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Bridgette Scotch Dec 2013
In my shyness . . .
At times I retreat to my "shell,"
Clinging to the security of being alone.

In my shyness . . .
I may attempt to merge with my surroundings--
To be ignored, unnoticed, a silent voice rarely heard.

In my shyness . . .
I can feel completely alone,
Although surrounded by people.

In my shyness . . .
I'm perceived as having a padlocked soul--
And few try to gain entry into my realm.

In my shyness . . .
Few will dare venture to really know me--
To hear my quiet voice or to really try to understand.

In my shyness . . .
I can have a myriad of words to say,
Yet, my sealed lips will not release them.

In my shyness . . .
The words I do speak will at times be jumbled,
And I'll feel worse for having spoken them.

In my shyness . . .
I will be viewed as "stuck up" and unfriendly,
Labeled by the presumption of a troubled past.

Yet, despite my shyness . . .
I will at times emerge from my "shell,"
And you may catch a glimpse of who I am.

And despite my shyness . . .
I may put on a good "front,"
Disguising my innermost insecurities.

Despite my shyness . . .
A select few will manage to penetrate these "walls,"
With the sharing of time and the evolving of trust.

My shyness . . .
Frequently unrecognized, seldom understood--
A shackle, a haven, a veil.
Raj Arumugam Oct 2014
genetic research moves
in twists and turns
and the latest news is:
DR DYNAMIC BOLD FINDS
GENE FOR SHYNESS


"With this latest discovery,"
Dr Bold announced
"we can eliminate shyness"

"Why has it taken Science,"
our team asked Dr Bold
"so long to discover this gene for shyness?"

"We would have found it earlier,"
said Dr Bold
*"but it was hiding behind three other genes"
poem based on a joke I found online
Deandre Quarles Apr 2014
I SEE THE SHYNESS IN HER

I SEE HER HEART HIDING INSIDE

WHY SHE HIDES IT I DO NOT KNOW

I REALLY WANT HER TO BE MINE BUT I DON'T KNOW HOW TO GET PASS THE SHY

SO HOW DO I GET PASS THE SHYNESS

I HOLD MY HEAD UP TO THE SKY AND ASK GOD

WILL SHE BE MINE ?

AS THE WIND MOVES THE TREES HEAR MY ANSWER.                                                

HE SAID SOMETHING GREAT IS COMING FOR THE TW0.

HE LEFT ME WITH A SMILE ON MY FACE AND A DREAM OF HER IN IT.
DON'T LET THE SHYNESS GET TO YOU
Heliza Rose Apr 2014
There once was a girl so young and naive

She was kind and her heart she would give

But she was also shy and hid behind her hair

Because lingering in her mind was constant fear

She tried for years to beat the timidness

But all her dreams were crushed by her shyness

As a result no one got to see how huge her heart was

And eventually,she became a lost cause.
anne Dec 2013
His hands lie resting avoidant, anxious like trapped dust on top of the shelf waiting to be swept
His eyes turned away looking at the plaster wall as if the wall was his only companion in the room
His smile is hidden from its owner scared of the punishment it may face
His heart is overcomed by all the talking in brain, all the **** thinking like a disease  
His knees bends like a single corner of a shy square
His whistles are often quiet but when frustrated they are balloons getting furiously poked by a needle
His footprints are subtle small occupants of my mind, and he is my everything
Yet if he would be in my heart, his square shyness would not fit in my round heart
inspired by an simon armitage activity in a creative writing class in SFSU.
A PLAY


BY



ALEXANDER   K   OPICHO









THE CASTE
1. Chenje – Old man, father of Namugugu
2. Namugugu – Son of Chenje
3. Nanyuli – daughter of Lusaaka
4. Lusaaka – Old man, father of Nanyuli
5. Kulecho – wife of Lusaaka
6. Kuloba – wife of Chenje
7. Paulina – Old woman, neighbour to Chenje.
8. Child I, II and III – Nanyuli’s children
9. Policeman I, II and III
10. Mourners
11. Wangwe – a widowed village pastor

















ACTING HISTORY
This play was acted two times, on 25th and 26th December 2004 at Bokoli Roman Catholic Church, in Bokoli sub- location of Bungoma County in the western province of Kenya. The persons who acted and their respective roles are as below;

Wenani Kilong –stage director
Alexander k Opicho – Namugugu
Judith Sipapali Mutivoko- Nanyuli
Saul Sampaza Mazika Khayongo- Wangwe
Paul Lenin Maondo- Lusaaka
Peter Wajilontelela-  Chenje
Agnes Injila -  Kulecho
Beverline Kilobi- Paulina
Milka Molola Kitayi- Kuloba
Then mourners, children and police men changed roles often. This play was successfully stage performed and stunned the community audience to the helm.













PLOT
Language use in this play is not based on Standard English grammar, but is flexed to mirror social behaviour and actual life as well as assumptions of the people of Bokoli village in Bungoma district now Bungoma County in Western province of Kenya.

























ACT ONE
Scene One

This scene is set in Bokoli village of Western Kenya. In Chenje’s peasant hut, the mood is sombre. Chenje is busy thrashing lice from his old long trouser Kuloba, sitting on a short stool looking on.

Chenje: (thrashing a louse) these things are stubborn! The lice. You **** all of them today, and then tomorrow they are all-over. I hate them.
Kuloba: (sending out a cloud of smoke through her tobacco laden pipe). Nowadays I am tired. I have left them to do to me whatever they want (coughs) I killed them they were all over in my skirt.
Chenje: (looking straight at Kuloba) Do you know that they are significant?
Kuloba: What do they signify?
Chenje: Death
Kuloba: Now, who will die in this home? I have only one son. Let them stop their menace.
Chenje: I remember in 1968, two months that preceded my father’s death, they were all over. The lice were in every of my piece of clothes. Even the hat, handkerchief. I tell you what not!
Kuloba: (nodding), Yaa! I remember it very well my mzee, I had been married for about two years by then.
Chenje: Was it two years?
Kuloba: (assuringly) yes, (spots a cockroach on the floor goes at it and crushes it with her finger, then coughs with heavy sound) we had stayed together in a marriage for two years. That was when people had began back-biting me that I was barren. We did not have a child. We even also had the jiggers. I can still remember.
Chenje: Exactly (crashes a louse with his finger) we also had jiggers on our feet.
Kuloba: The jiggers are very troublesome. Even more than the lice and weevils.  
Chenje: But, the lice and jiggers, whenever they infest one’s home, they usually signify impending death of a family member.
Kuloba: Let them fail in Christ’s name. Because no one is ripe for death in this home. I have lost my five children. I only have one child. My son Namugugu – death let it fail. My son has to grow and have a family also like children of other people in this village. Let whoever that is practicing evil machinations against my family, my only child fail.
Chenje: (putting on the long-trouser from which he had been crushing lice) let others remain; I will **** them another time.
Kuloba: You will never finish them (giggles)
Chenje: You have reminded me, where is Namugugu today? I have not seen him.
Kuloba: He was here some while ago.
Chenje: (spitting out through an open window) He has become of an age. He is supposed to get married so that he can bear grand children for me. Had I the grand children they could even assist me to **** lice from my clothes. (Enters Namugugu) Come in boy, I want to talk to you.
Kuloba: (jokingly) you better give someone food, or anything to fill the stomach before you engages him in a talk.
Namugugu: (looks, at both Chenje and Kuloba, searchingly then goes for a chair next to him)
Mama! I am very hungry if you talk of feeding me, I really get thrilled (sits at a fold-chair, it breaks sending him down in a sprawl).
Kuloba: (exclaims) wooo! Sorry my son. This chair wants to **** (helps him up)
Namugugu: (waving his bleeding hand as he gets up) it has injured my hand. Too bad!
Chenje: (looking on) Sorry! Dress your finger with a piece of old clothes, to stop that blood oozing out.
Namugugu: (writhing in pain) No it was not a deep cut. It will soon stop bleeding even without a piece of rag.
Kuloba: (to Namugugu) let it be so. (Stands) let me go to my sweet potato field. There are some vivies, I have not harvested, I can get there some roots for our lunch (exits)
Chenje: (to Namugugu) my son even if you have injured your finger, but that will not prevent me from telling you what I am supposed to.
Namugugu: (with attention) yes.
Chenje: (pointing) sit to this other chair, it is safer than that one of yours.
Namugugu: (changing the chair) Thank you.
Chenje: You are now a big person. You are no longer an infant. I want you to come up with your own home. Look for a girl to marry. Don’t wait to grow more than here. The two years you have been in Nairobi, were really wasted. You could have been married, may you would now be having my two grand sons as per today.
Namugugu: Father I don’t refuse. But how can I marry and start up a family in a situation of extreme poverty? Do you want me to start a family with even nothing to eat?
Chenje: My son, you will be safer when you are a married beggar than a wife- less rich-man. No one is more exposed as a man without a wife.
Namugugu: (looking down) father it is true but not realistic.
Chenje: How?
Namugugu: All women tend to flock after a rich man.
Chenje: (laughs) my son, may be you don’t know. Let me tell you. One time you will remember, maybe I will be already dead by then. Look here, all riches flock after married men, all powers of darkness flock after married men and even all poverty flock after married. So, it is just a matter of living your life.
(Curtains)
SCENE TWO

Around Chenje’s hut, Kuloba and Namugugu are inside the hut; Chenje is out under the eaves. He is dropping at them.
Namugugu: Mama! Papa wants to drive wind of sadness permanently into my sail of life. He is always pressurizing me to get married at such a time when I totally have nothing. No food, no house no everything. Mama let me actually ask you; is it possible to get married in such a situation?
Kuloba: (Looking out if there is any one, but did not spot the eaves-dropping Chenje).
Forget. Marriage is not a Whiff of aroma. My son, try marriage in poverty and you will see.
Namugugu: (Emotionally) Now, if Papa knows that I will not have a happy married life, in such a situation, where I don’t have anything to support myself; then why is he singing for my marriage?
Kuloba: (gesticulating) He wants to mess you up the way he messed me up. He married me into his poverty. I have wasted away a whole of my life in his poverty. I regret. You! (Pointing) my son, never make a mistake of neither repeating nor replicating poverty of this home into your future through blind marriage.
Namugugu: (Approvingly) yes Mama, I get you.

Kuloba: (Assertively) moreover, you are the only offspring of my womb             (touching her stomach) I have never eaten anything from you. You have never bought me anything even a headscarf alone. Now, if you start with a wife will I ever benefit anything from you?
Namugugu: (looking agog) indeed Mama.
Kuloba: (commandingly) don’t marry! Women are very many. You can marry at any age, any time or even any place. But it is very good to remember child-price paid by your mother in bringing you up. As a man my son, you have to put it before all other things in your life.
Namugugu: (in an affirmative feat) yes Mama.
Kuloba: It is not easy to bring up a child up to an age when in poverty. As a mother you really suffer. I’ve suffered indeed to bring you up. Your father has never been able to put food on the table. It has been my burden through out. So my son, pleased before you go for women remember that!
Namugugu: Yes Mama, I will.
(Enters Chenje)
Chenje: (to Kuloba) you old wizard headed woman! Why do you want to put    my home to a full stop?
Kuloba: (shy) why? You mean you were not away? (Goes out behaving shyly)

Chenje: (in anger to Namugugu) you must become a man! Why do you give your ears to such toxic conversations? Your mother is wrong. Whatever she has told you today is pure lies. It is her laziness that made her poor. She is very wrong to festoon me in any blame…. I want you to think excellently as a man now. Avoid her tricky influence and get married. I have told you finally and I will never repeat telling you again.

Namugugu: (in a feat of shyness) But Papa, you are just exploding for no good reason, Mama has told me nothing bad……………………
Chenje: (Awfully) shut up! You old ox. Remove your ears from poisonous mouths of old women!
(Enters Nanyuli with an old green paper bag in her hand. Its contents were bulging).
Nanyuli: (knocking) Hodii! Hodii!
Chenje: (calmly) come in my daughter! Come in.
Nanyuli: (entering) thank you.
Chenje: (to Namugugu) give the chair to our visitor.
Namugugu: (shyly, paving Nanyuli to sit) Karibu, have a sit please.
Nanyuli: (swinging girlishly) I will not sit me I am in a hurry.
Chenje: (to Nanyuli) just sit for a little moment my daughter. Kindly sit.
Nanyuli: (sitting, putting a paper-bag on her laps) where is the grandmother who is usually in this house?
Chenje: Who?
Nanyuli: Kuloba, the old grandmother.
Namugugu: She has just briefly gone out.
Chenje: (to Nanyuli) she has gone to the potato field and Cassava field to look for some roots for our lunch.
Nanyuli: Hmm. She will get.
Chenje: Yes, it is also our prayer. Because we’re very hungry.
Nanyuli: I am sure she will get.
Chenje: (to Nanyuli) excuse me my daughter; tell me who your father is?
Nanyuli: (shyly) you mean you don’t know me? And me I know you.
Chenje: Yes I don’t know you. Also my eyes have grown old, unless you remind
me, I may not easily know you.
Nanyuli: I am Lusaaka’s daughter
Chenje: Eh! Which Lusaka? The one with a brown wife? I don’t know… her name is Kulecho?
Nanyuli: Yes
Chenje: That brown old-mother is your mother?
Nanyuli: Yes, she is my mother. I am her first – born.
Chenje: Ooh! This is good (goes forward to greet her) shake my fore-limb my
daughter.

Nanyuli: (shaking Chenje’s hand) Thank you.
Chenje: I don’t know if your father has ever told you. I was circumcised the same year with your grand-gather. In fact we were cut by the same knife. I mean we shared the same circumciser.
Nanyuli: No, he has not yet. You know he is always at school. He never stays at home.
Chenje: That is true. I know him, he teaches at our mission primary school at Bokoli market.
Nanyuli: Yes.
Chenje: What is your name my daughter?
Nanyuli: My name is Loisy Nanyuli Lusaaka.
Chenje: Very good. They are pretty names. Loisy is a Catholic baptismal name, Nanyuli is our Bukusu tribal name meaning wife of an iron-smith and Lusaaka is your father’s name.
Nanyuli: (laughs) But I am not a Catholic. We used to go to Catholic Church upto last year December. But we are now born again, saved children of God. Fellowshipping with the Church of Holy Mountain of Jesus christ. It is at Bokoli market.
Chenje: Good, my daughter, in fact when I will happen to meet with your father, or even your mother the brown lady, I will comment them for having brought you up under the arm of God.
Nanyuli: Thank you; or even you can as well come to our home one day.
Chenje: (laughs) actually, I will come.
Nanyuli: Now, I want to go
Chenje: But you have not stayed for long. Let us talk a little more my daughter.
Nanyuli: No, I will not. I had just brought some tea leaves for Kuloba the old grandmother.
Chenje: Ooh! Who gave you the tea leaves?
Nanyuli: I do hawk tea leaves door to door. I met her last time and she requested me to bring her some. So I want to give them to you (pointing at Namugugu) so that you can give them to her when she comes.
Namugugu: No problem. I will.
Nanyuli: (takes out a tumbler from the paper bag, fills the tumbler twice, pours the tea leaves  into an old piece of  newspaper, folds and gives  it to Namugugu) you will give them to grandmother, Kuloba.
Namugugu: (taking) thank you.
Chenje: My daughter, how much is a tumbler full of tea leaves, I mean when it is full?
Nanyuli: Ten shillings of Kenya
Chenje: My daughter, your price is good. Not like others.
Nanyuli: Thank you.
Namugugu: (To Nanyuli) What about money, she gave you already?
Nanyuli: No, but tell her that any day I may come for it.
Namugugu: Ok, I will not forget to tell her
Nanyuli: I am thankful. Let me go, we shall meet another day.
Chenje: Yes my daughter, pass my regards to your father.
Nanyuli: Yes I will (goes out)
Chenje: (Biting his finger) I wish I was a boy. Such a good woman would never slip through my fingers.
Chenje: But father she is already a tea leaves vendor!
(CURTAINS)


SCENE THREE
Nanyuli and Kulecho in a common room Nanyuli and Kulecho are standing at the table, Nanyuli is often suspecting a blow from Kulecho, counting coins from sale of tea leaves; Lusaaka is sited at couch taking a coffee from a ceramic red kettle.


Kulecho: (to Nanyuli) these monies are not balancing with your stock. It is like you have sold more tea leaves but you have less money. This is only seventy five shillings. When it is supposed to be one hundred and fifty. Because you sold fifteen tumblers you are only left with five tumblers.
Nanyuli: (Fidgeting) this is the whole money I have, everything I collected from sales is here.
Kulecho: (heatedly) be serious, you stupid woman! How can you sell everything and am not seeing any money?
Nanyuli: Mama, this is the whole money I have, I have not taken your money anywhere.
Kulecho: You have not taken the money anywhere! Then where is it? Do you know that I am going to slap you!
Nanyuli: (shaking) forgive me Mama
Kulecho: Then speak the truth before you are forgiven. Where is the money you collected from tea leaves sales?
Nanyuli: (in a feat of shyness) some I bought a short trouser for my child.
Kulecho: (very violent) after whose permission? You old cow, after whose permission (slaps Nanyuli with her whole mighty) Talk out!
Nanyuli: (Sobbingly) forgive me mother, I thought you would understand. That is why I bought a trouser for my son with your money!
Lusaaka: (shouting a cup of coffee in his hand, standing charged) teach her a lesson, slap her again!
Kulecho (slaps, Nanyuli continuously, some times ******* her cheeks, as Nanyuli wails) Give me my money! Give me my money! Give me my money! Give me my money! You lousy, irresponsible Con-woman (clicks)
Lusaaka: Are you tired, kick the *** out of that woman (inveighs a slap towards Nanyuli) I can slap you!
Nanyuli: (kneeling, bowedly, carrying up her hands) forgive me father, I will never repeat that mistake again (sobs)
Lusaaka: An in-corrigible, ****!
Kulecho: (to Nanyuli) You! Useless heap of human flesh. I very much regret to have sired a sell-out of your type. It is very painful for you to be a first offspring of my womb.
I curse my womb because of you. You have ever betrayed me. I took you to school you were never thankful, instead you became pregnant. You were fertilized in the bush by peasant boys.
You have given birth to three childlings, from three different fathers! You do it in my home. What a shame! Your father is a teacher, how have you made him a laughing stock among his colleagues, teachers? I have become sympathetic to you by putting you into business. I have given you tea leaves to sell. A very noble occupation for a wretch like you. You only go out sell tea leaves and put the money in your wolfish stomach. Nanyuli! Why do you always act like this?
Nanyuli: (sobbing) Forgive me mother. Some tea leaves I sold on credit. I will come with the money today?
Kulecho: You sold on credit?
Nanyuli: Yes
Kul
this is a manuscript of a play, please guys help me get any publisher who can do publishing of this play
i  will appreciate. thanks
Some say 'shyness is pride'
Some say 'shyness is cowardness'
Well what do the shy say?
They are well guarded,
With a wall so high and thick,
With traps and the unknown,
A fortress concealing what?
If shyness were pride,
Could it conceal great weapons?
If that were so,
Will those weapons bring benefits of utter destruction?
Should it be regarded as selfish or humble?
If shyness is cowardness,
could it conceal weakness?
If that were so,
Shouldn't the shy be regarded as being strong in a way?
The shy are mysterious and often misunderstood,
But really, what do the shy say?
We might never know,
Considering the fact they never reveal anything,
Be it great or not.
Flor Boetsch Nov 2015
I see you walk through the room
my heart like a cocoon, blooms.
I heard you talk about the things you love
and cant help to think that we both
fit together like puzzle parts.
But then I find the hole on my path,
the dragon that protects the tower,
the darkness that fills my room.
Its that, no matter how similar we are,
how perfect I think we could be,
when shyness comes in
the distance grow further
until you cant see me.
I'm just a point in the horizon.
wordvango Jul 2014
Where did the shyness go?
              I remember
hiding under
              women's skirts
red
              faced
counting freckles staring
              as the universe unwound
gazing
              at the birth of stars
and the aura
              left.
now
              I stare down.
Nadeah Apr 2014
Let's start by having trust with  us
Having thoughts about lust
Yes we are together
But no *** until we are forever
You want me , but unsure
Unsure if I'm what you looking for

I'm trying so hard to break your code
To  figure out your shyness soul
You want to  tell me so much
But your mindless words are stuck

I love you ..  Did you feel that?
I am wanting you .. did you fantasize  that?

You taught me patience , and for that I'll be patient.
Alexander Klein Oct 2013
I

In eras weird with old mythology,
As if asleep the fabled country lay:
Her wave-like hills and faerie forests dense,
Her thorny brambles budding curling claws,
And ivy circling all the woodsey way --
The far swan's cry came soft and woke them not.
Forlorn, that selfsame call upon the gates
Did break; those gates of Britain's long-lost keep.
She too slept fast, the weary weathered stones
Of fairest Caerleon. O pulsing stream,
Thou vein of life in woods a-slumber, Usk!
Alone are you in knowing castle's face,
From years of timeless burbling at her feet.
What tales are told by water over stone?
What lark or wren can sing of sadness come?
Aye, answers are the beach-wet sand, yet hark!
Rejoicings spilled, proud hails, from Caerleon:
They cheered the ****-frost's melting with the Spring;
The holy Gwyl Fair y Canhwyllau
Had come at last, in foliage of dawn.

Within, their goblets sailed, wassailed, and crashed
Like growling Jove, their boasts and toasts like wine --
They drank it spiced and over-strong. Indeed,
Some stretched exaggerations: 'twas Sir Bors,
That spotless sheet, who tried to contradict.
He quoted purifying texts and spurned
The wine that nature raised and crafted sweet.
Yet "Loosen up!" uproared the host to him.
"The time has come to celebrate," said Kay,
Beloved knight, step-brother to the King,
"Aloft thy wine, below thy gills! Drink! Laugh!
Your stomach is a falsehood-spewing fool,
It must be drowned for you to feel a lord.
I speak a sooth, you need wine's fleeting bliss!
Know thee that man's tomorrows bleed him dry:
A wade through death and depths as sure as pain
That shall tomorrow light your brow. Laugh! Drink!"
Bold cheering spread with Kay's advice, though yet
To no surprise Bors turned aside the drink,
Unblemished bore, so celebrates alone.
Weep not for him, for soon he'll find a cup
More suited to his strange of chaste and grace.
And none to waste: his share was drunk by all.

Engaged in feast Owain ap Urien,
Engaged in tale now Bedwyr and Kay,
And Lancelot made eyes at Gwenevere.
It was a feast of great success and joy
As fitting of the season's robust gleam,
Yet two there were with shallow-rooted smiles.
Prince Mordred one, though ever-somber he:
Accursed spawn with bone in place of heart
And dreaded incantations for his blood;
His brooding perched like crow on him. Alas:
The other joy-bled man had beard aflame,
A bear-skin drape, and crystal eyes, the Lord
He was of Caerleon and Mordred both.
'Twas not the gleam in lover's gaze that vexed
Though it was seen; he had no heart in him
To chain his Queen as if in dungeon steel,
For Arthur lived believing to be fair
Was paramount, to even paramour.
It wreaked its toll, yet caused small grief this day.
Not even serpent son gave cause to mourn
That greater was than missing nephew's spot
Among the feast. His chair was naked bare
Returned though he should be from faerie quest.
At Calan Gaeaf they expected him
When winter storms had racked their shoddy hall,
Yet since, the months had rolled to Gwyl Fair
The milder season come, but not his kin.
The image of his maiméd corpse did taunt
And haunt the agéd mind of Arthur, King,
His phantom nephew slain anon by knight
That of no flesh was made. In year that died
This green-mailed knight arrived a guest and called
Infernal challenge. Trick it seemed to them
And trick it was, for subsequent the blow,
This seaweed knight did lift his severed head
And from dead lips he cried "Well struck! Now come,
Fulfill me of my game. The year to come
Shall see thee in my home, and as agreed
My turn 'twil be to answer with my axe."

So rapt in recollecting, Arthur missed
The growing clamor that beset his hall.
His ******* cleared the grief from him with taunt,
To bring him into grief. "What say thee, Dad,"
Dripped venom from his mouth, "No love for us?
Your hail we called, but disapprove your eyes.
Methinks that far away thou seest a dream
That visits oft the elderly: a place
Thou knewst when in thy prime, with love
Now filled to burst. Yet fear us not, away!
To land of youth far more beloved than we
Whose happiness with thine own heart is twined."
"My fellow, soft!" the King began, distressed,
Yet Lancelot rose to his feet and spake
"Blackguard is he who mocks our Lord to face!
Thou palest hide, thou Mordred, sit thee down!
This sniveling craven knight should be replaced."
A sounding of the table met his speech,
Again was hailed his toast, and Arthur glad,
Though burdened to his breaking point, and sad.

"Blackguard is he who mocks our Lord to face,"
Had spake his bravest champion and friend
With no regard to Blackguard wrapped in stealth.
See how his roughspun fingers coil in hers
And how some sweetened whisper 'scapes her lips?
The beams of color-stainéd light slip down
To play upon their blissful sin almost
As if King Arthur's King approved on high.
Sovereignty is ruthless, Arthur thought,
Well-wishings of my God grow ever-faint.
I must believe in good though I am ill,
Just as I find my countrymen displeased
Though I did calculate my every breath
To see that it did stand with God's own will
To help my common people from their murk.
I fear I am not what I wished to be,
And now my only solace peaceful death.
If up to me, I'd wish it in my bed.

What horn's blare? Hark! King Arthur roused from thought.
Court gatekeeper Glewlwyd Gafaelfawr,
Dressed plain in brown, took down the horn from lips
And loud as elk called to the hall "Have cheer!
Sirs, drink another beer and wreath your brow
With springtime blooms, for lost knight fair is found!"
Old Arthur trusted not his feeble ears,
But came a hush and Lancelot confirmed:
"What **," he boomed, "our brother has returned!
'Tis grey Gawaine, aye, Gwalchmai! Drink his hail!"
The uproar was enourmous: "Gwalchmai! Cheers!"
Was like to wake the sleeping wilderness
That hung suspended in the myth and mist.

II

Astonishment had come like breaking wave
Upon the thirsty sands of monarch's face
So long consigned to reap the low-tide's grief.
When Arthur's ursine hand clenched round his cup
And hailed his nephew's presence with a roar
Long lost to hibernation's hoary spell,
The hearts that beat in armor under him
Did swell to find their lord with cheer at last;
The toast they drank so hearty as to give
Sweet Dionysus pause against excess.
Though only two there were who did not drink,
And one of these were Bors, a sadness fell
Once more as tangible as any wrong
That chose to haunt a hall. 'Twas Gwalchmai grey,
The conqueror now home from quest to rest
Who would not lift his eyes to meet the King's.

"Has cheer so fled from you? Your life remains!
What black has inked you in?" the King did ask,
And silence overtook the hall to hear.
How strongly then did Gwalchmai wish to leave,
To blend once more his form to root or branch
Or soaring river. Wind, the songbird's muse,
Had been his fast companion on the road,
For known to him were many things. He was,
They say, some god that stalked the minds of man
In young enchanted places of the world
Though all his magic helped him not at court:
His shyness was a leaf obscured by rain.
Yet even gods of silence know to speak
When words of pain encircle heavy hearts.
He let them fly, birds in the sky, he said
"I failed. My quest was long and arduous,
The seasons changed while I in heather lost,
The moon its phases shed as fen-frogs called,
I floated through the endless cloying mist
That flows, a ghostly sea wrapped round our isle.
The path had nearly drowned me when I found
The chapel green enough to spell my doom.
When entered I, methought "It cannot be!"
So kind and courteous a host met me
That would have been disgrace to call him green.
He feasted me, and warmed my wounded bones,
Yet I betrayed him in the end; I failed.
I stayed his guest, and friend, and swore to him
That for his hospitality I'd share
Each thing I won while underneath his roof.
And all was well -- I'd rest, he'd hunt -- until
His wife played hearts with me. I did refuse,
But by her final trick was tempted and --
So lost all knightly honor and renoun.
Her lusts I spurned three times, but on the third
She offered me that which my heart desired,
Instead of love she begged me take her boon:
A silken girdle sewn with charms, and green,
Deceit I should have seen. She said the spells
Would keep me safe from harm and spare my life...
When on my rugged journey all I'd feared
Was twisting face of death that loomed so near.
I could not help myself, it seemed so tame,
Yet when the time had come I could not share
That gift, or else expose the husband's wife.
Beneath my armor tied when left that place,
My secret wore me down upon the bog.
It seemed the mist grew thicker, wind grew swift,
I now know under spell was I, but then
It seemed some vengence coming to a head.
My tale grows long, and past the point am I.
The Green Knight and my host were one in fraud:
An airy insect's dream. His "wife," a witch,
Had formed him out of acrid moorland soil:
Homunculus to carry out her scheme.
The blow he owed me carried little force,
Though still this scratch is plain upon my nape.
And so you see my folly plain as oak:
For though I kept the life I feared to lose
My lie grows in me like a cancer bloom
That in the span of time shall **** me sure.
I failed; I'm gone; to revelry return."
The silence, vast again, gripped all the knights
And king too dry to cry, who drowned his heart.

III

"Is there some madness come to roost herein?
Thy folly is ridiculous," said Kay.
"I valued mine own life past honor's flame,
A sin of selfishness, and blame, and wrong.
What of the world, if all would act as such?"
A weeping noise he made, but choked it back
And turned to leave in shame, and might have done
Had not the stout Sir Kay gripped Gwalchmai's arm.
He raised it in the air and shouted thus:
"Percieve our stunning champion stands nigh!
Though of a frail ennobled heart, we know
Thou art absolved. This trinket given free
To aid in quest I wager was for thee.
And as for sacred broken vows, this man --
You said yourself -- was conjured from a bug.
You owe him no alleigance Gwalchmai, sit!
This serious you need to be for wine:
Come sit with brothers now! We drink to thee!"
"Dispel the failure all you can, it stays
As weighty on my brain. It was a sign
To signify the kind of soul I am,
To me it showed my grimy ills and plain
Did tell my shaping, shape, and shape-to-be."
King Arthur to this nephew spake: "My child,
Is there no antidote to questing's woes?
What has become of jousts and silver swords?"
The anguish in the old man's eyes so keen
To those who knew him. Gwalchmai did reply
"Your majesty, there's not a grief can ****
My bird-like love of questing through the trees,
For only questing can redeem my shape."
"Then let us have this quest!" cried Kay beside
Him at the table, deep in drink he swore.
"Come with me, brother-knight, to clear thy mood!
You do you wrong blaspheming at yourself."
The wine was quaffed by Gwalchmai, yet he said
"I first shall stay, I need to rest my ills."
"Your ills are that which keep you ill, good knight.
I bid you come and we shall quest as birds
Who savor springtime berries in the mist."
"I shall not go, I seek my quietude."
"In sunlight you and I must bask. Comply,
Or else I challenge you by burnished blade."
All eyes on Gwalchmai, under pressure cracked
Into a grin and downed his kykeon.
"In stubborness persisting, Kay, you've won,
A river such as I could not keep stead
Against a boulder. When shall we away?
When come the summer blossoms, fair and red?
Or else not til the saps have lost their leaves?
Departure yours to choose, my brother-knight."
Kay beat upon the table and their ears
When called triumphantly "This very day,
This very hour! To help those who need aid
On holy days shall surely fix your heart.
No time to wallow in the swamp that's gone,
We now away, to break our swords with day!"
"You mock me or you heard me not, Sir Kay,
I wish not to away, I wish to rest!"
The fairest Guenevere, like silver bells,
Chimed in "You must forgive your heart's despair,
Or emanations of its guilt will plague
Your mind. I have a lunar garden if
You wish to sit in soothing calm and think."
"My queen is holy," Gwalchmai spoke in grace,
But Kay had cut him off with "Hear her not!
She will ensorce your mind to not explore,
To sit and think and mold with lunacy;
Beneath the sun we'll tred. It's known on quests
I favor Bedwyr, 'tis true, yet you
My fairest Gwalchmai, keep your wits -- and arms --
Two things in need of we shall be.
I mean you no offense, dear Bedwyr,
But I and Gwalchmai share a severed soul
And shall succeed; two sides of selfsame coin.
So come my cousin grey, to right our wrongs
We must away, to break our swords and say
'My heart is glad I did not stay at home!'
Consume your drink! We go," he trumpet-called.
Thus Gwalchmai was convinced, and so was forced
To nod politely to his Queen and stand,
Declaring to the court "I shall away,
This gloomy mood is dried beneath the sun
Though dearly do I wish some lunar grace
To lose myself in mysteries anew.
To bear this flesh is weighty, yet I've found
The strain to be rewarding in its way.
Think nothing of my former woes, they've passed
Like summer storm or wisp of misty cloud."
The hall at large did drink his hail, and then
Did thrice more drink for quest to which they went.
And Mordred scowled and drank the foulest wine
For his monsoon and fog would last his life.

So summoned then Glewlwyd Gafaelfawr
To hearken unto birds, as was his gift.
He said to all, "I shall now call my friends
And see what worthy tales of quests they bring!"
"There may be naught on Gwyl Fair," said Bors,
"A holy day, all wove with peace. Nor Gods
Nor men would stir their strife this day of days."
"We all shall see," the gatekeeper replied.
Beside his King upon the dais came
And played a serenade upon his horn
That rang throughout the keep and lands beyond.
A time did pass with no response recieved --
Slain silent was the raptness of the court --
But then through open pain in stainéd glass
A thrush did bob and weave in melody,
On finger of the Queen he briefly perched
Before he flit away upon the air.
His song so sweet, but then - what fright! No more!
A hawk had entered, just the same, and swooped,
And now the thrush was silent in his claws.
The cabinet of augers all took note
And sketched their calculations into books,
Though none, in this, more wise than Gafaelfawr
To whom the hawk said "Hail, you man of rank
Who speaks the tongue of wing-in-air. Now hark!
'Twas not in hunger slew this thrush, but fear
That what I have to tell might go unheard.
My family, we roost near Cornwall's sea
And late, the noises off the coast grew strange
As if some evil kraken raged at love.
My chicks; my wife and I; we're simple hawks.
We eat and some of us are eaten, yet
Beware the thing that slouched from out the waves.
His shape is something like a boar, but huge,
He dwarfs his kin, and hill, and oak,
This hall is large, yet he'd be stuck inside.
He does not eat what he has killed, instead
He smears the bloodied flesh on stones and trees,
What man could face a fear that bears this face?
If you could hear the rutting squeals he makes!
I swear this sooth by wind and waving plumes:
You men who craft with metal, hark!
Destroy the beast!" And then he flew away
Still calling after him "Destroy the beast!"

The court at large had heard the warbling hawk
But did not know the tongue, so only watched
Glewlwyd's unease upon his face
Until with stiff and rasping voice relayed
The content of the predatory news.
Unease began to show among the knights,
For many there recalled a beast so shaped
And all the blood and guile he took to drown
The first time. Arthur, grim, forbade Sir Kay
And Gwalchmai face these perils by themselves,
But recommended regiment of steel
To bolster ranks against the fearsome boar.
"I know this foe from days of old," he said,
His years of rule etched rough across his face,
"And so do most of you, though many gone
And this monstrosity not even slain."
But Gwalchmai said "'Twas hard indeed to win
Those relics that he bore. Remember I
That Trwyth was the name he chose, and we
Shall best him fair. Though not for trinkets now,
But with the zeal of mother guarding young:
This foe, Twrch Trwyth shall not raze the land
Nor wage a war against some peaceful ilk
While rounded table can beco
An introvert sees the world as it is,
deciding still, not to engage.
Mikaila Sep 2018
The day you got your hair cut
I went to a lesbian bar after work.
It was 3
And I was tired
But I went straight there
Because I had to do something.
I knew it was a lost cause before I even got there.
The back of my neck was prickling with tension
With fear
Because I knew I was too late.
Somewhere in the depths of my soul
My free will was on a gurney,
Cold.
But I couldn’t help it-
I needed to feel like I had control,
So I went inside.
People were dancing.
None of them held themselves the way you do
Like a marble statue that has set down axe and shield and stepped off the plinth for a brief rest
(You will be returning to battle shortly-
After you fix your eyeliner.)

I did a shot
Because that’s what you do.
They were free- *** on the Beach.
I sat there,
Wondering why the fact that you named your cat Heathcliff as a child meant that I had to love you.

I decided that I needed something stronger in the way of alcohol.

A girl with soft brown eyes and long hair came up to me.
Her name was Tiffany.
She wasn’t clever like you
And her voice
Wasn’t low and rough like yours
But she told me I was pretty.
I already knew, but I thanked her.
I felt nothing.
She wasn’t interesting
Or funny
Or smart.
She was attractive- beautiful even, I suppose,
And maybe she was kind.
She bought me a drink,
And mistook my sadness for shyness.
As I answered her questions I was afraid your name would fall from my lips like a seed
Take root and grow up through the floorboards.
Nothing she said changed me, nothing I said back changed me,
And my thoughts kept snagging on you
Tearing and unraveling.
I needed you out of my head.
She was looking at me with big eyes
And I suppose they were compelling
But they weren’t yours-
Rimmed with black, hypnotic and stormy at times, sparkling with mischief at others,
Forever changing and forever captivating,
Windows to a soul I fiercely wish I knew-
They were just eyes, and maybe they were vulnerable
Or curious
Or sweet.
I kissed her so that I could stop looking into them
And not seeing you there.
Her lips tasted like nothing.
I closed my eyes and kissed her harder,
Hoping for a reason to forget you.

We were beautiful, I knew that.
I could feel eyes on us-
Two small, lovely women
Tangled on the dance floor under the lights
Fingers in each other’s hair-
We must have looked
Just like lovers.

I searched for a way out of my feelings for you.
I kissed her for a long time, until we were both gasping.
I found nothing.
In my frustration I pulled her head back,
Bit her lip
Pressed my fingers hard into the back of her neck
And I felt her lust
But not mine.
It was nice to be wanted
But not nice enough.
I wanted to hurt her for touching me
For not being you
So I pulled away
And kissed her cheek gently
My hands beneath her jaw.
“Wow,” she said.
I couldn’t look at her.
That tenderness wasn’t hers
But it didn’t matter.
I kissed her hands
In penance disguised as sweetness.
Suddenly all the anger was gone from me
And I felt desolate.

That night I walked home with my head buzzing.
I wasn’t drunk,
I was sober as hell
Head pounding with thoughts of you.
I hated it.
I hate it.
Somehow I fell into this feeling
And I’ve been fighting not to drown ever since.
When I look at you
I feel everything I wish I’d felt while I was kissing her
And more
That I sometimes wish I’d never feel again.
Sometimes I think you see it.
Sometimes I know I cover for it badly.
Sometimes, when you’re suddenly present
Like the sun has turned on just for me
And then distant later
Like the sea at night
I think you know I already love you.
Maybe you hate it like I hate it.
Maybe you worship it like I worship it.
Maybe you fear it
And I don’t blame you.
A storm presses out against my skin when I look at you
And I’m surprised no chaos seeps through.
My bones hum with it
My heartbeat reaching like thunder into my fingers.

I’ll probably never kiss you
And maybe that’s for the best
Because even being near you makes me feel like I’m falling from somewhere high up.
If I kissed you, I’d feel everything, I’m sure of it-
Everything there is to feel
And it would end me
And I would be grateful.

I wonder if you ever see that in my eyes.
That fear, that longing, that shame and joy.
A love and loathing so intense it scalds.
‘I can’t believe I’m here again,’
It pounds through my veins.
‘I can’t believe I love another person
Who is always looking elsewhere.’

Just know, if you ever discover how I feel
That I tried to **** it.
I looked at this beautiful feeling
A feeling you could pray before like an altar
A feeling you could whisper into like a temple- barefoot and cold with wonder- and hear your soul echo back,
I looked at the sacred piece of humanity that had suddenly risen in my heart like a hymn
And I tried to silence it-
I tried hard-
So that you would never have to fear it.

I failed. It lives.
It took root in me, and whenever I speak your name little harsh flowers push their way up through the concrete under my feet, sending cracks out like jagged spiderwebs.
They bloom like wounds.
They kiss the sky.
And, slowly,
They are crumbling this city to dust.
Title is a quote from Milton’s Paradise Lost, spoken by Lucifer.
Victor D López Dec 2018
You were born five years before the Spanish Civil War that would see your father exiled.
Language came later to you than your little brother Manuel. And you stuttered for a time.
Unlike those who speak incessantly with nothing to say, you were quiet and reserved.
Your mother mistook shyness for dimness, a tragic mistake that scarred you for life.

When your brother Manuel died at the age of three from meningitis, you heard your mom
Exclaim: “God took my bright boy and left me the dull one.” You were four or five.
You never forgot those words. How could you? Yet you loved your mom with all your heart.
But you also withdrew further into a shell, solitude your companion and best friend.

You were, in fact, an exceptional child. Stuttering went away at five or so never to return,
And by the time you were in middle school, your teacher called your mom in for a rare
Conference and told her that yours was a gifted mind, and that you should be prepared
For university study in the sciences, particularly engineering.

She wrote your father exiled in Argentina to tell him the good news, that your teachers
Believed you would easily gain entrance to the (then and now) highly selective public university
Where seats were few, prized and very difficult to attain based on merit-based competitive
Exams. Your father’s response? “Buy him a couple of oxen and let him plow the fields.”

That reply from a highly respected man who was a big fish in a tiny pond in his native Oleiros
Of the time is beyond comprehension. He had apparently opted to preserve his own self-
Interest in having his son continue his family business and also work the family lands in his
Absence. That scar too was added to those that would never heal in your pure, huge heart.

Left with no support for living expenses for college (all it would have required), you moved on,
Disappointed and hurt, but not angry or bitter; you would simply find another way.
You took the competitive exams for the two local military training schools that would provide
An excellent vocational education and pay you a small salary in exchange for military service.

Of hundreds of applicants for the prized few seats in each of the two institutions, you
Scored first for the toughest of the two and thirteenth for the second. You had your pick.
You chose Fabrica de Armas, the lesser of the two, so that a classmate who had scored just
Below the cut-off at the better school could be admitted. That was you. Always and forever.

At the military school, you were finally in your element. You were to become a world-class
Machinist there—a profession that would have gotten you well paid work anywhere on earth
For as long as you wanted it. You were truly a mechanical genius who years later would add
Electronics, auto mechanics and specialized welding to his toolkit through formal training.

Given a well-stocked machine shop, you could reverse engineer every machine without
Blueprints and build a duplicate machine shop. You became a gifted master mechanic
And worked in line and supervisory positions at a handful of companies throughout your life in
Argentina and in the U.S., including Westinghouse, Warner-Lambert, and Pepsi Co.

You loved learning, especially in your fields (electronics, mechanics, welding) and expected
Perfection in everything you did. Every difficult job at work was given to you everywhere you
Worked. You would not sleep at night when a problem needed solving. You’d sketch
And calculate and re-sketch solutions and worked even in your dreams with singular passion.

You were more than a match for the academic and physical rigors of military school,
But life was difficult for you in the Franco era when some instructors would
Deprecatingly refer to you as “Roxo”—Galician for “red”-- reflecting your father’s
Support for the failed Republic. Eventually, the abuse was too much for you to bear.

Once while standing at attention in a corridor with the other cadets waiting for
Roll call, you were repeatedly poked in the back surreptitiously. Moving would cause
Demerits and demerits could cause loss of points on your final grade and arrest for
Successive weekends. You took it awhile, then lost your temper.

You turned to the cadet behind you and in a fluid motion grabbed him by his buttoned jacket
And one-handedly hung him up on a hook above a window where you were standing in line.
He thrashed about, hanging by the back of his jacket, until he was brought down by irate Military instructors.
You got weekend arrest for many weeks and a 10% final grade reduction.

A similar fate befell a co-worker a few years later in Buenos Aires who called you a
*******. You lifted him one handed by his throat and held him there until
Your co-workers intervened, forcibly persuading you to put him down.
That lesson was learned by all in no uncertain terms: Leave Felipe’s mom alone.

You were incredibly strong, especially in your youth—no doubt in part because of rigorous farm
Work, military school training and competitive sports. As a teenager, you once unwisely bent
Down to pick something up in view of a ram, presenting the animal an irresistible target.
It butted you and sent you flying into a haystack. It, too, quickly learned its lesson.

You dusted yourself off, charged the ram, grabbed it by the horns and twirled it around once,
Throwing it atop the same haystack as it had you. The animal was unhurt, but learned to
Give you a wide berth from that day forward. Overall, you were very slow to anger absent
Head-butting, repeated pokings, or disrespectful references to your mom by anyone.    

I seldom saw you angry and it was mom, not you, who was the disciplinarian, slipper in hand.
There were very few slaps from you for me. Mom would smack my behind with a slipper often
When I was little, mostly because I could be a real pain, wanting to know/try/do everything
Completely oblivious to the meaning of the word “no” or of my own limitations.

Mom would sometimes insist you give me a proper beating. On one such occasion for a
Forgotten transgression when I was nine, you  took me to your bedroom, took off your belt, sat
Me next to you and whipped your own arm and hand a few times, whispering to me “cry”,
Which I was happy to do unbidden. “Don’t tell mom.” I did not. No doubt she knew.

The prospect of serving in a military that considered you a traitor by blood became harder and
Harder to bear, and in the third year of school, one year prior to graduation, you left to join
Your exiled father in Argentina, to start a new life. You left behind a mother and two sisters you
Dearly loved to try your fortune in a new land. Your dog thereafter refused food, dying of grief.

You arrived in Buenos Aires to see a father you had not seen for ten years at the age of 17.
You were too young to work legally, but looked older than your years (a shared trait),
So you lied about your age and immediately found work as a Machinist/Mechanic first grade.
That was unheard of and brought you some jealousy and complaints in the union shop.

The union complained to the general manager about your top-salary and rank. He answered,
“I’ll give the same rank and salary to anyone in the company who can do what Felipe can do.”
No doubt the jealousy and grumblings continued by some for a time. But there were no takers.
And you soon won the group over, becoming their protected “baby-brother” mascot.

Your dad left for Spain within a year or so of your arrival when Franco issued a general pardon
To all dissidents who had not spilt blood (e.g., non combatants). He wanted you to return to
Help him reclaim the family business taken over by your mom in his absence with your help.
But you refused to give up the high salary, respect and independence denied you at home.

You were perhaps 18 and alone, living in a single room by a schoolhouse you had shared with Your dad.
But you had also found a new loving family in your uncle José, one of your father’s Brothers, and his family. José, and one of his daughters, Nieves and her
Husband, Emilio, and
Their children, Susana, Oscar (Ruben Gordé), and Osvaldo, became your new nuclear family.

You married mom in 1955 and had two failed business ventures in the quickly fading
Post-WW II Argentina of the late 1950s and early 1960s.The first, a machine shop, left
You with a small fortune in unpaid government contract work.  The second, a grocery store,
Also failed due to hyperinflation and credit extended too easily to needy customers.

Throughout this, you continued earning an exceptionally good salary. But in the mid 1960’s,
Nearly all of it went to pay back creditors of the failed grocery store. We had some really hard
Times. Someday I’ll write about that in some detail. Mom went to work as a maid, including for
Wealthy friends, and you left home at 4:00 a.m. to return long after dark to pay the bills.


The only luxury you and mom retained was my Catholic school tuition. There was no other
Extravagance. Not paying bills was never an option for you or mom. It never entered your
Minds. It was not a matter of law or pride, but a matter of honor. There were at least three very
Lean years where you and mom worked hard, earned well but we were truly poor.

You and mom took great pains to hide this from me—and suffered great privations to insulate
Me as best you could from the fallout of a shattered economy and your refusal to cut your loses
Had done to your life savings and to our once-comfortable middle-class life.
We came to the U.S. in the late 1960s after waiting for more than three years for visas—to a new land of hope.

Your sister and brother-in-law, Marisa and Manuel, made their own sacrifices to help bring us
Here. You had about $1,000 from the down payment on our tiny down-sized house, And
Mom’s pawned jewelry. (Hyperinflation and expenses ate up the remaining mortgage payments
Due). Other prized possessions were left in a trunk until you could reclaim them. You never did.

Even the airline tickets were paid for by Marisa and Manuel. You insisted upon arriving on
Written terms for repayment including interest. You were hired on the spot on your first
Interview as a mechanic, First Grade, despite not speaking a word of English. Two months later,
The debt was repaid, mom was working too and we moved into our first apartment.

You worked long hours, including Saturdays and daily overtime, to remake a nest egg.
Declining health forced you to retire at 63 and shortly thereafter you and mom moved out of
Queens into Orange County. You bought a townhouse two hours from my permanent residence
Upstate NY and for the next decade were happy, traveling with friends and visiting us often.

Then things started to change. Heart issues (two pacemakers), colon cancer, melanoma,
Liver and kidney disease caused by your many medications, high blood pressure, gout,
Gall bladder surgery, diabetes . . . . And still you moved forward, like the Energizer Bunny,
Patched up, battered, scarred, bruised but unstoppable and unflappable.

Then mom started to show signs of memory loss along with her other health issues. She was
Good at hiding her own ailments, and we noticed much later than we should have that there
Was a serious problem. Two years ago, her dementia worsening but still functional, she had
Gall bladder surgery with complications that required four separate surgeries in three months.

She never recovered and had to be placed in a nursing home. Several, in fact, as at first she
Refused food and you and I refused to simply let her waste away, which might have been
Kinder, but for the fact that “mientras hay vida, hay esperanza” as Spaniards say.
(While there is Life there is hope.) There is nothing beyond the power of God. Miracles do happen.

For two years you lived alone, refusing outside help, engendering numerous arguments about
Having someone go by a few times a week to help clean, cook, do chores. You were nothing if
Not stubborn (yet another shared trait). The last argument on the subject about two weeks ago
Ended in your crying. You’d accept no outside help until mom returned home. Period.

You were in great pain because of bulging discs in your spine and walked with one of those
Rolling seats with handlebars that mom and I picked out for you some years ago. You’d sit
As needed when the pain was too much, then continue with very little by way of complaints.
Ten days ago you finally agreed that you needed to get to the hospital to drain abdominal fluid.

Your failing liver produced it and it swelled your abdomen and lower extremities to the point
Where putting on shoes or clothing was very difficult, as was breathing. You called me from a
Local store crying that you could not find pants that would fit you. We talked, long distance,
And I calmed you down, as always, not allowing you to wallow in self pity but trying to help.

You went home and found a new pair of stretch pants Alice and I had bought you and you were
Happy. You had two changes of clothes that still fit to take to the hospital. No sweat, all was
Well. The procedure was not dangerous and you’d undergone it several times in recent years.
It would require a couple of days at the hospital and I’d see you again on the weekend.

I could not be with you on Monday, February 22 when you had to go to the hospital, as I nearly
Always had, because of work. You were supposed to be admitted the previous Friday, but
Doctors have days off too, and yours could not see you until Monday when I could not get off
Work. But you were not concerned; this was just routine. You’d be fine. I’d see you in just days.

We’d go see mom Friday, when you’d be much lighter and feel much better. Perhaps we’d go
Shopping for clothes if the procedure still left you too bloated for your usual clothes.
You drove to your doctor and then transported by ambulette. I was concerned, but not too Worried.
You called me sometime between five or six p.m. to tell me you were fine, resting.

“Don’t worry. I’m safe here and well cared for.” We talked for a little while about the usual
Things, with my assuring you I’d see you Friday or Saturday. You were tired and wanted to sleep
And I told you to call me if you woke up later that night or I’d speak to you the following day.
Around 10:00 p.m. I got a call from your cell and answered in the usual upbeat manner.

“Hey, Papi.” On the other side was a nurse telling me my dad had fallen. I assured her she was
Mistaken, as my dad was there for a routine procedure to drain abdominal fluid. “You don’t
Understand. He fell from his bed and struck his head on a nightstand or something
And his heart has stopped. We’re working on him for 20 minutes and it does not look good.”

“Can you get here?” I could not. I had had two or three glasses of wine shortly before the call
With dinner. I could not drive the three hours to Middletown. I cried. I prayed.
Fifteen minutes Later I got the call that you were gone. Lost in grief, not knowing what to do, I called my wife.
Shortly thereafter came a call from the coroner. An autopsy was required. I could not see you.

Four days later your body was finally released to the funeral director I had selected for his
Experience with the process of interment in Spain. I saw you for the last time to identify
Your body. I kissed my fingers and touched your mangled brow. I could not even have the
Comfort of an open casket viewing. You wanted cremation. You body awaits it as I write this.

You were alone, even in death alone. In the hospital as strangers worked on you. In the medical
Examiner’s office as you awaited the autopsy. In the autopsy table as they poked and prodded
And further rent your flesh looking for irrelevant clues that would change nothing and benefit
No one, least of all you. I could not be with you for days, and then only for a painful moment.

We will have a memorial service next Friday with your ashes and a mass on Saturday. I will
Never again see you in this life. Alice and I will take you home to your home town, to the
Cemetery in Oleiros, La Coruña, Spain this summer. There you will await the love of your life.
Who will join you in the fullness of time. She could not understand my tears or your passing.

There is one blessing to dementia. She asks for her mom, and says she is worried because she
Has not come to visit in some time. She is coming, she assures me whenever I see her.
You visited her every day except when health absolutely prevented it. You spent this February 10
Apart, your 61st wedding anniversary, too sick to visit her. Nor was I there. First time.

I hope you did not realize you were apart on the 10th but doubt it to be the case. I
Did not mention it, hoping you’d forgotten, and neither did you. You were my link to mom.
She cannot dial or answer a phone, so you would put your cell phone to her ear whenever I
Was not in class or meetings and could speak to her. She always recognized me by phone.

I am three hours from her. I could visit at most once or twice a month. Now even that phone
Lifeline is severed. Mom is completely alone, afraid, confused, and I cannot in the short term at
Least do much about that. You were not supposed to die first. It was my greatest fear, and
Yours, but as with so many things that we cannot change I put it in the back of my mind.

It kept me up many nights, but, like you, I still believed—and believe—in miracles.
I would speak every night with my you, often for an hour, on the way home from work late at
Night during my hour-long commute, or from home on days I worked from home as I cooked
Dinner. I mostly let you talk, trying to give you what comfort and social outlet I could.

You were lonely, sad, stuck in an endless cycle of emotional and physical pain.
Lately you were especially reticent to get off the phone. When mom was home and still
Relatively well, I’d call every day too but usually spoke to you only a few minutes and you’d
Transfer the phone to mom, with whom I usually chatted much longer.

For months, you’d had difficulty hanging up. I knew you did not want to go back to the couch,
To a meaningless TV program, or to writing more bills. You’d say good-bye, or “enough for
Today” and immediately begin a new thread, then repeat the cycle, sometimes five or six times.
You even told me, at least once crying recently, “Just hang up on me or I’ll just keep talking.”

I loved you, dad, with all my heart. We argued, and I’d often scream at you in frustration,
Knowing you would never take it to heart and would usually just ignore me and do as
You pleased. I knew how desperately you needed me, and I tried to be as patient as I could.
But there were days when I was just too tired, too frustrated, too full of other problems.

There were days when I got frustrated with you just staying on the phone for an hour when I
Needed to call Alice, to eat my cold dinner, or even to watch a favorite program. I felt guilty
And very seldom cut a conversation short, but I was frustrated nonetheless even knowing
How much you needed me and also how much I needed you, and how little you asked of me.  

How I would love to hear your voice again, even if you wanted to complain about the same old
Things or tell me in minutest detail some unimportant aspect of your day. I thought I would
Have you at least a little longer. A year? Two? God only knew, and I could hope. There would be
Time. I had so much more to share with you, so much more to learn when life eased up a bit.

You taught me to fish (it did not take) and to hunt (that took even less) and much of what I
Know about mechanics, and electronics. We worked on our cars together for years—from brake
Jobs, to mufflers, to real tune-ups in the days when points, condensers, and timing lights had Meaning, to rebuilding carburetors and fixing rust and dents, and power windows and more.

We were friends, good friends, who went on Sunday drives to favorite restaurants or shopping
For tools when I was single and lived at home. You taught me everything in life that I need to
Know about all the things that matter. The rest is meaningless paper and window dressing.
I knew all your few faults and your many colossal strengths and knew you to be the better man.

Not even close. I could never do what you did. I could never excel in my fields as you did in
Yours.  You were the real deal in every way, from every angle, throughout your life. I did not
Always treat you that way. But I loved you very deeply as anyone who knew us knows.
More importantly, you knew it. I told you often, unembarrassed in the telling. I love you, Dad.

The world was enriched by your journey. You do not leave behind wealth, or a body or work to
Outlive you. You never had your fifteen minutes in the sun. But you mattered. God knows your
Virtue, your absolute integrity, and the purity of your heart. I will never know a better man.
I will love you and miss you and carry you in my heart every day of my life. God bless you, dad.
You can hear all six of my Unsung Heroes poems read by me in my podcasts at https://open.spotify.com/show/1zgnkuAIVJaQ0Gb6pOfQOH. (plus much more of my fiction, non-fiction and poetry in English and Spanish)
eversoslowly Aug 2013
the one feeling that is most foreign to my life
inadequate in every way I can see
using beanies to cover up my flaws the best i can
hiding behind my words like a mask
odds stacked against me in everything i do
and everyone that I have any feelings towards
speaking only when there is no other option
approach me at your own risk and I will hide inside my notebook
cover my face and fall into my own little world
I am not fit to live inside this one
raiiindrops Nov 2013
the one feeling that is most foreign to my life
inadequate in every way I can see
using beanies to cover up my flaws the best i can
hiding behind my words like a mask
odds stacked against me in everything i do
and everyone that I have any feelings towards
speaking only when there is no other option
approach me at your own risk and I will hide inside my notebook
cover my face with my hair and fall into my own little world
I am not fit to live inside this one
Jerry Apr 2019
“When an injured athlete urge a comeback to field for love of game, his vulnerability toward previous muscle wound hinder his mental ability to go on with a full swing. Though, same rule implicate for people who hold bleeding pen to draw alphabetic emotions”

Yesterday I met one of those fragile birds. She carry fractured pen fingers under her beautiful skin, has curious eyes with strange shyness and a touched heart. The pursue of selflove somehow quelled her creative charm. I never expected to encounter someone so likeminded. She put away her pen to avoid emotions, identically similar reason made me quit this so-called ability which once lured bunch of close friends and many others who never knew the face behind these emotionally colored pages...

Wish I could feel her feathers and let her touch my scars, but her shivering Fragile Soul stopped me to become a...
‘Bad Boy She Craves For...’
sabrina paesler May 2015
I’ve tattooed a line across
the veins of my wrist
and marked a down stroke
for every time
“you can’t wear red lipstick”
made me believe
I never wanted to in the first place.

for every time instead
I’ve stained my lips with cherries
learning how to tie the stems
so I can slip forget-me-knots
to the back of your throat—
do you feel my restriction now?

the razors that fly off my tongue
perk thorns on my skin,
another down stroke on my wrist
will teach me that
you were right,
shyness is a virtue.

no need to speak,
go spend one hundred dollars
and some percent for tax
to cover up,
even though I’m sure your mother told you
that cotton stains.

so make it black.
get your hair stuck
in the zipper of that sundress
and pray as you pull it out
that it will lose its pigmentation
in the process
mark a down stroke
for killing two flowers
for one bouquet.

hold it
close your eyes and throw it back,
I know we shouldn’t be wearing white anyway
but tradition can take a lot out of you
like what you really think—
don’t say **** in public.

instead drag your first impressions
all the way to the altar
and dress in your Sunday best
a flower on your lapel
clear on your lips
a stroke for the neat decline
of the son

I tattooed a line across
the veins of my wrist
and marked a down stroke
for every time
my image
was my fault.
samasati Nov 2012
I believe in smiling at strangers. I believe in saying hello. I believe in shyness. I believe in fear of rejection. I believe in the need of affection. I believe in the need of reminders. I believe in candles, especially those that smell of vanilla or christmas. I believe in wearing small crystals around my neck. I believe in energetic vibrations. I believe in colours - I think each person has their own colour. I believe every feeling is valid. I believe in chapstick and I believe in mascara that doesn’t clump. I believe in nail polish - every colour of nail polish. I believe that the only reason we lie is because we fear something. I believe in poetry. I believe in bluntness. I believe in the intention behind words, but I don’t necessarily believe in words. I believe in travel. I believe in travelling solo. In fact, I believe in travelling so much that it is pretty much all I want to do. I believe in music. Boy, do I believe in music. I believe any kind of musical composition can change a person. I believe music can cure depression. I also believe music can feed depression. I believe a melody can say more than lyrics and I believe that lyrics can be what someone couldn’t put together themselves to explain exactly how they are feeling. I believe anyone can create a song, even though they believe they cannot. I believe a single note can sound like the most beautiful sound in the world. I believe if someone records a song when they’re in an ugly mood, the ugliness emits to its listeners and can drain them. I believe in art. Of course I do. I believe in acrylic paint. I believe in oil paint and watercolours, but not as much as I believe in acrylic. I believe in fingerprinting. I even believe in painting with your toes. And I believe in dancing; even if it looks weird. I believe in flailing your arms even, as long as it feels good and right. I believe in dancing ‘til you sweat, though I don’t like that icky feeling too much. I believe that a babe can be a very ugly person and a physically unattractive person can be a very beautiful person. I believe that people who smile are beautiful. I believe that people who frown are beautiful too, just in a different way. I believe that there are sincere smiles and there are manipulative smiles. I believe that some people just know how to use their eyes well. I believe in eye contact. I believe in engaging. I believe in listening and dropping everything else that is going on in your mind just to listen to what a person is trying to share with you. I believe in sharing - sharing cookies and sharing love. I believe in the frosty cold. I believe that it doesn’t have to feel as cold as it really is. I believe that people complain a lot. I believe that people often have too much pride to be happy. I believe that we should embrace our discomforts and shames, that we should welcome them wholeheartedly so that we can be happy. I believe in honesty. I believe in empathy. I believe in tea. I believe in jelly donuts but only on certain occasions. I believe in quirky bow ties. I believe in knit toques and mittens and scarves. I believe in dresses. I believe in flirting. I believe in coffee in the morning. I believe in big comfy beds. I believe in walking around your empty house in your underwear or birthday suit, singing loudly. I believe in singing in the shower. I believe in singing on the street. I believe in stage fright. I believe in meditation, though I don’t really strictly set times to do it anymore. I believe mundane activities can be done in a meditative state of mind. I believe in clarity. I believe in not judging people because everyone is human. I believe every human has something very interesting about them. I believe in boring people too. I believe in christmas music - not the radio kind, the choral kind. I believe in cheap sweet wine. I believe in Billy Joel and I believe in The Beatles. I believe in Regina and Sufjan too. I believe that the ukulele is a very overrated instrument. I believe in having healthy hair. I believe in moisturizer. I believe in getting to pick a coloured toothbrush at the dentist. I believe in thick wool socks. I believe in baggy sweaters. I believe in yoga gear but I do not believe in sweatpants. I believe that yoga is one of the healthiest things for a person - ever. I believe in buying a friend drinks or dinner once in awhile. I believe in collecting shoes and scarves and rings. I believe in chords but I don’t really believe in jeans. I believe in hot chocolate with whip cream but not with marshmallows. I believe in dorky Christmas sweaters. I believe in baking cookies instead of cake. I believe in eating disorders - I do not support them, but I do believe they are much more severe and various than most people think and I believe there should be better/proper help for those who suffer instead of the usual cruel inpatient/outpatient care. I believe in trichotillomania and I believe in dermatillomania and the severity and impact it can have on its sufferers. I believe in gardens. I believe in every single flower. I believe that everyone is always doing their best. I believe that most people love to struggle. I believe in hope. I believe in having faith in yourself. I believe in iPod playlists. I believe in gym memberships in the winter, not the summer unless it’s to swim. I believe in matching underwear every day. I believe in Value Village. I believe in singing in bus shelters when you’re waiting for the bus. I believe in dressing up according to holidays. I believe in Grey’s Anatomy and I believe in Community. I believe in skirts and dresses that twirl like the ‘ol days. I believe in longboards more than skateboards. I believe in plaid like most young people do. I believe in bows in my hair, but not as much as I used to. I believe in foot massages and hand massages. I believe in reflexology and reiki and essential oils and chakras and crystals and holistic nutrition. I believe in anxiety; even crippling anxiety. I believe in awkward romances. I do not believe in flip flops. I do not believe in Beatles covers unless they are really insanely good; then my mind is blown. I believe in having long enough nails to scratch someone’s back appropriately. I also believe in biting nails. I do not believe in telephone calls unless I am extremely comfortable with the person. I believe in blogs. I believe in journals. I believe in naming special inanimate objects like journals, instruments, technology and furniture. I believe in the idea of cats more than I believe in cats. I believe in sharpies or thin pointed permanent markers. I believe in temporary tattoos. I believe in streaming movies online. I believe in royal gala apples. I believe in avocados. I believe in rice cakes. I believe in popcorn. I believe in airports but I hate the LA airport. I believe in openly talking about *** but I don’t believe in making it seem shameful and gross. I believe there should be no shame regarding sexuality. I believe in reading some great books more than once. I believe in laying on the couch under cozy blankets, watching a great suspenseful tv show or movie. I only believe in having a couple bites of cheesecake. I don’t really believe in lulu lemon. I don’t believe many people can pull off the colour yellow. I believe in buttons over zippers even though zippers are easier, they just look kind of dumb and cheap. I believe in the sun and the moon equally. I believe in closets over dressers. I believe in staring out the window for a good hour or so.
Seán Mac Falls Dec 2014
Winter— chance meeting,
How she warms me with her smiles,
  .  .  .  My feet are still cold.
Sam Winter May 2013
So, this was written to an unnamed ex a while ago. I ran across it the other day, and I might publish it in the collection I'm currently working on. To me, this is more than just a letter, it's a piece of prose. It's a pouring out of the soul in a way that few people take the time to do. Obviously written at a very rocky time in a previous relationship, I enjoy the clarity of thought that's displayed (not as an egotist, but as a stylist), and I enjoy the allusions and illustration. I'm proud of it, if not for the source or the outcome, then for the product of my turmoil. If I were to classify it? I'd label it, now, as a study of the mind. Enjoy it, and, as always, I welcome your comments and criticisms!

-###-

                Before I say anything else, I want you to know that I love you deeply, and truly. I would give anything to make you happy, and I'd do anything you ever asked me to. I don't ever want to hurt you, and I don't ever want you to be unhappy.
                But I am unhappy. I sleep next to a woman I can't touch until she won't notice, who won't - or can't, I still can't figure out which - show me the affection I crave; and when I try to explain to her the physical and mental stress this puts me through, she doesn't understand or doesn't care (still can't pin that one, either).
                I once took a "Psychology of Affection" class. Evidently, the emotion we call "love" is a conglomeration of a number of different, smaller emotions. Chiefly among them are attention and affection. Attention was always defined by my professor as "the willingness of one to give their focus in degrees, and the blatantness with which they are willing to display that focus." He went on to explain that when one is willing to give their focus but not to display it, or willing to make a display but not to give it, then an imbalance is affected, and either one or both members of a relationship become unhappy. And degrees of happiness become apparent when degrees of willingness are shown.
                In our case, I think, I am both willing to give you my attention, and unafraid to do it regardless of place or time; therefore, I think I give you a very high degree of attention. How do you think you score? How do you think I'd score you?
                Affection works on the same principle: willingness to give, and the ability to do so in a way that is apparent to the other party. Along with these two, though, Affection has a third variable: frequency. The combination of these three and the balance that must be kept determines the amount of affection given, and received at an intellectual level.
                I am entirely certain that I have been willing to show you ample affection in any venue, I am quite capable of showing you my affection in a plethora of ways, and I have done so (in innumerable combinations) with staggering frequency, despite the lack of reciprocation that should have left me hopeless.
                Well, right about now, I'm starting to feel hopeless. Any relationship requires two very basic things, hon: cerebral and physical interaction. An intimate relationship, therefore, requires an amount of intimacy in both cerebral and physical interactions. In addition, any relationship, intimate or otherwise, requires equal participation in all areas to continue over any extended period of time.
                I have been trying for God knows how long, to make this explicitly clear to you: I do not receive enough affection or attention from you for me to stay happy.
                I've laid a foundation in a universal truth for you; you have the science of our interaction at your fingertips, now. You understand what I understand, so I'm going to be as forward as I can in addressing this situation.
                In order for me to stay satisfied with our relationship, the amount of affection and attention I get HAS to change. I am, currently, both mentally and physically distressed, and I am at a breaking point. I have tried multiple times to get you to change: I've tried being subtle and hinting at things I like you to do - things I'd like to see more frequently from you; I've tried being abrasive, being a **** - telling you what I don't like, and why; I've tried being manipulative - guilt-tripping you into thinking or acting differently; I've tried (God, have I tried!) to be truthful and sweet and kind - to tell you, up front, what pleases me and what doesn't in the un-charged air of plain discussion. Any, and all (!), of these methods have been met with selfish stubbornness. I have tried, very hard, to convince myself that it's just been me. That it's something I have, or haven't, been doing. That me flipping out so often is just me freaking out. That none of my state of mind has anything to do with you. I dread putting any of the blame on you because...I worship you, I don't want your flawless image tainted by these things! But, at this point, I've done so much, and tried so hard to get you to change, to open up to me, to act (just act!) like you want me in your head and heart and *****. But you've been stubborn and you refuse to change...and it is driving me away.
                I don't want you to drive me away. I know you love me; I'm convinced you think I improve your life. And I'm convinced you improve mine in so many ways. But there is an imbalance.... I've done as much as any man can be asked: I have been kind, gentle, sweet, gracious, caring, selfless, and loving; but I cannot be these things when you will neither receive them nor give them back. My emotion, my spirit, and my love are being swallowed up in a void, and I can feel the light in this relationship fading. I can't stay in this if I'm the only one showing how I feel. If you don't love me, anymore, tell me. But I can't stay here and not know. I can't give you so much of my heart, and not get anything in return. It's my turn to be selfish.
                I am banking on the hope that you want this to work, honey. I am praying to God, Almighty that you would rather change how you act than give me up.
                I have never given anyone I've been in a relationship with an ultimatum before. Maybe that's why I've been hurt so badly before. But I'm not going to sink this ship myself. I'm giving you an honest chance. I want this, more than anything. I want you more than anything! I don't care that we don't earn enough for food, yet. I don't care that you spend oodles of time with your friends; I don't care about anything you do with your life except this. This one thing will solve so many of our problems, you don't even realize!
                My peace...my serenity with our relationship and with you as my partner in life, depends, solely, on how you behave towards me. There aren't enough Josephine Collective concerts or pills, or parties in all the world that will make me feel like you love me more than you showing me your **** self. I NEED this. It is essential to my functioning as your lover and your friend; I can't love a stone. And I can guarantee you, right now, that if you can put aside your insecurities, put aside your "awkwardness" argument, put aside your doubt that I would ever, EVER, turn you away or leave you alone, and just show me every minute of every day that you love me, I would never worry again. Reassure me with a kiss. Say "hello" with a kiss. Warm up by scooting closer. Cool down by throwing off a blanket - not pushing me away. Act like you can't keep your hands off me. There will be no nights where I ask you distressing questions; there won't be times when I'm offended by your going somewhere without me; I will not get upset when plans get upset. If I knew in my heart of hearts that you loved me and you'd make sure I knew it when you saw me, then there wouldn't be room for doubt.
                But right now...I don't know whether you love me or whether you're just going through the motions. My thinking is "if she loved me, she'd show me." But you don't show me. You know this as well as I do! One passionate kiss every couple of weeks is not showing me. A wag of the hips a couple times a month doesn't show me. Part of the psychological validation for committing to a relationship is the fact that your partner's body is yours to use. And it should be a willing use! I am a male. Three-fourths of my interaction with society is conducted physically, or visually. I need to see and feel that you love me. And that's not very much to ask from you, is it? And it's not awkwardness. You've shown me plenty of times that you're not abnormally awkward. And it's not shyness; you've been perfectly happy to make a scene in front of others before. It's not ***, either. *** isn't what trips me up. I'm fine without *** as long as I know you'd give it if you could. If I was confident that you'd jump my bones before I ever suggested it, then it wouldn't be an issue. But I'm not confident. Hell, I could go another three months if I got a BJ now and then.... I'm tempted to say it's pure selfish stubbornness, but I know that's not true. I think you're afraid of something. Maybe of opening up - spilling your guts - for me. Maybe you've been hurt a lot worse than I realize? There are so many possibilities. But you're the only one that can let me in, baby.
                I know it's not your way. That's evident enough from all my failures. But this is beyond "my way versus your way," now. This is essential to our being together. I love you, selflessly and shamelessly; but if I am going to be happy with you, I need to know you love me back. This isn't an option, anymore, dearest. You have to change. I need to know on a daily, hourly, moment-to-moment basis that you prefer me over anything else...period. My heart is breaking because I can't tell if you love me back. So, I'm going to make this easy on you. I've brought this up to you before - multiple times, actually. Each one just as memorable as the next. Each one serious enough to tell you that something has to change. But you don't seem to get it. You don't understand that this is paramount to my happiness...essential to my functioning; and you don't get that yet. You've asked me to do multiple things differently; I have changed how I act - who I am - to cater to your peace and happiness, and I am happy to do so. I have asked this one thing of you and you won't do it? I have asked this one thing because it is the one thing that I need to change. I've told you that. But the day after, and the week after, and the month after I bring this up, nothing changes. I can't handle that. I can't handle that I can be so willing to make you happy...to change my thoughts and actions through my own will to make your life simpler, less worrisome, happier and easier; yet you are so unwilling to grab your own mind and make it behave as you choose to ease my mind and my heart and give me that little validation I need from you so I can tell myself that I am your whole world the way you're mine!
                I will always love you. Always.
                But I can't be with someone who can't show me they love me.
                This is your ultimatum: Change. Put me in your mind. Think about the things you do that make me happy, and do them. Physically connect with me. Touch me on a regular basis. Visually connect with me. Get my attention, and hold it every day. Act like you are my woman the way I try to be your man. And do it now. You do not get a week or a month or a year. I am out of time. I can't wait on this any longer. If you want me here, hold me here with your own two arms.
                If you can't hold me, then I won't stay.

-###-
tamia Feb 2018
there’s many things i’d like to tell you
i want to ask how your day went and if you were happier than ever
i’d like to ask if you’re alright and if not you can talk about it
but if you don’t want to that’s fine too
i want to know your favorite things and why these are the songs
that seem to leave their rhythm in your heart—
what makes your heart stop and what makes it spark?
are you an evening person or do you like when the morning sun kisses your skin telling you quietly “wake up darling, it’s a new day”
or do you like staying in when the rain pours outside while lovers share umbrellas?
did that pretty stranger you passed by in the street
make your heart stop gently the way you do to mine
or do you look down when you walk?
do i maybe cross your mind even if very briefly?
but all these questions and everything that i mean with such purity
are of no use—
once i begin to speak to you the words
stop in my
throat
with such shyness like death
and i stay
quiet like
this.
Calvin Watson Jan 2015
Shy
The shy thing
It's like a double edged sword
I mean yeah it's cute
At times
But it keeps things from happening
How do you get past the unnerving moments
When you want to manifest your feelings
In outward actions
Because no one can see into your mind
Unless you bring your mind to them
But the shyness is like a roadblock
So treat it as such
And break through it
Hannah Beth Aug 2014
Shy

Her hand brushes
against my own
my mind screams
louder than even
the most horrific
of bombs to
hold it back
to close those
last few *******
feet between her
lips and mine
but all I
feel all that
shakes my entire
body and soul
is this crippling
shyness it refuses
to go it
digs its toxic
roots down to
the depths of
my stomach and
refuses to let
go and I
can't and I
won't and I
don't hold her
hand and I
wonder forever if
she could have
loved me back

an ode to all those awkward shites out there
a princess sits in her royal lounge
troubled at mind, restless of heart
trembling limbs and parched tongue
the rivers in her eyes betray
the sorrow that drowns her soul
with shaking fingers she struggles
for a firm grip on her quill
her heart pours out in fluid words
to express a love nursed for years

“My Lord, from childhood I have heard
of your courageous acts and kind character
of your handsomeness and perfectness
and I am unable to draw my mind away
from thoughts of you and yours
I am shamelessly besotted by you
Like a sunflower that is drawn to the sun
I am drawn to you
It is against the common notion
for a woman to ask a man
to take her hand in marriage
I break every tradition,
but Mukunda, answer my question-
which woman, high-born
and well-versed in all the arts,
will not wish to be your consort-
and besides I have already considered myself
wedded to you, in thought and spirit
is it not immoral then
when I consider myself a married woman
and when I am already yours
body, mind and soul,
to allow me another marriage?
My brother Rukmi has arranged
a marriage for me, and it is in the morrow
my heart sinks in sorrow
you are my saviour-
it behooves you to come
and claim what is yours
and how to accomplish it without needless bloodshed
need not cause you worry, for I have a plan
tomorrow morning I shall go for my pre-nuptial prayer
at the temple in the outskirts
away from curious eyes
and it is from there
that you can take me
please do come Krishna and save me
from this mockery of a marriage
I have already said that I am yours
and if you do not come, I shall
with no second thought ensure
that I am no longer alive
to be the object of another man’s desire
and if not in this birth, we shall
in another birth be man and wife”


she seals the letter with  burning tears
and entrusts in a priest’s willing hands to deliver
this receptacle of her hopes and fears
a sliver of hope begins to glimmer
as exhaustion finally takes over
and sleep beckons with gentle hands
to distant happier lands

In the morning she awakes
mind no more clouded or deluded
a faith unshaken that strengthens
as her messenger arrives
bearing happy news
her heart gladdens

Krishna will come – of that she is sure
a love denied will now be hers
the blush of excitement gives way
to shyness - kept so far at bay
the letter was written boldly enough
but now her maiden coyness asserts its sway
with eager pulsing heart she awaits
the moment of freedom and fastening
with her love – it seems too long a day!

In her best finery she is bedecked
a bride blossoming like a flower
eyes shining like diamonds
in their excitement
nocturnal hair that falls to her waist
in a tidy plait
lips tinged with a secret smile
an accompaniment to her glowing face
her blush spreads
like a rose amongst jasmines

with slow sure steps
and comely gait
eyes glistening with hope
and conviction strengthened with faith
she proceeds towards the temple
with sincere emotion she prays

“Devi Parvati, with your motherly grace
look upon me with your kind gaze
as once through penance you gained
your true love as a husband
I too embark today
on a quest to find my way
to him who is my very soul- I pray
let Krishna me my husband”


As every minute passes hope grows
and then she hears his majestic roar
like  a dark thunder-cloud he appears
his turmeric vestment blowing in the wind
and like lighting in the night sky
suddenly and nimbly he hoists her
onto his chariot and they are away

and then the powerful anticipation of this moment gave way
to its pure enjoyment, the company of the loved one

and thus it was that the unflinching Rukmini
wedded Krishna one day.

- Vijayalakshmi Harish
        10.9.2012

Copyright © Vijayalakshmi Harish
Chris Mar 2014
If I were a glass jar
I would overflow with a shyness
Such a shyness that stunts my growth
Blocking the sun never letting me blossom
From the tiny seed I am,
Into a large oak tree that towers over the shyness
Like a cockroach never dying always dismaying
I will always remain the tiny seed inside that glass jar
Until the seed dehydrates into death
And the jar shatters
Anya Sep 2018
When I'm on a field
I can be free

When I'm with my family
I can be free

When I'm with little children
I can be free

When I'm with animals
I can be free

When I write
I can be free

...

But when I'm anywhere else
I'm constrained by
a cage known as-
self consciousness
social anxiety
shyness
She comes by many names
...

By any chance,
are you familiar with her?
I understand that my free situations may not apply to everyone so when you're reading feel free to replace them with any place you feel free in.
Em or Finn Apr 2015
We haven't talked in awhile
Your voice like silk
Bringing a smile with it
Something I haven't done for months
I talk to you on Twitter
The bird a messenger to our secret conversation
Every time a white message box pops up
Every time I get a notification from you
My heart skips a beat
For every word you write, every sentence
Is worth the couple seconds it takes to read
We have a lot in common
We both have eating disorders
That couldn't be more different
We love the same music
As we rock out on Facetime
And laugh at my shyness and stupidity
Yet without social media
We would have never met.
I would never have smiled.
I would never have lived.
Idk what this is but yeah =^_^=
My lover saves his words,
he tucks them under his tongue

I chew on his serifs,
Aerated, punctuated, hyphenated
His desires, they get caught in my teeth
the boldness of them wearing on my enamel

And then,
his smile melts onto my tongue
I push it behind my cheek, our own
little secret, sweetheart
Now I’m smiling too

And he hasn’t said a word.
Sonja Milekovic Apr 2015
insecurity /ɪnsɪˈkjɔːrɪti/ is an uncertainty or anxiety
about oneself or lack of confidence

but insecurity is more than that.

insecurity is feeling like
you cannot wear the green shirt
because people would call you and it ugly.

insecurity is spending
an hour in the bathroom
to cover the spots from
cruel, laughing eyes.

insecurity is hiding
in the back of the classroom
with a shroud of mystery
to conceal the fear of
everyone laughing at
your answers.

insecurity is layering
yourself in conservative clothes
so the mockery
about your weight
is out of sight
out of the obnoxious gossipers mind.

insecurity is retiring
to a world of books
in the comfort of my room
since my peers cannot accept
me and my interests.

insecurity is allowing
only a small amount
of food, water, life
to shed the faces full
of ridicule.

insecurity is creating
a veil of sweaters and long-sleeved shirts
to hide the razor marks
of a haunting past.

insecurity is feeling shamed
of any uniqueness because
of the unnecessary attention
and inability to hide your shyness.

insecurity is sustaining
the weight of a burden
from the unfortunate
events of life
and the helplessness that
you couldn't stop the crash
that killed your parents.

insecurity is redesigning
yourself to be perfectly alligned
with society's expectations
making you forget
what makes you unique
so scornful looks are redirected.

insecurity is forgetting
that it's alright to be different
despite another person
saying otherwise.

can't i escape my insecurities?
In the morning I heard  the Koel’s melodious call
It is a sure sign of Sneaking autumn’s fall
What a striking difference between winter and spring
It is undoubtedly  season’s eternal king

I love nature’s green saree
She smiles with an uncontrollable spree
Her saree is full of beautiful flowers
there are very many different colours

Nature’s Bindi is the glorious sun
Her hair pin is the shining moon
She cools herself with her natural fan
Her stay here might be of a little span

She sits with an yellow sarree in the palanquin
The bride groom looks at her as if she were a queen
Her beauty and shyness is her divine pride
She is a newly married mesmerizing bride
the villages are replete with ripe corn
All the birds enjoy this beautiful morn
Nigel Morgan Jul 2013
It was their first time, their first time ever. Of course neither would admit to it, and neither knew, about the other that is, that they had never done this before. Life had sheltered them, and they had sheltered from life.

Their biographies put them in their sixties. Never mind the Guardian magazine proclaiming sixty to be the new fifty. Albert and Sally were resolutely sixty – ish. To be fair, neither looked their age, but then they had led such sheltered lives, hadn’t they. He had a mother, she had a father, and that pretty much wrapped it up. They had spent respective lives being their parents’ companions, then carers, and now, suddenly this. This intimacy, and it being their first time.

When their contemporaries were befriending and marrying and procreating, and home-making and care-giving and child-minding, and developing their first career, being forced to start a second, overseeing teenagers and suddenly being parents again, but grandparents this time – with evenings and some weekends allowed – Albert and Sally had spent their time writing. They wrote poetry in their respective spaces, at respective tables, in almost solitude, Sally against the onslaught of TV noise as her father became deaf. Albert had the refuge of his childhood bedroom and the table he’d studied at – O levels, A levels, a degree and a further degree, and a little later on that PhD. Poetry had been his friend, his constant companion, rarely fickle, always there when needed. If Albert met a nice-looking woman in the library and lost his heart to her, he would write verse to quench not so much desire of a physical nature, but a desire to meet and to know and to love, and to live the dream of being a published poet.

Oh Sally, such a treasure; a kind heart, a sweet nature, a lovely disposition. Confused at just seventeen when suddenly she seemed to mature, properly, when school friends had been through all that at thirteen. She was passed over, and then suddenly, her body became something she could hardly deal with, and shyness enveloped her because her mother would say such things . . . but, but she had her bookshelf, her grandfather’s, and his books (Keats and Wordsworth saved from the skip) and then her books. Ted Hughes, Dylan Thomas (oh to have been Kaitlin, so wild and free and uninhibited and whose mother didn’t care), Stevie Smith, U.E. Fanthorpe, and then, having taken her OU degree, the lure of the small presses and the feminist canon, the subversive and the down-right weird.

Albert and Sally knew the comfort of settling ageing parents for the night and opening (and firmly closing) the respective doors of their own rooms, in Albert’s case his bedroom, with Sally, a box room in which her mother had once kept her sewing machine. Sally resolutely did not sew, nor did she knit. She wrote, constantly, in notebook after notebook, in old diaries, on discarded paper from the office of the charity she worked for. Always in conversation with herself as she moulded the poem, draft after draft after draft. And then? She went once to writers’ workshop at the local library, but never again. Who were these strange people who wrote only about themselves? Confessional poets. And she? Did she never write about herself? Well, occasionally, out of frustration sometimes, to remind herself she was a woman, who had not married, had not borne children, had only her father’s friends (who tried to force their unmarried sons on her). She did write a long sequence of poems (in bouts-rimés) about the man she imagined she would meet one day and how life might be, and of course would never be. No, Sally, mostly wrote about things, the mystery and beauty and wonder of things you could touch, see or hear, not imagine or feel for. She wrote about poppies in a field, penguins in a painting (Birmingham Art Gallery), the seashore (one glorious week in North Norfolk twenty years ago – and she could still close her eyes and be there on Holkham beach).  Publication? Her first collection went the rounds and was returned, or not, as is the wont of publishers. There was one comment: keep writing. She had kept writing.

Tide Marks

The sea had given its all to the land
and retreated to a far distant curve.
I stand where the waves once broke.

Only the marks remain of its coming,
its going. The underlying sand at my feet
is a desert of dunes seen from the air.

Beyond the wet strand lies, a vast mirror
to a sky laundered full of haze, full of blue,
rinsed distances and shining clouds.


When Albert entered his bedroom he drew the curtains, even on a summer’s evening when still light. He turned on his CD player choosing Mozart, or Bach, sometimes Debussy. Those three masters of the piano were his favoured companions in the act of writing. He would and did listen to other music, but he had to listen with attention, not have music ‘on’ as a background. That Mozart Rondo in A minor K511, usually the first piece he would listen to, was a recording of Andras Schiff from a concert at the Edinburgh Festival. You could hear the atmosphere of a capacity audience, such a quietness that the music seemed to feed and enter and then surround and become wondrous.

He’d had a history teacher in his VI form years who allowed him the run of his LP collection. It had been revelation after revelation, and that had been when the poetry began. They had listened to Tristan & Isolde into the early hours. It was late June, A levels over, a small celebration with Wagner, a bottle of champagne and a bowl of cherries. As the final disc ended they had sat in silence for – he could not remember how long, only from his deeply comfortable chair he had watched the sky turn and turn lighter over the tall pine trees outside. And then, his dear teacher, his one true friend, a young man only a few years out of Cambridge, rose and went to his record collection and chose The Third Symphony by Vaughan-Williams, his Pastoral Symphony, his farewell to those fallen in the Great War  – so many friends and music-makers. As the second movement began Albert wept, and left abruptly, without the thanks his teacher deserved. He went home, to the fury of his father who imagined Albert had been propositioned and assaulted by his kind teacher – and would personally see to it that he would never teach again. Albert was so shocked at this declaration he barely ever spoke to his father again. By eight o’clock that June morning he was a poet.

For Ralph

A sea voyage in the arms of Iseult
and now the bowl of cherries
is empty and the Perrier Jouet
just a stain on the glass.

Dawn is a mottled sky
resting above the dark pines.
Late June and roses glimmer
in a deep sea of green.

In the still near darkness,
and with the volume low,
we listen to an afterword:
a Pastoral Symphony for the fallen.

From its opening I know I belong
to this music and it belongs to me.
Wholly. It whelms me over
and my face is wet with tears.


There is so much to a name, Sally thought, Albert, a name from the Victorian era. In the 1950s whoever named their first born Albert? Now Sally, that was very fifties, comfortably post-war. It was a bright and breezy, summer holiday kind of name. Saying it made you smile (try it). But Light-foot (with a hyphen) she could do without, and had hoped to be without it one day. She was not light-footed despite being slim and well proportioned. Her feet were too big and she did not move gracefully. Clothes had always been such a nuisance; an indicator of uncertainty, of indecision. Clothes said who you were, and she was? a tallish woman who hid her still firm shape and good legs in loose tops and not quite right linen trousers (from M & S). Hair? Still a colour, not yet grey, she was a shale blond with grey eyes. She had felt Albert’s ‘look’ when they met in The Barton, when they had been gathered together like show dogs by the wonderful, bubbly (I know exactly what to wear – and say) Annabel. They had arrived at Totnes by the same train and had not given each other a second glance on the platform. Too apprehensive, scared really, of what was to come. But now, like show dogs, they looked each other over.

‘This is an experiment for us,’ said the festival director, ‘New voices, but from a generation so seldom represented here as ‘emerging’, don’t you think?’

You mean, thought Albert, it’s all a bit quaint this being published and winning prizes for the first time – in your sixties. Sally was somewhere else altogether, wondering if she really could bring off the vocal character of a Palestinian woman she was to give voice to in her poem about Ramallah.

Incredibly, Albert or Sally had never read their poems to an audience, and here they were, about to enter Dartington’s Great Hall, with its banners and vast fireplace, to read their work to ‘a capacity audience’ (according to Annabel – all the tickets went weeks ago). What were Carcanet thinking about asking them to be ‘visible’ at this seriously serious event? Annabel parroted on and on about who’d stood on this stage before them in previous years, and there was such interest in their work, both winning prizes The Forward and The Eliot. Yet these fledgling authors had remained stoically silent as approaches from literary journalists took them almost daily by surprise. Wanting to know their backstory. Why so long a wait for recognition? Neither had sought it. Neither had wanted it. Or rather they’d stopped hoping for it until . . . well that was a story all of its own, and not to be told here.

Curiosity had beckoned both of them to read each other’s work. Sally remembered Taking Heart arriving in its Amazon envelope. She brought it to her writing desk and carefully opened it.  On the back cover it said Albert Loosestrife is a lecturer in History at the University of Northumberland. Inside, there was a life, and Sally had learnt to read between the lines. Albert had seen Sally’s slim volume Surface and Depth in Blackwell’s. It seemed so slight, the poems so short, but when he got on the Metro to Whitesands Bay and opened the bag he read and became mesmerised.  Instead of going home he had walked down to the front, to his favourite bench with the lighthouse on his left and read it through, twice.

Standing in the dark hallway ready to be summoned to read Albert took out his running order from his jacket pocket, flawlessly typed on his Elite portable typewriter (a 21st birthday present from his mother). He saw the titles and wondered if his voice could give voice to these intensely personal poems: the horror of his mother’s illness and demise, his loneliness, his fear of being gay, the nastiness and bullying experienced in his minor university post, his observations of acquaintances and complete strangers, train rides to distant cities to ‘gather’ material, visit to galleries and museums, homages to authors, artists and composers he loved. His voice echoed in his head. Could he manage the microphone? Would the after-reading discussion be bearable? He looked at Sally thinking for a moment he could not be in better company. Her very name cheered him. Somehow names could do that. He imagined her walking on a beach with him, in conversation. Yes, he’d like that, and right now. He reckoned they might have much to share with each other, after they’d discussed poetry of course. He felt a warm glow and smiled his best smile as she in astonishing synchronicity smiled at him. The door opened and applause beckoned.



Oh BELOVEDz
My LOVERz


Krishna
Let us open up to
Fulfill the promise
We made to each other
What do you say my BELOVEDz?
What is your wish my LOVERz?

Never again in life
Such occasion of LOVE happens
Come in my arms,
Don't be shy my LOVE
Come within me
Hug me to death

Radha:
I've lost my way of life
Let me find a direction
I'm not dressed for
The honey-moon night
Let me come prepared
For your LOVE night
Please let me go

Krishna
You did what you wanted with me
With every passing moment and day
YOU made me LOVE YOU more & more
All your dreamZ of finding
True LOVER ended with my LOVEz
Now let me show you my LOVE desireZ
Drown my passions
In your volcanic being
Let my fire extinguish
In your cool waters

Radha
Leave me, don't hold my hand
Just see - the way I'm in a mess
My heart is beating fast
I am feeling scared of LOVE
I am feeling cold with sweat

Krishna
Oh.. come on dear
In no time,
I'll make you warm
With the fire of my LOVE
My kisses on your eyes
Will bring clarity to your SOUL
My touch will remove all the shyness
That clouds over your heart

Radha
See, with your LOVE words
Now I lost the key to
The door to my core
So let me go to fetch them first

Krishna
Just come on dear
Don't find reasons to delay our UNION
Let us lock ourselves alone
Don't play such tricks with me
I am burning under your passionate deZiRe

Radha
Just for a moment
Let me go and come prepared
For the LOVE night
YOU know baby - I am yours
I'm not going to leave you any more
I will be back my LOVE
To spend many nights
Of LOVEz with YOU

Krishna
I believe YOU my LOVEz
I will only do what you say
I will follow your advise
I will only talk your words
I will only act your will

Radha
If I say - day is night
Will YOU say so?

Krishna
I will.. I will...

Radha
If I say - LOVE me forever, eternally
Will YOU say so?

Krishna
I will.. I will...

Radha
If you say so...
I will show you a LOVE night
Right now in this day light

I will show YOU
The light within my core
Will you light my dark core?
I will show you LOVE stars
In the cosmos of my hidden darkness

I'm only born to LOVE YOU
Since our LOVE happened
I've only LOVEDz YOU

Krishna
After showing me so much LOVE
If you go away now
I will die in your longing

Radha
Just for a second now
Let me go for a while
I will be back immediately

Krishna
Both of us are excited and
Full of passionZ and desiReZ
When we will get such LOVE moment again?
What else you want to do now?

Radha
Let us open up to
Fulfill the promise
We made to each other
Let us LOVE
Let us make LOVE

Never again in life
Such occasion of LOVE happens
Come in my arms,
Don't be shy my LOVE
Come within me
Hug me to death





Radha repeats Krishna'z LOVE plea
Katt May 2015
Why do you hide in the
Dark?
When there is so much
Light?
Why do stand in the
Shadows?
When you can be in the
Sun?

~Katt
Michael R Burch Oct 2020
Mahmoud Darwish: English Translations

Mahmoud Darwish is the essential breath of the Palestinian people, the eloquent witness of exile and belonging ... his is an utterly necessary voice, unforgettable once discovered.―Naomi Shihab Nye



Palestine
by Mahmoud Darwish
loose translation/interpretation by Michael R. Burch

This land gives us
all that makes life worthwhile:
April's blushing advances,
the aroma of bread warming at dawn,
a woman haranguing men,
the poetry of Aeschylus,
love's trembling beginnings,
a boulder covered with moss,
mothers who dance to the flute's sighs,
and the invaders' fear of memories.

This land gives us
all that makes life worthwhile:
September's rustling end,
a woman leaving forty behind, still full of grace, still blossoming,
an hour of sunlight in prison,
clouds taking the shapes of unusual creatures,
the people's applause for those who mock their assassins,
and the tyrant's fear of songs.

This land gives us
all that makes life worthwhile:
Lady Earth, mother of all beginnings and endings!
In the past she was called Palestine
and tomorrow she will still be called Palestine.
My Lady, because you are my Lady, I deserve life!



Identity Card
by Mahmoud Darwish
loose translation/interpretation by Michael R. Burch

Record!
I am an Arab!
And my identity card is number fifty thousand.
I have eight children;
the ninth arrives this autumn.
Will you be furious?

Record!
I am an Arab!
Employed at the quarry,
I have eight children.
I provide them with bread,
clothes and books
from the bare rocks.
I do not supplicate charity at your gates,
nor do I demean myself at your chambers' doors.
Will you be furious?

Record!
I am an Arab!
I have a name without a title.
I am patient in a country
where people are easily enraged.
My roots
were established long before the onset of time,
before the unfolding of the flora and fauna,
before the pines and the olive trees,
before the first grass grew.
My father descended from plowmen,
not from the privileged classes.
My grandfather was a lowly farmer
neither well-bred, nor well-born!
Still, they taught me the pride of the sun
before teaching me how to read;
now my house is a watchman's hut
made of branches and cane.
Are you satisfied with my status?
I have a name, but no title!

Record!
I am an Arab!
You have stolen my ancestors' orchards
and the land I cultivated
along with my children.
You left us nothing
but these bare rocks.
Now will the State claim them
as it has been declared?

Therefore!
Record on the first page:
I do not hate people
nor do I encroach,
but if I become hungry
I will feast on the usurper's flesh!
Beware!
Beware my hunger
and my anger!

NOTE: Darwish was married twice, but had no children. In the poem above, he is apparently speaking for his people, not for himself personally.



Excerpt from “Speech of the Red Indian”
by Mahmoud Darwish
loose translation/interpretation by Michael R. Burch

Let's give the earth sufficient time to recite
the whole truth ...
The whole truth about us.
The whole truth about you.

In tombs you build
the dead lie sleeping.
Over bridges you *****
file the newly slain.

There are spirits who light up the night like fireflies.
There are spirits who come at dawn to sip tea with you,
as peaceful as the day your guns mowed them down.

O, you who are guests in our land,
please leave a few chairs empty
for your hosts to sit and ponder
the conditions for peace
in your treaty with the dead.



Passport
by Mahmoud Darwish
loose translation/interpretation by Michael R. Burch

They left me unrecognizable in the shadows
that bled all colors from this passport.
To them, my wounds were novelties―
curious photos for tourists to collect.
They failed to recognize me. No, don't leave
the palm of my hand bereft of sun
when all the trees recognize me
and every song of the rain honors me.
Don't set a wan moon over me!

All the birds that flocked to my welcoming wave
as far as the distant airport gates,
all the wheatfields,
all the prisons,
all the albescent tombstones,
all the barbwired boundaries,
all the fluttering handkerchiefs,
all the eyes―
they all accompanied me.
But they were stricken from my passport
shredding my identity!

How was I stripped of my name and identity
on soil I tended with my own hands?
Today, Job's lamentations
re-filled the heavens:
Don't make an example of me, not again!
Prophets! Gentlemen!―
Don't require the trees to name themselves!
Don't ask the valleys who mothered them!
My forehead glistens with lancing light.
From my hand the riverwater springs.
My identity can be found in my people's hearts,
so invalidate this passport!



Excerpts from "The Dice Player"
by Mahmoud Darwish
loose translation/interpretation by Michael R. Burch

Who am I to say
the things I say to you?

I am not a stone
burnished to illumination by water ...

Nor am I a reed
riddled by the wind
into a flute ...

No, I'm a dice player:
I win sometimes
and I lose sometimes,
just like you ...
or perhaps a bit less.

I was born beside the water well with the three lonely trees like nuns:
born without any hoopla or a midwife.

I was given my unplanned name by chance,
assigned to my family by chance,
and by chance inherited their features, attributes, habits and illnesses.

First, arterial plaque and hypertension;
second, shyness when addressing my elders;
third, the hope of curing the flu with cups of hot chamomile;
fourth, laziness in describing gazelles and larks;
fifth, lethargy dark winter nights;
sixth, the lack of a singing voice.

I had no hand in my own being;
it was mere coincidence that I popped out male;
mere coincidence that I saw the pale lemon-like moon illuminating sleepless girls
and did not unleash the mole hidden in my private parts.

I might not have existed
had my father not married my mother
by chance.

Or I might have been like my sister
who screamed then died,
only alive an hour
and never knowing who gave her birth.

Or like the doves’ eggs
smashed before her chicks hatched.

Was it mere coincidence
that I was the one left alive in a traffic accident
because I didn’t board the bus ...
because I’d forgotten about life and its routines
while reading the night before
a love story in which I became first the author,
then the lover, then the beloved and love’s martyr ...
then overslept and avoided the accident!

I also played no role in surviving the sea,
because I was a reckless boy,
allured by the magnetic water
calling: Come to me!
No, I only survived the sea
because a human gull rescued me
when he saw the waves pulling me under and paralyzing my hands!

Who am I to say
the things I say to you
outside the church door?

I'm nothing but a dice throw,
a toss between predator and prey.

In my moonlit awareness
I witnessed the massacre
and survived by sheer chance:
I was too small for the enemy to target,
barely bigger than the bee
flitting among the fence’s flowers.

Then I feared for my father and family;
I feared for our time as fragile as glass;
I feared for my pet cat and rabbit;
I feared for a magical moon looming high over the mosque’s minarets;
I feared for our vines’ grapes
dangling like a dog’s udders ...

Then fear walked beside me and I walked with it,
barefoot, forgetting my fragile dreams of what I had wanted for tomorrow
because there was no time for tomorrow.

I was lucky the wolves
departed by chance,
or else escaped from the army.

I also played no role in my own life,
except when Life taught me her recitations.
Are there any more?, I wondered,
then lit my lamps and tried to amend them ...

I might not have been a swallow
had the wind ordained it otherwise ...

The wind is the traveler's fate: his fortune or misfortune.

I flew north, east, west ...
but the south was too harsh, too rebellious for me
because the south is my country.
I became a swallow’s metaphor,
hovering over my life’s debris
from spring to autumn,
baptizing my feathers in the cloud-like lake
then offering my salaams to the undying Nazarene:
undying because God’s spirit lives within him
and God is the prophet’s luck ...

While it is my good fortune to be the Godhead’s neighbor ...

Just as it is my bad fortune the cross
remains our future’s eternal ladder!

Who am I to say
the things I say to you?
Who am I?

I might have not been inspired
because inspiration is the lonely soul’s compensation
and the poem is his dice throw
on an unlit board
that may or may not glow ...

Words fall ...
as feathers fall to earth:
I did not plan this poem.
I only obeyed its rhythm’s demands.

Who am I to say
the things I say to you?

It might not have been me.
I might not have been here to write it.
My plane might have crashed one morning
while I slept till noon
then arrived at the airport too late
to visit Damascus and Cairo,
the Louvre, and other enchanting cities.

Had I been a slow walker, a rifle might have severed my shadow from its cedar.
Had I been a fast walker, I might have disintegrated and vanished like a fleeting whim.
Had I dreamt too much, I might have lost my memories of reality.

I am fortunate to sleep alone
listening to my body's complaints
with my talent for detecting pain,
so that I call the physician ten minutes before death:
dodging death by a mere ten minutes,
continuing life by chance,
disappointing the Void.

But who am I to disappoint the Void?
Who am I?
Who?

Keywords/Tags: Mahmoud Darwish, Palestine, Palestinian, Arab, Arabic, translation, Gaza, Israel, children, mothers, injustice, violence, war, race, racism, intolerance, ethnic cleansing, genocide
Mystic Ink Plus Dec 2018
Raise slow
or
Raise fast
Raise step by step
Reach to love
I'm here
The Moon said
In her shyness

Too fast can be I
Too slow can be you
Let's get together as
Synchronize soul
The Sun replied
In his boldness

Believe me
You were the witness
Genre: Romantic
Theme: Reciprocation
Muggle Ginger Dec 2015
“Hell…”
You didn’t let me finish my greeting
But I suppose I’m a prophet
Because I described how I’m now feeling
Nigel Morgan Mar 2013
Fukiko had woken before her accustomed time. She was alone and would have prefered to sleep, and sleep on until Narumi had lit the brazier in her room and brought tea. But she had woken, and was aware that outside the world had changed. The world, her world of Yukiguni, where the mulberry fibres for paper-making were laid out in the snow-bleached fields. Her world where men from the cities sought the kind of woman she was, a woman uncultured in the ways of geisha, but possessing a freedom no city-bred geisha could possess. She had been schooled by an aunt, was accomplished as a performer on the samisen and though her voice was thin, it held a quality of understanding, it had a fine texture, though thin. And yes, this morning a change had come over the world outside her small house that looked over Hikachi Lake, that looked towards the southern flank of the Central Mountains where during the previous day and night the snows from across the seas had fallen on the landscape. She imagined the roofs of the monastery across the lake were heavily white, and as she sought the image in her mind’s eye so the large brass bell of the temple sounded, no, it throbbed across what she knew would now be hard-frozen water.

I am floating she thought, like the snowflakes I glimpsed in the reflected lamplight when last night I opened the shutters for a moment before bed, before sleep and descent into my dreams. For days now she had been dreaming like never before. She seemed to enter a dreamstate; she would then wake purposefully; she would then fall instantly into quite a different world; over and over this seemed to happen until she found herself wondering if she was dreaming within a dream; she would become aroused, her skin glowing with the ministrations of hidden hands and fingers; she would feel that presence on her upper thighs, a kind of perspiration born of that ****** sensation that, when awake, would sometimes steel upon her.

The coming of the deep snows before spring was always a delight, an excitement carried her from childhood. The way its coming turned daily life upside down. She would enjoy choosing her very warmest garments, the bringing together of layers, her rabbit-skin mantle perhaps, a bright warm scarf over her hair, which she would not today ‘put up’ but allow to flow comfortably next to and down her back, then the hood only if the snow and the wind persisted. She could tell from the warmth of her bed that this was not so, that outside there was a stillness. Even the birds were subdued. Only the brass bell broke the stillness born of this deep snow of spring.

She heard Narumi rise, heard her **** in her chamber ***, heard her roll her bedding away, heard her bring the stove into life and fill her mistress’ brazier with the few precious coals brought across the mountains. There would be tea soon, and this young girl, appointed by her aunt to her charge, would appear to kneel beside Fukiko and give the morning blessing her mother had given Narumi since infancy. Then, she would say, ‘Madam, the snow is deep this morning. We are bound in snow today. Our path has disappeared.’ Still a child’s voice, and still a child at thirteen winters, such a slight girl. And she would retire to the warmth of the kitchen and Fukiko’s cat who was not allowed into her mistress’ presence unless requested.

Fukiko could feel the warmth from the brazier. It was as comforting as the thought of the silent snowscape outside. Gathering her cloak around her, kneeling on the covers of her bed, she held the bowl of tea in her hands, letting its warmth caress her fingers. Standing up, she stroked herself as though to bring her body awake - her flanks, the front of her thighs, her stomach, her slight *******, the long curve of her bottom and then the back of her thighs, her right hand stroking her left arm, her left arm stroking her right arm from shoulder to fingers. She was awake, and placing her feet on the cold matting found her night cloak of deepest blue with the ornamental sash of red and white. She would open the shutter and gaze out into this fresh world of snow and light.

It seemed quite miraculous that a covering of snow could so change this view across the lake to the monastery and its attendant village and then to the mountains beyond. She had once seen a woodcut of this scene, in snow, and had been mesmerised by what it revealed. Despite her status, her profession, such as it was, any ambition she might have harboured to dwell in a city, evaporated at this vista, this snow country scene. It was as though she was living in a story book where she could imagine herself as a concubine of some favoured lord, even better, a princess groomed for a fine marriage, a marriage she knew she would be unlikely to experience. There was one, a land-owner beyond Huchin whose business brought him past her domain, who, widowed and childless, had been advised to seek her presence. And she had been charmed by his shyness, his lack of experience with such as the woman she was, or thought she had to be. And it was often that she would find herself thinking of his presence, and imagining her body melting to his careful touch.

Suddenly, out on the lake figures moved. Was the hard frost of the last week really able to sustain figures on the ice? The brothers from the monastery were tentatively moving too and fro, they were suketo, skating. She would summon Narumi. Her girl should see this sight. The brothers in their crimson robes moving to and fro across the ice, their robes flowing. ‘Narumi’, Fukiko said, ‘a sight so rare. Come and look, the monks are skating.’

So Fukiko and Narumi opened wide the shutters and let in the whole landscape, the lake, the monastery, the snow-roofed village, the mountains beyond into the room. The snowlight dazzled, the hard cold air rushed into the warm room filling its very corners with an enervating freshness. Narumi knelt beside the brazier in her best purple cloak, her hair already pinned for the day, her eyes wide at the sight of these figures dancing with movement on the ice. Although cold, Fukiko would not pull herself away from this play of forms, this wholly pleasurable sight. Just below her window her camellia bushes were in bud, almost budding, their dark redness, bloodlike, enhanced by the vivid snow white. And then the bamboo, snow on the bamboo, as though carefully layered on the fragile stems and branches. This morning no wind and a period of snow falling that had laid flake upon flake upon flake giving the bamboo a wholly different form and weight and body. Its stems bent as though in supplication, as though in prayer to bless the landscape of this snow country.

One must bend
In the floating world -
Snow on bamboo


Kaga no Chivo (1701-55)
Kanka no yuki means contemplating snow from the inside. This short story is the second in my series Snow Country and is based on a wood-cut by Ogata Gekko (1859 -1920)
Anthony Williams Aug 2014
Today I had a bout of acute-you shyness
one where I try to pretend I don't notice
but have you noticed how difficult it is
when outside idles but inside there's a race

to views like you leaning side to side
on the motorcycle ride slot machine
driving my eyes to sly around your slides
taking them wide as when I was eighteen
I'd look for curves at Southend pier's end
give out stares and start to take in scenes
of free amusement at the Fun Bump arcade

around and around the circuit you rode
I was lapping up your every move
sneaking a view through the coin drop
peeping behind the pinball of Dr Who
prying open the photo booth curtain gap
faux testing the mallet with your strength
playing air hockey with my thoughts
were your short chic bangs a wig?

they sit so still I long for the straights
then swing to one side with a leg
tight vibrant jeans in hairpin bends
ironing out where the centre line is damp
polishing the dashing leather saddle
vibrating with wrist twist contempt
loveliness revving up to red line

exploding in my face with daring
this bike crash heart of mine
please forgive not stopping staring
a race course habit never outgrown

I go too fast and of course I fall
in love as bad as deeply madly
but the fact that it's with you.. well
I have to forgive myself this malady

I'm a side-road heading for a spin
on ways to tell you you're beautiful
dangerously close I risk self harm
imagining that colour of pink and pale
the flush u-turn will be a charm

If I can get you climbing off
hot and flustered
I’ll have done my pit stop job
at once a chance encounter
and a fateful winning score
to let you know you've entered
into being my prize draw

I'll walk away but don't be sore
it's up to you to take it further
but just know one thing more
that if you call me to confirm
and tell me that I’m worth it
I would turn around so fast
the world would gearshift
and wait
but not in neutral
for us
by Anthony Williams

— The End —