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Ottar Apr 2015
eyes that drink it in,
eyes that glaze, eyes tempted sin,
walk, drive, hear or see,

        scent or feel,
what has this to do with me,
is it all the outside objects of desire for poetry,
is it for a friend,
is it at the end of the day, in a wild free-
verse way, is this a dress rehearsal for after-play,

in love,
of love, gone astray
of self-image, renovation reconstruction,
but you can no longer see the dysfunction,
but,
but;
the broken exploded pieces of your heart,
are lodged in every nerve, you can only writhe
to your pain.  

you have meter, you have mitre, cut the rhythm so
close to perfection, a pentameter of frustration, first
name, iambic.

Will you be content,
with the content,
language sounds
hard and rounds,
soft supple syl-
lables slipping silently,
off your tongue,

the strongest muscle,
a double edged, an implement,
sword for word play too.

Poetry is special, as those who strive
to write it,
they may be life lessons shared
to right their ship,
poetry may be long,
it may be short,
you may
write in
privacy,
and no one will
ever read your poetry,
but if they do, you may know, that their
life has changed, and they may never thank you.

And as I often do and this is not an insult but
sometimes true, though I write poetry from
that awful place of woe in me, I seldom
see myself a poet. But my Muse I believe
and it tells me that I am.
Are there two Haiku?

— The End —