my mother always said
"don't fall in love with a poet"
they pretend to love you
but what they really love
is writing about loving you
you are mere words to them
feelings cheapened by a page,
dusty grey typewriters,
and many unfinished drafts
of lovers both old and new,
you are the question mark,
but not the answer,
they are searching for ?
person unidentified: mystery
the page wanderer,
each poem a missing
person poster to cover their
bedroom walls.
they cannot love something
that is in their head
poets are the loneliest of
all people, my mother said.
they write to immortalize
what has long passed.
to live within their words,
but not reality,
lost souls writing suicide notes
and proclaiming it art.

The typewriters tap,
with a rat-a-tat-tat,
like a fourth estate rap
to provide us the pap
(that serves as a snack with a rat-a-tat-tat)
in a newspaper scrap
crammed with meaningless crap
from the editor's yap
(spewing flimflamy flak, booming rat-a-tat-tat)
after gashing a gap
in the daily recap
with a snip in a snap-
sounding thundery clap
crackng rat-a-tat-tat and a rat-a-tat-tat.

And the talking heads speak
with a rat-a-tat-tat,
of the news of the week,
tweaking tongue in the cheek
(with a click and a clack like a rat-a-tat-tat),
thus ignoring critique
'cause they're mild and too meek
in the midst of the reek
to report of the wrack (except rat-a-tat-tat)
whilst the pundits (oblique
when protecting the chic
of the upper class clique
at the top of the peak)
chatter rat-a-tat-tat and a rat-a-tat-tat.

The NRA ghouls
plug a rat-a-tat-tat
while their blood money tools
fill the Hill’s vestibules
(where deceit behind drapes drips a rat-a-tat-tat),
spreading folly that fuels
frenzied hands of young fools
bringing guns into schools
(at the drop of a hat there's a rat-a-tat-tat
splashing blood in warm pools)
for now anarchy rules
(which the hype ridicules
'til the temperature cools)
hailing rat-a-tat-tat and a rat-a-tat-tat.

Lawless cops, cutting loose
with a rat-a-tat-tat
spraying bullets profuse
without any excuse
(just a split second splat with a rat-a-tat-tat),
splay a rattled recluse
like a Thanksgiving goose
gushing cranberry juice
from six slugs in the back (with a rat-a-tat-tat).
To redress such abuse,
bend the branch of a spruce
with a neck in a noose
while Death's drums beat diffuse’
rolling rat-a-tat-tat and a rat-a-tat-tat.

War brings freedom to all
with a rat-a-tat-tat
(well, excluding the thrall
with fear, facing the wall
[ often smacked with a bat, throbbing rat-a-tat-tat ],
until feeling the call
to creep out of the kraal
biting back with a gall
[ with a *** for a tat and a rat-a-tat-tat ],
or to mangle and maul
if still able to crawl
and be part of the brawl
in a freak free-for-all,
midst a rat-a-tat-tat and a rat-a-tat-tat).

Holy warmongers praise,
with a rat-a-tat-tat,
any soldier that slays
and all rockets that raze
(the drones zoom with a vroom and a rat-a-tat-tat)
leaving smoky arrays
of gray ghosts in the haze
cloaking mute cabarets
(hushed, the hip and the hop, by the rat-a-tat-tat)
while ol’ Cerberus bays
with mankind in his gaze,
so society prays  
as it rots and decays
(Satan's trumpets of doom blare a rat-a-tat-tat)
until one of these days
in a flash through the maze
mighty mushrooms will blaze
with invisible  rays,
fin’lly braising the craze
of the rat-a-tat-tat,
   and the
            rat-
                 a-
                    tat-
                          tat.

Thinking of Eve Seeing First the Shiny Thing
The subtile beast, she saw eating of the tree she was
told
would **** her
if she ate it and she believed,
if she even touched it, she would die,
though die was something of a mystery.
What, she thought, is happening here?

The shining serpent thing
is living and eating the fruit of knowing
some thing known to this thing,
unknown to me, this shining serpent can't speak, needn't, but 'tis a beguiling
creature,
a scoff-god swallowing forbidden fruit
as nothing happens. Not dead,
what ever that may be,
why should I? Curioser
and curiosum it says, with its eyes,
"you shall know, as God knows, you shall not
surely die".
(those Kachinas, I imagine dancing off in time,
singing as the chorus of snakes,
"we hold such things as men can't hold in hands")

Oh, no, wait and see. We, you and me, we play no
past roles, no deed is redone, thoughts are rethought.

Everything has been thought, the object of thinking
is to think them again. Mr. Goethe made note of that fact,
when he thought, everything, excepting what I know,
is temporary at the moment, I recall the idea of

God knows what, but it ain't accidental,
and it ain't the misperception of decept-icons dancing
on the head of a pen.

You got that right - question - quest ions symbolize what
you do not know, so, who knows? Question marks
Symbolize the act of questioning. It's a primal need,
Wisdom, the principal thing of which
more is always desire-enabling.
Somebody beyond your knowing imagined that  right.
Would you believe the algorithm needed to program
perception of a who'll-go-rhyme,
or an I'll-go-rhythm positive knee-**** response
to the ***** of a pen or the whisper of a word,
which it is supposed, was written
by 100 monkeys with typewriters,
whacking away endlessly, balancing precariously
on the edge of the first 100 turtles
in the stack? What are the odds, eh?

Life has a plan with no plot, ought we think?
We shall not surely die, we know now, that's a lie.

Beyond believing lies, we know now, how and why
we are naked, by our own cognition.
We told us we are naked.
We, now, know that,

but here, in the pages of the book of life,
we are no longer subject to the ******* of fearing death.
Here, there is no more condemnation.
Believed lies re-cognized here,
affect no fear, we know,
the final foe fell. "It is finished" was no lie.
Take comfort here. Be still, and know,
rest prevents any
re-triggering viruses left by
the lying messenger's old fables, told as prophecy
or fair-tales oft sung as epics
pre-determining the possibility of evil winning in the end.
The words that built the lies remain,
not the lies. Evil never had a chance, life isn't fair.

The basic plot is a man-made thought, the purpose is not.
Life goes on, death never could have won
and now its power serves
to make eternal waves that keep thinkers thinking things differently.
Loneliness, after all is said and done,
is not
as common
as one might think. There's always
Details, details, details
God only knows.
Saying such a thing idly is vain.
Unless, you know, God knows.
****, that, too.
None of that here, you know.
no condemnation
Socrates was a joke, nothing new under the sun,
beyond that is no mortal's concern. Believe me.
Knowing nothing is far more difficult than men imagine.

Tongue in cheek was an old clue in fair play,
your gramps
could poke out his cheek like he had a snake in his mouth
struggling to break through sealed lips.  
Then he' tells a
fish-story and claims the magi know it true.
Tongue in cheek, so to speek, I see some missed conceptions
fructify from spores spat idly as ****** hells and damns
from tinkers tinning pots with crazy making lead solder.
Which meandered my other me to lead
Lead soldiers. I led the boys to war, that's what they were for.
It's all in the plot to make men of boys so we can help God
defend Heaven, in case…

What?
Good versus evil and all that whole lie.
Or is it faith we must defend?
How reasonable is that? What can **** an idea like
one of the big three?

Eve knew knowing good and evil cost her.
She paid attention to
the truth of all she so suddenly knew.
Otherwise,
she could not attempt the task of bringing
Able into the world, after the pain of Cain.

Oh, please, let Cain fulfill the promise, I cannot bear the pain,
said Adam in his shame.
Eve, on the other hand,
knew hope for joy she found in every
birth, and there were many twixt Able and Seth, all girls.
Cain had been gone for decades ere Seth came along.
Eve was o'er-joyed at the boy whose son would somehow
bring to bear the final sacrifice of travail and pain to
manifest the sons of God to play the role pre-ordained
for sons of God and their sons to play, wombed and un,
each, in his own way, the one creation groaned for,
the missing, wanted, desired, one, an
only begotten with just exactly your DNA,
one in 8 billion, a rare element, indeed.
You know.

Have you ever
stopped and considered
where all those
typewriters went?

I am just eccentric
enough to do so.

I imagine them in
a heap lofty as K-2
somewhere in
the Nevada desert
mothballed by the CIA
against the time
when words become
scarce and expensive.

In the meantime,
when the stars
align just right
they chatter out

massifs of sentences
that are only
published in silence

and read by rattlesnakes
and passing coyotes.

It is a such sad thing
to outlast your audience.

   ~mce

Typewriters are more romantic than
Leather journals and black pens.
But there's something about my cursive that feels like
I'm just writing unsent letters with love from my wrist
To you.
And to me
That's the biggest piece of my soul I have to offer.

vintage polaroids
mountain air
girl scout cookies
summer hair
ed sheeran lyrics
mint lemonade
blowing bubbles
christmas parade
harry potter
winter park crew
biscoff spread
morning dew
british accents
plaid shirts
old castles
chocolate desserts
breakfast for dinner
big bang theory quotes
shakespearean language
cape cod sailboats
sweet nostalgia
the smell of books
longing wanderlust
forest nook
80s movies
neon lights
time with friends
caramel delights
the great gatsby
walk the moon
old typewriters
plumerias bloom
bombay bicycle club
chinese cuisine
abstract art
seafoam green
vineyard vines
life of pi
scuba diving
monarch butterfly

The onion doesn't have layers
it has panels
nailed to its skin.

On occasions
he goes back to the warehouse
where he stores broken typewriters,
unfinished narratives of the campaign,
unexploded bombs.
sellotaped wires.

He audits his feelings
keeps them neatly arranged
on shelves and spreadsheets and

he examines them against the light
and is pleased with his investigations.

This is a conversation I had with God.
In which I told the silence of my room
that surrealism is the only ism in which God makes total sense.

I could see the chalk whites of his teeth trying to bite down on his words
but before they could be derailed his tongue caught wind and his words assailed
as he said, "I hate surrealism."

As if his words would never be caught dead in an urn
sometimes his mouth looked more like a jail in an Old Western
and his thoughts fought like criminals desperate to break out
until they finally found a way to use his tongue as an escape route.

"No, I don't hate surrealism," he says
"I just hate surrealism as a movement."

Upon hearing this my spine coils like a wine-corker-spiral-staircase
upward; where my brain plugs my cranium like a cork
and my eyes drip like blank canvas,
I am one hollow statue decaying in a melting structure
with wax in my ears I feed landscapes to winged insects
as I drown in pools of water/color.

Behind me is a sky so burlesque it actually looks like the clouds are crying.
Under me is a ground so vast it has nine horizons wrapped in a double helix.
Reconstructed beside me is a tree so old it could be the same wood as The Crucifix.
Nested inside me where my spine should be is a coat rack made crooked by the weight of all-nighters.
The texture of my skin makes it look like god paints with typewriters.

"No, no," he says, his voice turning melancholy, atomic, uranic, idyll,
"I don't hate surrealism as a movement,
because hate's such a strong word. Oh god, I guess I just don't get it."

Now I'm overcome with a sincere desire to light an entire herd of giraffes on fire
and sip wine beneath the light as if it were dinner by candlelight,

"Seriously?" I say. "Under giraffes, in this light
I can't tell if you're Lincoln or Jesus.
In fact, we all look like swans with elephant reflections.
Your trunk is a trumpet.
Don't even get me started on where we derive our visions of god
from where I stand everything casts a shadow in the shape of where it's heading
and the sky, vast and pale and open, the sky is the only all-seer
and the truth is far less surreal:
if your demons are ants then your god is an anteater."

I can see the chalk whites of his teeth stall door,
squeaky hinge, his mouth-
occupied with a realization he can't pronounce.
A pause as pregnant as a desert landscape,
ornamented with butterflies.

His head is an empty room with an evaporating skylight,
his ears, hang like clocks on a half-wall, melting.
The escalator to his brain is a spiral staircase moving in reverse.
His eyelids peel back like the last page of a two-dimensional book.
I can see with my Spellbound eyes, we are finally on the same page.

When his tongue curls back into his saloon jaw
like a bee sting rifle shot back into the mouth of a lunging tiger,
swallowed deep into the wells of a fish belly.

"I'm sorry" he says, "that's not what I meant."

If there were a formula
for the way her lips seek out
for mine while I am still attached
to those of a boy,
I would plug it through with
the determination
of a scientist, feeding it
back and forth through the
machines until someone
could give me an answer.

She visits me
in my sleep, bleeds
through the walls of
our separate dimensions
until she finds a way
into my heart. From there,
she rides my bloodstream up
into my brain, she puts
her hands on my controls
and guides my dreams

through to her childhood
home, where she knows
I'll fall in love with the gap
between her teeth and the way
she practices the word
"kindergarten"
when she thinks no one
can hear her.

I could never find her
through the keys
of my Macbook,
she calls to me
through typewriters in
store windows, when I think
I've lost her, I go into bookstores
and flip through the pages
in the poetry section until

teasing

she gives me a word,
just enough
of a puzzle to hold me
until next time. I think
when it's completed
it will look like her freckles,
the eyeshadow she spreads
over her heartache, the lipstick
she wears to feel like a woman
on the days when she needs to act
like a man, if I were a man.

I'd no longer be captivated
by the mysticism
of their skin. No longer see
the revolutionary twisting
through their spines. But
if I were a man, I wouldn't have
the same parts as my lover.

Maybe then
we'd be
just different enough
for me to tell her
how I feel.

The day of the site visit
I hurried out at six fifteen to wait
For a train with a waning moon,
Bright Venus and Jupiter hovering
Above the skyline. The amber horizon
Turned to orange and pink
As scattered stars went dim.

Misread the schedule and arrived
Downtown three quarters of an hour
Before my Electric District connection.
An accidental gift to self.
I ascended, ate two breakfast sandwiches
I got for one dollar with a coupon,
Warm in my hands on a blue picnic table.

The sky grew light
Above the Lake and I wandered
Through Millennium Park. It was empty
Or nearly, which felt the same.
The sun broke the bent horizon
In chrome and ice. I took some pictures,
Then descended to find Track Five.

The day's light revealed
Hollow houses with cartoon stone applied
Like paint, unable to compete
For preeminence with two-car garages.
The newest were bigger and offered
In different colors, but all the same.
Driving conditions were excellent.

At sunset I stood on another platform
Above a busy highway. The last rays came
Through tree branches and melted
Into the pale sky as they left my face.
I had witnessed that sun's birth,
It had warmed me while I waited for my carpool,
Rested with me on a concrete planter after lunch.

I entered the city in darkness
A second time. Changed muddy boots
For clean shoes and hurried to the museum.
It was a free night, overcrowded
With families and children, so difficult
To find a quiet corner for contemplation,
Any sanctuary for my own small soul.

I descended, discovered the typewriters, then
Realized you and I were already there, just
In different colors, using different words,
Spending school vacation to view old paintings
And the Holiday Miniature Rooms.
It dawned and the future was brighter even
As I left the city in darkness.

If you're a writer your main trade is hating yourself and
finding ways to be clever about it.
Smoke cigar and coffee-stained typewriters,
bachelor in the sixties, suicide in the seventies.
I'm just a cliché, raining cats and dogs, beating dead horses and singing
a little song about death
a little song about love
there is nothing new under the sun.
Dylan doesn't understand what you do is better than
accounting, your trade is people
like stock markets-
string them up and watch them fall
I play with hearts, you say like
a girl showing off her somersaults in the backyard.
But no one is listening.
…
…
…

So you burn your eyes out with hot wax in the living room
and swear
your name is Icarus
throw your diploma into the laundry and watch it turn into tissue paper,
taking moonlight walks down the beach and
straight into the bottom
of the ocean.

(you thought she would hit you
when you told her you wanted to write
but she only laughed...
and you were surprised
how much
it hurt.)

Your father's pride, a phone full of contacts,
seeing straight in the ******* morning and the heart
of a girl that was once foolish
enough to love nitroglycerine,
sold for
a bottle of ink and a scrap of paper
and your name in the
obituaries.
...
...
...

Tell yourself it was worth it.

I swear I hate computers
what happened to antique typewriters
Yah computers are helpful and all
but what happens if they crash
or the hard drive erases
what happens if your life depended on computers
and then your computer freaked out?
If you asked me, I would love to be sitting in an old fashioned
office, typing away at an antique royal!
oh well I'll live not like I can convince the world to agree with me...

His heart was kept in a babooshka-doll
that released memory smells
with every layer that eroded.
The wooden fences faded
to damp brick in the corner
of his head reserved for the harmonica
that played through the microphone
in his neck till the sound got lodged
in his maudlin march
that had him running like he
was angry at the road.
His Echostep
vibrating in
the kremlin skin
and marrionette heart strings
that kept him.... him.

Despite broken wings
he made the air around him dance
with the resonance of each
broken crystal ball shard used
to predict the past.
Each chime raised a mountain,
folding back on itself
hoping the hallucination would end,
till tired hands
batted away golden hawks.
With rocks for claws.

It was all the fights with the wind
that had the clouds leaving the moon's
Picaso skies,
and sailing towards him on warships of
rain and frozen effigies.
They arrived, astronauts
from outer space
burning from the lips
outwards revealing grey
intent and red mists.
He fought back with false start
epiphanies and the falsetto
prophecies that stung the air
with pitch raining down.
Leaving bare branches where once
green hands applauded
everything but empty air,
like listless typewriters furiously
trying to find their voices.

Feirce winds and fake faces
left blinking with closed eyes
in the vastness of battlefield.
Turning stomaches and
blank canvas whirlpools,
storms of anti-peace
scarring the last conquests
of the flightless ape lizard,
and all his gorilla warfare.

We read that all functionaries in the Moscow Kremlin use typewriters and messengers for in-house communications.

Typewriters cannot be hacked.  The cleverest listening devices aboard lurking submarines and in space spy craft can pick up the tap-tap-tap of a typewriter, but cannot interpret an e-tap from a g-tap.

Better still, typewriters break down only every twenty years or so.  No typewriter sends you a message that the Microsoft Word lifetime package you bought has no existence, and that you must buy it again, nor does it give you a blue screen because it has no screen at all. A typewriter tells you nothing; you tell the typewriter with the nimbleness of your mind and fingers, and it obeys.

Beyond that, one does not imagine Vladimir Putin passing idle evenings playing Candy Crush. Latvia, Lithuania, and Estonia crush, maybe.

A computer, any computer, unlike the manly typewriter, often suffers the Aunt Pittypat vapors and falls into a faint, calling weakly for smelling salts.

Thus the brevity of this column.

Y'r 'umble scrivener has spent much of a beautiful spring day attempting to coax Aunt Pittypat into waking up and doing a little work:

But all Microsoft's horses (I was thinking of another quadruped, but the name is not appropriate for a family newspaper)

And all Microsoft's persons

Could not make Aunt Pittypat anything but worsens. (That's not a real word)

A personal computer is outdated before you get it home from the Godzilla Box Store, and this moribund machine is some four years old. In dog years that is...something; I forget what.

Tomorrow morning I am off to buy the cheapest machine I can find, for personal computers are as disposable as toilet paper.

I will pass another beautiful spring day re-installing programs and apps (because I am good about backing up all my files) and addresses and all the tiny little dragons that speed along its circuits, and by next week should have a brilliant and well-crafted story to tell you.

May your electrons never fail.

-30-

Rock n’ roll music, Folger’s, and paint-smeared hands.
Dresser drawers filled to the brim with undeveloped camera film.
Blue bonnets and overgrown grass, pecans and crunching fall leaves.
Dirt roads and river-rocks, typewriters, polaroid cameras, and feather-quill pens.
Those hand-me-down blue eyes and brown ones that are “sometimes hazel.”
Crystal clusters and Lord of the Rings.
Countless mosquito bites and play-pretend games in the clubhouse.
Early-birds and night-owls.
Trudy; and Randy Hayes.
“Don’t touch everything you see,” and “If you say you’re bored, I’ll find work for you to do.”
Sweet tea and okra and southern dishes blackened and drenched in cheese or gravy.
Grandma always burned everything to make sure it was fully cooked, and to her, it was never burned, just “well-done.”
Cigarettes and carpentry and cookbooks. Wild blackberries and birthday parties at the lake.
Sleeping in all day and staying up all night and procrastination.  
Shepherd's Pie, potatoes, and four-leaf clovers.
“Nil Desperandum. Never Despairing.”  
I’m from a whole house that eats eggs for breakfast, and I’m allergic to eggs.
And trees as tall as buildings and buildings as tall as trees.
“You should never take the lord’s name in vain,” and “Jesus loves you, so you should love others.”
Day-dreams and stargazing and thunderstorms.
“All or nothing,” and “There is no try, only do.”
Old family pictures in dust-glittered frames.
We are crystals. We have facets, each one makes us who we are.
With only one window of our lives to express, we’d merely be glass.
I am a part of each of these things just as much as they are each a part of me.

While I return and slow down
to the classics;
the film analog cameras,
vinyl records,
typewriters,
silent movies,
worn-out pocketbooks,
and other novelties
of the old world charm...

I also enjoy the convenience
of the contemporary;
my phone's one-click camera,
spotify premium,
notes app,
netflix,
kindle,
and other niceties
that the here and now has to offer...

And while I rev back
to the retro and vintage,
I also race forward
to the excitement and danger
brought about by the internet,
of chatting with a familiar stranger.
of exchanging laughters in electronic.
of feeling emotions from a vague, distant, technical, difficult source.

Oh, the thrill and tragedy of technology!

It’s Hard Not To Be Optimistic: An Updated Sonnet to Science
by Michael R. Burch

“DNA has cured deadly diseases and allowed
labs to create animals with fantastic new
features.” ― U.S. News & World Report

It’s hard not to be optimistic
when things are so wondrously futuristic:
when DNA, our new Louie Pasteur,
can effect an autonomous, miraculous cure,
while labs churn out fluorescent monkeys
who, with infinite typewriters, might soon outdo USN&WR’s flunkeys.

It’s hard not to be optimistic
when the world is so delightfully pluralistic:
when Schrödinger’s cat is both dead and alive,
and Hawking says time can run backwards. We thrive,
befuddled drones, on someone else’s regurgitated nectar,
while our cheers drown out poet-alarmists who might Hector

the Achilles heel of pure science (common sense)
and reporters who tap out supersillyous nonsense.

NOTE: I am a fan of both real science and science fiction, and I like to think I can tell the difference, at least between the two extremes. I feel confident that Schrödinger didn’t think the cat in his famous experiment was both dead and alive. Rather, he was pointing out that we can’t know until we open the box, scratchings and smell aside. While traveling backwards in time is great for science fiction, it seems extremely doubtful as a practical application. And as for DNA curing deadly diseases ... well, it must have created them, so perhaps don’t give it too much credit!

Submitted to U.S. News & World Report

Dear Editor,

While I’m usually a fan of your magazine, as a writer I must take to task the Frankensteinian logic of the excerpt I cited, and I challenge you to publish my “letter” as proof that poets do have a function in the third millennium, even if it is only to suggest that paid writers should not create such outlandish, freakish horrors of the English language.

Somewhat irked, but still a fan,
Michael R. Burch

Keywords/Tags: science, fiction, quantum, physics, Hawking, Schrodinger, cat, DNA, infinite, monkeys, typewriters, Shakespeare, lab, animals, new, features

i've shut down
like a factory building typewriters or VCRs
you left a rotten tingling in my mouth
pepper-flavored rubbing alcohol
slap me like you check yourself out in the mirror
maybe that will set my brain back into motion
sparks and blue soda
i gave you too many chances to ruin my life
bald spots on my head
lungs black because you made me start smoking again
turn around
the back of your head is the only part that doesn't make me cry anymore
and yet it still does
build me up like legos and take me apart piece by piece
we had brooklyn and bagels and trains and hangovers and sheets
religious conversion was avoided
i just realized how unhappy i was with you
all of you
all of what you gave me
which was nothing
taker.
taker.

We were primates swinging from the branches of skyscrapers
And our cooing come ons lost in translation
Sharing body heat to keep us warm inside old office buildings
Where the ghosts of typewriters flit about the ground floor
And we let our blood vessels ebb and flow
We became cynical at the thought of falling in love
Like hard tack candy caught in the teeth of giants
We're getting older but our mouths still tastes like strawberries

We'll build our home on a mountain of shopping carts
Our children will be the hum of the generator
And the occasional sunburst we get through the grimy window
Can be the laughter of a family board game
Unconscious of our own bodies, not knowing our own
Only the ebb and flow you, the sky, that falls
Upon the roar of I, the wild ocean
With our bodies building a sanctuary for the sparrows

Will you still love me when the bomb turns the cities to snowflakes?
The sky is on fire but at least I know you're warm

The Love Song of a Struggling Writer

It's strange that words are so inadequate.
Yet, like the asthmatic struggling for breath,
So the writer must struggle for words.


Let us go then, you and I,
As phrases dance across the sky,
Like a poem scribed upon a table
Let us go, through empty deserted minds
The thoughtless finds
Of restless nights when words have left
A dreamless sleep upon the empty draft:
Debts that hunt through bills and mail
Soon caught, no avail
To lead you to an overwhelming dilemma
Oh, do not think of it, “When will I be in print?”
Let us go on borrowed time lent.

Deadlines often come and go
But do I care? Not really…no

The words that never come to be
And phrases never uttered beautifully
Butchered at the hand of the creator
Lingering on the cusp of success
Never brought to fruition, lest I digress
Many ideas I’ve never said
My fingers haven’t moved in hours
Anger builds till I see red.

And indeed there will be time
To taste tendrils of victory
To kiss the lips of a well written acquaintance
There will be time, there will be time
When publishers knock down your door
And ask for my autograph in store
And time for typewriter keys to bend
To rust and break with age
To break hearts of which I cannot mend
Keeping secrets triumph won’t lend
Reveling in the thought of glistening diction
Before the taking of pictures and Ads


Deadlines often come and go
But do I care? Not really…no

There will be moments
To wonder, “Do I write?” and, “Do I print?”  
Time to turn back and edit my drafts,  
With run on sentences littering the page—        
[They will say: “How his grammar is horrid!”]  
My morning coffee, and scone for fuel
My pajamas wrinkled from late night frustration—  
[They will say: “But how his style has declined!”]  
Do I dare
Disturb the publisher?  
In a day there is time  
For discussion and revisions which a day will reclaim.  

For I have read them all, scanned every line:—  
Have known the evenings, mornings, late night walks,  
I have measured out my life with writers block ;  
I know the diction dies as my drive begins to fail
Between the lines of another story.  
So how should I continue?

And I have known the public already—        
The eyes that fix you in a formulated phrase,  
And when I am on display, such a fickle crowd,
When I am blinded by camera flashes and set lights,  
Then how should I begin  
To spit out all the inspiration for my literary creation?
And how should I continue?

Shall I say, I have visited New York and L.A.
And watched the heels smack and clack the pavement  
Of lonely writers sipping their grown cold tea?…  
  
I should have been a published writer
Pounding the pavement in glittering achievement.

And after work sip cocktails with various big cheese!
Wined and dined with sticky fingers,  
Asleep, awake the thought still lingers,  
Stretched across the printing press; an ocean of you and me.  
Should I, after punctuating and correcting lines,  
Have the creative juice to write another?
I have pondered the many ways to generate fresh material,  
Though I have seen my hands become gnarled and thin,
I am no writer—and here’s no great literary work;  
I have seen the moment of my success pass,  
Having flown out the window with expanded wings,
And in short, I failed.

And would it really have mattered,  
After the pens, the quills, the empty ink,  
Among the typewriters crevices,  
Would it have been worth while,
To have never written in such style,  
To have pondered my very fortune  
To compact it into a simple sentence,  
To write, to be in books and various magazines,
and see my picture on front pages of best seller lists
  I Should say:
“I will never be in print, no prizes or ribbons.”

And would it have been worth it, after all,  
Would it have been worth while,
After the interviews and company meetings,  
After the novels, after the cover art, after the payment plans—  
And this, is there no more?—  
It is impossible to say just what I mean!  
I shall sit in the dark, alone, and brood:
Would it have been worth while?  
If I had ever submitted just one great piece,  
I’m left gazing out the window; still in refrain:  
  “I will never be in print,  
         I will never see my works published.”

No! I am not Stephen King, nor ever will be
Sad excuse for a writer or so they say
I think I’ll end my career today
Placed down my pen and ink,; No thrill,
Cannot say which way I’ll go
Words, Phrases, Plot, will change
Soon as my thoughts cease to flow
The meaning of life could rearrange
Another failed attempt, joy ****

I grow old… I grow old…
My written soul will never be told.

Shall I scrap my stories? Should I burn every page?
I shall write in fantasy, and script my dreams
The chimera call, nothing is as it seems

I do not think they call for me

The fantastic is irrelevant
As my mind does fade with age
Take piece of mind; internal war I wage

I have dared to enter realms unwritten
Have ventured past words unspoke
Which suffocate; against my throat to choke.

follow the yellow brick road...*

The terrible freedom unleashed by typewriters.
Condition of complexity judged without criteria.
Radical provocations. Urinals and prams. Contingent.
Anarchist aesthetic. Not truth nor beauty but freedom.
Materiality of language. Multi-hued wheel barrows.
A cuttlefish. A crate. A cassowary. A cigarette. A ******.
Paratactic order. Particular phrasing. Pulsing pastiche.
An infinite conversation without resolution
as with the stupid friend who won’t shut up. Ever.
A transcendent dialectic based solely on proximity.
Ineluctable modality of the near. Only that. Buck it.
An unquiet ghost endlessly self-questioning. No answers.
Moaning in the meaning. A simple stuttering. Sibilant.
Turbulent and unpredictable as waddling wolverines.
Words that only mean whatever is seen. Juxtaposition.
Dissolving into desired dissonance. The magic chord.
Absolute verity in the experience of the fraudulent
for the same reason as the ubiquity of toothpaste.
     The poem as its own universe, complete and whole,
     fodder for the mind, not balm for the soul.

Prose Poems and Experimental Poems
by Michael R. Burch

These are prose poems (is that an oxymoron?)  and experimental poems that begin with the first non-rhyming poem I wrote as a teenager...



Something
―for the children of the Holocaust and the Nakba
by Michael R. Burch

Something inescapable is lost―lost like a pale vapor curling up into shafts of moonlight, vanishing in a gust of wind toward an expanse of stars immeasurable and void. Something uncapturable is gone―gone with the spent leaves and illuminations of autumn, scattered into a haze with the faint rustle of parched grass and remembrance. Something unforgettable is past―blown from a glimmer into nothingness, or less, which finality swept into a corner, where it lies... in dust and cobwebs and silence.

This was my first poem that didn't rhyme, written in my late teens. The poem came to me 'from blue nothing' (to borrow a phrase from my friend the Maltese poet Joe Ruggier) . Years later, I dedicated the poem to the children of the Holocaust and the Nakba.


briefling
by Michael R. Burch

manishatched, hopsintotheMix, cavorts, hassex (quick! , spawnanewBrood!) ; then, likeamayfly, he's suddenly gone: plantfood.



It's Hard Not To Be Optimistic: An Updated Sonnet to Science
by Michael R. Burch

"DNA has cured deadly diseases and allowed labs to create animals with fantastic new features." ― U.S. News & World Report

It's hard not to be optimistic when things are so wondrously futuristic: when DNA, our new Louie Pasteur, can effect an autonomous, miraculous cure, while labs churn out fluorescent monkeys who, with infinite typewriters, might soon outdo USN&WR's flunkeys. Yes, it's hard not to be optimistic when the world is so delightfully pluralistic: when Schrödinger's cat is both dead and alive, and Hawking says time can run backwards. We thrive, befuddled drones, on someone else's regurgitated nectar, while our cheers drown out poet-alarmists who might Hector the Achilles heel of pure science (common sense)  and reporters who tap out supersillyous nonsense. [Dear U.S. News & World Report Editors: I am a fan of both real science and science fiction, and I like to think I can tell the difference, at least between the two extremes. I feel confident that Schrödinger didn't think the cat in his famous experiment was both dead and alive. Rather, he was pointing out that we can't know until we open the box, scratchings and smell aside. While traveling backwards in time is great for science fiction, it seems extremely doubtful as a practical application. And as for DNA curing deadly diseases... well, it must have created them, so perhaps don't give it too much credit! While I'm usually a fan of your magazine, as a writer I must take to task the Frankensteinian logic of the excerpt I cited, and I challenge you to publish my "letter" as proof that poets do have a function in the third millennium, even if it is only to suggest that paid writers should not create such outlandish, freakish horrors of the English language.―Somewhat irked, but still a fan, Michael R. Burch]



bachelorhoodwinked
by Michael R. Burch

u are charming & disarming, but mostly! ! ! ALARMING! ! ! since all my resolve dissolved! u are chic as a sheikh's harem girl in the sheets, but now my bed's not my own and my kingdom's been overthrown!



Starting from Scratch with Ol' Scratch
by Michael R. Burch

for the Religious Right

Love, with a small, fatalistic sigh went to the ovens. Please don't bother to cry. You could have saved her, but you were all *******: complaining about the Jews to Reichmeister Grupp. Scratch that. You were born after World War II. You had something more important to do: while the children of the Nakba were perishing in Gaza with the complicity of your government, you had a noble cause (a religious tract against homosexual marriage and various things gods and evangelists disparage.)  Jesus will grok you? Ah, yes, I'm quite sure that your intentions were good and ineluctably pure. After all, what the hell does he care about Palestinians? Certainly, Christians were right about serfs, slaves and Indians. Scratch that. You're one of the Devil's minions.



Prose Poem: The Trouble with Poets
by Michael R. Burch

This morning the neighborhood girls were helping their mothers with chores, but one odd little girl was out picking roses by herself, looking very small and lonely.

Suddenly the odd one refused to pick roses anymore because she decided it might "hurt" them. Now she just sits beside the bushes, rocking gently back and forth, weeping and consoling them!

Now she's lost all interest in nature, which she finds "appalling." She dresses in black "like Rilke" and says she prefers the "roses of the imagination"! She mumbles constantly about being "pricked in conscience" and being "pricked to death." What on earth can she mean? Does she plan to have *** until she dies?

For chrissake, now she's locked herself in her room and refuses to come out until she has "conjured" the "perfect rose of the imagination"! We haven't seen her for days. Her only communications are texts punctuated liberally with dashes. They appear to be badly-rhymed poems. She signs them "starving artist" in lower-case. What on earth can she mean? Is she anorexic, or bulimic, or is this just a phase she'll outgrow?



escape!
by michael r. burch

to live among the daffodil folk... slip down the rainslickened drainpipe... suddenly pop out the GARGANTUAN SPOUT... minuscule as alice, shout yippee-yi-yee! in wee exultant glee to be leaving behind the LARGE THREE-DENALI GARAGE.

escape! !

u are too beautiful, too innocent, too inherently lovely to merely reflect the sun's splendor... too full of irresistible candor to remain silent, too delicately fawnlike for a world so violent... come, my beautiful bambi and i will protect you... but of course u have already been lured away by the dew-laden roses...



Children's Prose Poem: The Three Sisters and the Mysteries of the Magical Pond
by Michael R. Burch

Every child has a secret name, which only their guardian angel knows. Fortunately, I am able to talk to angels, so I know the secret names of the Three Sisters who are the heroines of the story I am about to tell...

The secret names of the Three Sisters are Etheria, Sunflower and Bright Eyes. Etheria, because the eldest sister's hair shines like an ethereal blonde halo. Sunflower, because the middle sister loves to plait bright flowers into her hair. Bright Eyes, because the youngest sister has flashing dark eyes that are sometimes full of mischief! This is the story of how the Three Sisters solved the Three Mysteries of the Magical Pond...

The first mystery of the Magical Pond was the mystery of the Great Heron. Why did the Great Heron seem so distant and aloof, never letting human beings or even other animals come close to it? This great mystery was solved by Etheria, who noticed that the Great Heron was so large it couldn't fly away from danger quickly. So the Heron was not being aloof at all... it was simply being cautious and protecting itself by keeping its distance from faster creatures. Things are not always as they appear!

The second mystery was the mystery of the River Monster. What was the dreaded River Monster, and did it pose a danger to the three sisters and their loved ones? This great mystery was solved by Sunflower, who found the River Monster's footprints in the mud after a spring rain. Sunflower bravely followed the footprints to a bank of the pond, looked down, and to her surprise found a giant snapping turtle gazing back at her! Thus the mystery was solved, and the River Monster was not dangerous to little girls or their family and friends, because it was far too slow to catch them. But it could be dangerous if anyone was foolish enough to try to pet it. Sometimes it is best to leave nature's larger creatures alone, and not tempt fate, even when things are not always as they appear!

The third mystery was the most perplexing of all. How was it possible that tiny little starlings kept chasing away much larger crows, hawks and eagles? What a conundrum! (A conundrum is a perplexing problem that is very difficult to solve, such as the riddle: "What walks on four legs in the morning, on two legs during the day, then on three legs at night? " Can you solve it? ... The answer is a human being, who crawls on four legs as a baby, then walks on two legs most of its life, but needs a walking cane in old age. This is the famous Riddle of the Sphinx.)  Yes, what a conundrum! But fortunately Bright Eyes was able to solve the Riddle of the Starlings, because she noticed that the tiny birds were much more agile in the air, while the much larger hawks and eagles couldn't change direction as easily. So, while it seemed the starlings were risking their lives to defend their nests, in reality they had the advantage! Once again, things are not always as they appear!

Now, these are just three adventures of the Three Sisters, and there are many others. In fact, they will have a whole lifetime of adventures, and perhaps we can share in them from time to time. But if their mother reads them this story at bedtime, by the end of the story their eyes may be getting very sleepy, and they may soon have dreams of Giant Herons, and Giant Turtles, and Tiny Starlings chasing away Crows, Hawks and Eagles! Sweet dreams, Etheria, Sunflower and Bright Eyes!



Fake News, Probably
by Michael R. Burch

The elusive Orange-Tufted Fitz-Gibbon is the rarest of creatures―rarer by far than Sasquatch and the Abominable Snowman (although they are very similar in temperament and destructive capabilities) . While the common gibbon is not all that uncommon, the orange-tufted genus has been found less frequently in the fossil record than hobbits and unicorns. The Fitz-Gibbon sub-genus is all the more remarkable because it apparently believes itself to be human, and royalty, no less! Now there are rumors―admittedly hard to believe―that an Orange-Tufted Fitz-Gibbon resides in the White House and has been spotted playing with the nuclear codes while chattering incessantly about attacking China, Mexico, Iran and North Korea. We find it very hard to credit such reports. Surely American voters would not elect an oddly-colored ape with self-destructive tendencies president!



Writing Verse for Free, Versus Programs for a Fee
by Michael R. Burch

How is writing a program like writing a poem? You start with an idea, something fresh. Almost a wish. Something effervescent, like foam flailing itself against the rocks of a lost tropical coast...

After the idea, of course, there are complications and trepidations, as with the poem or even the foam. Who will see it, appreciate it, understand it? What will it do? Is it worth the effort, all the mad dashing and crashing about, the vortex―all that? And to what effect?

Next comes the real labor, the travail, the scouring hail of things that simply don't fit or make sense. Of course, with programming you have the density of users to fix, which is never a problem with poetry, since the users have already had their fix (this we know because they are still reading and think everything makes sense) ; but this is the only difference.

Anyway, what's left is the debugging, or, if you're a poet, the hugging yourself and crying, hoping someone will hear you, so that you can shame them into reading your poem, which they will refuse, but which your mother will do if you phone, perhaps with only the tiniest little mother-of-the-poet, harried, self-righteous moan.

The biggest difference between writing a program and writing a poem is simply this: if your program works, or seems to work, or almost works, or doesn't work at all, you're set and hugely overpaid. Made-in-the-shade-have-a-pink-lemonade-and-ticker-tape-parade OVERPAID.

If your poem is about your lover and ***** up quite nicely, perhaps you'll get laid. Perhaps. Regardless, you'll probably see someone repossessing your furniture and TV to bring them posthaste to someone like me. The moral is this: write programs first, then whatever passes for poetry. DO YOUR SHARE; HELP END POVERTY TODAY!



Prose Poem: Litany
by Michael R. Burch

Will you take me with all my blemishes? I will take you with all your blemishes, and show you mine. We'll **** wine out of cardboard boxes till our teeth and lips shine red like greedily gorging foxes'. We'll swill our fill, then have *** for hours till our neglected guts at last rebel. At two in the morning, we'll eat cold Krystals out of greasy cardboard boxes, and we will be in love. And that's it? That's it! And can I go out with my friends and drink until dawn? You can go out with your friends and drink until dawn, come home lipstick-collared, pass out by the pool, or stay at the bar till the new moon sets, because we will be in love, and in love there is no room for remorse or regret. There is no right, no wrong, and no mistrust, only limb-numbing ***, hot-pistoning lust. And that's all? That's all. That's great! But wait... Wait? Why? What's wrong? I want to have your children. Children? Well, perhaps just one. And what will happen when we have children? The most incredible things will happen―you'll change, stop acting so strangely, start paying more attention to me, start paying your bills on time, grow up and get rid of your horrible friends, and never come home at a-quarter-to-three drunk from a night of swilling, smelling like a lovesick skunk, stop acting so lewdly, start working incessantly so that we can afford a new house which I will decorate lavishly and then grow tired of in a year or two or three, start growing a paunch so that no other woman would ever have you, stop acting so boorishly, start growing a beard because you're too tired to shave, or too afraid, thinking you might slit your worthless wrinkled throat...



Sweet Nothings
by Michael R. Burch

Tonight, will you whisper me a sweet enchantment? We'll take my motorcycle, blaze a trail of metallic exhaust and scorched-black sulphuric fumes to a ****** diner where I'll slip my fingers under your yellow sun dress, inside the elastic waist band of your thin white cotton *******, till your pinkling lips moisten obligingly and the corpulent pink hot dog with tangy brown mustard and sweet pickle relish comes. Tonight, can we talk about something other than ***, perhaps things we both love? What I love is to go to the beach, where the hot oil smells like baking coconuts, and lie in the sun's humidor thinking of you, while the sand worms its way inside your **** little pink bikini, your compressed ******* squishy with warm sweet milk like coconuts, the hair between your legs sleek as a wet mink's... Tonight, can we make love instead of just talking *****? Sorry, honey, I'm just not in the mood.



Sometimes the Dead
by Michael R. Burch

Sometimes we catch them out of the corners of our eyes―the pale dead. After they have fled the gourds of their bodies, like escaping fragrances they rise. Once they have become a cloud's mist, sometimes like the rain they descend; ... they appear, sometimes silver, like laughter, to gladden the hearts of men. Sometimes like a pale gray fog, they drift unencumbered, yet lumbrously, as if over the sea there was the lightest vapor even Atlas could not lift. Sometimes they haunt our dreams like forgotten melodies only half-remembered. Though they lie dismembered in black catacombs, sepulchers and dismal graves; although they have committed felonies, yet they are us. Someday soon we will meet them in the graveyard dust, blood-engorged, but never sated since Cain slew Abel. But until we become them, let us steadfastly forget them, even as we know our children must...



Fascination with Light
by Michael R. Burch

Desire glides in on calico wings, a breath of a moth seeking a companionable light... where it hovers, unsure, sullen, shy or demure, in the margins of night, a soft blur. With a frantic dry rattle of alien wings, it rises and thrums one long breathless staccato... and flutters and drifts on in dark aimless flight. And yet it returns to the flame, its delight, as long as it burns.



Burn, Ovid
by Michael R. Burch

"Burn Ovid"―Austin Clarke

Sunday School, Faith Free Will Baptist,1973: I sat imaging watery folds of pale silk encircling her waist. Explicit *** was the day's "hot" topic (how breathlessly I imagined hers)  as she taught us the perils of lust fraught with inhibition. I found her unaccountably beautiful, as she rolled implausible nouns off the edge of her tongue: adultery, fornication, *******, ******. Acts made suddenly plausible by the faint blush of her unrouged cheeks, by her pale lips accented only by a slight quiver, a trepidation. What did those lustrous folds foretell of our uncommon desire? Why did she cross and uncross her legs lovely and long in their taupe sheaths? Why did her ******* rise pointedly, as if indicating a direction?

"Come unto me,
(unto me) , "
together, we sang,

cheek to breast,
lips on lips,
devout, afire,

my hands
up her skirt,
her pants at her knees:

all night long,
all night long,
in the heavenly choir.



*** 101
by Michael R. Burch

That day the late spring heat steamed through the windows of a Crayola-yellow schoolbus crawling its way up the backwards slopes of Nowheresville, North Carolina... Where we sat exhausted from the day's skulldrudgery and the unexpected waves of muggy, summer-like humidity... Giggly first graders sat two abreast behind senior high students sprouting their first sparse beards, their implausible bosoms, their stranger affections... The most unlikely coupling―Lambert,18, the only college prospect on the varsity basketball team, the proverbial talldarkhandsome swashbuckling cocksman, grinning... Beside him, Wanda,13, bespectacled, in her primproper attire and pigtails, staring up at him, fawneyed, disbelieving... And as the bus filled with the improbable musk of her, as she twitched impaled on his finger like a dead frog jarred to life by electrodes, I knew... that love is a forlorn enterprise, that I would never understand it.



Veiled
by Michael R. Burch

She has belief without comprehension, and in her crutchwork shack she is much like us... Tamping the bread into edible forms, regarding her children at play with something akin to relief... Ignoring the towers ablaze in the distance because they are not revelations but things of glass, easily shattered... Aand if you were to ask her, she might say―sometimes God visits his wrath upon an impious nation for its leaders' sins... And we might agree: seeing her mutilations.



Lucifer, to the Enola Gay
by Michael R. Burch

Go then, and give them my meaning, so that their teeming streets become my city. Bring back a pretty flower―a chrysanthemum, perhaps, to bloom, if but an hour, within a certain room of mine where the sun does not rise or fall, and the moon, although it is content to shine, helps nothing at all. There, if I hear the wistful call of their voices regretting choices made, or perhaps not made in time, I can look back upon it and recall―in all its pale forms sublime, still, Death will never be holy again.



The Evolution of Love
by Michael R. Burch

Love among the infinitesimal flotillas of amoebas is a dance of transient appendages, wild sails that gather in warm brine and then express one headstream as two small, divergent wakes. Minuscule voyage―love! Upon false feet, the pseudopods of uprightness, we creep toward self-immolation: two nee one. We cannot photosynthesize the sun, and so we love in darkness, till we come at last to understand: man's spineless heart is alien to any land. We part to single cells; we rise on buoyant tears, amoeba-light, to breathe new atmospheres... and still we sink. The night is full of stars we cannot grasp, though all the World is ours. Have we such cells within us, bent on love to ever-changingness, so that to part is not to be the same, or even one? Is love our evolution, or a scream against the thought of separateness―a cry of strangled recognition? Love, or die, or love and die a little. Hopeful death! Come scale these cliffs, lie changing, share this breath.



Longing
by Michael R. Burch

We stare out at the cold gray sea, overcome with such sudden and intense longing... our eyes meet, inviolate... and we are not of this earth, this strange, inert mass. Before we crept out of the shoals of the inchoate sea... before we grew the quaint appendages and orifices of love... before our jellylike nuclei, struggling to be hearts, leapt at the sight of that first bright, oracular sun, then watched it plummet, the birth and death of our illumination... before we wept... before we knew... before our unformed hearts grew numb, again, in the depths of the sea's indecipherable darkness... when we were only a swirling profusion of recombinant things wafting loose silt from the sea's soft floor, writhing and ******* in convulsive beds of mucousy foliage,

flowering,
flowering,
flowering...

what jolted us to life?



Memento Mori
by Michael R. Burch

I found among the elms
something like the sound of your voice,
something like the aftermath of love itself
after the lightning strikes,
when the startled wind shrieks...

a gored-out wound in wood,
love's pale memento mori―
that white scar
in that first heart,
forever unhealed...

and a burled, thick knot incised
with six initials pledged
against all possible futures,
and penknife-notched below,
six edged, chipped words
that once cut deep and said...

WILL U B MINE
4 EVER?

... which now, so disconsolately answer...

----------------N
-- EVER.



Nucleotidings
by Michael R. Burch

"We will walk taller! " said Gupta,
sorta abrupta,
hand-in-hand with his mom,
eyeing the A-bomb.

"Who needs a mahatma
in the aftermath of NAFTA?
Now, that was a disaster, "
cried glib Punjab.

"After Y2k,
time will spin out of control anyway, "
flamed Vijay.

"My family is relatively heavy,
too big even for a pig-barn Chevy;
we need more space, "
spat What's His Face.

"What does it matter,
dirge or mantra, "
sighed Serge.

"The world will wobble
in Hubble's lens
till the tempest ends, "
wailed Mercedes.

"The world is going to hell in a bucket.
So **** it and get outta my face!
We own this place!
Me and my friends got more guns than ISIS,
so what's the crisis? "
cried Bubba Billy Joe Bob Puckett.



They Take Their Shape
by Michael R. Burch

"We will not forget moments of silence and days of mourning..."―George W. Bush

We will not forget...
the moments of silence and the days of mourning,
the bells that swung from leaden-shadowed vents
to copper bursts above "hush! "-chastened children
who saw the sun break free (abandonment
to run and laugh forsaken for the moment) ,
still flashing grins they could not quite repent...
Nor should they―anguish triumphs just an instant;

this every child accepts; the nymphet weaves;
transformed, the grotesque adult-thing emerges:
damp-winged, huge-eyed, to find the sun deceives...
But children know; they spin limpwinged in darkness
cocooned in hope―the shriveled chrysalis

that paralyzes time. Suspended, dreaming,
they do not fall, but grow toward what is,
then ***** about to find which transformation
might best endure the light or dark. "Survive"
becomes the whispered mantra of a pupa's
awakening... till What takes shape and flies
shrieks, parroting Our own shrill, restive cries.



chrysalis
by Michael R. Burch

these are the days of doom
u seldom leave ur room
u live in perpetual gloom

yet also the days of hope
how to cope?
u pray and u *****

toward self illumination...
becoming an angel
(pure love)

and yet You must love Your Self

If you know someone who is very caring and loving, but struggles with self worth, this may be a poem to consider.

Keywords/Tags: prose poem, experimental, free verse, freedom, expression, silence, void, modern, modern psalm, Holocaust


To Have Loved
by Michael R. Burch

"The face that launched a thousand ships ..."

Helen, bright accompaniment,
accouterment of war as sure as all
the polished swords of princes groomed to lie
in mausoleums all eternity ...

The price of love is not so high
as never to have loved once in the dark
beyond foreseeing. Now, as dawn gleams pale
upon small wind-fanned waves, amid white sails, ...

now all that war entails becomes as small,
as though receding. Paris in your arms
was never yours, nor were you his at all.
And should gods call

in numberless strange voices, should you hear,
still what would be the difference? Men must die
to be remembered. Fame, the shrillest cry,
leaves all the world dismembered.

Hold him, lie,
tell many pleasant tales of lips and thighs;
enthrall him with your sweetness, till the pall
and ash lie cold upon him.

Is this all? You saw fear in his eyes, and now they dim
with fear’s remembrance. Love, the fiercest cry,
becomes gasped sighs in his once-gallant hymn
of dreamed “salvation.” Still, you do not care

because you have this moment, and no man
can touch you as he can ... and when he’s gone
there will be other men to look upon
your beauty, and have done.

Smile―woebegone, pale, haggard. Will the tales
paint this―your final portrait? Can the stars
find any strange alignments, Zodiacs,
to spell, or unspell, what held beauty lacks?

Published by The Raintown Review, Triplopia, The Electic Muse, The Chained Muse, The Pennsylvania Review, and in a YouTube recital by David B. Gosselin. This is, of course, a poem about the famous Helen of Troy, whose face "launched a thousand ships."
Keywords/Tags: Helen, Troy, Paris, love, war, gods, fate, destiny, portrait, fame, famous, stars, Zodiac, Zodiacs, star-crossed, spell, charm, potion, enchantment, Greece, Greek, mythology, legend, Homer, Odyssey, accompaniment, accouterment, eternal, eternity, immortal



EPIGRAM TRANSLATIONS BY MICHAEL R. BURCH



NOVELTIES
by Thomas Campion
loose translation/interpretation by Michael R. Burch

Booksellers laud authors for novel editions
as pimps praise their ****** for exotic positions.



Nod to the Master
by Michael R. Burch

for the Divine Oscar Wilde

If every witty thing that’s said were true,
Oscar Wilde, the world would worship You!



A question that sometimes drives me hazy:
am I or are the others crazy?
—Albert Einstein, loose translation/interpretation by Michael R. Burch



This is love: to fly toward a mysterious sky,
to cause ten thousand veils to fall.
First, to stop clinging to life,
then to step out, without feet ...
—Rumi, loose translation/interpretation by Michael R. Burch



To live without philosophizing is to close one's eyes and never attempt to open them. – Rene Descartes, loose translation by Michael R. Burch



Stage Fright
by Michael R. Burch

To be or not to be?
In the end Hamlet
opted for naught.



I test the tightrope
balancing a child
in each arm.
—Vera Pavlova, loose translation/interpretation by Michael R. Burch



Brief Fling
by Michael R. Burch

“Epigram”
means cram,
then scram!



*******
by Michael R. Burch

You came to me as rain breaks on the desert
when every flower springs to life at once.
But joys are wan illusions to the expert:
the Bedouin has learned how not to want.



Love is either wholly folly,
or fully holy.
—Michael R. Burch



Intimations
by Michael R. Burch

Let mercy surround us
with a sweet persistence.

Let love propound to us
that life is infinitely more than existence.



Less Heroic Couplets: Marketing 101
by Michael R. Burch

Building her brand, she disrobes,
naked, except for her earlobes.



Villanelle of an Opportunist
by Michael R. Burch

I’m not looking for someone to save.
A gal has to do what a gal has to do:
I’m looking for a man with one foot in the grave.

How many highways to hell must I pave
with intentions imagined, not true?
I’m not looking for someone to save.

Fools praise compassion while weaklings rave,
but a gal has to do what a gal has to do.
I’m looking for a man with one foot in the grave.

Some praise the Lord but the Devil’s my fave
because he has led me to you!
I’m not looking for someone to save.

In the land of the free and the home of the brave,
a gal has to do what a gal has to do.
I’m looking for a man with one foot in the grave.

Every day without meds becomes a close shave
and the razor keeps tempting me too.
I’m not looking for someone to save:
I’m looking for a man with one foot in the grave.



She is brighter than dawn
by Michael R. Burch

for Beth

There’s a light about her
like the moon through a mist:
a bright incandescence
with which she is blessed

and my heart to her light
like the tide now is pulled . . .
she is fair, O, and bright
like the moon silver-veiled.

There’s a fire within her
like the sun’s leaping forth
to lap up the darkness
of night from earth's hearth

and my eyes to her flame
like twin moths now are drawn
till my heart is consumed.
She is brighter than dawn.




Teddy Roosevelt spoke softly and carried a big stick; Donald Trump speaks loudly and carries a big shtick.—Michael R. Burch



Viral Donald (I)
by Michael R. Burch aka "The Loyal Opposition"

Donald Trump is coronaviral:
his brain's in a downward spiral.
His pale nimbus of hair
proves there's nothing up there
but an empty skull, fluff and denial.



Viral Donald (II)
by Michael R. Burch aka "The Loyal Opposition"

Why didn't Herr Trump, the POTUS,
protect us from the Coronavirus?
That weird orange corona of hair's an alarm:
Trump is the Virus in Human Form!

17 feb: offbeat

I couldn't stop thinking about
grey tartan and gin
and soft pink skin.
Cigarettes and typewriters,
drops of ink on the paper
leading away from the word
"desperation."

But there it was.
"I'm leaving for the afternoon.
Your choice is to prune
the bushes or to water them."
What was I to do?
I liked them full and so did you.

You were frantic.
As though you'd misplaced something
when really you were just searching
for a fishing net.
"Look at the sunset."
Oh but it's gone, it's over, I'm sorry.

[Friend, friend
do not cower or back down
from this but know
that I am listening for you,
to you, always.]

Left to rot,
built to spill,
one of us was always ill.
I was waiting for you to come home--
I have not touched the bushes yet.

~
Black as coal.
Moth or myth?
It helps with the lights out.
And travels by thought.

Cleopatra enters Rome,
Dropping names,
Reciting pagan poetry,
Knocking on forbidden doors.

Nicole sees shadows
Of her former self
Staring back at her,
Rock paper scissors,
The color of three.

Give and take after take
On the burning soil
Of a blurred crusade.

Typewriters
And other assorted weapons
Form white lies and alibis,
Calibrating the dusted variations
Of a caught-on-camera obscura,
It is a dark waltz,
Some small hope still,

Yet there's a comma after still.
~

lovely things

the way morning dew sprinkles itself on freshly planted roses
the way someone smiles when they haven't in ages
the way a butterfly silently ***** through the wind making its way to who knows where
the way freshly dried clothes feel on a cold body
the laughter of someone who means the world to you
the feeling after a long nap in the day
the sound of trickling rain on your window
the way compliments flow off of someone's lips and touches your heart
the feeling of success after many failures and fall downs
the feeling of someone who has your back
typewriters
leather journals
freshly polished fingernails
moms
the way your friend keeps messing up when typing
the typos in something freshly written
the smell of bounce
freshly cut grass on a cool morning
the way we believe in 11:11
rough handwriting in cursive
meaningful thank you notes
secret admirers

you

for every night we giggled on the floor
and every cigarette we smoked in your house without your parents knowing.
for kissing one person good morning and another good night
and every yearbook scribble about living together.
for matching haircut,
for matching eyes,
an every freckle on your perfect body that i told you drove me insane.
for every lunch you ate on the bathroom floor.
for every person i told you were a dropout.
and every minute i spent yelling about the jellies in the sea where you got stung.
for being into typewriters,
for being into talking,
and ever golden lock of hair i pointed out,
for the things you wanted added and
for the things you wanted removed.
for the holes we put in our bodies
this is just to apologize.