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Michael R Burch May 2021
THE RUIN in a Modern English Translation

"The Ruin" is one of the great poems of English antiquity. This modern English translation of one of the very best Old English/Anglo-Saxon poems is followed by footnotes, a summary and analysis, a discussion of the theme, and the translator's comments.


THE RUIN
loose translation/interpretation by Michael R. Burch

well-hewn was this wall-stone, till Wyrdes wrecked it
and the Colossus sagged inward ...

broad battlements broken;
the Builders' work battered;

the high ramparts toppled;
tall towers collapsed;

the great roof-beams shattered;
gates groaning, agape ...

mortar mottled and marred by scarring ****-frosts ...
the Giants’ dauntless strongholds decaying with age ...

shattered, the shieldwalls,
the turrets in tatters ...

where now are those mighty Masons, those Wielders and Wrights,
those Samson-like Stonesmiths?

the grasp of the earth, the firm grip of the ground
holds fast those fearless Fathers
men might have forgotten
except that this slow-rotting siege-wall still stands
after countless generations!

for always this edifice, grey-lichened, blood-stained,
stands facing fierce storms with their wild-whipping winds
because those master Builders bound its wall-base together
so cunningly with iron!

it outlasted mighty kings and their claims!

how high rose those regal rooftops!
how kingly their castle-keeps!
how homely their homesteads!
how boisterous their bath-houses and their merry mead-halls!
how heavenward flew their high-flung pinnacles!
how tremendous the tumult of those famous War-Wagers ...
till mighty Fate overturned it all, and with it, them.

then the wide walls fell;
then the bulwarks were broken;
then the dark days of disease descended ...

as death swept the battlements of brave Brawlers;
as their palaces became waste places;
as ruin rained down on their grand Acropolis;
as their great cities and castles collapsed
while those who might have rebuilt them lay gelded in the ground:
those marvelous Men, those mighty master Builders!

therefore these once-decorous courts court decay;
therefore these once-lofty gates gape open;
therefore these roofs' curved arches lie stripped of their shingles;
therefore these streets have sunk into ruin and corroded rubble ...

when in times past light-hearted Titans flushed with wine
strode strutting in gleaming armor, adorned with splendid ladies’ favors,
through this brilliant city of the audacious famous Builders
to compete for bright treasure: gold, silver, amber, gemstones.

here the cobblestoned courts clattered;
here the streams gushed forth their abundant waters;
here the baths steamed, hot at their fiery hearts;
here this wondrous wall embraced it all, with its broad *****.

... that was spacious ...



Footnotes and Translator's Comments
by Michael R. Burch

Summary

"The Ruin" is an ancient Anglo-Saxon poem. It appears in the Exeter Book, which has been dated to around 960-990 AD. However, the poem may be older than the manuscript, since many ancient poems were passed down ****** for generations before being written down. The poem is an elegy or lament for the works of "mighty men" of the past that have fallen into disrepair and ruins. Ironically, the poem itself was found in a state of ruin. There are holes in the vellum upon which it was written. It appears that a brand or poker was laid to rest on the venerable book. It is believed the Exeter Book was also used as a cutting board and beer mat. Indeed, we are lucky to have as much of the poem as we do.

Author

The author is an unknown Anglo-Saxon scop (poet).

Genre

"The Ruin" may be classified as an elegy, eulogy, dirge and/or lament, depending on how one interprets it.

Theme

The poem's theme is one common to Anglo-Saxon poetry and literature: that man and his works cannot escape the hands of wyrde (fate), time and death. Thus men can only face the inevitable with courage, resolve, fortitude and resignation. Having visited Bath myself, I can easily understand how the scop who wrote the poem felt, and why, if I am interpreting the poem correctly.

Plot

The plot of "The Ruin" seems rather simple and straightforward: Things fall apart. The author of the poem blames Fate for the destruction he sees. The builders are described as "giants."

Techniques

"The Ruin" is an alliterative poem; it uses alliteration rather than meter and rhyme to "create a flow" of words. This was typical of Anglo-Saxon poetry.

History

When the Romans pulled their legions out of Britain around 400 BC, primarily because they faced increasing threats at home, they left behind a number of immense stone works, including Hadrian's Wall, various roads and bridges, and cities like Bath. Bath, known to the Romans as Aquae Sulis, is the only English city fed by hot springs, so it seems likely that the city in question is Bath. Another theory is that the poem refers to Hadrian's Wall and the baths mentioned were heated artificially. The Saxons, who replaced the Romans as rulers of most of Britain, used stone only for churches and their churches were small. So it seems safe to say that the ruins in question were created by Roman builders.

Interpretation

My personal interpretation of the poem is that the poet is simultaneously impressed by the magnificence of the works he is viewing, and discouraged that even the works of the mighty men of the past have fallen to ruin.

Analysis of Characters and References

There are no characters, per se, only an anonymous speaker describing the ruins and the men he imagines to have built things that have survived so long despite battles and the elements.

Related Poems

Other Anglo-Saxon/Old English poems: The Ruin, Wulf and Eadwacer, The Wife's Lament, Deor's Lament, Caedmon's Hymn, Bede's Death Song, The Seafarer, Anglo-Saxon Riddles and Kennings

Keywords/Tags: Anglo-Saxon, Old English, England, translation, elegy, lament, lamentation, Bath, Roman, giant, giants, medieval, builders, ruin, ruins, wall, walls, fate, mrbtr
Ameed Dec 2019
Those who are young are not to be equated
with those who are older.
And those who are bright are not to be equated
with anyone but themselves
for they are the builders of
our new world.
Nigdaw Jul 2019
From far away they come
hard men all,
mercenaries under a foreign sun

oblivious to its rays they
bare all, turning puce red
or peel, under hard hats,

cut down jeans, working boots,
tool belts, like desert rats
fighting for a new horizon

Scouse, Manc, Paddy
nicknamed and framed
by the mockery of their peers

shouting language across green lawns
not yet laid, that most definitely
won’t be heard in the select circles

that will inhabit these modern homes
castles one and all, individually the same
oh no, they won’t be welcome

lowering the neighbourhood tone,
four wheel drive and pick-up
replaced by Mercedes and BMW

Nature settles in again, to frame
like the scar around a wound
healed but never quite the same

So they move on, soldiers of fortune,
mercenaries under a foreign sun
building new structures to change our futures.
Colm Jul 2017
Inanimate
How much easier it would be, to be
Or so at least I like to think
When my mind runs away from the building of me
Like a brick I fall
Like a block I sink
Hopefully back into place
But if it's not for me
Would you tear me apart God brick by brick?
And build me as I was meant to be?
Not all that I do...is rooted in truth or humility. RIP.
The mists that part,
  By Bride's Day light,
Are mists between the worlds,
They open wide,
  The gates of night,
And allow things to pass both ways,
What died before,
  Comes forth once more,
The serpent's wings are spread,
On Hallow's Eve,
  That sacrifice,
Begins the year again,
Forth from the well,
  Between the worlds,
Scaled form returns once more,
A new year dawns,
  In dark moon light,
And all begins once more,
Upon her forge,
  New year is wrought,
By hammer and by flame,
The raven's call,
  The hope of all,
As she forges the year again,
Now the births,
  In springtime snows,
In cold and solemn moons,
Keeper of Ways,
  Builder of Paths,
Takes now the regency,
Misrule is done,
  That tide is turned,
Bride's Time has come again,
The Trouble Moon,
  It parts and passes,
The Lost Moon begins again.
And awakened now,
  The serpent old,
Begins a journey home,
As they open wide,
  The gates of night,
And allow things to pass both ways,
For the mists that part,
  By Bride's Day light,
Are mists between the worlds.
~Mists Between the Worlds, a Candlemas poem by Lorekeeper, February 3, 2017

— The End —