Submit your work, meet writers and drop the ads. Become a member
Norman dePlume May 2017
Am I able to say I would like to carry you to that
oblique lake overseas, where we can still imagine
“the early 19th Century twilight,” and from the
trestle see how a self-determining logic in the

form of rationally organized matter—the luster of
metal, a vanishing glimpse of the moon or the sun,
a smile—becomes conscious, self-conscious, through us;
a freedom emptied out into that time we were

rambling to and fro like the rivers, and the dust
blanketed inscriptions on pulp condoned from trees
planted with the depths and heights of the human
heart as such? Yet how can we picture abstractions

that we can not live in alone, but perhaps to
imagine, with this, a criss-cross movement of
subjective expressions, views, and attitudes where
I sacrifice myselfs and my topics alike to a faith

we know is unwarranted, a slant illustration of
what we’ve agreed to call truth; the shimmer
of a bunch of grapes by candlelight, its joys
and sorrows, its strivings, deeds, and fates.

* * *

And when I say “this” I mean this, philosophy,
or pottery, or e-mails and short tweets between us.
And when I say “us” I don’t just mean the two of us,
you and me, but humanity. Of course, the abstract

is always felt through the concrete, as, when our  
arms were touching, I felt what I am unable to say.
Norman dePlume May 2017
Reason is terrible,
                      when
its certainty of being
all reality has been
                     raised
to the level of truth,
and reason is
            consciously
            aware
of itself
as its own world,
and of the world
              as itself.
(c) 2/16/17
Akemi Feb 2017
Lily marked the gravestone. A white streak across grey cobble, the crumbling visage of a turning sky reflected in the puddle beside her. New dusk brimmed grey gold, a heady dust galloped with the rising easterly winds, a white streak across grey skies. Lily marked the edge of her notebook, nine-past-ten, the end of second period, a break in consciousness, then a tang of blood from her swollen gums. Lenin rose above the rooftops, a hand brushed her forehead as the paramedics left, a black bag.

The answer was heat death, compartmentalised energy, like fireworks falling into darkness. Burning rice, spilt coffee, Ain’s smile. Nights on counter, pad paper, day old rain. Lily fell into a nightmare, smooth black, a single light dissipating as the universe died. She spat blood, missed the bus and collapsed on the walk to school.

It was the anniversary. Setting sun, plumes of white, the exit sigh of a wasted day. Lily woke hours later. She returned to an empty home, suffocated in a dream and rose four hours too early for school. Climbing the roof, she watched the sun rise, grey and formless.

There was ash in the hallway to class, the remnants of the incense from yesterday’s memorial, pencil shavings from the forest, fingers blurring out of definition like the trees around her, the soft empty breath of loose soil. Ain came to the store on a night like this, wind gathered silent around her frame. They found themselves atop a bus shelter, lights rising from a sea of nothingness.

Eight-forty-five, the chalk felt heavy in Lily’s hand, white dash across infinity, city blackout. Everyone went to see the dam, cracked pavement, Ain dripping blood, Lily wreathed in ravens. Below the river, forest spirits wove among power lines, bird bones cracked beneath the soles of children, motes rose. Lily lost sight of Ain, the dam broke and children cheered.

Time passed. Ceaseless time.

Lily drifted through petroleum smoke, dashi, the burning husks of gods. She watched the river ryū sweep through her street, turbid with the broken heads of graves, mad with phantoms. She visited memories yet to form, nurseries of dust, cosmic return of the infinite perceiving itself. She cried, remembering everything, the smell Ain’s wet hair, ricochet of a glass bottle, Lenin’s dirt-smeared skin, the birth and death of the universe; mother unable to afford pad paper, sakura bursting the sky pink, couples riding past on too expensive bikes, father drunk on sake. Ribbons of light danced around Lily, a playful susurration, feeding her more and more memories.

Isn’t it beautiful? Existence burning through itself? A departure with no ending, no beginning, no becoming? Haven’t you lived a full life? Won’t you live it again?

Lily screamed. Split dam flooded the empty grave. The same smell of soy, dust and sweat every day. Lack birthed in the space between, like teeth, lacuna bleeding. Nightmares and old memories pouring out like a knife. Ryū stiffened, red streak across the sky, tail burying into the earth. Rice steam filled the air, a passing train carried Ain and Lily into the city, crowds of smoke, her crescent eyes reflected in a storefront, the eyes her mother loved. April awakening of the forest gods, cool spring rustled the hair around her neck, a humid breath descended from the mountain to the lake. Warm rain fell in sheets, city smudged out of focus, bokeh lights departing, Ain’s wet skin—

The city retracted; a whimper escaped her mouth; her fingers passed through power lines, wood smoke, pavement; seasons collapsed, superimposed like holograms, snow and humus; gyoza steamed, air sirens blared beneath the shadow of foreign planes; kodama rose as ancient trees reclaimed the land; volcanic blasts shook the ocean, AI sped to singularity; reality vanished like light falling off a mirror and Lily ceased to feel.

Space is illusory.

Lily.

It travels ceaselessly through itself.

Lily, stop.

And we don’t exist.

Lily grinned, rising from the reeds, a cattail in each hand. She sped towards a screaming Ain, who tripped on a willow root, and began bopping relentlessly.

“Lily!” Ain cried, squirming on the ground. “Lily, stop!”

Lily grinned, rising from the reeds, a cattail in each hand. She sped towards a screaming Ain, who tripped on a willow root, and began bopping relentlessly.

“Lily!” Ain cried, squirming on the ground. “Lily, stop!”

Lily grinned, rising from the reeds, a cattail in each hand. She sped towards a screaming Ain, who tripped on a willow root, and began bopping relentlessly.

“Lily!” Ain cried, grabbing Lily’s wrists. “Haven’t we done this enough?”
[3] time is a flat circle perceiving itself
/
[1] hellopoetry.com/poem/1554623/the-end-came-a-long-time-ago
/
[2] hellopoetry.com/poem/1798516/an-echo-of-ain
/
Akemi Jan 2017
broken pieces of a holiday clock
displaced by the phantom visages of
our own vanishing hands.
the world is in the process of becoming god
transient pieces of sentience wander through the miasma of existence
and depart understanding nothing
this is the state of chaos // fracturing // perplexity
light through wood beams at a pier
sand white with heat
sentience is not a closed circle
the subject is constructed through aperture, the opening of perception, a conjoining of self with world
in this process the other is not severed from the self, but encompassed within it
one becomes the negation of oneself // an infinite regress // a dialectic
when negation reaches totality god will finally come into being
history will end
and the world will die.
Norman dePlume Jan 2016
Should it come to this, without remorse? Like that orange, feeble
and deciduous, while we waited with binoculars through that gray on gray
afternoon for the owl to spread its wings. Perhaps it did, past dusk,
behind the trees, under those vaguely baleen-formed clouds.

The clouds cast shadows on other clouds, as if holding them up against reality, even for our affirmation. Did you think of me this morning, over your Life cereal, and did you miss the fruit?  The “organic wholeness?” What is the determinant thing that dissolves?

The dissolution of the self-contradictory comes from the dissolution of the determinant thing. Arguments formed in apartments over a bowl of cherries or a bowl of ****, or some such. Loss of a determinate thing (under Article 1262, par. 1.) is the equivalent of impossibility of performance in obligations to do referred to in Article 1266. We are left with the form of a bowl, perhaps a ginger bowl, or some form of lost lacquer.

The distinct lack of skyscrapers from SoHo up through Chelsea was said to be a function of Manhattan bedrock. But modern materials seem to have overcome that problem. Getting on the subway, he heard someone say “…as if each word is born with another word, and spends its life on lines looking for the perfect rhyme". "You know they mate for life," he thought, "the swans. If one is killed, the other often dies of boredom.”
(c) 2016. This started as another Ashbery parody, but once Hegel wormed his way in, I took out all the line breaks and flarfed it up a bit.

— The End —