrecht Durer Todd’s talent overshadows Odysseus’s Todd’s dad is accomplished professor at distinguished college in Massachusetts to celebrate Odysseus’s arrival Todd cooks all day preparing spaghetti dinner when Odysseus arrives home tripping on acid without appetite Todd is disappointed Odysseus runs down to corner store buys large bottle of wine returns to house Todd is eating spaghetti alone they get drunk together then pierce each other’s ears with needles ice wine cork pierced ears are outlaw style of bad *** bikers like Hell’s Angels Todd says you are a real original Odys and funny too Odysseus asks funny, how? Todd answers you are one crazy ******* drop acid whenever you want smoke **** then go to class this is fun tonight Odys getting drunk and piercing our ears Odysseus says yup i’m having a good time too Todd and Odysseus become best friends Odysseus turns Todd on to Sylvia Plath’s “The Bell Jar” and “Ariel” then they both read Ted Hughes “Crow” illustrated with Leonard Baskin prints Todd turns Odysseus on to German Expressionist painting art movement of garish colors emotionally violent imagery from 1905-1925 later infuriating Third ***** who deemed the work “degenerate” Odysseus dives into works of Max Beckmann Otto Dix Conrad Felixmulller Barthel Gilles George Grosz Erich Heckel Ernst Ludwig Kirchner Felix Nussbaum Karl *******Rottluff Carl Hofer August Macke Max Peckstein Elfriede Lohse-Wachtler Egon Shiele list goes on in 1969 most parents don’t have money to buy their children cars most kids living off campus either ride bikes or hitchhike to school then back home on weekends often without a penny in their pockets Odysseus and Todd randomly select a highway and hitch rides to Putney Vermont Brattleboro Boston Cape Cod New York City or D.C. in search of adventure there is always trouble to be found curious girls to assist in Georgetown Odysseus sleeps with skinny girl with webbed toes who believes he is Jesus he tries to dissuade her but she is convinced

Toby Mantis is visiting New York City artist at Hartford art school he looks like huskier handsomer version of Ringo Starr and women dig him he builds stretchers and stretches canvases for Warhol lives in huge loft in Soho on Broadway and Bleeker invites Odysseus to come down on weekends hang out Toby takes him to Max’s Kansas City Warhol’s Electric Circus they wander all night into morning there are printing companies longshoremen gays in Chelsea Italians in West Village hippies playing guitars protesting the war in Washington Square all kinds of hollering crazies passing out fliers pins in Union Square Toby is hard drinker Odysseus has trouble keeping up  he pukes his guts out number of times Odysseus is *** head not drinker he explores 42nd Street stumbles across strange exotic place named Peep Show World upstairs is large with many **** cubicles creepy dudes hanging around downstairs is astonishing there are many clusters of booths with live **** girls inside girls shout out hey boys come on now pick me come on boys there are hundreds of girls from all over the world in every conceivable size shape race he enters dark stall  puts fifty cents in coin box window screen lifts inside each cluster are 6 to 10 girls either parading or glued to a window for $1 he is allowed to caress kiss their ******* for $2 he is permitted to probe their ****** or *** for $10 girl reaches hand into darkened stall jerks him off tall slender British girl thrills him the most she says let me have another go at your dickey Odysseus spends all his money ******* 5 times departing he notices men from every walk of life passing through wall street stockbrokers executives rednecks mobsters frat boys tourists fat old bald guys smoking thick smelly cigars Toby Mantis has good-looking girlfriend named Lorraine with long brown hair Toby Lorraine and Odysseus sit around kitchen table Odysseus doodles with pencil on paper Toby spreads open Lorraine’s thighs exposing her ****** to Odysseus Lorraine blushes yet permits Toby to finger her Odysseus thinks she has the most beautiful ****** he has ever seen bulging pelvic bone brown distinctive bush symmetric lips Toby and Lorraine watch in amusement as Odysseus gazes intently Tony mischievously remarks you like looking at that ***** don’t you? Odysseus stares silently begins pencil drawing Lorraine’s ****** his eyes darting back and forth following day Lorraine seduces Odysseus while Toby is away walks out **** from shower she is few years older her body lean with high ******* she directs his hands mouth while she talks with someone on telephone it is strange yet quite exciting Odysseus is in awe of New York City every culture in the world intermingling democracy functioning in an uncontrollable managed breath millions of people in motion stories unraveling on every street 24 hour spectacle with no limits every conceivable variety of humanity ******* in same air Odysseus is bedazzled yet intimidated

Odysseus spends summer of 1970 at art colony in Cummington Massachusetts it is magical time extraordinary place many talented eccentric characters all kinds of happenings stage plays poetry readings community meals volleyball after dinner volleyball games are hilarious fun he lives alone in isolated studio amidst wild raspberries in woods shares toilet with field mouse no shower he reads Jerzy Kosinski’s “Painted Bird” then “Being There” then “Steps” attractive long haired girl named Pam visits community for weekend meets Odysseus they talk realize they were in first grade together at Harper amazing coincidence automatic ground for “we need to have *** because neither of us has seen each other since first grade” she inquires where do you sleep? Todd hitches up from Hartford to satisfy curiosity everyone sleeps around good-looking blue-eyed poet named Shannon Banks from South Boston tells Odysseus his ******* is not big enough for kind of ******* she wants but she will **** him off that’s fine with him 32 year old poet named Ellen Morrissey from Massachusetts reassures him ******* is fine Ellen is beginning to find her way out from suffocating marriage she has little daughter named Nina Ellen admires Odysseus’s free spirit sees both his possibilities and naïveté she realizes he has crippling family baggage he has no idea he is carrying thing about trauma is as it is occurring victim shrugs laughs to repel shock yet years later pain horror sink in turned-on with new ideas he returns to Hartford art school classes are fun yet confusing he strives to be best drawer most innovative competition sidetracks him Odysseus uses power drill to carve pumpkin on Halloween teachers warn him to stick to fundamentals too much creativity is suspect Todd and he are invited to holiday party Odysseus shows up with Ellen Morrissey driving in her father’s station wagon 2 exceptionally pretty girls flirt with him he is live wire they sneak upstairs he fingers both at same time while they laugh to each other one of the girls Laura invites him outside to do more he follows they walk through falling snow until they find hidden area near some trees Laura lies down lifts her skirt she spreads her legs dense ***** mound he is about to explore her there when Laura looks up sees figure with flashlight following their tracks in snow she warns it’s Bill my husband run for your life! Odysseus runs around long way back inside party grabs a beer pretending he has been there next to Ellen all night few minutes later he sees Laura and Bill return through front door Bill has dark mustache angry eyes Odysseus tells Ellen it is late maybe they should leave soon suddenly Bill walks up to him with beer in hand cracks bottle over his head glass and beer splatter Odysseus jumps up runs out to station wagon Ellen hurriedly follows snow coming down hard car is wedged among many guest vehicles he starts engine locks doors maneuvers vehicle back and forth trying to inch way out of spot Bill appears from party walks to his van disappears from out of darkness swirling snow Bill comes at them wielding large crowbar smashes car’s headlights taillights side mirrors windshield covered in broken glass Ellen ducks on floor beneath glove compartment sobs cries he’s going to **** us! we’re going to die! Odysseus steers station wagon free floors gas pedal drives on back country roads through furious snowstorm in dark of night no lights Odysseus contorts crouches forward in order to see through hole in shattered windshield Ellen sees headlights behind them coming up fast it is Bill in van Bill banging their bumper follows them all the way back to Hartford to Odysseus’s place they run inside call police Bill sits parked van outside across street as police arrive half hour later Bill pulls away next day Odysseus and Ellen drive to Boston to explain to Ellen’s dad what has happened to his station wagon Odysseus stays with Ellen in Brookline for several nights another holiday party she wants to take him along to meet her friends her social circles are older he thinks to challenge their values be outrageous paints face Ellen is horrified cries you can’t possibly do this to me these are my close friends what will they think? he defiantly answers my face is a mask who cares what i look like? man woman creature what does it matter? if your friends really want to know me they’ll need to look beyond the make-up tonight i am your sluttish girlfriend! sometimes Odysseus can be a thoughtless fool

Laura Rousseau Shane files for divorce from Bill she is exceptionally lovely models at art school she is of French descent her figure possessing exotic traits she stands like ballerina with thick pointed ******* copious ***** hair Odysseus is infatuated she frequently dances pursues him Laura says i had the opportunity to meet Bob Dylan once amazed Odysseus questions what did you do? she replies what could i possibly have in common with Bob Dylan? Laura teases Odysseus about being a preppy then lustfully gropes him grabs holds his ***** they devote many hours to ****** intimacy during ******* she routinely reaches her hand from under her buns grasps his testicles squeezing as he pumps he likes that Laura is quite eccentric fetishes over Odysseus she even thrills to pick zits on his back he is not sure if it is truly a desire of hers proof of earthiness or simply expression of mothering Laura has two daughters by Bill Odysseus is in over his head Laura tells Odysseus myth of Medea smitten with love for Jason Jason needs Medea’s help to find Golden Fleece Medea agrees with promise of marriage murders her brother arranges ****** of king who has deprived Jason his inheritance couple is forced into exile Medea bears Jason 2 sons then Jason falls in love with King Creon’s daughter deserts Medea is furious she makes shawl for King Creon’s daughter to wear at her wedding to Jason  shawl turns to flames killing bride Medea murders her own sons by Jason Odysseus goes along with story for a while but Laura wants husband Odysseus is merely scruffy boy with roving eyes Laura becomes galled by Odysseus leaves him for one of his roommates whom she marries then several years later divorces there is scene when Laura tells Odysseus she is dropping him for his roommate he is standing in living room of her house space is painted deep renaissance burgundy there are framed photographs on walls in one photo he is hugging Laura and her daughters under big oak tree in room Laura’s friend Bettina other girl he fingered first night he met Laura at party is watching with arms crossed he drops to floor curls body sobs i miss you so much Laura turns to Bettina remarks look at him men are such big babies he’s pitiful Bettina nods

following summer he works installing displays at G. Fox Department Store besides one woman gay men staff display department for as long as he can remember homosexuals have always been attracted to him this misconception is probably how he got job his tenor voice suggesting not entirely mature man instead more like tentative young boy this ambiguous manifestation sometimes also evidences gestures thoroughly misleading after sidestepping several ****** advances one of his co-workers bewilderingly remarks you really are straight manager staff are fussy chirpy catty group consequently certain he is not gay they discriminate against him stick him with break down clean up slop jobs at outdoor weekend rock concert in Constitution Plaza he meets 2 younger blond girls who consent to go back to his place mess around both girls are quite dazzling yet one is somewhat physically undeveloped they undress and model for Odysseus radio plays Roberta Flack’s “Killing Me Softly With His Song” both girls move to rhythm sing along he thinks to orchestrate direct decides instead to let them lead lies on bed while curvaceous girl rides his ******* slender girl sits on his face they switch all 3 alternate giggle laughter each girl reaches ****** on his stiffness later both assist with hands mouths his ****** is so intense it leaves him paralyzed for a moment

in fall he is cast as Claudius in production of Hamlet Odysseus rehearses diligently on nights o
Sam Conrad Dec 2013
So I've got this story...
And it goes a little something like this-

There's a girl that I hurt really bad on way too many occasions that I love more than anything. Pretty much everything I write on here is about her. She became the love of my life, and I told myself she was the one I wanted to spend my life with. Except I was a ****. She was going somewhere to an event that lasted 2 weeks and was really important to her and let's just say I ****** it all up really really bad. She made a lot of friends there and it was a great experience for her, kind of like camp is for some people, how boy/girl scouts are for some people, and she learned a lot there, and had lots of fun too. I was so horrible to do what I did.

At least we're young though, and there's still time to grow...right? I'm only 18, she's almost 18, and we both have lives to live ahead of us. I feel like I need her though. She treated me perfectly in our relationship. I mean, looking back, there's nothing I can fault her for, at all. I just got ****** at stupid crap that doesn't even matter.

Except, she's into somebody else now and probably thinks I'm no good for her. She doesn't talk to me anymore. Anyway, I'm rambling, I haven't gone to bed, I took a bunch of pills, am getting sick, and it's 7 AM...so here goes. This story is somewhat censored, though.

_________________­___________
"The Worst Weeks of Our Lives"

I met this girl and she became the love of my life. She took me places I'd never gone before and her and I fell in love like some people wouldn't believe. Ask my friends. Ask her friends. No, her friends probably wouldn't admit to it anymore. But I choose to remember the things they said. Kids were like totally rooting for us all day every day. We were so perfect. It was great.

So with a few mistakes here and there, (mostly me...all me, really) we realized we weren't perfect. But it didn't hamper out love. Nobody is perfect, right? We realized that. Overcame.

But then, we went too far. Her parents drew lines we weren't supposed to cross. Oopsies. Her mom really put me in my place. I'll just leave it at that. Asked me when my 18th birthday was, so she could mark her calendar as the "day she could touch me". Told me I was a liar. Husband in the background drunk and screaming, as usual. Except screaming "that ***** ain't sorry. He ain't ******* sorry, ******* ******* marking up my ******* daughter I can show him how to be ******* sorry"

Lots more. I'll go crazy if I speak the rest. It was a hickey on her neck. We didn't do much more.

I got really scared. I mean, they were brutal. I wasn't used to that kind of brutal. Psychotic levels of brutal. All of the sudden I became numb. I stopped being so intimate with my girlfriend. They told me not to come around their house anymore. I started doubting myself. If I was any good for her. She cried and cried. Told me how sorry she was. For getting us in trouble, and for what her parents did. But it wasn't her fault. After all, I am the vampire that bit her neck.

After a few weeks, her parents dropped it completely. I didn't though. I was so traumatized. I'd been getting flashbacks. Nightmares. So scared, I was. I kept avoiding her, not only her parents. I mean, I didn't have a car anyways, so the only place I could go to see her was at her house. She reassured me I was allowed. But with no contact with her parents since the phone call that changed my life I was reluctant.

This was around 2 months before she was going to go to a 2 week event. A special event to her. One I'd even wished I'd gotten involved in. Really, I did wish. I just missed the application deadline. Throughout the next two months, we grew more and more distant. I was harsh on her. I hurt her. I'd get mad at her and then call her and talk to her until 3 in the morning. I made her hate herself, and then she felt bad about me feeling sorry too. "You always force yourself to be nice to me just so I feel better, but I'm ****, I'm trash, I'm nothing, I'm so sorry" she would say. Most of the time, she didn't even do anything wrong. One of my best friends died at the same time her parents killed me inside, I spent all my days sleeping and crying and when I wasn't doing that, I was getting angry at her (and quickly regretting it), manufacturing conflicts that were completely unnecessary. Not to mention I'd had health issues, and my parents kicked me out of my house a few months beforehand.

In the time before she left to her special event, I really tore her up. I said the dumbest things I've ever said to someone in my life. I'd never even said such dumb things to even an object, or myself. Why I would say them to a girl who saved me from suicide (I was very unstable and depressed when coming out of a bad relationship, and getting kicked out of home) and why I said it all to someone I wanted to spend my life with I'll never know.

The dumbest things I'll ever say to anything that breathes in my lifetime. I told her one night that the "only reason I was still with her was because if I left she'd hurt herself" (she had a history of self harm, even though she's the sweetest girl I've ever met) and another night I told her "If only she were going somewhere important I'd understand" and lots of other insensitive and selfish things that I can't even believe came out of my mouth. I mean, the whole basis of it was that her and I hadn't spent much time together (really because of my own selfish fears) and I was going all *** on her testosterone-fueled-rage style for days over and over and over.

Don't I sound like a horrible person? I was. I was horrible to her. As much as I hate to say it, I'll probably make similar mistakes again someday - It's like relapsing - but I'll make every effort I can to learn from my horrible past and never be that person again.

So when she went to the event, I was with my grandparents out of state and I downloaded my favorite sad playlist (Staind, great band) to listen to on the trip.

Yes, seriously. I told her that stuff and called her event unimportant and then I went away too. How stupid I was for what I said. I should have been slapped or something.

A day or two after I'd left, I realized how stupid it was of me. For the whole thing. That whole time. That whole span, those two months where I not only neglected her, but emotionally ****** her.

There's a song called "Tangled Up In You" that has the most wonderful and intimate lyrics and I listened to it and sung to it over and over and over late into the morning (I'm talking 3-4 in the morning) every night for like 10 days and along with a song called "Right Here" by the same band. I cried myself to sleep so extremely ashamed of what I'd just done to her.

I knew I was wrong, but what I didn't know was that she was crying her eyes out wrapped up in (someone else)'s arms at that event...
I didn't know she was getting all kinds of love and support.
I had no idea...not that it was bad, it was good because she needed it.

But it got her to thinking about me, what kind of person I was.
When we both got back, I started making more of an effort to spend time with her and go out of my way to talk to her, make her happy, and basically, stop being such a ****.
Except she just got confused and conflicted because she was numb and falling out of love, because I was nothing that anyone should love, to her, over that prior time.

Her mom broke us up about a month later, after some...you know what, I'll just leave that bit out...
I told you how the first phone call went. The phone calls I got from her and her husband in the end were just so much worse. I don't even want to think about them. I went into convulsions and kept dropping the phone.

I went back to these two songs to help keep my sanity and I belted out "Tangled Up In You" every day in my car... so loud I was losing my voice.

I'd had some communication with her, surprised her at her work one night, bought her flowers, wrote her my true feelings on some napkins, showed up when she got out of school one day, when she was deathly afraid, and surprised her with a smile and drew a heart on her hand...

Her and I were on the same page. She still loved me. She was just hurt. I still loved her. I was just trying to make up for the compromised mental state I spent so much time in. I had compromised hers too. I needed to get her out of it. She told me she would wait for me. That we were in a speed bump, that it would all be okay.

So some weeks passed, a month, and she still had my back. As strong as ever. Her parents found out I bought the flowers. They found out I'd been talking to her. But...

Knowing she still had my back, that she still loved me, and that she would wait for me...she called what her mom did (in breaking us up, in our break) a "speed bump"...I was okay with it. I mean, I really wanted to be a part of her life, but man, her parents HATED ME! (In retrospect, probably with good reason. Shame on me for the things I did to her. Really.)

We had some major issues (mostly due to my inability to shut my stupid mouth) and I decided that maybe some time to ourselves to focus on ourselves and think was a good thing. She could focus on loving herself again and I could focus on becoming a better person.

I mean, when her parents found out her and I were still talking to each other after they broke us up, they blocked my number on her phone, went to my church and made up extra stories to my pastor, (told him I'd came and banged on their door at one in the morning one night), when I called to apologize to them they didn't pick up, called me back later to cuss me out and hang up on me, logged into their daughters facebook account and blocked me, then told their daughter that I had called them when she was sleeping and cussed them both out, and that she was to have nothing to do with me again. They threatened legal action against me, too. Tried to make my life hell. They didn't want me around their daughter, ever again. A blind rage that went on for a very long time until every communication route was blocked.

She went to school and told her friends the false stories her parents told her, and her friends already didn't like me...I mean just look at what I had done before...it wasn't good. Not for me, anyway. Also her. She felt duped. Used. By her parents. She didn't know who to trust or what was real. Everyone was telling her how horrible I was.

I got a chance to talk to her one day. We talked for hours, face to face. Sat in the cold and talked. It was an amazing talk. We caught each other up completely on our lives. We talked about our love. Our past. Our emotions. All of them. Good and bad. But we told each other we'd always love each other. She stuck by me, and also reassured me that she always would. I left that conversation feeling so secure. The most I'd felt since way before I'd become a total **** to her. When her and I were so deep in love.

She's always wanted to go far away from college. She told me stories of her past and what her parents did to her, what she did to herself that were not good. Not good at all. She wanted to get away from her parents.

Meanwhile I was so caught up in the feelings she gave me when I was in her arms, I almost couldn't handle the fact that she wanted to leave. I pleaded for her to stay, in a time that her and I were both unstable and it was already taboo that we were even on the same property. But still, she said "she wanted to stay" because her and I work so well together...when we work together, that is, and I and her were both determined to work together. I told her I would do anything for her. In all of it though, I told her that the decision was in her hands and I would still love her the same if she left, and that I would wait for her. Because I loved her more than anything.

After that talk, things got quiet. I guess, too quiet. I was legally bound to stay away from her. I talked to someone she worked with and asked them to tell her hello for me. I thought though, we were on good terms following the talk, I thought she'd be elated to hear from me.

She never responded.

One day, a couple weeks later, she told me I really needed to get over her. That she didn't love me like that anymore. She told me she'd been falling out of love since the summer, and she'd gone crazy and needed space. She said she wanted to be friends, but no relationship. No relationship anymore. She said she couldn't handle it. She said she couldn't handle a relationship in general.

She made that message a bit accusatory. I'd been talking to two friends, one who I'd known for years and a new one I'd just made. Both overlapping friends with hers. Those two helped keep me sane.

She started that message with "I heard you've been messaging my friends, and to be honest, I haven't had the heart to message you back." She repeated multiple times that I needed to get over her. She told me that it wasn't anyone else's influence too. She even listed people. People who'd separated us. Hurt me. Hurt her, in a way, but encouraged her in others.

At the same time, she blocked me on facebook again. She had unblocked me when she found out her parents did it for her. Odd though...I thought she wanted to be friends. I mean, it was like the only way I was able to have her in my life at all. To read her facebook posts and her read mine. To have discussions with friends. We have a lot of overlapping friends.

Man, she killed me. One second I thought she was my soul mate and the next I was in the bathroom puking my guts out because she was telling me we'd never be together again.


So fast forward to today...I still love her. And she's basically in a relationship with someone else. She's also either on the fence about her sexuality, or decided she doesn't like boys anymore. I feel bad about that too. Its like I ruined male relationships for her. It's only been a few weeks since she told me I needed to get over her. She doesn't talk to me anymore. I go to high school events even though I graduated last year just to see her. When I don't approach her, she ignores me. I'm just another person in the room. When I do approach her, she has such a scared look on her face. She doesn't want to talk to me, but she can't be mean to me. She's falling in love with someone else and she's getting happier. She doesn't need me showing up everywhere just to depress her.

Yet I keep bothering her. Because I'm a sucker for her. I can't help it. I love her. I want her to be my future. But at this point I'm grasping at straws. So hard. I shouldn't be trying anymore. But I'll end up trying until the day I die. And only then will I stop believing in her and I. I know it's a pipe dream. But I'll hold onto it. Because it's the only thing I have left of myself now.

Last night, (I mean, right before I wrote this around 5 AM, it is now 8 AM) I played those two songs again. I forgot they were at the end of my playlist and I started shivering and crying my eyes out. I got chills. I got so cold. The tears just ran. They ran down my face faster than I've cried in a long, long time.

I'm only okay right now because I took a bunch of pills. Pills that have this kind of effect on me. They make me kind of numb. Kind of happy. Upper and downer both.

That's pretty much, my sad ending to a sad story.
I'm living the kind of life that only people like Shane Koyczan know how to explain to people.

Ironically, she loves Shane Koyczan.
I do too.
We grew up in broken homes and lived broken lives until we found each other.
Then we broke each other.

But she's falling for someone else, because I wasn't what I should have been to her, and she knows
But she doesn't believe in me anymore, the way I believe in her...because I wasn't what I should have been to her, and she can't hold onto me when I'm a 50/50 chance, of bringing her down again.
If only she would let me hug her again, kiss her one more time...I could die happy, knowing I poured all my heart and soul out into that last kiss.
But I'm a gamble. And she can't put her heart out on the line for someone who wasn't always good to her. She used to call me her "sweet boy" and she still tells me I'll always be her "sweet boy", but the fact of the matter is, it doesn't cut it to only be sweet s
I needed to write this. I've been going crazy. I told her I needed to talk to her but she's been avoiding me. If she reads this, I know its hard for her. There are more explanations I need to give her, I hope she will let me speak to her someday. I've found out a lot about myself in just the last few weeks. Stuff I don't talk about in this story. To you, my dear...if you read this, I'm sorry. I know it's tough. Its very tough. But look at the positive, dear. I'll keep living. Maybe I'll be okay someday. Your happiness is what matters to me. If you're happy, I'll keep myself going. I'm going to go to sleep now. Finally, I have some peace.
Lorem Ipsum Nov 2017
It doesn’t matter why I was there, where the air is sterile and the sheets sting.
it doesn’t matter that I was hooked up to this thing that buzzed and beeped every time my heart leaped, like a man whose faith tells him:
God's hands are big enough to catch an airplane

or a world,

doesn’t matter that I was curled up like a fist protesting death,
or that every breath was either hard labor or hard time,
or that I’m either always too hot or too cold
it doesn’t matter because my hospital roommate wears star wars pajamas,
and he’s nine years old

His name is Louis

and I don’t have to ask what he’s got, the bald head with the skin and bones frame speaks volumes. The Gameboy and feather pillow booms like, they’re trying to make him feel at home ‘cuase he’s gonna be here a while

I manage a smile the first time I see him and it feels like the biggest lie I’ve ever told.
so I hold my breath
cause I’m thinking any minute now he’s gonna call me on it
I hold my breath
cuase I’m scared of a fifty seven pound boy hooked to a machine, becuase he’s been watching me, and maybe I’ve got him pegged all wrong, like

maybe he’s bionic or some ****.
so I look away.

like I just made eye contact with a gang member who’s got a rap sheet the length of a lecture on dumb mistakes politicians have made. I look away like he’s gonna give me my life back he minute I’ve got something to trade, I **** near pull out my pack and say


Cigarette?

but my fear subsides in the moment I realize Louis is all about show and tell. he’s got everything from a shot gun shell to a crows foot and he can put them all in context like:

See, this is from a shooting range and

see, this is from a weird girl

I watch his hands curl around a cuff link and a tie tack and realize that every nick knack is a treasure and every treasure’s got a story and every time I think I can’t handle more he hits me with another story. says:

See, this is from my father. see, this is from my brother. see, this is from that weird girl. see this is from my mother. it took me two days to figure out that

that weird girl, is his sister.

took him about two hours today after she left for him to figure out he missed her.

they visit every day and stay well passed visiting hours. because for them that term doesn’t apply. but when they do leave Louis and I are left alone and he says the worst part about being sick is you get all the free ice cream you ask for. and he says the worst part about that is realizing that there’s

nothing more they can do for you. he says:

Ice Cream can’t make every thing ok.

and there’s no easy way of asking and I already know what he’s gonna say, but maybe he just needs to say it so I ask him any way. Are you scared? Louis doesn’t even lower his voice when he says

**** yeah.


I listen to a nine year old boy say the word ****, like he was a thirty year old man with a nose bleed being lowered into a shark tank, he’s got a right to it and if it takes this kid a curse word to help him get through it, I want to teach him to swear like the devil was sitting there taking notes with a pen and a pad but before I can forget that Louis is nine years old he says:

please don’t tell my dad.

he asks me if I believe in angels,

and before I realize I don’t have the heart to tell him, I tell him Not lately, and I just lay there waiting for him to hate me. but he doesn’t know how to, so he never does.

Louis loves like a man who lived in a time before god gave religion to men and left it to them to figure out what hate was.

He never greets me with silence. only smiles. and a patience I’ve never seen in someone who knows they’re dying. and I’m trying so hard not to remind him, I’ll be out of here in a couple of days, smoking cigarettes and taking my life for granted. and he’ll still be planted in this bed like a flower that refuses to grow, I’ve been with him for five days and all I really know is Louis loves to pull feathers out of his pillow, and watch them float to the ground, almost as if he was the philosopher inside of the scientist ready to say that its gravity that’s been getting us down. but the truth is

there’s not enough miracles to go around kid,

and there’s too many people petitioning god for the winning lotto ticket. and for every answered prayer there’s a cricket with arthritis, and the only reason we can’t find answers is the search party didn’t invite us, and Louis right now the crickets have arthritis

so there is no music.

no symphony of nature swelling to crescendos, as if we bent halo’s into melodies that could keep rhythm with the way our hearts beat.
so we must meet silence with the same level of noise that the parents of dying nine year old boys make when they take liberties in talking with heaven. we must shout until we shatter in our own vibrations then let our lives

echo, and grow
echo, and grow
echo, and grow

Grow distant.


grow distant enough to know that as far as our efforts go we don’t always get a reply. but I swear to whatever god I can find in the time I have left I’m gonna remember you kid. gonna tell your story as often as every story you told me, and every time I tell it I’ll say see,

there’s bravery in this world

there’s 6.5 billion people curled up like fists protesting death, but every breath we take has to be given back, a nine year old boy taught me that.

so hold your breath. the same way you’d hold a pen when writing thank you letters on your skin to every tree that gave you that breath to hold.
then let it go. as if you understand something about getting old and having to give back
let it go like a laugh attack in the middle of really good ***

the black eye will be worth it.

because what is your night worth without a story to tell, and why wield a word like worth if you’ve got nothing to sell. people drop pennies down a wishing well as if the cost of a desire is equal to that of a thought. but if you’ve got expectations expect others have bought your exact same dream for the price of the hard work, hang in, hold on mentality, like I accept any challenge so challenge me
like

I’ve brought a knife to this gun fight, but other night I mugged a mountain so bring that **** I’ve had practice.

Louis and I cracked this world wide open and found the prize inside because we never lied to ourselves, never told ourselves it would be easy or undemanding.
so we sing in our own vibration and dare angels to eavesdrop and stop midflight to pluck feathers from their wings and write demands on gods hands

take the time to catch you

so that even if god doesn’t, it wasn’t because we didn’t try.

I don’t often believe in angels, but on the day I left Louis pulled a feather from his pillow and said this is for you,

I half expected him to say

See, this is the first one I grew.

-Shane Koyczan
Shane L. Koyczan is a Canadian spoken word poet, writer, and member of the group Tons of Fun University. He is known for writing about issues like bullying, cancer, death, and eating disorders.(Wikipedia)
Kaeru May 2014
Tap tap tap
was the sound of their heartbeats.
Tap tap tap
was the song of their love.
Tap tap tap
was the way that they showed it.
Tap tap tap
was just not good enough.

Tap tap tap
was a sign of affection
Tap tap tap
in a world full of hate.
Tap tap tap
Will this love find acceptance?
Tap tap tap
Well for Tom, it's too late.

Tap tap tap
Why are people so ugly?
Tap tap tap
Why are people so cruel?
Tap tap tap
Why must love be forbidden?
Tap tap tap
Is that really the rule?

Tap tap tap
And now Tom's gone forever.
Tap tap tap
And poor Shane is a mess.
Tap tap tap
And he isn't allowed to
Tap tap tap
see his love laid to rest.

Tap tap tap
How much bile they were spitting!
Tap tap tap
I'm surprised they don't choke.
Tap tap tap
Is it shameful to mention
Tap tap tap
that they're church-going folks?

Tap tap tap
Now that Shane has gone viral
Tap tap tap
He's out screaming it loud
Tap tap tap
that this “God given” hatred
Tap tap tap
must no more be allowed.

Tap tap tap
was the sound of their heartbeats.
Tap tap tap
was the song of their love.
Tap tap tap
was the way that they showed it.
Tap tap tap
might just be good enough.
For Shane Bitney Crone and Tom Bridegroom. Your (albeit tragic) love story has inspired millions!
Aridea P Jan 2014
Palembang, Senin 4 Oktober 2010

Oh, Shane...
How beautiful voice you have!
I always want to hear it one more time
I admire you from the start

When you sing a love song
I feel you touch my heart inside
When you say word by word
You makes me adore you too much

I want to take a rest
I can't close my eyes
Cause I always thinking of you

What a lovely smile you have!
You're beautiful everytime I see
You are great the way you are
Don't know, will I forget you?
I hope not.
Cause I can't live without your voice.



(edited Thursday, January 2nd 2014)
Kyle Kulseth Oct 2012
The preacher scrubbed your sins away   absolved you under rafters
   under fire
   under auspices
Of books with dust in bindings
     layed down many lifetimes thick.
But a preacher needs a pulpit
   like a fish requires scales
Without the choir, no pool to swim.

Senators tell you sweetened lies
   that half us want to hear
     two per state
     means only saying
"Sorry," 'bout half the time
     to half the people, sometimes.
But a liar needs your two ears
and a moment of your time
No need for snake oil when you're well.

McGowan is a drinker, true
   draining oceans of pints dry
   under fire
   under praises, too
From quarters high and lowly
     his legend laid down thickly
But a preacher needs a pulpit
     and McGowan needs a page
Needs pen in hand and needs a stage

Otherwise, he's just a "Shane."
Shane Linville has a propensity
to steal other poet's poetry
he claims them as his own property
which has an air of impropriety
using social media to let others know of his thievery
shall bring upon his name the mark of notoriety
there is not one once of decency
to Shane Linville's infamy
Spencer Dennison Sep 2014
Dear Shane,

I do not worship celebrities.
I see them as humans doing their craft
and it might seem daft
but I have to sometimes remind myself your a human.
That your just like me. That you
put your pants on one leg a time.
When I first met you, Shane,
I didn't say much.
I made a fool of myself really,
What I said was "You're awesome."
What I wanted to say was "You saved my life."
I have no sob stories to offer,
I've lived through plenty
but this isn't about me.
You killed monotony.
You put my fears to rest
with a glass of milk and a bedtime story.
You made everything seem doable.
You practically sweat tragedy,
with the life you've had.
But you remind me to take the time
to take the time.
You are the message in the bottle
to a man shipwrecked.
If I am a castle, then you are my architect.
You're just a man,
but the hubris of believing that it only takes a man
to turn speaking into an art form,
has to be part of some god's plan.

You got me into this hobby,
mostly because I enjoy it
but also because you make art with such ease.
You can make words resemble a breeze
and then a squall in the same moment.
Even if that was all,
you'd still be above amazing.
"If I knew you better than I know,
I'd know that fast isn't the way to go,
so how about this?"

When I do my own poetry,
I have to separate it from yours
because your words are closer to my heart
Than my own.
People tell me I remind them of you.
I've never been more gracious of a compliment.
I've spent so long trying to sing a swan song
worth anything more than anything at all,
just so I could try to hold a candle
to the wall upon which your name is written
in the hall of the greatest poets.

I could speak forever at this rate,
but I'll close with this.
You have changed me
infinitely for the better.
If you ever get this letter,
I don't expect you to read it right away.
I just want you to have it,
so my words will be with you
as yours have been with me.
The only love letter I've ever addressed to a man, but this one needed to be made.
Star Gazer Feb 2016
"I remember how my grandmother tried to explain our world to me-
She told me a story
She said the ground and the sky, they love each other
But they don’t have arms
So rain; that’s just how they hold one another.
I began to see how the earth and sky need each other.
But I wondered about us.
In this perfect design, where do we fit?
Which piece of the puzzle are we?"*
-Shane Koyczan
I don't own any piece of this , I just really admire how well its written and the deep meaning behind it.

https://www.youtube.com/watch?v=An4a-_NjilY
Lorem Ipsum Nov 2017
When I was a kid
I used to think that pork chops and karate chops
Were the same thing
I thought they were both pork chops
And because my grandmother thought it was cute
And because they were my favourite
She let me keep doing it

Not really a big deal

One day
Before I realized fat kids are not designed to climb trees
I fell out of a tree
And bruised the right side of my body

I didn’t want to tell my grandmother about it
Because I was afraid I’d get in trouble
For playing somewhere that I shouldn’t have been

A few days later the gym teacher noticed the bruise
And I got sent to the principal’s office
From there I was sent to another small room
With a really nice lady
Who asked me all kinds of questions
About my life at home


I saw no reason to lie
As far as I was concerned
Life was pretty good
I told her, “Whenever I’m sad
My grandmother gives me karate chops”

This led to a full scale investigation
And I was removed from the house for three days
Until they finally decided to ask how I got the bruises

News of this silly little story quickly spread through the school
And I earned my first nickname

Pork Chop

To this day
I hate pork chops

I’m not the only kid
Who grew up this way
Surrounded by people who used to say
That rhyme about sticks and stones
As if broken bones
Hurt more than the names we got called
And we got called them all
So we grew up believing no one
Would ever fall in love with us
That we’d be lonely forever
That we’d never meet someone
To make us feel like the sun
Was something they built for us
In their tool shed
So broken heart strings bled the blues
As we tried to empty ourselves
So we would feel nothing
Don’t tell me that hurts less than a broken bone
That an ingrown life
Is something surgeons can cut away
That there’s no way for it to metastasize


It does

She was eight years old
Our first day of grade three
When she got called ugly
We both got moved to the back of the class
So we would stop get bombarded by spit *****
But the school halls were a battleground
Where we found ourselves outnumbered day after wretched day
We used to stay inside for recess
Because outside was worse
Outside we’d have to rehearse running away
Or learn to stay still like statues giving no clues that we were there
In grade five they taped a sign to her desk
That read beware of dog

To this day
Despite a loving husband
She doesn’t think she’s beautiful
Because of a birthmark
That takes up a little less than half of her face
Kids used to say she looks like a wrong answer
That someone tried to erase
But couldn’t quite get the job done
And they’ll never understand
That she’s raising two kids
Whose definition of beauty
Begins with the word mom
Because they see her heart
Before they see her skin
Because she’s only ever always been amazing


He
Was a broken branch
Grafted onto a different family tree
Adopted
Not because his parents opted for a different destiny
He was three when he became a mixed drink
Of one part left alone
And two parts tragedy
Started therapy in 8th grade
Had a personality made up of tests and pills
Lived like the uphills were mountains
And the downhills were cliffs
Four fifths suicidal
A tidal wave of anti depressants
And an adolescence of being called popper
One part because of the pills
Ninety nine parts because of the cruelty
He tried to **** himself in grade ten
When a kid who could still go home to mom and dad
Had the audacity to tell him “get over it” as if depression
Is something that can be remedied
By any of the contents found in a first aid kit

To this day
He is a stick of TNT lit from both ends
Could describe to you in detail the way the sky bends
In the moments before it’s about to fall
And despite an army of friends
Who all call him an inspiration
He remains a conversation piece between people
Who can’t understand
Sometimes becoming drug free
Has less to do with addiction
And more to do with sanity

We weren’t the only kids who grew up this way
To this day
Kids are still being called names
The classics were
Hey stupid
Hey spaz
Seems like each school has an arsenal of names
Getting updated every year
And if a kid breaks in a school
And no one around chooses to hear
Do they make a sound?
Are they just the background noise
Of a soundtrack stuck on repeat
When people say things like
Kids can be cruel?
Every school was a big top circus tent
And the pecking order went
From acrobats to lion tamers
From clowns to carnies
All of these were miles ahead of who we were
We were freaks
Lobster claw boys and bearded ladies
Oddities
Juggling depression and loneliness playing solitaire spin the bottle
Trying to kiss the wounded parts of ourselves and heal
But at night
While the others slept
We kept walking the tightrope
It was practice
And yes
Some of us fell

But I want to tell them
That all of this ****
Is just debris
Leftover when we finally decide to smash all the things we thought
We used to be
And if you can’t see anything beautiful about yourself
Get a better mirror
Look a little closer
Stare a little longer
Because there’s something inside you
That made you keep trying
Despite everyone who told you to quit
You built a cast around your broken heart
And signed it yourself
You signed it
“They were wrong”
Because maybe you didn’t belong to a group or a clique
Maybe they decided to pick you last for basketball or everything
Maybe you used to bring bruises and broken teeth
To show and tell but never told
Because how can you hold your ground
If everyone around you wants to bury you beneath it
You have to believe that they were wrong

They have to be wrong

Why else would we still be here?
We grew up learning to cheer on the underdog
Because we see ourselves in them
We stem from a root planted in the belief
That we are not what we were called
We are not abandoned cars stalled out and
Sitting empty on a highway
And if in some way we are
Don’t worry
We only got out to walk and get gas
We are graduating members from the class of ******* We Made It
Not the faded echoes of voices crying out
Names will never hurt me

Of course
They did

But our lives will only ever always
Continue to be
A balancing act
That has less to do with pain
And more to do with beauty

-Shane Koyczan
Shane L. Koyczan is a Canadian spoken word poet, writer, and member of the group Tons of Fun University. He is known for writing about issues like bullying, cancer, death, and eating disorders. (Wikipedia)
judy smith May 2016
For the fifth year in a row, Kering and Parsons School of Fashion rolled out the ‘Empowering Imagination’ design initiative. The competition engaged twelve 2016 graduates of the Parsons BFA Fashion Design program, who "were selected for their excellence in vision, acute awareness in design identity, and mastery of technical competencies." The winners, Ya Jun Lin and Tiffany Huang, will be awarded a 2-week trip to Kering facilities in Italy in June 2016 and will have their thesis collections featured in Saks Fifth Avenue New York’s windows.

The Kering and Parsons competition, which is currently in its fifth year, is one of a growing number of design competitions, including but not limited to the LVMH Prize, the ANDAM Awards, the Council of Fashion Designers of America/Vogue Fashion Fund, and its British counterpart, the Woolmark Prize, the Ecco Domani fashion award, and the Hyères Festival. among others.

In the generations prior, designers were certainly nominated for awards, but it seems that there was not nearly as intense of a focus on design competitions as a means for designers to get their footing, for design houses to scout talent, or for these competitions to select the best of the best in a especially large pool of young talent. Fern Mallis, the former executive director of the Council of Fashion Designers of America and an industry consultant, told the New York Times: “Take the Calvin [Kleins] and the Donna [Karans] and the Ralph [Laurens] of the world. Some of these people had money from a friend or a partner who worked with them, but they weren’t out spending their time doing competitions and winning awards to get their business going.” She sheds light on an essential element: The relatively drastic difference between the state of fashion then and fashion now. Fashion then was slower, less global, and (a lot) less dominated by the internet, and so, it made for quite different circumstances for the building of a fashion brand.

Nowadays, young designers are more or less going full speed ahead right off the bat. They show comprehensive collections, many of which consist of garments and an array of accessories. They are expected to be active on social media. They are expected to establish a strong industry presence (think: Go to events and parties). They are expected to cope with the fashion business that has become large-scale and international. They are expected to collaborate to expand their reach, and while it does, at times, feel excessive, this is the reality because the industry is moving at such a quick pace, one that some argue is unsustainably rapid. The result is designers and design houses consistently building their brands and very rarely starting small. Case in point: Young brands showing pre-collections within a few years of setting up shop (for a total of four collections per year, not counting any collaboration or capsule collections), and established brands showing roughly four womenswear collections, four menswear collections, two couture collections, and quite often, a few diffusion collections each year.

The current climate of 'more is more' (more collections, more collaborations, more social media, more international know-how, etc.) in fashion is what sets currently emerging brands apart from older brands, many of which started small. This reality also sheds light on the increasing frequency with which designers rely on competitions as a means of gaining funds, as well as a means of establishing their names and not uncommonly, gaining outside funding.

The Ralphs, Tommys, Calvins and Perrys started off a bit differently. Ralph Lauren, for instance, started a niche business. The empire builder, now 74, got his start working at a department store then worked for a private label tie manufacturer (which made ties for Brooks Brothers and Paul Stuart). He eventually convinced them to let him make ties under the Polo label and work out of a drawer in their showroom. After gaining credibility thanks to the impeccable quality of his ties, he expanded into other things. Tommy Hilfiger similarly started with one key garment: Jeans. After making a name for himself by buying jeans, altering them into bellbottoms and reselling them at Brown’s in Manhattan, he opened a store catering to those that wanted a “rock star” aesthetic when he was 18-years old with $150. While the store went bankrupt by the time he was 25, it allowed him to get his foot in the door. He was offered design positions at Calvin Klein (who also got his start by focusing on a single garment: Coats. With $2,000 of his own money and $10,000 lent to him by a friend, he set up shop; in 1973, he got his big break when a major department store buyer accidentally walked into his showroom and placed an order for $50,000). Hilfiger was also offered a design position with Perry Ellis but turned them down to start his eponymous with help from the Murjani Group. Speaking of Perry Ellis, the NYU grad went to work at an upscale retail store in Virginia, where he was promoted to a buying/merchandising position in NYC, where he was eventually offered a chance to start his own label, a small operation. After several years of success, he spun it off as its own entity. Marc Jacobs, who falls into a bit of a younger generation, started out focusing on sweaters.

These few individuals, some of the biggest names in American fashion, obviously share a common technique. They intentionally started very small. They built slowly from there, and they had the luxury of being able to do so. Others, such as Hubert de Givenchy, Alexander McQueen and his successor Sarah Burton, Nicolas Ghesquière, Julien Macdonald, John Galliano and his successor Bill Gaytten, and others, spent time as apprentices, working up to design directors or creative directors, and maybe maintaining a small eponymous label on the side. As I mentioned, attempting to compare these great brand builders or notable creative directors to the young designers of today is a bit like comparing apples and oranges, as the nature of the market now is vastly different from what it looked like 20 years ago, let alone 30 or 40 years ago.

With this in mind, fashion competitions have begun to play an important role in helping designers to cope with the increasing need to establish a brand early on. It seems to me that winning (or nearly winning) a prestigious fashion competition results in several key rewards.

Primarily, it puts a designer's name and brand on the map. This is likely the least noteworthy of the rewards, as chances are, if you are selected to participate in a design competition, your name and brand are already out there to some extent as one of the most promising young designers of the moment.

Second are the actual prizes, which commonly include mentoring from industry insiders and monetary grants. We know that participation in competitions, such as the CFDA/Vogue Fashion Fund, the Woolmark Prize, the Swarovski, Ecco Domani, the LVMH Prize, etc., gives emerging designers face time with and mentoring from some of the most successful names in the industry. Chris Peters, half of the label Creatures of the Wind (pictured above), whose brand has been nominated for half of the aforementioned awards says of such participation: “It feels like we’ve talked to possibly everyone in fashion that we can possibly talk to." The grants, which range anywhere from $25,o00 to $400,000 and beyond, are obviously important, as many emerging designers take this money and stage a runway show or launch pre-collections, which often affect the business' bottom line in a major and positive way.

The third benefit is, in my opinion, the most significant. It seems that competitions also provide brands with some reputability in terms of finding funding. At the moment, the sea of young brands which is terribly vast. Like law school graduates, there are a lot of design school graduates. With this in mind, these competitions are, for the most part, serving as a selection mechanism. Sure, the inevitable industry politics and alternate agendas exist (without which the finalists lists may look a bit different), but great talent is being scouted, nonetheless. Not only is it important to showcase the most promising young talent and provide them with mentoring and grant money, as a way of maintaining an industry, but these competitions also do a monumental service to young brands in terms of securing additional funding. One of the most challenging aspects of the business for young/emerging brands is producing and growing absent outside investors' funds, and often, the only way for brands' to have access to such funds is by showing a proven sales track record, something that is difficult to establish when you've already put all of your money into your business and it is just not enough. This is a frustrating cycle for young designers.

However, this is where design competitions are a saving grace. If we look to recent Council of Fashion Designers of America/Vogue Fashion Fund winners and runners-up, for instance, it is not uncommon to see funding (distinct from the grants associated with winning) come on the heels of successful participation. Chrome Hearts, the cult L.A.-based accessories label, acquired a minority stake in The Elder Statesman, the brand established by Greg Chait, the 2012 winner, this past March. A minority stake in 2011 winner Joseph Altuzarra's eponymous label was purchased by luxury conglomerate Kering in September 2013. Creatures of the Wind, the NYC-based brand founded by Shane Gabier and Chris Peters, which took home a runner-up prize in the 2011 competition, welcomed an investment from The Dock Group, a Los Angeles-based fashion investment firm, last year, as well.

Across the pond, the British Fashion Council/Vogue Fashion Fund has awarded prizes to a handful of designers who have gone on to land noteworthy investments. In January 2013, Christopher Kane (pictured below), the 2011 winner, sold a majority stake in his brand to Kering. Footwear designer Nicholas Kirkwood was named the winner 2013 in May and by September, a majority stake in his company had been acquired by LVMH.

Thus, while the exposure that fashion design competition participants gain, and the mentoring and monetary grants that the winners enjoy, are certainly not to be discounted, the takeaway is much larger than that. These competitions are becoming the new way for investors and luxury conglomerates to source new talent, and for young brands to land the outside investments that they so desperately need to produce their collections, expand their studio space, build upon their existing collections, and even open brick and mortar stores.

While no one has scooped up inaugural LVMH winner Thomas Tait’s brand yet or fellow winner, Marques'Almeida, it is likely just be a matter of time.Read more at:www.marieaustralia.com/short-formal-dresses | http://www.marieaustralia.com/formal-dresses-sydney
Stephanie Mar 2014
While jaye threw to stephanie's house, shane was brainstorming a tropicana plan. jaye the Brendon Urie's toilet decided to go for a shipping. shane and his friend cat, a cumquat, met jaye at Texas. cat snatched jaye's a ball, his most prized possession. jaye BANGARANG, but shane just laughed and said, ""your mother"". shane and cat married away, leaving jaye stranded. jaye dropped to the ground and EEK CHUK BEEK BANG. He was very confuzzled.
Helen Sep 2014
Hey guys

I have found several Daily Poems from this site being shared externally with no acknowledgement to the rightful owner :(

Head over here....

http://thepoetryden.wordpress.com/author/thepoetryden/

and if you find your original work there then I highly encourage you ask this person to either a) link the poem back to your original or b) remove them from his site. He claims to be a poet and is misleading people by not putting original names/original links to the works he is posting!

Go through them carefully as the titles of the poems have been changed.

Please share this because I have read at least 3 poems from this site from 3 different people over there with no acknowledgement to the original author!

Update ~ Sept 6th 2014 ~ You are NOT going to believe this. I found Shane Linville on Facebook and you will never guess who is one of his favourites! Chris G Vaillancourt! That's right, the very same well known plagiarist from days gone by at HP. He was such an insidious piece of work

*******! Not the way I'd like to see my name next to a Daily Poem but getting the awareness out there is a nice thing too :)
Update... To those listed below with stolen poetry who can't access the link to the blog because its been made private you can still contact word press to advise them and they can check the blog to make sure it's been removed. His name is Shane Linville! I'm just sorry I didn't have time to go through everything he had posted :(
The link above contains the following stolen poetry (that I know so far)
Indifference by Purple Orchid is posted as Her Soul
The Bells of Civilizations Ring by Sjr1000 is posted as World of Disease
Morning Light by Silas is posted as Morning Light (no name change but no link to the original)
I am Stone by imadeitallup (no name change but no link to the original)
A Fool for You by MYstro mAdden posted as Your Love
These a just a few... If you know any of the above poets... please share with them
Emily Rene Nov 2013
When I was a kid
I used to think that pork chops & karate chops
were the same thing
I thought they were both pork chops
& because my grandmother thought it was cute
& because they were my favorite,
she let me keep doing it

Not really a big deal

One day,
before I realized fat kids are not designed to climb trees
I fell out of a tree
& bruised the right side of my body

I didn't want to tell my grandmother about it
because I was afraid I'd get in trouble
for playing somewhere that I shouldn't have been

A few days later,
the gym teacher noticed the bruise
& I got sent to the principals office
From there I was sent to another small room
with a really nice lady
who asked me all kinds of questions
about my life at home

I saw no reason to lie
As far as I was concerned,
life was pretty good
I told her, "Whenever I'm sad,
my grandmother gives me karate chops!"

This led to a full scale investigation
& I was removed from the house for three days
until they finally decided to ask how I got the bruise

News of this silly little story quickly spread through the school
& I earned my first nickname

Pork Chop

To this day
I hate pork chops

I'm not the only kid
who grew up this way
Surrounded by people who used to say
that rhyme about sticks & stones
as if broken bones
hurt more than the names we got called
& we got called them all
So we grew up believing no one
would ever fall in love with us
That we'd be lonely forever
That we'd never meet someone
to make us feel like the sun
was something they built for us
in their tool shed
so broken heart strings bled the blues
as we tried to empty ourselves
so we would feel nothing
Don't tell me that hurts less than a broken bone
That an ingrown life
is something surgeons can cut away
That there's no way for it to metastasize

It does

She was eight years old
our first day of grade three
when she got called ugly
We both got moved to the back of the class
so we would stop getting bombarded by spit *****
but the school halls were a battleground
where we found ourselves outnumbered day after wretched day
We used to stay inside for recess
because outside was worse
Outside we'd have to rehearse running away
or learn to stay still like statues giving no clues that we were there
In grade five,
they taped a sign to her desk that read
Beware Of Dog

To this day,
despite a loving husband,
she doesn't think she's beautiful
because of a birthmark
that takes up a little less than half of her face
Kids used to say she looks like a wrong answer
that someone tried to erase
but couldn't quite get the job done
& they'll never understand
that she's raising two kids
whose definition of beauty
begins with the word mom
because they see her heart
before they see her skin
because she's only ever always been amazing

He
was a broken branch
grafted onto a different family tree
Adopted
Not because his parents opted for a different destiny
He was three when he became a mixed drink
of one part left alone
& two parts tragedy
Started therapy in 8th grade
Had a personality made up of tests & pills.
Lived like the uphills were moutains
& the downhills were cliffs
Four fifths suicidal
A tidal wave of anti depressants
& an adolescence of being called Popper
One part because of the pills,
ninety nine parts because of the cruelty
He tried to **** himself in grade ten
when a kid who could still go home to mom & dad
had the audacity to tell him "Get over it," as if depression
is something that can be remedied
by any of the contents fround in a first aid kit

To this day
he is a stick of TNT lit from both ends
Could describe to you in detail the way the sky bends
in the moments before it's about to fall
& despite an army of friends
who all call him an inspiration,
he remains a conversation piece between people
who can't understand
Sometimes becoming drug free
has less to do with addiction
& more to do with sanity

We weren't the only kids who grew up this way

To this day
kids are still being called names
The classics were
hey stupid
hey spaz
Seems like each school has an arsenal of names
getting updated every year
& if a kid breaks in a school
& no one around chooses to hear,
do they make a sound?
Are they just the background noise
of a soundtrack stuck on repeat
when people say things like
kids can be cruel?
Every school was a big top circus tent
& the pecking order went
from acrobats to lion tamers
from clowns to carnies
All of these were miles ahead of who we were
We were freaks
Lobster claw boys & bearded ladies
Oddities
juggling depression & loneliness playing solitaire, spin the bottle
trying to kiss the wounded parts of ourselves & heal
But at night
while the others slept
we kept walking the tightrope
It was practice
& yes
some of us fell

But I want to tell them
that all of this ****
is just debris
leftover when we finally decide to smash all the things we thought
we used to be
& if you can't see anything beautiful about yourself,
get a better mirror
look a little closer
stare a little longer
because there's something inside you
that made you keep trying
Despite everyone who told you to quit
you built a cast around your broken heart
& signed it yourself
You signed it,
"They were wrong!"
because maybe you didn't belong to a group or a clique
Maybe they decided to pick you last for basketball or everything
Maybe you used to bring bruises & broken teeth
to show & tell but never told
because how can you hold your ground
if everyone around you wants to bury you beneath it
You have to believe that they were wrong

They have to be wrong

Why else would we still be here?
We grew up learning to cheer on the underdog
because we see ourselves in them
We stem from a root planted in the belief
that we are not what we were called
We are not abandoned cars stalled out &
sitting empty on a highway
& if in some way we are
don't worry
We only got out to walk & get gas
We are graduating members from the class of
we made it
Not the faded echoes of voices crying out
Names will never hurt me

Of course
they did

But our lives will only ever always
continue to be
a balancing act
that has less to do with pain
& more to do with *beauty
To This Day , I continue reading this poem to myself every time I feel used or unworthy.
Mekael Shane Jan 2014
In my mind, I raced against time
I smoked peyote with the Apache
I chased Kangaroos
Through the bush with the Aborigine
All the while
...I searched for the power within me

In my mind, I outpaced time
I drew cave art with the Neanderthal
I climbed to the top of the mountain with the Sherpa
I hunted seal out on the frozen tundra with the Inuit
All the while
...I searched for the power within me

In my mind, I eclipsed time
I wrote poetry while under the tutelage of Langston Hughes
And I created visual greatness while apprentice to Gordon Parks
I even stood on the wall with Che' Guevara, like a Sentry standing watch
All the while
...I continued searching for the power within me

In my mind, I turned to face time
I wrote an addendum to the Emancipation Proclamation
And I saw the ugly truths
Of freedom's farcical Declaration
All the while
...I continued searching for the power within me

In my mind, I embraced time
I sought to free my nation from the pandemic perils of *******
And I prayed that we Americans would be free of
The snares of racial and economic divide that still has us chained
I did this while searching for truth, in this, our most tenuous hour
...then empyreally, God reached for me, touching me, and I finally found my power

* Reprinted from 'Exegesis a Decade of Poetry by Mekael'
© July 14, 2009 by Mekael Shane
Love Jan 2014
Can I take a second,
To try and sort out the things,
Thats going through my head,
And turn it into a story?

Five people to tear my love between,
Is way too much...
I dont know who to drop,
Or which way to turn,
So I'm sorting it out with words,
Trying to figure this mess out.

Because being bisexual is complicated.
Can I just be married to my music instead?
No?....Ok.

So there's this guy...
Lets call him Derick.
Derick was the guy I loved.
I gave him my heart and my everything.
For nearly a year,
He was the one that I called "mine".
After school started,
We drifted apart,
But that wasn't unexpected considering we go to different schools.
We had our fair share of fights,
And dates,
And then our time was over.
Only to reconnect a few months later,
Which led to one hell of a scare.
Last night we talked,
And I think...
I think I fell for you again.

But then I think,
How can I fall for Derick,
When I also love Lynn.

I've known Lynn for years,
Shes been my best friend forever.
Shes amazing,
Loving,
And beautiful.
When our lips touched for the first time,
It was magic,
That I still hold on to.
I think I love you too...

But--

Theres also Ashley, Shane, and Cory.

Ashley was my first real girlfriend.
A person I'd known since before I knew myself.
She inspired me and led me into being comfortable with who I am.
But then something happened,
And we couldn't be together.
Every time I see you though,
I still miss the warm embrace of your arms.

Shane is just awesome.
His voice is---ahhh.
He's helped me so much,
With anything I need.
He loves me,
I know he does,
But I dont know if he loves me,
The way that I love him.

And then there's Cory.
I really like him,
And were in to all the same stuff,
But there's no way he could return my feelings.
We would never work,
And I really need to let go of that glimmer of hope,
That I have sitting in the back of my mind.

I love all these people,
I love them to death,
But I dont know where to go,
With any of it.

Derick just broke up with his girlfriend,
And he'd be my number one option,
But thats really bad timing.

Cory would be my number two,
But theres not chance,
Sadly.

Lynn would be my third option,
But she has a boyfriend,
And I missed my chance with her long ago.

Wow...I really hate numbering them,
But I need some order,
To make since of this.

Shane would be my number four,
But he's so wishy washy with all the girls he dates,
That I'd be afraid of heart break,
Along with that,
He's figuring out some sexuality things for himself.

And finally, theres Ashley,
Who would have to be number five,
Because even thought I love her to death,
I wont go back.
Shes too much for me to handle.

So my causers of stress at the moment,
Are the people I hold dearest to me.
All of the names are changed.
Not really meant for an audience, but I needed to write it.
Francie Lynch Aug 2014
Byron and I play
The All Topics Open.
Eighteen holes  
Invariably draws nostalgic.
Byron mentioned he went to the WWF in Detroit.
I sliced into a childhood memory
Of midgets at Cobo Hall:
Cobo Hall, Saturday Night. Be there!
Byron started pitching old wrestlers and holds:
Leaping Larry Shane, great with the Anaconda Vice;
Killer Kowalski vs. Bobo Brazil, pinned by the Crucifix and Abdominal Stretch;
**** the Bruiser tagging with The Sheik
To defeat Gorgeous George and Crybaby McCarthy.
Byron went on in detail, with tabernacle authority:
“It was a Bear Hug that quickly swung in to a Quarter,
then Half,
then Full Nelson;
Crybaby bounced off a knee,
Was driven to the mat and pinned
By a Front Sleeper.”

(Jimmy's newborn picture faded in,
and the pose he naturally struck
baby arms
cocked like a sideshow muscle man  
Daddy quipped: **** the Bruiser.
I was Leaping Larry Shane.
Daddy quipped: Larry the Stooge.
I didn't see that move)

Byron was intense. I could hear, but
I was zoning.
Crybaby and Front Sleeper dazed me.
How time Venns.

I was pinned today.
I recognized the feeling.
Tagged, then pinned by
The inescapable
Baby Nelson.
You know the hold.
On your back.
Baby on chest, face down.
Pinned.
Jimmy was my baby brother. He was killed by a drunk driver.
Julian Dorothea Aug 2011
I bury my eyes
in shane koyczan's voice
feel the folds of the syllables
rolling off his tongue
in there a whole world could fall
fit
and burrow in.

I close my eyes
see nothing
but his fireworks

the tornado
the hurricane
the spewing raining lava of his words
as his sentiments color my insides
and paint the soul
of my soul*

I blink
squint
and rub away the clear cut
edges of my box
to finally
properly and openly
               
see.
JG O'Connor Jun 2016
I think about Shane in the middle of the night,
For no apparent reason.
No telegraph arrives to remind me.
Just immediately caught unawares,
By the timeline of months days and hours,
Since he left.

There is substance to his departure.
He doesn’t park in my spot anymore,
His seat on the couch is empty,
His opinion is not heard,
He doesn’t come with us to the matches,
He doesn’t eat hotdogs at half time,
He doesn’t buy his round anymore.

There were many beginnings to his departure.
Some noticed and some dismissed,
The shaved head,
The weight gain,
The staying in bed,
The tiredness,
The missed team practice,
His soft quietness rather than his razor wit.



There was a documented record to his departure.
The consultant’s diagnosis.  
The recorded return of the tumor like a badly made film sequel,    
Chemo 1, Chemo 2, Chemo3.
The morphine drip beating out the measuring of the waiting.
The finite final breath.
Our hearts stopped with his as he departed the room,
Dressed in a suit and Despicable me Socks ….Only you Shane!
The Final notice in the paper recording the date and time of departure.  

There were things left behind after his departure.
Mainly my daughter’s young heart.
As I lie awake in the darkness where death accompanies me till the dawn,
And then as one bright day follows the next,
I dismiss my own departure,
Until I think of Shane again.
Aridea P Dec 2011
Palembang, 17 Desember 2011

Aku hidup dengan nafas mu Bapak, Ibu
Aku ada karena Dia Yang Maha Satu

Namun raga ini aku yang bawa
Jiwa ini aku yang menjaga
Hidup ini aku yang memilih
Cerita ini aku yang jalani

Aku tumbuh bersama nafas mereka
Aku termotivasi karena mereka juga

Nafas kita menyatu
Mereka menghela nafas kebahagianku
Aku menghela nafas kebahagian-Mu
Nafas kami juga nafas mu, Bapak.. Ibu..

Kau pelita kehidupan
Obor benderang di gelap ku
Bekal mengenyangkan di lapar ku
Oasis indah nan segar di dahaga ku

Tak akan ada aku tanpa-Nya
Tak akan hidup aku hingga sekarang tanpa Bapak dan Ibu
Tak akan aku bertahan tanpa diriku sendiri
Dan aku hidup tuk bersama mereka

Aku yang menentukan
Dia tinggal menyetujuinya
Bapak Ibu hanya bmendoakan
Dan sebentar lagi mereka ku gapai

(it’s because I Love Shane, Mark, Kian and Nicky)
ShuckFacedGirl May 2015
To This Day
When I was a kid
I used to think that pork chops and karate chops
were the same thing
I thought they were both pork chops
and because my grandmother thought it was cute
and because they were my favourite
she let me keep doing it

not really a big deal

one day
before I realized fat kids are not designed to climb trees
I fell out of a tree
and bruised the right side of my body

I didn’t want to tell my grandmother about it
because I was afraid I’d get in trouble
for playing somewhere that I shouldn’t have been

a few days later the gym teacher noticed the bruise
and I got sent to the principal’s office
from there I was sent to another small room
with a really nice lady
who asked me all kinds of questions
about my life at home

I saw no reason to lie
as far as I was concerned
life was pretty good
I told her “whenever I’m sad
my grandmother gives me karate chops”

this led to a full scale investigation
and I was removed from the house for three days
until they finally decided to ask how I got the bruises

news of this silly little story quickly spread through the school
and I earned my first nickname

pork chop

to this day
I hate pork chops

I’m not the only kid
who grew up this way
surrounded by people who used to say
that rhyme about sticks and stones
as if broken bones
hurt more than the names we got called
and we got called them all
so we grew up believing no one
would ever fall in love with us
that we’d be lonely forever
that we’d never meet someone
to make us feel like the sun
was something they built for us
in their tool shed
so broken heart strings bled the blues
as we tried to empty ourselves
so we would feel nothing
don’t tell me that hurts less than a broken bone
that an ingrown life
is something surgeons can cut away
that there’s no way for it to metastasize

it does

she was eight years old
our first day of grade three
when she got called ugly
we both got moved to the back of the class
so we would stop get bombarded by spit *****
but the school halls were a battleground
where we found ourselves outnumbered day after wretched day
we used to stay inside for recess
because outside was worse
outside we’d have to rehearse running away
or learn to stay still like statues giving no clues that we were there
in grade five they taped a sign to her desk
that read beware of dog

to this day
despite a loving husband
she doesn’t think she’s beautiful
because of a birthmark
that takes up a little less than half of her face
kids used to say she looks like a wrong answer
that someone tried to erase
but couldn’t quite get the job done
and they’ll never understand
that she’s raising two kids
whose definition of beauty
begins with the word mom
because they see her heart
before they see her skin
that she’s only ever always been amazing

he
was a broken branch
grafted onto a different family tree
adopted
but not because his parents opted for a different destiny
he was three when he became a mixed drink
of one part left alone
and two parts tragedy
started therapy in 8th grade
had a personality made up of tests and pills
lived like the uphills were mountains
and the downhills were cliffs
four fifths suicidal
a tidal wave of anti depressants
and an adolescence of being called popper
one part because of the pills
and ninety nine parts because of the cruelty
he tried to **** himself in grade ten
when a kid who still had his mom and dad
had the audacity to tell him “get over it” as if depression
is something that can be remedied
by any of the contents found in a first aid kit

to this day
he is a stick on TNT lit from both ends
could describe to you in detail the way the sky bends
in the moments before it’s about to fall
and despite an army of friends
who all call him an inspiration
he remains a conversation piece between people
who can’t understand
sometimes becoming drug free
has less to do with addiction
and more to do with sanity

we weren’t the only kids who grew up this way
to this day
kids are still being called names
the classics were
hey stupid
hey spaz
seems like each school has an arsenal of names
getting updated every year
and if a kid breaks in a school
and no one around chooses to hear
do they make a sound?
are they just the background noise
of a soundtrack stuck on repeat
when people say things like
kids can be cruel?
every school was a big top circus tent
and the pecking order went
from acrobats to lion tamers
from clowns to carnies
all of these were miles ahead of who we were
we were freaks
lobster claw boys and bearded ladies
oddities
juggling depression and loneliness playing solitaire spin the bottle
trying to kiss the wounded parts of ourselves and heal
but at night
while the others slept
we kept walking the tightrope
it was practice
and yeah
some of us fell

but I want to tell them
that all of this ****
is just debris
leftover when we finally decide to smash all the things we thought
we used to be
and if you can’t see anything beautiful about yourself
get a better mirror
look a little closer
stare a little longer
because there’s something inside you
that made you keep trying
despite everyone who told you to quit
you built a cast around your broken heart
and signed it yourself
you signed it
“they were wrong”
because maybe you didn’t belong to a group or a click
maybe they decided to pick you last for basketball or everything
maybe you used to bring bruises and broken teeth
to show and tell but never told
because how can you hold your ground
if everyone around you wants to bury you beneath it
you have to believe that they were wrong

they have to be wrong

why else would we still be here?
we grew up learning to cheer on the underdog
because we see ourselves in them
we stem from a root planted in the belief
that we are not what we were called we are not abandoned cars stalled out and sitting empty on a highway
and if in some way we are
don’t worry
we only got out to walk and get gas
we are graduating members from the class of
******* we made it
not the faded echoes of voices crying out
names will never hurt me

of course
they did

but our lives will only ever always
continue to be
a balancing act
that has less to do with pain
and more to do with beauty.
My ABSOLUTE favorite poem! Check it out here: www.tothisdayproject.com
Saul Makabim Jun 2012
Ruthless
Recklass
Cocksure Alpha male nutjob
Addicted to adrenaline
and the smell of burnt gunpowder
Never back down
Always throw one punch too much
Downward spiral walking
Total nutjob you can rely on
Redline all the time
ready to shoot a man in the leg
and leave him as zombie bait
No turning back
when you **** another man
Even if you do it with zombie teeth
not with your bare hands
Trapped
Car wrecks
Collapsed
Snapped necks
Losing his mind over Lori
Double cross his best friend
Now he's a head shot zombie.
R.I.P. Shane.
When I was a kid
I used to think that pork chops and karate chops
were the same thing
I thought they were both pork chops
and because my grandmother thought it was cute
and because they were my favorite
she let me keep doing it

not really a big deal

one day
before I realized fat kids are not designed to climb trees
I fell out of a tree
and bruised the right side of my body

I didn't want to tell my grandmother about it
because I was afraid I'd get in trouble
for playing somewhere that I shouldn't have been

a few days later the gym teacher noticed the bruise
and I got sent to the principal's office
from there I was sent to another small room
with a really nice lady
who asked me all kinds of questions
about my life at home

I saw no reason to lie
as far as I was concerned
life was pretty good
I told her "whenever I'm sad
my grandmother gives me karate chops"

this led to a full scale investigation
and I was removed from the house for three days
until they finally decided to ask how I got the bruises

news of this silly story quickly spread through the school
and I earned my first nickname

pork chop

to this day
I hate pork chops

I'm not the only kid
who grew up this way
surrounded by people who used to say
that rhyme about sticks and stones
as if broken bones
hurt more than the names we got called
and we got called them all
so we grew up believing no one
would ever fall in love with us
that we'd be lonely forever
that we'd never meet someone
to make us feel like the sun
was something they built for us
in their tool shed
so broken heart strings bled the blues
as we tried to empty ourselves
so we would feel nothing
don't tell me that hurts less than a broken bone
that an ingrown life
is something that surgeons can cut away
that there's no way for it to metastasize

it does

she was eight years old
our first day of grade three
when she got called ugly
we both got moved to the back of the class
so we would stop getting bombarded by spit *****
but the school halls were a battleground
where we found ourselves outnumbered day after wretched day
we used to stay inside for recess
because outside was worse
outside we'd have to rehearse running away
or learn to stay still like statues giving no clues that we were there
in grade five they taped a sign to her desk
that read beware of dog

to this day
despite a loving husband
she doesn't think she's beautiful
because of a birthmark
that takes up a little less than half of her face
kids used to say she looks like a wrong answer
that someone tried to erase
but couldn't quite get the job done
and they'll never understand
that she's raising two kids
whose definition of beauty
begins with the word mom
because they see her heart
before they see her skin
that she's only ever always been amazing

he
was a broken branch
grafted onto a different family tree
adopted
but not because his parents opted for a different destiny
he was three when he became a mixed drink
of one part left alone
and two parts tragedy
started therapy in 8th grade
had a personality made up of tests and pills
lived like the uphills were mountains
and the downhills were cliffs
four fifths suicidal
a tidal wave of anti depressants
and an adolescence of being called popper
one part because of the pills
and ninety nine parts because of the cruelty
he tried to **** himself in grade ten
when a kid who still had his mom and dad
had the audacity to tell him "get over it" as if depression
is something that can be remedied
by any of the contents found in a first aid kit

to this day
he is a stick of TNT lit from both ends
could describe to you in details the way the sky bends
in the moments before it's about to fall
and despite an army of friends
who all call him an inspiration
he remains a conversation piece between people
who can't understand
sometimes becoming drug free
has less to do with addiction
and more to do with sanity

we weren't the only kids who grew up this way
to this day
kids are still being called names
the classics were
hey stupid
hey spaz
seems like each school has an arsenal of names
getting updated every year
and if a kid breaks in school
and no one around chooses to hear
do they make a sound?
are they just the background noise
of a soundtrack stuck on repeat
when people say things like
kids can be cruel?
every school was a big top circus tent
and the pecking order went
from acrobats to lion tamers
from clowns to carnies
all of these were miles ahead of who we were
we were freaks
lobster claw boys and bearded ladies
oddities
juggling depression and loneliness playing solitaire spin the bottle
trying to kiss the wounded parts of ourselves and heal
but at night
while the others slept
we kept walking the tightrope
it was practice
and yeah
some of us fell

but I want to tell them
that all of this ****
is just debris
leftover when we finally decide to smash all the things we thought
we used to be
and if you can't see anything beautiful about yourself
get a better mirror
look a little closer
stare a little longer
because there's something inside you
that made you keep trying
despite everyone who told you to quit
you built a cast around your broken heart
and signed it yourself
you signed it
"they were wrong"
because maybe you didn't belong to a group or a clique
maybe they decided to pick you last for basketball or everything
maybe you used to bring bruises and broken teeth
to show and tell but never told
because how can you hold your ground
if everyone around you wants to bury you beneath it
you have to believe that they were wrong

they have to be wrong

why else would we still be here?
we grew up learning to cheer on the underdog
because we see ourselves in them
we stem from a root planted in the belief
that we are not what we were called we are not abandoned cars stalled out and sitting
empty on a highway
and if in some way we are
don't worry
we only got out to walk and get gas
we are graduating members from the class of
******* we made it
not the faded echoes of voices crying out
names will never hurt me

of course
they did

but our lives will only ever always
continue to be
a balancing act
that has less to do with pain
and more to do with beauty
I absolutely love this poem. I wanted to share it on here. To hear him reading the poem and find out more about him and this poem, please please visit www.tothisdayproject.com
anne collins Jul 2013
Small talk & eye contact- this ignites veins in a heart
Unaware of invasion
You spin innocent arts as our reckless lips will part
Like oceans and blossoms

Whirling street signs we gaze as night air embraces our daze
Broken small syllables
You whittle us jewels that raise our eyes to the phrase
Love is still broken

You're a sip of a kiss
A well with only one wish
Unrequited and despised
Unclaimed but allied
Slap me your affection
And make love in a hurry
Kiss me with hate if you worry
Leave me your embrace
Forced but not untrue
Waste this tired fairy tale
Abandon me in love with you

— The End —